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Houqua and His China Trade Partners in the Nineteenth Century
Global Positioning: Houqua and His China Trade Partners in the Nineteenth Century The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Wong, John. 2012. Global Positioning: Houqua and His China Trade Partners in the Nineteenth Century. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9282867 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2012 – John D. Wong All rights reserved. Professor Michael Szonyi John D. Wong Global Positioning: Houqua and his China Trade Partners in the Nineteenth Century Abstract This study unearths the lost world of early-nineteenth-century Canton. Known today as Guangzhou, this Chinese city witnessed the economic dynamism of global commerce until the demise of the Canton System in 1842. Records of its commercial vitality and global interactions faded only because we have allowed our image of old Canton to be clouded by China’s weakness beginning in the mid-1800s. By reviving this story of economic vibrancy, I restore the historical contingency at the juncture at which global commercial equilibrium unraveled with the collapse of the Canton system, and reshape our understanding of China’s subsequent economic experience. I explore this story of the China trade that helped shape the modern world through the lens of a single prominent merchant house and its leading figure, Wu Bingjian, known to the West by his trading name of Houqua. -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history. -
American Council of Learned Societies Annual Report, 2012-2013
C H H I S T O R I C A L S T U D I E S S O C I E T Y F O R M I L I T A R Y H I S T O A F R I C A N S T U D I E S A S S O C I A T I O N A M E R I C A N A C A D E M Y O F R Y S O C I E T Y F O R M U S I C T H E O R Y S O C I E T Y F O R T H E A D A R T S A N D S C I E N C E S A M E R I C A N A C A D E M Y O F R E L I G I O N V A N C E M E N T O F S C A N D I N A V I A N S T U D Y S O C I E T Y F O R T H E A M E R I C A N A N T H R O P O L O G I C A L A S S O C I A T I O N A M E R I C A N A N H I S T O R Y O F T E C H N O L O G Y S O C I E T Y O F A R C H I T E C T U R A L H T I Q U A R I A N S O C I E T Y A M E R I C A N A S S O C I A T I O N F O R T H E H I S T O R I A N S S O C I E T Y O F B I B L I C A L L I T E R A T U R E S O C I E I S T O R Y O F M E D I C I N E A M E R I C A N C O M P A R A T I V E L I T E R A T U T Y O F D A N C E H I S T O R Y S C H O L A R S W O R L D H I S T O R Y A S S O C R E A S S O C I A T I O N A M E R I C A N D I A L E C T S O C I E T Y A M E R I C I A T I O N A F R I C A N S T U D I E S A S S O C I A T I O N A M E R I C A N A C A N E C O N O M I C A S S O C I A T I O N A M E R I C A N F O L K L O R E S O C I E T A D E M Y O F A R T S A N D S C I E N C E S A M E R I C A N A C A D E M Y O F R Y A M E R I C A N H I S T O R I C A L A S S O C I A T I O N A M E R I C A N M U S E L I G I O N A M E R I C A N A N T H R O P O L O G I C A L A S S O C I A T I O N A I C O L O G I C A L S O C I E T Y A M E R I C A N N U M I S M A T I C S O C I E T Y M E R I C A N A N T I Q U A R I A N S O C I E T Y A M E R I C A N A S -
Japanese Traditional Performing Arts
The Kyoto Consortium for Japanese Studies (KCJS) Japanese Performing Arts Professors Diego Pellecchia and Galia Todorova Petkova Spring 2022 Meeting Time: Monday and Wednesday 16:40-18:10 Instructor Contact: [email protected] (Pellecchia) [email protected] (Petkova) This class looks at different forms of Japanese performing arts. The first half of the term will focus on the study of nōgaku, Japan’s performing art combining dance, drama, poetry, mask and costumes through literary and performance analysis. After spring break, the course will shift its focus to kabuki and bunraku. The course is led by Diego Pellecchia (nō scholar and practitioner) and Galia Todorova Petkova (specialist in Japanese performing arts and gender). Students will learn about the history and aesthetic conventions of traditional performing arts, presented as living traditions in the context of contemporary Japanese society, using a combination of textual and audiovisual materials. The course will provide ample opportunities