Arne Jacobsen DESCRIPTION
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Arne Jacobsen Arne Jacobsen
ARNEARNE JJAACOBSENCOBSEN THETHE TTONGUEONGUE THE TONGUE We fell truly, madly, deeply in love with this chair We admit it. We just fell in love. When the opportunity arose to take Arne Jacobsen’s Tongue chair under our wing at HOWE, we couldn’t resist. Does it sound crazy? That’s fine. We’re happy to say that we’re more than a little mad about this delightful chair. 4 5 A lost classic returns You see, the cutely named Tongue is a Danish design classic that went missing. Designed right after the Ant chair in 1955, the Tongue was always one of Arne Jacobsen’s favourites but never really found a home. Now the Tongue is back. 6 7 A visionary designer Arne Jacobsen (1902-1971) is one of the best known designers of the 20th century. An extraordinary man of immense vision, Arne Jacobsen occupies the pinnacle of modern Danish design. His work epitomises Danish modernism and is held permanently by museums, prized by collectors, and employed throughout the world in home, work and educational environments. 8 9 Arne Jacobsen’s childhood Arne Jacobsen was born in Copenhagen in 1902. He was an only child in a family where the father was a wholesaler and the mother was one of the first women in Denmark to be trained in banking. The family home was a true Victorian styled home which probably led a young Arne Jacobsen to paint the walls in his room white as a contrast to the lavishly decorated interior. 10 11 12 13 A natural talent for painting At the age of 11 Arne Jacobsen was sent away to a boarding school. -
Denmark's Central Bank Nationalbanken
DANMARKS NATIONALBANK THE DANMARKS NATIONALBANK BUILDING 2 THE DANMARKS NATIONALBANK BUILDING DANMARKS NATIONALBANK Contents 7 Preface 8 An integral part of the urban landscape 10 The facades 16 The lobby 22 The banking hall 24 The conference and common rooms 28 The modular offices 32 The banknote printing hall 34 The canteen 36 The courtyards 40 The surrounding landscaping 42 The architectural competition 43 The building process 44 The architect Arne Jacobsen One of the two courtyards, called Arne’s Garden. The space supplies daylight to the surrounding offices and corridors. Preface Danmarks Nationalbank is Denmark’s central bank. Its objective is to ensure a robust economy in Denmark, and Danmarks Nationalbank holds a range of responsibilities of vital socioeconomic importance. The Danmarks Nationalbank building is centrally located in Copen hagen and is a distinctive presence in the urban landscape. The build ing, which was built in the period 1965–78, was designed by interna tionally renowned Danish architect Arne Jacobsen. It is considered to be one of his principal works. In 2009, it became the youngest building in Denmark to be listed as a historical site. When the building was listed, the Danish Agency for Culture highlighted five elements that make it historically significant: 1. The building’s architectural appearance in the urban landscape 2. The building’s layout and spatial qualities 3. The exquisite use of materials 4. The keen attention to detail 5. The surrounding gardens This publication presents the Danmarks Nationalbank building, its architecture, interiors and the surrounding gardens. For the most part, the interiors are shown as they appear today. -
Arne Jacobsen the Egg Chair ™ in Genuine Greenlandic Sealskin
PRESS Adding value to the world’s most difficult supply chains A Danish design icon in Greenland Arne Jacobsen the Egg Chair ™ in genuine Greenlandic sealskin På vej mod nye mål Exclusive limited edition by Numbered exclusive edition of Danish design classic: A limited edition of the original Fritz Hansen The Egg ™ is being produced for Arctic Living in Nuuk. Each chair is covered with unique sealskin - and no two chairs are alike. Experience the chair in Arctic Living in Nuuk. The Egg ™ in Greenlandic sealskin. You know the chair and the architect who designed it. As a tribute to both, Arctic Import - who owns the lifestyle store Arctic Living in Nuuk – is getting a limited and numbered amount of the Egg ™ produced. Each chair is covered with its own unique genuine Greenlandic sealskin. On the interior Hos Arctic Import har vi travlt. Og det har vi haft igennem seating surfaces, the customer can either choose Classic- alle vores 25 år i Grønland. Det er vi glade og stolte over. leather or Elegance-leather. Masser af erfaringer og indgående kendskab til det grøn- landske erhvervsliv har gjort os til en sikker og kompetent samarbejdspartner. Vi er vokset og har udviklet os i tæt For more information - contact sales manager Martin Pedersen, The Egg ™ was designed in parløb med vores kunder – og med respekt for det, der gør mobile +45 40216612, e-mail [email protected] or shop 1958 for SAS Royal Hotel in Grønland til noget helt specielt. Copenhagen. The Egg ™ is a joy to manager Karina Holmstrøm Petersen, tel. -
