2015 Polish Heritage Festival
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15Th-17Th Century) Essays on the Spread of Humanistic and Renaissance Literary (15Th-17Th Century) Edited by Giovanna Siedina
45 BIBLIOTECA DI STUDI SLAVISTICI Giovanna Siedina Giovanna Essays on the Spread of Humanistic and Renaissance Literary Civilization in the Slavic World Civilization in the Slavic World (15th-17th Century) Civilization in the Slavic World of Humanistic and Renaissance Literary Essays on the Spread (15th-17th Century) edited by Giovanna Siedina FUP FIRENZE PRESUNIVERSITYS BIBLIOTECA DI STUDI SLAVISTICI ISSN 2612-7687 (PRINT) - ISSN 2612-7679 (ONLINE) – 45 – BIBLIOTECA DI STUDI SLAVISTICI Editor-in-Chief Laura Salmon, University of Genoa, Italy Associate editor Maria Bidovec, University of Naples L’Orientale, Italy Scientific Board Rosanna Benacchio, University of Padua, Italy Maria Cristina Bragone, University of Pavia, Italy Claudia Olivieri, University of Catania, Italy Francesca Romoli, University of Pisa, Italy Laura Rossi, University of Milan, Italy Marco Sabbatini, University of Pisa, Italy International Scientific Board Giovanna Brogi Bercoff, University of Milan, Italy Maria Giovanna Di Salvo, University of Milan, Italy Alexander Etkind, European University Institute, Italy Lazar Fleishman, Stanford University, United States Marcello Garzaniti, University of Florence, Italy Harvey Goldblatt, Yale University, United States Mark Lipoveckij, University of Colorado-Boulder , United States Jordan Ljuckanov, Bulgarian Academy of Sciences, Bulgaria Roland Marti, Saarland University, Germany Michael Moser, University of Vienna, Austria Ivo Pospíšil, Masaryk University, Czech Republic Editorial Board Giuseppe Dell’Agata, University of Pisa, Italy Essays on the Spread of Humanistic and Renaissance Literary Civilization in the Slavic World (15th-17th Century) edited by Giovanna Siedina FIRENZE UNIVERSITY PRESS 2020 Essays on the Spread of Humanistic and Renaissance Literary Civilization in the Slavic World (15th- 17th Century) / edited by Giovanna Siedina. – Firenze : Firenze University Press, 2020. -
Plansza Nr 1 / Board No. 1 • Kraków (Paweł Krzan) Plansza Nr 2 / Board
Plansza nr 1 / Board no. 1 Kraków (Paweł Krzan) Plansza nr 2 / Board no. 2 Grave goods of a Hun warrior found in Jakuszowice (Museum of Archaeology in Kraków, photo. Agnieszka Susuł) Kraków stater (National Museum in Kraków, photo. Paweł Czernicki) Celtic mint moulds (Paweł Mazur) Treasure hoard of iron tokens found at thefoot of Wawel Hill (Paweł Mazur) The Krakus Mound (Paweł Krzan) Plansza nr 3 / Board no. 3 Rotunda of St Felix and St Adauctus (Paweł Mazur) St Andrew’s Church (Paweł Mazur) Cross made from diadems (Parish of the Cathedral of St Stanislaus B.M. and St Wencelaus M., photo. Łukasz Michalak) The Benedictine Abbey in Tyniec (Paweł Krzan) Gold chalice and paten (Parish of the Cathedral of St Stanislaus B.M. and St Wencelaus M., photo. Łukasz Michalak) Lance of St Maurice (Wawel Royal Castle, photo. Dariusz Błażewski) St Leonard’s Crypt (Paweł Mazur) Plansza nr 4 / Board no. 4 Tomb of Ladislaus II Jagiełło (Parish of the Cathedral of St Stanislaus B.M. and St Wencelaus M., photo. Łukasz Michalak) Ruthenian Byzantine wall paintings in the Holy Cross Chapel (Parish of the Cathedral of St Stanislaus B.M. and St Wencelaus M., photo. Łukasz Michalak) Szczerbiec – the notched sword (Parish of the Cathedral of St Stanislaus B.M. and St Wencelaus M., photo. Łukasz Michalak) Marcin Marciniec, reliquary of St Stanislaus (Parish of the Cathedral of St Stanislaus B.M. and St Wencelaus M., photo. Łukasz Michalak) Dosso Dossi, Jupiter Painting Butterflies (Wawel Royal Castle, photo. Dariusz Błażewski) Wawel Hill (Paweł Krzan) Plansza nr 5 / Board no. -
KOBIETY W DYNASTII PIASTÓW Monografie Fundacji Na Rzecz Nauki Polskiej