to attend performances, visit artisans’ laboratories, and participate in workshops with renown Japanese artists, to complement a solid academic background about the arts with a more direct, hands- on approach to the topics covered. Nō: Ikkaku sennin Kabuki: Narukami 1 Performances often take place during the weekend: students are encouraged to check the syllabus at the beginning of the semester and keep those dates open. Outings are regarded as compulsory activities: presence will be counted toward the final grade. Students are expected to prepare readings in advance. Preparation will be tested with quizzes and short tests. As part of the final assignments, students will choose a topic for further individual research and present the results at the end of the semester. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
David Noel Keightley, 1932-2017
H-Asia David Noel Keightley, 1932-2017 Discussion published by Ryan Dunch on Tuesday, March 7, 2017 Ed. note: Our colleague Frank Shulman has shared the sad news of the death of the great Shang China scholar David Keightley, who passed away in California on February 23. Frank has kindly compiled the messages below, which are reproduced with the permission of their authors. Text from the Wikipedia article on Prof. Keightley is reproduced with attribution under the terms of the relevant Creative Commons license. I encourage others who knew David Keightley to share their memories and tributes to him on H-Asia in the days to come. Ryan Dunch On February 26th, Keith Knapp, Professor of History at the Citadel in Charleston, South Carolina, informed the members of three listserves for Chinese Studies -- ["[email protected]", "[email protected]", and "[email protected]" – of the passing of Professor David Noel Keightley. He wrote as follows: Dear Colleagues, It is with deep sadness that I inform you of the death of David Noel Keightley who passed away at 3:00 am on Thursday, February 23. David was a world renowned expert on the Shang Dynasty and Oracle Bones. He was also a much beloved instructor and towering intellect. He was certainly one of the best teachers that I have ever had. The memorial service will be held onMarch 25 at 11:00 am at the Sunset View Mortuary and Cemetery, 101 Colusa Ave, El Cerrito, California 94530. With much sorrow, Keith ===== According to Wikipedia [https://en.wikipedia.org/wiki/David_Keightley]: David N. -
Kwang-Chih Chang 1931-2001
KWANG-CHIH CHANG 1931-2001 A Biographical Memoir by ROBERT E. MUROWCHICK © 2012 The National Academy of Sciences Any opinions expressed in this memoir are those of the author and do not necessarily reflect the views of the National Academy of Sciences. KWANG-CHIH CHANG KWANG-CHIH KWANG–CHIH CHANG April 15, 1931–January 3, 2001 BY ROBERT E. MUROWCHICK FOR MORE THAN 40 YEARS Kwang-chih Chang bridged East and West with his scholarship serving as the main doorway through which Western scholars and students could approach the archaeology of ancient China as that country moved 1 from isolation to full international collaboration in the study of its past. With a modest smile and well-known aversion to pretentiousness, Chang transformed our understanding of early Chinese and East Asian history by integrating tradi- tional historiography with American anthropological archaeology, and by using Asian data to challenge long-held Western ideas about the rise of agriculture, urbanism, and kingship. Chang’s introduction of interdisciplinary field methods in his excavations in Taiwan brought new understanding of cultural and envi- ronmental change. The bonds he forged with mainland scholars helped pave the way for the new era of international cooperation in Chinese fieldwork we see today. Chang was a student of many of the giants in the fields of archaeology, anthropology, and ethnology, and he in turn trained multiple generations of students who carry forward both his research interests and his love for teaching. wang-chih Chang, to study at National Beiping or “K.C.” as he was Normal University and to write known among his bai hua poetry and essays. -
Phi Beta Kappa Visiting Scholars 1956-57- 2016-2017 (61 Years)
