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The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Übernachten 217
Übernachten 217 Cooler Hotel-Neubau am Kongens Nytorv zudem mit Sonderangeboten, die die ϓ Karte S. 220/221 auf den folgenden Seiten angegebenen Richtpreise oft unterbieten. Übernachten Hostels bieten meist ein sehr gutes Preis-Leistungs-Verhältnis, zudem lie- Dass Kopenhagen teuer ist, merkt man gen viele ziemlich zentral. Erstklassige zuallererst an den Hotelpreisen. Wer und dabei recht günstige Privatunter- Wert auf eine elegante Zimmereinrich- künfte sind bei Internet-Anbietern tung legt und das moderne Möbelde- leicht in Bestlage zu finden. Privat- sign aus Skandinavien liebt, kommt unterkünfte bei Airbnb können güns- unter 150 €/DZ nicht weg. Teure Hotels tig, zentral und schön sein. befinden sich in zentraler Lage und bieten individuelle Interieurs wie auch erstklassigen Service. Grundsätzlich Hotels variieren die Zimmerpreise aller Her- Sehr hilfreich für die Hotelauswahl ist bergen von Tag zu Tag, oft sehr deut- der Internetauftritt der dänischen Tou- lich, abhängig von der Saison, vom rismuszentrale in Hamburg www. Wochentag und natürlich dem Zimmer. visitdenmark.de: Man kann bei den Doch grundsätzlich gilt: Wer online dort aufgelisteten Hotels gleich direkt bucht, profitiert in den allermeisten ein Zimmer buchen. Fällen von erheblichen Preisvorteilen, Wer ein Hotelzimmer erst in Kopenha- und dies umso mehr, je früher man dies gen buchen will, wird zwar auch zur tut. Wer dazu noch auf jede Flexibilität Hochsaison ein Zimmer finden, aller- bei der Stornierung verzichtet, zahlt am dings sind die Preise dann deutlich hö- wenigsten. Im Preis inklusive ist, falls her als bei der langfristigen Vorausbu- vorhanden, die Internetnutzung per chung über das Internet. WLAN (WiFi), Frühstück muss jedoch meist extra bezahlt werden. -
Oil Sketches and Paintings 1660 - 1930 Recent Acquisitions
Oil Sketches and Paintings 1660 - 1930 Recent Acquisitions 2013 Kunsthandel Barer Strasse 44 - D-80799 Munich - Germany Tel. +49 89 28 06 40 - Fax +49 89 28 17 57 - Mobile +49 172 890 86 40 [email protected] - www.daxermarschall.com My special thanks go to Sabine Ratzenberger, Simone Brenner and Diek Groenewald, for their research and their work on the text. I am also grateful to them for so expertly supervising the production of the catalogue. We are much indebted to all those whose scholarship and expertise have helped in the preparation of this catalogue. In particular, our thanks go to: Sandrine Balan, Alexandra Bouillot-Chartier, Corinne Chorier, Sue Cubitt, Roland Dorn, Jürgen Ecker, Jean-Jacques Fernier, Matthias Fischer, Silke Francksen-Mansfeld, Claus Grimm, Jean- François Heim, Sigmar Holsten, Saskia Hüneke, Mathias Ary Jan, Gerhard Kehlenbeck, Michael Koch, Wolfgang Krug, Marit Lange, Thomas le Claire, Angelika and Bruce Livie, Mechthild Lucke, Verena Marschall, Wolfram Morath-Vogel, Claudia Nordhoff, Elisabeth Nüdling, Johan Olssen, Max Pinnau, Herbert Rott, John Schlichte Bergen, Eva Schmidbauer, Gerd Spitzer, Andreas Stolzenburg, Jesper Svenningsen, Rudolf Theilmann, Wolf Zech. his catalogue, Oil Sketches and Paintings nser diesjähriger Katalog 'Oil Sketches and Paintings 2013' erreicht T2013, will be with you in time for TEFAF, USie pünktlich zur TEFAF, the European Fine Art Fair in Maastricht, the European Fine Art Fair in Maastricht. 