Yolanda Ortega Sanz Universitat De Girona
Yolanda Ortega Sanz Universitat de Girona Yolanda Ortega Sanz is an architect Her research has been published and pre- and associate professor at Polytechnic sented in several conferences as: 1st In- School, Universitat de Girona, Catalonia, ternational Conference on contemporary Spain; where she teaches architectural architects: Jørn Utzon, Sevilla, Spain; 1st design. Ortega was educated at School of Conference on architectural competition, architecture in Barcelona and Arkitekts- Nordic Symposium, KTH, Stockholm, kolen i Aarhus, Denmark. Later on, she Sweden; or Responsibilities and Oppor- received a grant to be a young researcher tunities in Architectural Conservation, at Danmarks Kunstbibliotek, Copenhagen. CSAAR, Amman, Jordan. Currently, she is PhD Candidate in the research group FORM where she develops her thesis entitled “Nordic assembly” focus on Modern Architecture in Nordic countries. Welfare State. Sociological Aesthetics Welfare | Ortega Sanz | 474 WELFARE STATE. SOCIOLOGICAL AESTHETICS Modern architecture and democracy on Nordic countries, Denmark [My theme] concerns itself with the creation of beauty and with the measure of its reverberations in the democratic society. By the word “democracy” […] I speak of the form of life which, without political iden- tification, is slowly spreading over the whole world, establishing itself upon the foundation of increasing industrialization, growing communi- cation and information services, and the broad admission of the masses to higher education and the right to vote. What is the relationship of this form of life to art and architecture today? Walter Gropius1 ERBE DER MODERNE DAS In 1954, thirty-five years after founding the Bauhaus, Walter Gropius travelled around the world, revising his ideas about a democratic environment for the twentieth-century man. -
BL Catalogue-2015.Pdf
INDEX by Lassen 2 Mogen Lassen 4 Flemming Lassen 6 Local Manufacturing 10 My Kubus 13 Frame 19 Frame App 24 NEW / Saxe 27 NEW /The Tired Man 33 Mingle 37 ML42 47 Twin 53 NEW /Stropp 59 Flow 63 Flow Cushion 69 Kubus 79 Line 85 Base 91 Kubus Bowl 95 House Graphics 105 Illustrate 109 View 113 Product Overview 121 ’LUCKILY, PEOPLE ARE DIFFERENT.’ Mogens Lassen About by Lassen by Lassen owns the rights to the designs of two of Denmark’s greatest architects Mogens Lassen (1901-1987) and Flemming Lassen (1902-1984). The Lassen brothers were extremely talented and were honoured with many awards and grants for their unique designs and iconic architecture. by Lassen is a family business whose simple mission is to carry the Lassen legacy forward - because good design lives on through new generations. 1 2 Mogens billede i ny kontekst Mogens Lassen Architect Mogens Lassen (1901-1987) is among the greatest and most influential of Danish architects, a pioneer of Danish Functionalism, and is internationally renowned for his characteristic architecture. Mogens Lassen was inspired by the German design school Bauhaus, and its geometric shapes recur often in his iconic designs. 3 4 Flemming Lassen Architect Flemming Lassen (1902-1984) was a Modernist and part of the movement that brought Functionalism to Denmark. Flemming Lassen is particularly well known for his work with Arne Jacobsen on the award-winning House of the Future and Søllerød Town Hall, and his furniture has also achieved international recognition. 5 6 7 8 Locally made & fine Craftsmanship ”Good craftsmanship should be appreciated.” Mogens Lassen, the man behind the quotation and designer of the iconic Kubus candleholder, was well aware of the importance of craftsmanship. -
Alvar Aalto and Jean-Jacques Baruël
Working papers - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland Alvar Aalto and Jean-Jacques Baruël Jaime J. Ferrer Forés Ph D. Architect Barcelona School of Architecture. Barcelona TECH Spain [email protected] Publisher Alvar Aalto Museum ISSN-L 2323-6906 ISSN 2323-6906 www.alvaraalto.fi www.alvaraaltoresearch.fi Working papers -Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland www.alvaraaltoresearch.fi Introduction Alvar Aalto has a prominent place among modern architecture's masters and his widely acclaimed work spanning the decades between 1921 and 1976, with classicist beginnings, a functionalist period and a maturity characterized by the search for a synthesis between tradition and modernity is extraordinary, not only on account of its, but also because of the instruments, methods and reflections about the design process that his works offered: Aalto's architecture, all too frequently contemplated as a purely personal architecture, contains deep-rooted lessons and even its organic approach, if wisely applied, is transmissible. Aalto’s dedicated explorations and refining of significant universal themes in architecture provides an enormous resource for architects in the future. His timeless organic approach to design, rather than historic style ensures his continued relevance. This article explores Aalto's influence on the career of the Danish Architect Jean-Jacques Baruël. The article is divided in several sections. Firstly, the article present briefly Jean-Jacques Baruël's career. Secondly, the article will introduce the main distinctive characteristics of Jean-Jacques Baruël's architecture and Aalto's influence. It does not to attempt to describe his extensive work and projects, but to point out the central elements in his efforts. -