Phi Beta Kappa Visiting Scholars 1956-57- 2016-2017 (61 years) 2016-2017 (112 visits) Adorno, Rolena Spanish/Latin American literatur Yale Bialek, William physics Princeton Ehrman, Bart D. religion, New Testament UNC-Chapel Hill Grosz, Barbara J. computer science Harvard Hochschild, Jennifer L. political science Harvard Kitcher, Philip philosophy Columbia Lester, Marsha I. chemistry Penn Morse, Nora Naranjo fine arts, poetry, sculpture Espanola, NM Rodgers, Daniel T. American history & culture Princeton Sabloff, Jeremy A. anthropology, Maya Penn Weiman, David F. economic history Barnard Wexler, Laura American studies Yale Witt, John Fabian law, American history Yale Wright, Patricia anthropology/primatology SUNY, Stony Brook Xiao, Shuhai geobiology/paleobiology Virginia Tech 2015-2016 (100 visits) Michael Bérubé English, disability studies Penn State Caroline Bruzelius art, art history Duke David K. Campbell physics, engineering Boston U. Hazel V. Carby African American studies Yale Carol Greenhouse anthropology, sociocultural Princeton David B. Grusky sociology, inequality, poverty Stanford Rigoberto Hernandez biochemistry, diversity studies Georgia Tech Mae Ngai history, Asian American studies Columbia Judith Resnik law Yale Timothy Rowe paleontology, geology UTAustin Larry A. Silver art history, Renaissance Penn Harold W. Stanley political science, elections Southern Methodist Richard Sylla American economic history NYU Blaire Van Valkenburgh vertebrate paleonbiology UCLA Vincent L. Wimbush religion Inst.SignifyingScriptures 2014-2015 (96 visits) Jeffrey C. Alexander sociology Yale William Y. Arms computer science Cornell Wendy Brown political science UCBerkeley Caroline Bruzelius art, art history Duke Philip J. Deloria history, American Indian Michigan Gerald Graff English, education Illinois at Chicago Kathleen McGarry economics, aging UCLA Gregory A. Petsko neurology, neuroscience Cornell Med. -
From Edo to Tokyo: Later Japanese Art
Later Japanese Art Spring 2011 ARHA62/ASLC 38 Samuel C. Morse FAY 106 (x2282) [email protected] From Edo to Tokyo: Later Japanese Art The Course This class will survey Japanese art from the late sixteenth century to the present focusing primarily on cultural developments in Japan=s most important early modern and modern city Edo/Tokyo. Edo was first founded as a provincial garrison by the Tokugawa military clan, but was transformed into a center of political power in Japan when they consolidated their rule the early seventeenth century. The city was transformed again when it was made the capital in 1868 and renamed Tokyo as Japan initiated a rapid program of Westernization. Another transformation took place when the city was rebuilt after the destruction of the Second World War. Contemporary developers and city planners are trying to transform the city yet again at the start of the new millennium. The course will first explore the cultural developments in the milieu of the new city that resulted from constant competition between the military and merchants and then focus on the development of new artistic forms in response to the constantly changing urban environment. Among the topics that will be covered are the woodblock prints and paintings depicting the theater and brothel districts; the adoption of Western-style art forms in the second half of the nineteenth century; and the definition of a contemporary Japanese aesthetic in the city following the Second World War. The class will meet three times a week (MWF) at 10:00 in Fayerweather 113. The lectures and assigned readings have been selected to provide a variety of perspectives to help you form your own understanding of the history and the art of Edo/Tokyo. -
Diss Master Draft-Pdf