14. - 24. März 2013. TEFAF runs from 14-24 March 2013. Die in dem Katalog veröffentlichten Gemälde geben Ihnen einen The selection of paintings in this catalogue is Einblick in das aktuelle Angebot der Galerie. Ohne ein reiches Netzwerk an designed to provide insights into the current Beziehungen zu Sammlern, Wissenschaftlern, Museen, Kollegen, Käufern und focus of the gallery’s activities. -
Arne Jacobsen Arne Jacobsen
ARNEARNE JJAACOBSENCOBSEN THETHE TTONGUEONGUE THE TONGUE We fell truly, madly, deeply in love with this chair We admit it. We just fell in love. When the opportunity arose to take Arne Jacobsen’s Tongue chair under our wing at HOWE, we couldn’t resist. Does it sound crazy? That’s fine. We’re happy to say that we’re more than a little mad about this delightful chair. 4 5 A lost classic returns You see, the cutely named Tongue is a Danish design classic that went missing. Designed right after the Ant chair in 1955, the Tongue was always one of Arne Jacobsen’s favourites but never really found a home. Now the Tongue is back. 6 7 A visionary designer Arne Jacobsen (1902-1971) is one of the best known designers of the 20th century. An extraordinary man of immense vision, Arne Jacobsen occupies the pinnacle of modern Danish design. His work epitomises Danish modernism and is held permanently by museums, prized by collectors, and employed throughout the world in home, work and educational environments. 8 9 Arne Jacobsen’s childhood Arne Jacobsen was born in Copenhagen in 1902. He was an only child in a family where the father was a wholesaler and the mother was one of the first women in Denmark to be trained in banking. The family home was a true Victorian styled home which probably led a young Arne Jacobsen to paint the walls in his room white as a contrast to the lavishly decorated interior. 10 11 12 13 A natural talent for painting At the age of 11 Arne Jacobsen was sent away to a boarding school. -
Bk Inno 001294.Pdf
LESSON NOTES Advanced Audio Blog S1 #1 To p 10 Danish Holidays and Festivals: Ascension Day CONTENTS 2 Danish 3 English 4 Vocabulary 4 Sample Sentences 5 Cultural Insight # 1 COPYRIGHT © 2013 INNOVATIVE LANGUAGE LEARNING. ALL RIGHTS RESERVED. DANISH 1. Kristi Himmelfartsdag fejres i Danmark 40 dage efter Påskesøndag. 2. Det fejres altid på en torsdag, og er også kendt som Kristi yvdag. 3. Datoen ændres dog fra år til år. 4. Kristi Himmelfartsdag fejrer dagen, 40 dage efter påske, hvor Jesus Kristi jordiske legeme steg til himmel. 5. Kristi Himmelfartsdag er en økumenisk fest i den kristne kirke, hvilket Betyder, at det Bliver fejret af alle trosretninger og kulturer inden for den kristne kirke. 6. Denne dag er lige så vigtig som påske eller pinse. 7. I den katolske tradition er Kristi Himmelfartsdag en helligdag af forpligtelse. 8. Kristi Himmelfartsdag er en helligdag i Danmark. 9. Skoler og kontorer er lukket, og mange butikker og restauranter er lukket eller delvist lukket på denne dag. 10 . Mange arBejdspladser har også lukket dagen efter Kristi Himmelfartsdag, hvilket resulterer i en lang weekend fra torsdag til den følgende mandag for medarBejderne. 