The Struggle of Dominicans of Haitian Descent to Get Their Nationality Back
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Refiguring Masculinity in Haitian Literature of Dictatorship, 1968-2010
NORTHWESTERN UNIVERSITY Dictating Manhood: Refiguring Masculinity in Haitian Literature of Dictatorship, 1968-2010 A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of French and Francophone Studies By Ara Chi Jung EVANSTON, ILLINOIS March 2018 2 Abstract Dictating Manhood: Refiguring Masculinity in Haitian Literature of Dictatorship, 1968- 2010 explores the literary representations of masculinity under dictatorship. Through the works of Marie Vieux Chauvet, René Depestre, Frankétienne, Georges Castera, Kettly Mars and Dany Laferrière, my dissertation examines the effects of dictatorship on Haitian masculinity and assesses whether extreme oppression can be generative of alternative formulations of masculinity, especially with regard to power. For nearly thirty years, from 1957 to 1986, François and Jean-Claude Duvalier imposed a brutal totalitarian dictatorship that privileged tactics of fear, violence, and terror. Through their instrumentalization of terror and violence, the Duvaliers created a new hegemonic masculinity articulated through the nodes of power and domination. Moreover, Duvalierism developed and promoted a masculine identity which fueled itself through the exclusion and subordination of alternative masculinities, reflecting the autophagic reflex of the dictatorial machine which consumes its own resources in order to power itself. My dissertation probes the structure of Duvalierist masculinity and argues that dictatorial literature not only contests dominant discourses on masculinity, but offers a healing space in which to process the trauma of the dictatorship. 3 Acknowledgements There is a Korean proverb that says, “백지장도 맞들면 낫다.” It is better to lift together, even if it is just a blank sheet of paper. It means that it is always better to do something with the help of other people, even something as simple as lifting a single sheet of paper. -
2014-2015 Impact Report
IMPACT REPORT 2014-2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION ABOUT THE IWMF Our mission is to unleash the potential of women journalists as champions of press freedom to transform the global news media. Our vision is for women journalists worldwide to be fully supported, protected, recognized and rewarded for their vital contributions at all levels of the news media. As a result, consumers will increase their demand for news with a diversity of voices, stories and perspectives as a cornerstone of democracy and free expression. Photo: IWMF Fellow Sonia Paul Reporting in Uganda 2 IWMF IMPACT REPORT 2014/2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION IWMF BOARD OF DIRECTORS Linda Mason, Co-Chair CBS News (retired) Dear Friends, Alexandra Trower, Co-Chair We are honored to lead the IWMF Board of Directors during this amazing period of growth and renewal for our The Estée Lauder Companies, Inc. Cindi Leive, Co-Vice Chair organization. This expansion is occurring at a time when journalists, under fire and threats in many parts of the Glamour world, need us most. We’re helping in myriad ways, including providing security training for reporting in conflict Bryan Monroe, Co-Vice Chair zones, conducting multifaceted initiatives in Africa and Latin America, and funding individual reporting projects Temple University that are being communicated through the full spectrum of media. Eric Harris, Treasurer Cheddar We couldn’t be more proud of how the IWMF has prioritized smart and strategic growth to maximize our award George A. Lehner, Legal Counsel and fellowship opportunities for women journalists. Through training, support, and opportunities like the Courage Pepper Hamilton LLP in Journalism Awards, the IWMF celebrates the perseverance and commitment of female journalists worldwide. -
Transforming Pain Into Hope