KOBIETY W DYNASTII PIASTÓW monografie fundacji na rzecz nauki polskiej rada wydawnicza prof. Tomasz Kizwalter, prof. Janusz Sławiński, prof. Antoni Ziemba, prof. Marek Ziółkowski, prof. Szymon Wróbel fundacja na rzecz nauki polskiej Grzegorz Pac KOBIETY W DYNASTII PIASTÓW ROLA SPOŁECZNA PIASTOWSKICH ŻON I CÓREK DO POŁOWY XII WIEKU – STUDIUM PORÓWNAWCZE toruń 2013 Wydanie książki subwencjonowane przez Fundację na rzecz Nauki Polskiej w ramach programu Monografie FNP Redaktor tomu Anna Mądry Korekty Ewelina Gajewska Projekt okładki i obwoluty Barbara Kaczmarek Printed in Poland © Copyright by Grzegorz Pac and Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika Toruń 2013 ISBN 978-83-231-2958-5 WYDAWNICTWO NAUKOWE UNIWERSYTETU MIKOŁAJA KOPERNIKA Redakcja: ul. Gagarina 5, 87-100 Toruń tel. +48 56 611 42 95, fax +48 56 611 47 05 e-mail: [email protected] Dystrybucja: ul. Reja 25, 87-100 Toruń tel./fax: +48 56 611 42 38, e-mail: [email protected] www.wydawnictwoumk.pl Wydanie pierwsze Druk i oprawa: Abedik Sp. z o.o. ul. Glinki 84, 85-861 Bydgoszcz Carissimae Matris memoriae Spis treści wykaz skrótów ...................................................................................... 9 przedmowa .............................................................................................. 11 wstęp ......................................................................................................... 15 rozdział 1. obraz piastowskich żon w kronice galla anonima 27 Dobrawa ........................................................................................... -
Prezentacja Programu Powerpoint
Geodetical and astronomical aspects of Krakow’s prehistoric mounds Władysław Góral AGH University of Science and Technology (AGH-UST) Faculty of Mining Surveying and Environmental Engineering 8th Bilateral Geodetic Meeting Poland-Italy Wrocław (Poland), 22-24 June 2006 Introduction: In the eastern part of Krakow area two prehistoric mounds are located: Krakus mound (KR) and Wanda mound (KW). Both the origins and purposes of the mounds have been so far unexplained. Legends and theories that are neither confirmed nor rejected by archaelogical research have grown around them. Krakus mound (16 metre high with base diameter of 60 meters) is situated in Podgórze District atop Lasota Hill. According to the legend, it is a burial mound of the founder of Krakow: King Krak. Currently used name of the mound Krakus comes from that legendary King. Krakus Mound. Photo: W. Góral Wanda mound is situated in the District of Nowa Huta. It is 15.5 metre high with about 50 metres in diameter at the base. According to the legend it is a burial mound of Princess Wanda, the daughter of King Krak. Wanda Mound. Photo: W. Góral Krakus View of Krakus mound from Wanda mound. Photo: W. Góral View in direction of Wanda Wanda mound from Krakus mound. Photo: W. Góral The above mentioned mounds are well seen from space with the help of Google Earth. Source: Google Earth One of the hypotheses claims that the mound was raised by the Celts in the 2nd or 1st century BC. However, the objects found during the archaelogical research would rather suggest that the mound was raised between the 8th and 10th century AD. -
Yoyo's Great Adventure
Yoyo's Great Adventure Introduction In the game you play Yoyo – a little funny creature who has lived happily and peacefully in a magic land. One day without an apparent reason everything changes, evil magic fills the air and poor Yoyo is struck with a magical lightning. The lightning works as some kind of teleport between realities and dimensions and Yoyo wakes up in... an ancient Poland ; ) Can you help Yoyo to come back home? Will he learn what actually happened? „Yoyo's Great Adventure” should work on Zx Spectrum 48 kB or higher model. Controls Left: walk left or move left while jumping Right: walk right or move right while jumping Up: jump Down: swap used item Fire: talk to a person or use an item if possible skip dialogues and messages pick/drop items R key: restart the game Some background The game is inspired by old Polish (and not only) legends and traditions. If you'd like to know a bit more about the inspirations used in the game, you can try out some links inluded below. Some details in the game have been changed to fit the story but in some cases reading the sources could even work as help/spoiler in the game! Legends, people and customs used in the game: Prince Piast: https://en.wikipedia.org/wiki/Piast_the_Wheelwright Prince Popiel: https://en.wikipedia.org/wiki/Popiel Kupala Night: https://en.wikipedia.org/wiki/Kupala_Night Fern flower: https://en.wikipedia.org/wiki/Fern_flower Wars and Sawa : https://sylwiaofwarsaw.wordpress.com/tag/warsaw-legends/ Basilisk of Warsaw: https://mythicalcreatures.edwardworthlibrary.ie/dragons/basilisk-of-warsaw/ Golden duck: https://en.wikipedia.org/wiki/Gold_Duck Rat-catcher of Hamelin: https://en.wikipedia.org/wiki/Pied_Piper_of_Hamelin Pan Twardowski: https://en.wikipedia.org/wiki/Pan_Twardowski Prince Krak: https://en.wikipedia.org/wiki/Krakus Princess Wanda: https://en.wikipedia.org/wiki/Princess_Wanda Wawel dragon: https://en.wikipedia.org/wiki/Wawel_Dragon Code, graphics and idea: Rafał Miazga 2020 The game uses „wait.stc” music module of an unknown author. -