11. Dem som ikke har fri dagen efter Kristi Himmelfartsdag tager ofte fri alligevel for at få en forlænget weekend. 12. Der er mange helligdage i Danmark i foråret; faktisk er der en periode omkring påske, hvor der næppe er en hel arbejdsuge på grund af alle helligdagene. 13. Kristi Himmelfartsdag har ikke mange særlige traditioner i Danmark, udover det for nogen traditionelle kirkebesøg. CONT'D OVER DANISHCLASS101.COM ADVANCED AUDIO BLOG S1 #1 - TOP 10 DANISH HOLIDAYS AND FESTIVALS: ASCENSION DAY 2 14. -
352 INDE X 000 Map Pages 000 Photograph Pages
© Lonely Planet Publications 352 Index Andersen, Martin 190 Bellevue beach 113 DANISH ALPHABET Anemonen 178 Charlottenlund 88 Note that the Danish letters Æ, animals 59, see also individual animals Dueodde 189 Ø and Å fall in this order at the Græsholm 197 Ebeltoft 272 end of the alphabet. Skandinavisk Dyrepark 274 Gilleleje beaches 128 Staffordshire china spaniels 226 Grenaa 273 animal parks, see zoos & animal parks Hornbæk Beach 126 A Anne Hvides Gård 216-17 Jutland’s best 309 Aa Kirke 187 Ant chair 231 Karrebæksminde 152 Aalborg 294-300, 296 Apostelhuset 151 Klintholm Havn 172 Aalborg Carnival 297 Aqua 276 Køge 140 Aalborg history museums 295 aquariums Marielyst 176 Aalborg Zoo 297 Aqua 276 Melsted 192 Aalholm Automobil Museum 180 Danmarks Akvarium 113 Moesgård Strand 260 Aalholm Slot 180 Fiskeri- og Søfartsmuseet 234 Ristinge 222 accommodation 314-17 Fjord & Bælt 210 Tisvildeleje beach 129 language 338 Kattegatcentret 273 Tornby Strand 309 activities 8-9, 62-8, 317, see also Nordsømuseet 309 Ulvshale Strand 169 individual activities Aquasyd Dykker & Vandsportscenter 176 bed & breakfasts 316 adventure-holiday spots 278 architecture 158-9 beer 49-50, 245 air pollution 61 Aalborg houses 295 Carlsberg Visitors Center 88 air travel 326-8 Anne Hvides Gård 216-17 microbreweries 7 INDEX airports 326 Kommandørgården 244 Ølfestival 22 tickets 326 Kubeflex 231 Bellevue beach 113 to/from Denmark 326 Nordjyllands Kunstmuseum 297 Besættelsesmuseet 262 within Denmark 331 Rudkøbing 220-1 bicycling, see cycling Allinge 195-6 Arken Museum Of Modern -
Vejviser for Gjentofte-Ordrup, Lyngby Og Søllerød Kommuner. 1898
Dette værk er downloadet fra Slægtsforskernes Bibliotek Slægtsforskernes Bibliotek er en del af foreningen DIS- Danmark, Slægt & Data. Det er et special-bibliotek med værker, der er en del af vores fælles kulturarv, blandt andet omfattende slægts-, lokal- og personalhistorie. Slægtsforskernes Bibliotek: http://bibliotek.dis-danmark.dk Foreningen DIS-Danmark, Slægt & Data: www.slaegtogdata.dk Bemærk, at biblioteket indeholder værker både med og uden ophavsret. Når det drejer sig om ældre værker, hvor ophavs-retten er udløbet, kan du frit downloade og anvende PDF-filen. Når det drejer sig om værker, som er omfattet af ophavsret, er det vigtigt at være opmærksom på, at PDF-filen kun er til rent personlig, privat brug. VEJVISER fo r Gjentofte —Ordrup, Lyngby og Søllerød Kommuner 1898 PETER SØRENSEN Eneste Guldmedaille Nørrevoldgade 22 for Pengeskabe i Danmark. Telefon 223 Midt for Ørstedsparken Telefon: O rd ru p 4 0 . Voldkvarterets Magasiners Filial (cand. pharm. Jacob U. Nielsen) C h a m p a g n e fra de Montigny & Co., Epernay Demi sec. Kr. 6,50, Carte blanche Kr. 5,50, Grand Sillery Kr. 4,50 Ikamfinol Tilberedte Oliefarver dtæ 'ber 2w£»l Dobbelt Roborans 1 Kr. pr. Fl. Kul, Gokes og Brænde ½ Fl. 2,25, V» Fl. 1,25 Vejviser for Gjentofte— Ordrup, Lynyby og Sollered Kommuner 1898 af G. Elley og L. Larsen, Hellerup. Pris: 2 Kr. Hellerup Bog- og Papirhandel ved Chr. Schmidt, Strandvej 151. Trykt hos Th. Nielsen, Kjobonhavn K. o Avertissementer. Lund & Lawerentz, Etablissement for ■ Qasbelysiiingsarti^Ier. ------------K— — Største Lager af (Saøhroner — Hamper — Hampetter (Saø=1kogeapparater — (Baø*£tegeovne $aø*1kakfcelovne — (Saø*Bat>eovne. -
Skoledistrikter 2021-2022
Distriktsskole sorteret efter vejnavne, skoleåret 2021/2022 Vejnavne sorteret efter distriktsskole, skoleåret 2021/2022 ulige lige ulige lige Vejnavn By Distriktsskole Distriktsskole Vejnavn By husnr husnr husnr husnr Abildgaardsvej 33-123 2-108 Virum Hummeltofteskolen Engelsborgskolen Agerbovej 1-11 2-16 Kgs. Lyngby Abildgaardsvej 130+132 Virum Hummeltofteskolen Engelsborgskolen Agermånevej 1-7 4 Kgs. Lyngby Abildgaardsvej 138+140 Hummeltofteskolen Engelsborgskolen Agnetevej 3-33 2-28 Kgs. Lyngby Abildgaardsvej 125-175 142-180 Virum Virum Skole Engelsborgskolen Amundsensvej 64-66 Kgs. Lyngby Abildgaardsvej 134+136 Virum Skole Engelsborgskolen Asavænget 4-36 Kgs. Lyngby Agerbakken 3-9 4-6 Virum Virum Skole Engelsborgskolen Bagsværdvej 65-95 66-96 Kgs. Lyngby Agerbovej 1-11 2-16 Kgs. Lyngby Engelsborgskolen Engelsborgskolen Baune Alle 2 Kgs. Lyngby Agermånevej 1-7 4 Kgs. Lyngby Engelsborgskolen Engelsborgskolen Birkedal 5-23 Kgs. Lyngby Agernvej 1-45 Virum Virum Skole Engelsborgskolen Birkhøjvej 3-17 4-16 Kgs. Lyngby Agervang 1-35 4-102 Kgs. Lyngby Lindegårdsskolen Engelsborgskolen Blomstervænget 1-105 2-52 Kgs. Lyngby Agnesvej 3-17 2-26 Kgs. Lyngby Lindegårdsskolen Engelsborgskolen Buddingevej 15-87 6-90 Kgs. Lyngby Agnetevej 3-33 2-28 Kgs. Lyngby Engelsborgskolen Engelsborgskolen Chr.Winthers Vej 3-55 2-48 Kgs. Lyngby Ahornvej 3-19 4-16 Virum Fuglsanggårdsskolen Engelsborgskolen Christian X's Alle 5-117 2-172 Kgs. Lyngby Akacievej 11-49 4-50 Virum Fuglsanggårdsskolen Engelsborgskolen Durosvej 1-15 2-20 Kgs. Lyngby Akademivej 1-451 100-450 Kgs. Lyngby Trongårdsskolen Engelsborgskolen Egebovej 1-9 2-12 Kgs. Lyngby Akustikvej 353-355 354 Kgs. Lyngby Trongårdsskolen Engelsborgskolen Egevænget 1-17 2-22 Kgs. -
BL Catalogue-2015.Pdf
INDEX by Lassen 2 Mogen Lassen 4 Flemming Lassen 6 Local Manufacturing 10 My Kubus 13 Frame 19 Frame App 24 NEW / Saxe 27 NEW /The Tired Man 33 Mingle 37 ML42 47 Twin 53 NEW /Stropp 59 Flow 63 Flow Cushion 69 Kubus 79 Line 85 Base 91 Kubus Bowl 95 House Graphics 105 Illustrate 109 View 113 Product Overview 121 ’LUCKILY, PEOPLE ARE DIFFERENT.’ Mogens Lassen About by Lassen by Lassen owns the rights to the designs of two of Denmark’s greatest architects Mogens Lassen (1901-1987) and Flemming Lassen (1902-1984). The Lassen brothers were extremely talented and were honoured with many awards and grants for their unique designs and iconic architecture. by Lassen is a family business whose simple mission is to carry the Lassen legacy forward - because good design lives on through new generations. 