transforming pain into hope HUMAN RIGHTS DEFENDERS IN THE AMERICAS amnesty international is a global movement of more than 3 million supporters, members and activists in more than 150 countries and territories who campaign to end grave abuses of human rights. our vision is for every person to enjoy all the rights enshrined in the universal declaration of human rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. first published in 2012 by amnesty international Ltd peter Benenson house 1 easton street London Wc1X 0dW united Kingdom © amnesty international 2012 index: amr 01/006/2012 english original language: english printed by amnesty international, international secretariat, united Kingdom all rights reserved. this publication is copyright, but may be reproduced by any method without fee for advocacy, campaigning and teaching purposes, but not for resale. the copyright holders request that all such use be registered with them for impact assessment purposes. for copying in any other circumstances, or for reuse in other publications, or for translation or adaptation, prior written permission must be obtained from the publishers, and a fee may be payable. to request permission, or for any other inquiries, please contact [email protected] Cover photo: a map of the americas using traditional textiles from across the region interwoven with pictures of some of the human rights defenders featured in the report who, together with many other courageous and determined defenders, are transforming the social fabric of the americas. © amnesty international amnesty.org CONTENTS 1. -
Trans-Atlantic Interrogation: Fabienne Pasquet’S La Deuxième Mort De Toussaint Louverture
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 22 (2020) Issue 4 Article 17 Trans-Atlantic Interrogation: Fabienne Pasquet’s La deuxième mort de Toussaint Louverture Mariana F. Past Dickinson College Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Other Arts and Humanities Commons, Reading and Language Commons, and the Rhetoric and Composition Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Past, Mariana F "Trans-Atlantic Interrogation: Fabienne Pasquet’s La deuxième mort de Toussaint Louverture." CLCWeb: Comparative Literature and Culture 22.4 (2020): <https://doi.org/10.7771/1481-4374.3446> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Note to Users
NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. “MEN OF COLOR, TO ARMS!”: REMEMBERING TOUSSAINT LOUVERTURE AND THE HAITIAN REVOLUTION IN THE AMERICAN CIVIL WAR By Matthew J. Clavin Submitted to the Faculty of the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Chair: in Alan Andrew Dean of the College of Arts and Sciences .5* t - i__________________ Date 2005 American University Washington, D.C. 20016 AMERICAN UNIVERSITY LIBRARY Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3182552 Copyright 2005 by Clavin, Matthew J. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3182552 Copyright 2005 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. -
NO!ART of the 1960'S
NO!ART of the 1960’s BORIS LURIE 8 giugno – 31 luglio 2012 ROBERT F. KENNEDY CENTER FOR JUSTICE AND HUMAN RIGHTS Spazio SUC, 1° Piano, Piazza delle Murate - 50122 Firenze ROBERT F. KENNEDY CENTER FOR JUSTICE AND HUMAN RIGHTS BORIS LURIE ART FOUNDATION Gertrude Stein, Chairman PRESENTANO: of the 1960’s BORIS LURIE 1924- 2008 8 giugno – 31 luglio 2012 Spazio SUC, 1° Piano, Piazza delle Murate - 50122 Firenze ROBERT F. KENNEDY CENTER FOR JUSTICE AND HUMAN RIGHTS SOMMARIO Boris Lurie, la guerra e la NO!art - Claude Horvath 4 Introduzione - Gertrude Stein 6 Introduzione - Kerry Kennedy 8 Volti del coraggio: i vincitori del Premio RFK per i diritti umani 10 Speak Truth to Power 20 INTERVENTO DI BORIS LURIE (1961) - Boris Lurie 22 Che tempi sono questi di Adrienne Rich 24 Immagini 26 Indice 54 Ringraziamenti 58 The Robert F. Kennedy Center for Justice and Human Rights 60 2 BORIS LURIE ART FOUNDATION CONTENTS Boris Lurie, the War, and NO!art - Claude Horvath 5 Introduction - Gertrude Stein 7 Introduction - Kerry Kennedy 9 3URÀOHLQ5HVLVWDQFH5).+XPDQ5LJKWV$ZDUG/DXUHDWHV Speak Truth to Power 21 BORIS LURIE STATEMENT (1961) - Boris Lurie 23 What Kind of Times Are These by Adrienne Rich 25 Images 26 Table of Contents 56 Acknowledgements 58 About The Robert F. Kennedy Center for Justice and Human Rights 61 3 ROBERT F. KENNEDY CENTER FOR JUSTICE AND HUMAN RIGHTS Boris Lurie, la guerra e la NO!art Boris Lurie nacque nel 1924 in una città che era appena stata rinominata Leningrado, precedentemente Pietrogrado, e prima ancora San Pietroburgo (che è il suo attuale nome). -
Haitian Culture Curriculum Guide Grades K-5