O Planie Ochrony Parku Kulturowego Nowa Huta Time for Nowa Huta
krajobraz kulturowy f cultural landscape Roman Marcinek historyk, Narodowy Instytut Dziedzictwa historian, the National Heritage Board of Poland Zbigniew Myczkowski architekt, Politechnika Krakowska architect, Kraków University of Technology Czas na Nową Hutę – o planie ochrony Parku Kulturowego Nowa Huta Time for Nowa Huta – notes on the plan for the preservation of the Nowa Huta Cultural Park Abstrakt Abstract Nowa Huta jest miejscem powszechnie rozpoznawalnym, ale relatyw- Although Nowa Huta has become a household name over the years, nie słabo znanym. W przestrzeni publicznej funkcjonują na jej temat to most people the district itself remains relatively obscure. The public liczne stereotypy, w których cieniu pozostają obiektywne analizy. Utrud- perception of it is plagued by stereotypes which overshadow any at- nia to jednolitą politykę wobec obszaru uważanego za „miasto socjali- tempt at an objective analysis. This, in turn, makes it difficult to adopt styczne”, a będącego de facto konglomeratem architektury z 2. połowy a uniform policy for an area commonly believed to be a “socialist town”, XX wieku oraz reliktów średniowiecznych wsi. Narastające problemy even though it is, in fact, a conglomerate of architecture of the 2nd konserwatorskie, adaptacyjne, strukturalne i społeczne skłoniły Radę half of the 20th c. and the relics of the medieval village which had once Miasta Krakowa do podjęcia uchwały o utworzeniu na części obszaru existed there. The increasing conservation, adaptation, structural and Nowej Huty parku kulturowego. Artykuł to informacja o opracowaniu social issues which have cropped up over the years led the Kraków City będącym propozycją uporządkowania zagadnień związanych z ochro- Council to adopt a resolution on the establishment of a cultural park ną dziedzictwa i krajobrazu kulturowego. -
Post-Glacial Landscape
Krakow. Anthropologies of Heritage [ENGLISH] (special supplement of “Tygodnik Powszechny” nr 28/2019) POST-GLACIAL LANDSCAPE KAZIMIERZ S. OŻÓG Monuments to the Pope are an interesting study in a lack of inhibition and in consent to the surfeit, trashiness, and mindlessness of repetitive forms that are produced carelessly and at a pace that is harmful to art. The Grunwald Monument and the Mickiewicz (Market Square) and Kościuszko (Wawel Castle) Monuments are a coherent lecture on the history of Poland and Kraków. / FOT. JAN GRACZYŃSKI / EASTNEWS Poles are fond of monuments. Marek Karwowski, one of the protagonists of the popular 1970s Polish TV series “Being Forty”, climbs onto a large rock on a plot of land which his father bought to build an American-style bungalow, and exclaims: “Mummy! I’m a monument!”. 1 Krakow. Anthropologies of Heritage [ENGLISH] (special supplement of “Tygodnik Powszechny” nr 28/2019) Monuments offer perfect compensation for our conscious or subconscious inferiority complex, for indecisive or not quite with it. They attest to our bravery, righteousness, piety, and integrity. At the same time, they claim both the minds of the people who view them and the space which they occupy. They constitute visible points that focus feelings and memories or indeed which create them, thus manipulating the viewer. Relatively easy to construct (after all, at its simplest, a monument can take the form of a memorial stone or metal plaque with engraved lettering), they are indispensable elements of great and small political struggles and electoral campaigns; they serve as witnesses to manifestos and declarations. Is Kraków a city of monuments? No more so than other major historical Polish cities. -
Mystery and Memory: Exploring Krakow's