1 2 Mogens billede i ny kontekst Mogens Lassen Architect Mogens Lassen (1901-1987) is among the greatest and most influential of Danish architects, a pioneer of Danish Functionalism, and is internationally renowned for his characteristic architecture. Mogens Lassen was inspired by the German design school Bauhaus, and its geometric shapes recur often in his iconic designs. 3 4 Flemming Lassen Architect Flemming Lassen (1902-1984) was a Modernist and part of the movement that brought Functionalism to Denmark. Flemming Lassen is particularly well known for his work with Arne Jacobsen on the award-winning House of the Future and Søllerød Town Hall, and his furniture has also achieved international recognition. 5 6 7 8 Locally made & fine Craftsmanship ”Good craftsmanship should be appreciated.” Mogens Lassen, the man behind the quotation and designer of the iconic Kubus candleholder, was well aware of the importance of craftsmanship. -
Dyrehavens Maleres Udstilling
& '"HK/ $ 592. ^ T FORENINGEN DYREHAVENS MALERES UDSTILLING 1.9*2*0 OKTOBER 1920 » d. 17.—31. incl. &3S£>5 £ ^LEf& DEN FRIE UDSTILLING OKTOBER 1920 * STATENS ^ kunst::.",tokiske FUTo GU Al t . SAMLir. <; FORENINGENS POSTADRESSE: STENGAARDS ALLÉ 7 HELLERUP TELEFON: HELLERUP 1350 Julius Heckscher - • Assuranceforretning • • Grundlagt 1852 W Al 1 e Arter Assurance Østergade31 - København K. - - Telefoner: 1527 - 10.526 - 10.527 - - Udstillernes Adresser findes anført bag i Kataloget. ARBEJDER MED MOTIVER FRA DYREHAVEN OG OMEGN Willi- Andersen: Nr. Kr. 1. Vej til Fuglesangsøen 600 Chr. Asmussen: 2. De tre Popler, Vilvordevej 600 3. Brune Bøge, Charlottenlund 250 4. Ved Løvfaldstid i Krattet 450 5. Foraar 150 6. Ved Bernstorff Avlsgaard 350 7. Udhus ved Hovmarksgaarden 200 8. Birkerenden, Bernstorff 450 Tare Aubertin-Jespersen: 9. Formiddag paa Sletten 200 10. Solopgang 100 Au g. Den c ker: 11. Tidligt Foraar i Ermelunden 550 12. Birketræer i et Indelukke i Nærheden af Fug lesangsøen, Marts 800 13. Vejen forbi Bakken, Februar 500 14. Trægruppe i Nærheden af Schimmelmanns Vildthus, Septemberaften 1600 - 3 - Kr. 15. Elletræer i Formiddagssol ved Schimmelmanns Vildthus 700 16. Aften i August, ved Schimmelmanns Vildthus 650 17. Eftermiddag i September, ved Schimmelmanns Vildthus 700 Hans Flygenring: 18. Ved Dyrehavsbakken, Marts 500 19. Ved Dyrehavsbakken, Marts 500 H. Gyde-Petersen, R. af Dbg.; 20. Kildesøen, Dyrehaven 800 21. Decemberdag, Dyrehaven (Privat Eje) Thorvald Hansen: 22. Kronvildt paa Erimitagesletten 550 23. Køer i Indelukket ved Fortunen 400 24. Køer ved et Vandtrug, Eftermiddag 450 25. Køer i Indelukket ved Fortunen 550 26. Kronvildt, September 200 27. Efteraar i Dyrehaven 200 Alfred Harlig: 28. -
Tourism Mobility in the Suburbs