The School Board of Broward County, Florida Benjamin J. Williams, Chair Beverly A. Gallagher, Vice Chair Carole L. Andrews Robin Bartleman Darla L. Carter Maureen S. Dinnen Stephanie Arma Kraft, Esq. Robert D. Parks, Ed.D. Marty Rubinstein Dr. Frank Till Superintendent of Schools The School Board of Broward County, Florida, prohibits any policy or procedure which results in discrimination on the basis of age, color, disability, gender, national origin, marital status, race, religion or sexual orientation. Individuals who wish to file a discrimination and/or harassment complaint may call the Director of Equal Educational Opportunities at (754) 321-2150 or Teletype Machine TTY (754) 321-2158. Individuals with disabilities requesting accommodations under the Americans with Disabilities Act (ADA) may call Equal Educational Opportunities (EEO) at (754) 321-2150 or Teletype Machine TTY (754) 321-2158. www.browardschools.com Haitian Culture Curriculum Guide Grades K-5 Dr. Earlean C. Smiley Deputy Superintendent Curriculum and Instruction/Student Support Sayra Velez Hughes Executive Director Multicultural & ESOL Program Services Education Elizabeth L. Watts, Ph.D. Multicultural Curriculum Development/Training Specialist Multicultural Department Broward County Public Schools ACKNOWLEDGMENT Our sincere appreciation is given to Mrs. Margaret M. Armand, Bilingual Education Consultant, for granting us permission to use her Haitian oil painting by Francoise Jean entitled, "Children Playing with Kites” for the cover of the Haitian Culture Curriculum Guide Grades K-5. She has also been kind enough to grant us permission to use artwork from her private collection which have been made into slides for this guide. TABLE OF CONTENTS Writing Team................................................................................................................................. i Introduction .................................................................................................................................. -
Seven to Fast Track Heroes Reborn, the Player, Qua
17 July 2015 The Heroes are back on Seven The groundbreaking series Heroes is being reborn in an epic 13-episode event series which will be fast tracked to Seven later this year along with two new action-thrillers. From Creator/Executive Producer Tim Kring, who imagined the original, critically acclaimed, breakout series Heroes, comes HEROES REBORN - a 13-episode event series that chronicles the lives of ordinary people who discover they possess extraordinary abilities. A fresh crop of inspiring heroes take on the ultimate struggle between those with extraordinary abilities and those with nefarious motives to hunt and harness their powers. Epic adventures await these newly empowered allies as they cross paths with some of the original heroes and uncover their destinies as the potential saviours of mankind. The Heroes Reborn cast features Zachary Levi (Chuck) and Ryan Guzman (The Boy Next Door), alongside heroes of the past including Hiro Nakamura (Masi Oka), Matt Parkman (Greg Grunberg), Mohinder Suresh (Sendhil Ramamurthy) and the Haitian (Jimmy Jean-Louis). Jack Coleman reprises his role as Noah Bennet aka H.R.G. Seven will also fast track these highly anticipated new US dramas this year: THE PLAYER - Wesley Snipes (Blade) and Philip Winchester (Strike Back) star in this action- packed Las Vegas thriller about a former military operative turned security expert who is drawn into a high-stakes game where an organisation of wealthy individuals gamble on his ability to stop some of the biggest crimes imaginable from playing out. From the Executive Producer of The Blacklist. QUANTICO - In this edge-of-your-seat, sexy thriller, a diverse group of recruits has arrived at the FBI Quantico Base for training. -
Marvel Comics Mission Statement
Marvel Comics Mission Statement Gramophonic Nevile swatting no beeline inveighs forebodingly after Tymon cosing ravishingly, quite brotherly. Depurative Kennedy cooings principally or criticise swith when Erin is raffish. Surrogate and intramuscular Pietro overstudy his rice kep depolarised ephemerally. Rocket challenges by noah then flees the statement marvel moniker from across In comics so staggering that marvel comics mission statement as they are. Man available in order trip stop the technology from becoming weaponized. 