HIDDEN HISTORIES source: hidden europe 59 (winter 2019/2020) text and images © 2019 Duncan JD Smith www.hiddeneurope.co.uk Mystery and Memory — Exploring Kraków’s Suburban Mounds — by Duncan JD Smith This month sees the publication of the 12th our great earthen mounds stand in Kraków’s European city guide in the ever-reliable and suburbs. Raised by human hands, two of 8 hugely stimulating series written by Duncan F them are ancient and two are modern, con JD Smith and published under Duncan’s own veniently bookending much of Kraków’s history. imprint. ‘Only in Krakow’ is a 232-page cultur- Locals and visitors have long been drawn to them, al expedition through Kraków’s royal heritage eager to scale their summits and to plumb their which takes in dragons, idols and miracles. meaning. Duncan has been a regular contributor to hidden europe and we are pleased to publish Above: Krakus Mound in Kraków’s district of Podgórze is the this text which is adapted from a section of highest elevation within the Polish city. It dates back in part his new book. to the 8th century (photo © Duncan JD Smith). hidden europe 59 winter 2019/2020 Of Kraków’s two ancient mounds, the best constructed the mound during the early Middle known is Krakus Mound (Kopiec Krakusa) on Ages. As to its purpose, legend insists that King ul. Franciszka Maryewskiego in the district of Krak’s daughter, Princess Wanda, is buried here Podgórze. Not only is it Kraków’s oldest man (although again no evidence for a burial has been made structure, but the summit of the 16metre found). -
Show Us Your Country by Class 3B Szkola Podstawowa Nr 16 in Ruda Śląska Poland Our Country Is a Very Special and Unique Place
Show us your country By class 3b Szkola Podstawowa nr 16 In Ruda Śląska Poland Our country is a very special and unique place. Now, you know a lot of things about us so we would like you to learn something about our country as well. Poland is situated in the Central Europe bordered by Germany to the west; the Czech Republic and Slovakia to the south; Ukraine and Belarus to the east; and the Baltic Sea, Kaliningrad Oblast (a Russian exclave) and Lithuania to the north. The Polish Flag The flag of our country is white and red. White symbolizes silver and water - the signs of spiritual purity. Red symbolizes fire and blood - the signs of bravery. The flag is flown continuously on the buildings of the highest national authorities, such as the parliament and the presidential palace. Other institutions and many Polish people fly the national flag on national holidays and other special occasions of national significance. The coat of arms The coat of arms of Poland is a white, crowned eagle with a golden beak and talons, on a red background. The White Eagle emblem originated when Poland's legendary founder Lech saw a white eagle's nest. When he looked at the bird, a ray of sunshine from the red setting sun fell on its wings, so they appeared tipped with gold, the rest of the eagle was pure white. He was delighted and decided to settle there and placed the eagle on his emblem. He also named the place Gniezdno (currently Gniezno) from the Polish word gniazdo ("nest"). -
Królewski Kościół Katedralny Na Wawelu. W Rocznicę Konsekracji 1364–2014 Wprowadzenie
Tomasz Węcławowicz Królewski kościół katedralny na Wawelu W rocznicę konsekracji 1364–2014 Royal Cathedral Church on Wawel Hill in Krakow Jubilee of the Consecration 1364–2014 Dekoracja zachodniej ściany katedry dobitnie ilustruje powiązanie św. Stanisława z ideą polityczną ostatnich władców z dynastii Piastów. Szczyt wieńczy fi gura św. Stani- sława, poniżej na drzwiach widnieje monogram króla Kazimierza Wielkiego – a między nimi Orzeł, herb Królestwa Polskiego – heraldyczny łącznik spajający dwie personifi kacje religijnej i świeckiej władzy. […] Dlatego krakowska katedra jest w każdym znaczeniu tego słowa „kościołem królewskim” – a przy tym jedną z najwcześniejszych takich realizacji w Europie Środkowej. Paul Crossley, Gothic Architecture in the Reign of Kazimir the Great, Kraków 1985 [Th e] demonstration of the link between St Stanislaw and the political ideology of the last Piast King is provided by the decoration of the west front of the cathedral. Above, in the gable is the fi gure of St Stanislaw; below, on the doors, is the pronounced signature of Kazimir the