Stephen Stills Discography Music
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Soundstage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56
SoundStage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56 February 2009 Mike Bloomfield, Al Kooper, Steve Stills - Super Session Speakers Corner/Columbia Records CS 9701 Format: LP Originally Released: 1968 Reissue Released: 2008 by Joseph Taylor [email protected] Musical Performance Recording Quality Overall Enjoyment In 1968, Al Kooper had just left Blood Sweat & Tears, the horn band he had started, and was an A&R man at Columbia Records. Guitarist Mike Bloomfield, whom Kooper had played with on Highway 61 Revisited, was also between bands, so Kooper called him up and suggested they jam in the recording studio. Two other musicians, bassist Harvey Brooks and drummer Eddie Hoh, joined them for a marathon nine-hour session (pianist Barry Goldberg sat in on a couple of tracks). The next day, Bloomfield was a no show and Kooper, in a panic, cast about for another guitarist. He was lucky enough to track down Steven Stills, whose band, Buffalo Springfield, had just split up. After another long session, Kooper had enough material to create an album. Super Session, co-credited to Bloomfield, Kooper, and Stills, cost $13,000 to record and became a gold record. Kooper had horn arrangements dubbed onto some of the tunes, but otherwise they were released as originally recorded, except for some editing on a version of Donovan’s "Season of the Witch." Bloomfield is the reason to own the record. His searing guitar work is astonishing, some of the best of his brief career. He plays with focused intensity and a powerful grasp of blues tradition. -
Songs About Joni
Songs About Joni Compiled by: Simon Montgomery, © 2003 Latest Update: Dec. 28, 2020 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1967 Lady Of Rohan Chuck Mitchell Unreleased 1969 Song To A Cactus Tree Graham Nash Unreleased Why, Baby Why Graham Nash Unreleased Guinnevere Crosby, Stills & Nash Crosby, Stills & Nash Pre-Road Downs Crosby, Stills & Nash Crosby, Stills & Nash Portrait Of The Lady As A Young Artist Seatrain Seatrain (Debut LP) 1970 Only Love Can Break Your Heart Neil Young After The Goldrush Our House Crosby, Stills, Nash & Young Déjà Vu 1971 Just Joni Mitchell Charles John Quarto Unreleased Better Days Graham Nash Songs For Beginners I Used To Be A King Graham Nash Songs For Beginners Simple Man Graham Nash Songs For Beginners Love Has Brought Me Around James Taylor Mudslide Slim & The Blue Horizon You Can Close Your Eyes James Taylor Mudslide Slim & The Blue Horizon 1972 New Tune James Taylor One Man Dog 1973 It's Been A Long Time Eric Andersen Stages: The Lost Album You'’ll Never Be The Same Graham Nash Wild Tales Song For Joni Dave Van Ronk songs for ageing children Sweet Joni Neil Young Unreleased Concert Recording 1975 She Lays It On The Line Ronee Blakley Welcome Mama Lion David Crosby / Graham Nash Wind On The Water 1976 I Used To Be A King David Crosby / Graham Nash Crosby-Nash LIVE Simple Man David Crosby / Graham Nash Crosby-Nash LIVE Mama Lion David Crosby / Graham Nash Crosby-Nash LIVE Song For Joni Denise Kaufmann Dream Flight Mellow -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Breaking Down” with Premiere on All Things Go
FOR IMMEDIATE RELEASE: AUSTRALIAN BLUES/ROCK GUITARIST, HAMISH ANDERSON, ANNOUNCES NEW SINGLE, “BREAKING DOWN” WITH PREMIERE ON ALL THINGS GO -------------- Australia-born, blues-rock artist Hamish Anderson premiered his new track, "Breaking Down" on All Things Go, who declared, “From soulful strums of a thick bass to near-rockabilly breakdowns, the young artist clearly knows the path from nostalgia to the future.” Anderson is currently on an East coast tour with The Main Squeeze and will be performing on November 17 with Doyle Bramhall II at Moroccan Lounge in Los Angeles. “Breaking Down” dials up straight ahead, high energy rock and roll reminiscent of early Kings of Leon -with the swagger of 60s bands like The Kinks and The Who. Produced by 7x Grammy winner Jim Scott (whose credits include Red Hot Chili Peppers and Tom Petty), this new single is an unabashed rocker from start to finish, with a