Tourism Mobility in the suburbs A Case Study of Kongens Lyngby Written by: Susanne Neander Duus Master in Tourism Student nr. 20150817 10th semester Supervisor: Carina Ren Aalborg University Hand in date: 31-07-2017 Denmark 1 Abstract Tourism mobility has become a new travelling behavior, which results from our access to digital devices and urge for being self reliant when travelling. We, no longer need the traditional touristic elements. This new behavior has especially transformed our travel habits and the travelling industry is the one industry that have taken the digital age to heart. This turn in our mobility is discussed through a historic development where the perspective for the case of Lyngby are being discussed. The discussion leads to the case study of Lyngby. A suburb to Copenhagen, which are developing the city through knowledge. However, as a resident in the city I have wondered why tourism, has no part in the City. I have found several contradictions, such as the tourism office that closes, and a tourist strategy that is being created at the same time, based on a vague report, furthermore the neglection of tourism, which is also made on vague grounds. A statement from the municipality awaked my curiosity; “the fact is, that we don't want tourism”. However as an employee of the city's hotel, I saw many tourists and their need for touristic products. There seem to be a misconception of tourism among the city representants and also a lack of acknowledgement for how tourism can contribute to the local stakeholders, residents and the community. -
Scandi Navian Design Catalog
SCANDI NAVIAN DESIGN CATALOG modernism101 rare design books Years ago—back when I was graphic designing—I did some print advertising work for my friend Daniel Kagay and his business White Wind Woodworking. During our collaboration I was struck by Kagay’s insistent referral to himself as a Cabinet Maker. Hunched over my light table reviewing 35mm slides of his wonderful furniture designs I thought Cabinet Maker the height of quaint modesty and humility. But like I said, that was a long time ago. Looking over the material gathered under the Scandinavian Design um- brella for this catalog I now understand the error of my youthful judgment. The annual exhibitions by The Cabinet-Makers Guild Copenhagen— featured prominently in early issues of Mobilia—helped me understand that Cabinet-Makers don’t necessarily exclude themselves from the high- est echelons of Furniture Design. In fact their fealty to craftsmanship and self-promotion are constants in the history of Scandinavian Design. The four Scandinavian countries, Denmark, Sweden, Norway and Finland all share an attitude towards their Design cultures that are rightly viewed as the absolute apex of crafted excellence and institutional advocacy. From the first issue of Nyt Tidsskrift for Kunstindustri published by The Danish Society of Arts and Crafts in 1928 to MESTERVÆRKER: 100 ÅRS DANSK MØBELSNEDKERI [Danish Art Of Cabinetmaking] from the Danske Kunstindustrimuseum in 2000, Danish Designers and Craftsmen have benefited from an extraordinary collaboration between individuals, manufacturers, institutions, and governments. The countries that host organizations such as The Association of Danish Furniture Manufacturers, The Association of Furniture Dealers in Denmark, The Association of Interior Architects, The Association of Swedish Furni- ture Manufacturers, The Federation of Danish Textile Industries, Svenska Slojdforeningen, The Finnish Association of Designers Ornamo put the rest of the globe on notice that Design is an important cultural force deserv- ing the height of respect.