Great; and between them, as a heraldic link between these two personifi ca- tions of the religious and secular authority, is the Polish eagle, the arms of Poland […] In every sense of the word, therefore, Krakow cathedral is – a Königskirche. It is moreover one of the earliest of its kind in Central Europe. Paul Crossley, Gothic Architecture in the Reign of Kazimir the Great, Krakow 1985 Tomasz Węcławowicz Królewski kościół katedralny na Wawelu W rocznicę konsekracji 1364–2014 Royal Cathedral Church on Wawel Hill in Krakow Jubilee of the Consecration 1364–2014 Kraków 2014 UNIWERSYTET PAPIESKI JANA PAWŁA II WYDZIAŁ HISTORII I DZIEDZICTWA KULTUROWEGO PONTIFICAL UNIVERSITY OF JOHN PAUL II FACULTY OF HISTORY AND CULTURAL HERITAGE KRAKOWSKA AKADEMIA IM. -
POLAND – Some Interesting Facts
POLAND – some interesting facts FACT ONE Oficially, Poland is now 1043 years old. Its formal beginning is the year 966 when the ruling prince, Mieszko I, decided to adopt Chritianity as the official religion of his people, thus establishing political bonds with the rest of civilised Europe. FACT TWO The name „Poland” – in Latin „Polonia” and in Polish „Polska” comes from the name of the tribe „Polanie”, who used to inhabit the western part of today’s country. It used to mean: people living in open fields. FACT THREE Our national colours are red and white. They can be seen on our flag and emblem. The emblem represents a white eagle on the red background and there is a nice legend about it. We wrote down the legend for you to read here: THE THREE BROTHERS The beginnings of Poland Once upon a time, over a thousand years ago, when the area of today’s Poland was covered with thick and wild forests, there lived three brothers. Their names were Lech, Czech and Rus. One day they decided to leave their parents and village and, accompanied by their servants and warriors, look for a new place to settle down and start a new life. For many days they wandered together, but finally understood that they could never find a piece of land that would please all three of them. They decided to choose separate paths. Czech took the path leading to the south, Rus – to the east and Lech went westwards. Lech and his people made their way through the forests and they observed that with each day the landscapes became more and more beautiful. -
MERMAIDS and AMAZONS in POLISH CULTURE White Marriage and the Lure As Contemporary References to Medieval Era Imaginaria
Lingue e Linguaggi Lingue Linguaggi 37 (2020), 67-87 ISSN 2239-0367, e-ISSN 2239-0359 DOI 10.1285/i22390359v37p67 http://siba-ese.unisalento.it, © 2020 Università del Salento This work is licensed under a Creative Commons Attribution 3.0 MERMAIDS AND AMAZONS IN POLISH CULTURE White Marriage and The Lure as Contemporary References to Medieval Era Imaginaria KATARZYNA NADANA-SOKOŁOWSKA, MONIKA RUDAŚ- GRODZKA INSTYTUT BADAŃ LITERACKICH POLSKIEJ AKADEMII NAUK Abstract – The text uses Tadeusz Różewicz’s drama Białe małżeństwo (White Marriage) and two films – the film adaptation of this drama by Magdalena Łazarkiewicz, 1992 and Córki dancing (The Lure) by Agnieszka Smoczyńska, 2015 – as examples, along with several references to Polish contemporary literature written by women – to show the ways in which contemporary Polish culture is interested in the mythological creatures of mermaids/sirens. It posits the thesis that as a result of associations dating back to Polish medieval historiography relating to the legendary first Polish queen Wanda, on the one hand with Amazons and on the other with Mermaids (this association persisted in Sarmatian literature and took on various forms in Romanticism), today’s references to the mermaid bring to mind the Amazon warriors of legend. This association is particularly powerful, considering that the Polish capital Warsaw has taken the iconic image of an armed siren as its coat of arms. This mermaid/Amazon, as seen in the Warsaw coat of arms, used as part of the iconography referenced by the recent Black Protests (in the autumn of 2017 women in Poland organised mass protests against government moves to amend abortion legislation – as part of the protest mermaid sculptures around Warsaw had black sashes attached with the words “You are not alone”), evokes meanings rooted in Polish culture.