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Visual and Material Culture at Hokyoji Imperial Convent: The Significance of "Women's Art" in Early Modern Japan Permalink https://escholarship.org/uc/item/8fq6n1qb Author Yamamoto, Sharon Mitsuko Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Gregory P. A. Levine, Chair Professor Patricia Berger Professor H. Mack Horton Fall 2010 Copyright by Sharon Mitsuko Yamamoto 2010. All rights reserved. Abstract Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto Doctor of Philosophy in History of Art University of California, Berkeley Professor Gregory Levine, Chair This dissertation focuses on the visual and material culture of Hōkyōji Imperial Buddhist Convent (Hōkyōji ama monzeki jiin) during the Edo period (1600-1868). Situated in Kyoto and in operation since the mid-fourteenth century, Hōkyōji has been the home for women from the highest echelons of society—the nobility and military aristocracy—since its foundation. The objects associated with women in the rarefied position of princess-nun offer an invaluable look into the role of visual and material culture in the lives of elite women in early modern Japan. -
China's Quest for Modernization a Historical Perspective
I .I RESEARCH PAPERS AND POLICY STUDIES 41 Ph--.. INSTITUTE OF EAST ASIAN STUDIES ~ ~ UNIVERSITY OF CALIFORNIA • BERKELEY China's Quest for Modernization A Historical Perspective EDITED BY Frederic Wakeman Jr. and Wang Xi RESEARCH PAPERS AND POLICY STUDIES 41 INSTITUTE OF EAST ASIAN STUDIES UNIVERSITY OF CALIFORNIA • BERKELEY China's Quest for Modernization A Historical Perspective EDITED BY Frederic Wakeman Jr. and Wang Xi A publication of the Institute of East Asian Studies, University of Califor nia, Berkeley. Although the Institute of East Asian Studies is responsible for the selection and acceptance of manuscripts in this series, responsibil ity for the opinions expressed and for the accuracy of statements rests with their authors. Correspondence and manuscripts may be sent to: Joanne Sandstrom, Managing Editor Institute of East Asian Studies University of California Berkeley, California 94720-2318 E-mail: [email protected] The Research Papers and Policy Studies series is one of several publica tions series sponsored by the Institute of East Asian Studies in conjunc tion with its constituent units. The others include the China Research Monograph series, the Japan Research Monograph series, the Korea Research Monograph series, and the Indochina Research Monograph series. A list of recent publications appears at the back of the book. Library of Congress Cataloging-in-Publication Data China's quest for modernization : a historical perspective I edited by Frederic Wakeman, Jr. and Wang Xi. p. em. - (Research papers and policy studies; 41) Revised papers presented at a conference held in Shanghai, May 25-30, 1992. Includes bibliographical references. ISBN 1-55729-057-1 1. -
Bushido: the Creation of a Martial Ethic in Late Meiji Japan
BUSHIDO: THE CREATION OF A MARTIAL ETHIC IN LATE MEIJI JAPAN by OLEG BENESCH A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) FEBRUARY 2011 © Oleg Benesch, 2011 ABSTRACT This study examines the development of the concept of “bushido,” or the “way of the warrior,” in modern Japan, focusing on the period between the mid-nineteenth century and the early 1930s. The popular view holds that bushido was a centuries-old code of behavior rooted in the historical samurai class and transmitted into the modern period, where it was a fundamental component of Japanese militarism before 1945. In fact, the concept of bushido was largely unknown before the last decade of the nineteenth century, and was widely disseminated only after 1900, especially after the Russo-Japanese War of 1904-5. This study argues that modern bushido discourse began in the 1880s, and was dependent on political and cultural currents relating to Japan’s modernization and the nation’s attempts to redefine itself in the face of foreign “others,” primarily China and the West. Following more than a decade of largely unquestioned thrusts towards modernization and Westernization after 1868, Japanese thinkers looked to their own traditions in search of sources of national identity. The first discussions of bushido at this time were not the work of conservative reactionaries, however, but were conceived by relatively progressive individuals with considerable international experience and a command of Western languages. Some of the first modern writings on bushido clearly posit the concept as a potential native equivalent to the English ethic of “gentlemanship,” which was widely admired in late-nineteenth century Japan, and much of early bushido discourse should be seen primarily as a response to outside stimuli.