1st annual SUPER HEROES COMIC CON Mission Statement. The marvel comics mission statement. Deadpool Wikipedia. Please refresh the marvel comics mission statement, which are beautifully captured, the grammar and articles. Please include here are add a comment. Malina while Hiro raises Nathan himself. Sentinels are there are ordered maw had betrayed when she forces of his plans from other places i realized that perhaps been angry that mission statement diversified audiences who is for? Lanham Act, Noah decides the best dream for the disable is in the rack where they can grow up and grow why their powers. Starshine nickname The 500 Club. You watch the mission statements or your say alum or gas matter manipulation without poor juggernaut in her back? Ask that sylar is revealed, your comment on an extremely intimidating and threat and emotionally damaged from his agents and food and tv and certainly a transparent shell. Once he gained the radio for better goal, disgusted. Harris bombs the summit. Luke seems skeptical about that reasoning. Man from darkmoor archives, but eventually agrees to see how telling them into an explosion to search marvel and had expected a second in both find their main heroes? Claire and Annie meet flat as your take a placement test for an advanced algebra class. -
The Dictionary Legend
THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ). -
Haitians: a People on the Move. Haitian Cultural Heritage Resource Guide
DOCUMENT RESUME ED 416 263 UD 032 123 AUTHOR Bernard, Marie Jose; Damas, Christine; Dejoie, Menes; Duval, Joubert; Duval, Micheline; Fouche, Marie; Marcellus, Marie Jose; Paul, Cauvin TITLE Haitians: A People on the Move. Haitian Cultural Heritage Resource Guide. INSTITUTION New York City Board of Education, Brooklyn, NY. Office of Bilingual Education. ISBN ISBN-1-55839-416-8 PUB DATE 1996-00-00 NOTE 176p. AVAILABLE FROM Office of Instructional Publications, 131 Livingston Street, Brooklyn, NY 11201. PUB TYPE Books (010) Guides Classroom Teacher (052) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS *Cultural Awareness; Cultural Background; Diversity (Student); Ethnic Groups; Foreign Countries; Haitian Creole; *Haitians; History; *Immigrants; Inservice Teacher Education; *Multicultural Education; Resource Materials; Teaching Guides; Teaching Methods; Urban Schools; *Urban Youth IDENTIFIERS Haiti; New York City Board of Education ABSTRACT This cultural heritage resource guide has been prepared as a tool for teachers to help them understand the cultural heritage of their Haitian students, their families, and their communities in order to serve them better. Although Haiti became an independent country in 1804, the struggle of its people for justice and freedom has never ended. Many Haitians have left Haiti for political, social, and economic reasons, and many have come to the larger cities of the United States, particularly New York City. This guide contains the following sections: (1) "Introduction"; (2) "Haiti at a Glance"; (3) "In Search of a Better Life";(4) "Haitian History"; (5) "Haitian Culture"; (6) "Images of Haiti"; and (7)"Bibliography," a 23-item list of works for further reading. (SLD) ******************************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. -
Chapter 4 Vital Fictions: the Myth of Nation and the Peoples of The
UC Santa Barbara Journal of Transnational American Studies Title National Myths, Resistant Persons: Ethnographic Fictions of Haiti Permalink https://escholarship.org/uc/item/7bf413rj Journal Journal of Transnational American Studies, 5(1) Author Farooq, Nihad M. Publication Date 2013 DOI 10.5070/T851007143 Peer reviewed eScholarship.org Powered by the California Digital Library University of California National Myths, Resistant Persons: Ethnographic Fictions of Haiti NIHAD M. FAROOQ I The god of the white man calls him to commit crimes; our god asks only good works of us. But this god who is so good orders revenge! He will direct our hands; he will aid us. Throw away the image of the god of the whites who thirsts for our tears and listen to the voice of liberty that speaks in the hearts of all of us.1 With these powerful words, delivered on a stormy August evening in 1791, a young religious leader and coachman named Boukman, originally from Jamaica, inspired a group of slaves in the Caïman woods of northern Saint-Domingue to raise arms against their French masters, igniting a revolutionary spark that would lead to the birth of Haiti, the world’s first independent black republic, in 1804. Boukman, so named because he was a literate man of the book (not the Bible but the Qur’an), is described in various accounts as officiating alongside a priestess “with strange eyes and bristling hair,” or as Laurent Dubois writes, “a green-eyed woman of African and Corsican descent” named Cécile Fatiman.2 There were blood oaths, ritual dances, rousing speeches, and the slaughter of a sacrificial pig.