driving bass line and a breakneck drum beat backing up his rhythmic guitar styling The second single from Anderson’s upcoming album due out in 2019, "Breaking Down" follows up the single/video “No Good.” The video premiered on Billboard, who deems Anderson a “singer, songwriter and guitar hero.” That track, which debuted on Relix Magazine, was selected for Spotify’s Official ‘Nu Blues’ playlist. Anderson tells premiere partner, All Things Go: "With my new single, "Breaking Down" I wanted to write an unabashed rocker. I was listening to a lot of The Kinks, The Who and even early Kings of Leon when I wrote it -- that inspired the tone of it overall. -
November / December 2017
November / December 2017 See Page 21 2 Love The Blues? Live The Blues? The Detroit Blues Society’s Lifetime Achievement Award Honorees Board of Directors 2017 President Steve Soviak 2013: [email protected] 2008: Vice President / Editor Jane Cassisi [email protected] 2006: 2005: Secretary William Toll [email protected] Director At Large Cynthia Davis [email protected] Director At Large Blues Horizon Award Winners Luther Keith [email protected] Joe Von Battle Director At Large Victoria Linsley 1993: [email protected] 1992: 2008: Committee Chairs - 2017 James S. Henry Award Winners 2010: Bryan Iglesias/Zerapath Membership - Tom McNab 2009: Jake Bishop 2005: Jeremy Haberman [email protected] Volunteer - Jane Cassisi New & Renewed Members from [email protected] August 10, 2017 to October 11, 2017 Blue Notes - Jane Cassisi [email protected] Street Team - Victoria Linsley Daniel & Deanna Adams, Elaine & Gerald Arnold, [email protected] B.J. Belcoure, Larry “Mugs” Benedict, Lars Bjorn, Website - William Toll [email protected] Alan Chunn, Larry Everhart, Ken Gilbert, Thomas Keating, Lynne Martinez, Doug Montgomery, Publicity – Cynthia Davis [email protected] Surayyah R Muwwakkil, Russ & Cindy Ortisi, Har- old Price, Robert Stevens and Randy Schwartz Blues Challenge - Steve Soviak [email protected] Youth Challenge - Cheri Lowe Our sincere appreciation goes out to all new and [email protected] renewing members. Daniel & Deanna Adams, B.J. Monthly Meetings/Jams - Jane Cassisi Belcoure, Lars Bjorn, Larry Everhart, Ken Gilbert [email protected] and Thomas Keating all took advantage of the dis- Victoria Linsley [email protected] count available with a multiple year membership. -
Early Childhood Professionals and Changing Families
DOCUMENT RESUME ED 289 609 PS 017 043 AUTHOR Weiss, Heather B. TITLE Early Childhood Professionals and Changing Families. PUB DATE 10 Apr 87 NOTE 22p.; Paper presented at the Meeting of the Anchorage Association for the Education of Young Children (Anchorage, AK, April 10, 1987). PUB TYPE Viewpoints (120) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Child Caregivers; *Community Action; Early Childhood Education; *Family Programs; Parent Teacher Cooperation; *Preschool Teachers; *Program Implementation; *Public Policy IDENTIFIERS *Alaska; Research Results ABSTRACT Early childl-ood educators are advised to confront difficulties arising from Alaska's economic problems by establishing coalitions between families with young children and service providers, with the intention of creating new programs and maintaining existing family support and education programs. Evidence of the desirability of a wide range of family-provider partnerships is summarized in:(1) discussions of the appeal of such programs from the perspective of public policy; and (2) reports of findings from research and evaluation studies of program effectiveness and the role of social support in child rearing. Subsequent discussion describes desired features of such coalitions and specifies key principles that und.rlie them. Ihe concluding section of the presentation details a research-based plan which conference participants might (evelop to implement partnership programs on a pilot basis, (RH) *********************************************************************** -
Robert Conrad “It’S up to the Audience … I Don’T Sing Anymore, and I Don’T Dance at All