Onecollection-Finnjuhl.Pdf
ILQQMXKOLQGG 30 ILQQMXKOLQGG 30 ILQQMXKOLQGG 30 For further information please see www.onecollection.com Here you will find all information in Danish and English, 1000 high resolution images for download, references, news, press releases and soundslides... You are always welcome to call us at +45 70 277 101 or send an e-mail to [email protected] Please enjoy! Model 137 Tray Table Baker Sofa Wall Sofa Model 109 Ross Model 46 Model 500 Model 57 The Poet Chieftains Chair Model 108 The Pelican Model 45 Eye Table ILQQMXKOLQGG 30 Finn Juhl is regarded Finn Juhl was born January 30th 1912 at as the father of "Danish Frederiksberg as son of cloth merchant Johannes Juhl and his German born wife, who unfortunately Design" and became died three days after the birth of little Finn. world famous after he He grew up together with his two years older brother designed the Trusteeship Erik Juhl and their authoritarian father in a home Council in the UN with Tudor and Elizabethan dinning room, leaded windows and tall panels. building. Originally Finn Juhl wanted to become an art historian but his father persuaded him to join The Royal Danish Academy of Fine Arts, School of Architecture after his graduation in 1930. During the Summer of 1934 Finn Juhl had a job with the architect Vilhelm Lauritzen and at the school he chose classes with Professor Kay Fisker, who was a brilliant lecturer whose lectures always were a draw. In 1931 Kay Fisker had, along with Povl Stegmann and C.F. Møller, won the competition concerning The University of Århus and created a Danish vision of the international functionalism, which was much admired, not at least by his students. -
Scandi Navian Design Catalog
SCANDI NAVIAN DESIGN CATALOG modernism101 rare design books Years ago—back when I was graphic designing—I did some print advertising work for my friend Daniel Kagay and his business White Wind Woodworking. During our collaboration I was struck by Kagay’s insistent referral to himself as a Cabinet Maker. Hunched over my light table reviewing 35mm slides of his wonderful furniture designs I thought Cabinet Maker the height of quaint modesty and humility. But like I said, that was a long time ago. Looking over the material gathered under the Scandinavian Design um- brella for this catalog I now understand the error of my youthful judgment. The annual exhibitions by The Cabinet-Makers Guild Copenhagen— featured prominently in early issues of Mobilia—helped me understand that Cabinet-Makers don’t necessarily exclude themselves from the high- est echelons of Furniture Design. In fact their fealty to craftsmanship and self-promotion are constants in the history of Scandinavian Design. The four Scandinavian countries, Denmark, Sweden, Norway and Finland all share an attitude towards their Design cultures that are rightly viewed as the absolute apex of crafted excellence and institutional advocacy. From the first issue of Nyt Tidsskrift for Kunstindustri published by The Danish Society of Arts and Crafts in 1928 to MESTERVÆRKER: 100 ÅRS DANSK MØBELSNEDKERI [Danish Art Of Cabinetmaking] from the Danske Kunstindustrimuseum in 2000, Danish Designers and Craftsmen have benefited from an extraordinary collaboration between individuals, manufacturers, institutions, and governments. The countries that host organizations such as The Association of Danish Furniture Manufacturers, The Association of Furniture Dealers in Denmark, The Association of Interior Architects, The Association of Swedish Furni- ture Manufacturers, The Federation of Danish Textile Industries, Svenska Slojdforeningen, The Finnish Association of Designers Ornamo put the rest of the globe on notice that Design is an important cultural force deserv- ing the height of respect. -
Kystvejen Find Vej I Danmark - På Rulleskøjter “Find Vej På Kystvejen” Er Et Spændende Tilbud Til Rul- - Er En Oplevelse, Hvor Man Ved Brug Af Leskøjteløbere
Velkommen til rulleskøjteorientering på Kystvejen Find vej i Danmark - på rulleskøjter “Find vej på Kystvejen” er et spændende tilbud til rul- - er en oplevelse, hvor man ved brug af leskøjteløbere. Det går ud på at finde vej langs kortet orientere alene, som familie eller kystvejen i Charlottenlund. sammen med andre. Husk at følge fær- Følg ruten og find de steder på kortet der er markeret selsreglerne. Du kan også orientere dig til med et tal. fods, løbe eller på løbehjul. Find posterne ved hjælp af billederne. Det gælder om at finde alle posterne, som har et bogstav tilknyttet. Orienteringsløb for alle og hele familien KYSTVEJEN Når man har fundet alle posterne og dermed også alle langs Øresund. Find posterne på ruten efter FRA CHARLOTTENLUND FORT bogstaverne, skal man sætte bogstaverne i den rigtige TIL KLAMPENBORG rækkefølge, så de danner det korekte ord. vejledningen. ROL er motion og oplevelser, der både giver spænding og træning. Der kan Du kan finde en kort fortælling til posterne bagpå konkurreres i at finde posterne og fortælles kortet. Det handler om at opdage de spændende his- historier om de lokaliteter, der ses. torier, der gemmer sig på ruten. Er der temaer du bliver interesseret i kan du fortsætte jagten på nye historier, Ruten kan både løbes på rulleskøjter og i når du kommer hjem. løbesko. De yngste kan tage turen af flere Rulleskøjte Orienterings Løb handler om at få sjov omgange og det er muligt at indlægge pau- motion, hvor du kan kombinere aktiviteten på hjul, rul- ser undervejs. Hele ruten er 10 Km. frem og leskøjter, skateboard eller løbehjul med oplevelser og tilbage. -
Lecture Handouts, 2013
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc. -
Download the Publication Arne Jacobsen's Own House
BIBLIOGRAPHY Henrik Iversen, ‘Den tykke og os’, Arkitekten 5 (2002), pp. 2-5. ARNE JACOBSEN Arne Jacobsen, ‘Søholm, rækkehusbebyggelse’, Arkitektens månedshæfte 12 (1951), pp. 181-90. Arne Jacobsen’s Architect and Designer The Danish Cultural Heritage Agency, Gentofte. Atlas over bygninger og bymiljøer. Professor at the Royal Danish Academy of Fine Arts in Copenhagen (1956-1965). Copenhagen: The Danish Cultural Heritage Agency, 2004. He was born on 11 February 1902 in Copenhagen. Ernst Mentze, ‘Hundredtusinder har set og talt om dette hus’, Berlingske Tidende 10 October 1951. His father, Johan Jacobsen was a wholesaler. Félix Solaguren-Beascoa de Corral, Arne Jacobsen. Barcelona: Gustavo Gili, 1989. Own House His mother, Pouline Jacobsen worked in a bank. Carsten Thau og Kjeld Vindum, Arne Jacobsen. Copenhagen: Arkitektens Forlag, 1998. He graduated from Copenhagen Technical School in 1924. www.arne-jacobsen.com Attended the Royal Danish Academy of Fine Arts, School of Architecture in www.realdania.dk Copenhagen (1924-1927) Original drawings from the Danish National Art Library, The Collection of Architectural Drawings Strandvejen 413 He worked at the Copenhagen City Architect’s office (1927-1929) From 1930 until his death in 1971, he ran his own practice. ABOUT THE AUTHORS Peter Thule Kristensen, DPhil, PhD is an architect and a professor at the Institute of Architecture and JACK OF ALL TRADES Design at the Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation (KADK), where he is in charge of the post-graduate Spatial Design programme. He is also a core A total one of a kind, Arne Jacobsen was world famous. -
Dronningegården En Het Continuüm Van Kay Fisker Dronningegården
Job Floris Job Floris a plant is a machine to bear flowers and seeds, and a heart is a pump. Does that thrill you? The Het Nederlandse architectuurdiscours lijkt in de During the post-war reconstruction years mod- least any of these things only may be is just that.2 wederopbouwjaren vooral gedomineerd te zijn ernism appears to have dominated the Dutch archi- door het modernisme, waardoor tegengeluiden tecture discourse, thereby effectively marginalising Het platform voor publicatie van Fiskers artikel is en nuanceringen werden gemarginaliseerd. De all other developments and perspectives. Danish zorgvuldig gekozen. Op het moment van publicatie Deense architect Kay Fisker (1893-1965) kan tot architect Kay Fisker (1893-1965) can be seen as heeft Forum de intentie een dialoog tot stand te een van die kritische stemmen gerekend worden, one of the few critical voices, which is why he remains brengen tussen modernisten en traditionalisten. waardoor hij een relatief onbekende figuur in de a relatively unknown figure within the Dutch con- De publicatie maakt duidelijk dat Fisker op zoek was Nederlandse context is gebleven. Ten onrechte, text. This is unfortunate, because there is a lot of naar geestverwanten, oude en nieuwe. Het werk want Fisker volgde een agenda die aanknopings- common ground between Fisker’s agenda and both van Fisker wordt door historicus Stanford Anderson punten had met zowel het Nederlandse als een the Dutch and wider European discourses. In 1948 gecategoriseerd als Nieuw Empiricisme3 en door breder Europees discours. In 1948 wordt hij he garnered attention in the Netherlands with ‘Louis hem in een Europees discours geplaatst, met zichtbaar in Nederland met het artikel ‘Louis Henry Henry Sullivan’, an article about the architect’s life geestverwanten in Groot-Brittannië en Zwitserland.