Contributing Writers: Howard Erman Les Goldberg Ronnie Greenberg Dr. Robert Horseman Judith Rogow Debbie L. Sklar VOLUME 44, NUMBER 12 Nick Thomas DECEMBER 2018 “Serving The Needs of Orange County & Long Beach Seniors Since 1974” Robert Conrad “It’s up to the audience … I don’t sing anymore, and I don’t dance at all. But I have a 50-year career. Bring it on but have some class.” —Robert Conrad What’s Inside.... Calendar of Events .............................. 5 Classifieds ....................................... 6-7 Robert Conrad ....................................10 Gadget Geezer ...................................12 Fabulous Finds ...................................14 Book Club ..........................................21 San Simeon .......................................22 Busy Boomers ....................................31 In The Spotlight .................................35 Tinseltown Talks .................................41 Orange County • Long Beach Page 2 SENIOR REPORTER [email protected] DECEMBER 2018 $2,945 $2,745 $3,185 $2,745 $575 4500 Square Feet of Christian Books, Cards, Gifts, Art & Much Much More! $5 Off with $25 or more purchase 23851 Via Fabricante, Suite 201 Mission Viejo, CA • (949) 716-5511 Hours: Mon-Sat 10am-7pm Page 3 SENIOR REPORTER [email protected] DECEMBER 2018 Back to School By Jim McDevitt young faces not much older ules, let me introduce our in- than her own children. Even structors.” With that he started calling out At one point in life, my wife though she was expecting this, names along with the subject decided it was time to go back she was still feeling uneasy. Searching about with her eyes, they were teaching, and each to school. Our three children Planes of Fame instructor stood up. were in school and she thought she looked around to sit near Air Museum someone her own age or at 14998 Cal Aero Drive it would be a good example for Chino, CA 91710 The first instructor to stand them to see mom studying and least close to it. -
Home and Family
5 Home and Family UNCORRECTED PAGE PROOFS Copyright © 2017 (and distributed by) Bedford, Freeman & Worth High School Publishers. Strictly for use with its products. Not for redistribution 06_JAG_8251_ch05_148_307.indd 148 18/08/16 12:26 PM hat makes a house a W home? “Home” suggests sanctuary, loved ones, nourishment — a place where everybody knows your name. The term is woven deep into our language as well as our consciousness. Consider the connotations of homemade and homespun. Home can offer refuge from the hostile world, or it can be a prison. People living together inevitably — sometimes intentionally — rub one another the wrong way. This chafing provides writers with rich material for art. (Remember, without conflict there is no story.) Are these writers working through their own failed relationships with mothers, fathers, and siblings? Sometimes. Are they exploring their conflicted feelings toward a home they left behind? Maybe. Are they holding up a mirror that allows us to see our own homes and families in a new light? Most certainly. Though the trappings of Happy families are all alike; home and family differ across every unhappy family is unhappy cultures, human families have in its own way. much in common. Legend has it that a man from Czechoslovakia, — Leo Tolstoy, Anna Karenina after watching a production of August Wilson’s Fences (set in Pittsburgh in the 1950s), approached the playwright and asked him, “How did you know about my family?” Wilson may not have known that particular man’s family, but he knew about families and how the sins of the Getty Images / father play out in the lives of sons. -
January 2019 New Releases
January 2019 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 54 Vinyl Audio 3 CD Audio 9 FEATURED RELEASES CLAUDIO SIMONETTI’S GOOD OLD BOYS - BESIDE BOWIE: GOBLIN - MUSIC FOR A LIVE THE MICK RONSON STORY Music Video WITCH DVD & Blu-ray 35 Non-Music Video DVD & Blu-ray 37 MVD Distribution Independent Releases 51 Order Form 62 Deletions and Price Changes 60 NAVAJO CODE TALKERS WILLIE DYNAMITE CRIMSON PEAK [LIMITED 800.888.0486 OF WORLD WAR II EDITION BLU-RAY] 203 Windsor Rd., Pottstown, PA 19464 JON COUGAR CONCENTRATION LURKERS - CEVIN KEY - www.MVDb2b.com CAMP & THE RAGING NATHANS - ELECTRICAL GUITAR BRAP AND FORTH VOLUME 8 SPLIT 7INCH (YELLOW VINYL) CANNONBALLS and DYNAMITE Ignite 2019! MVD sparks up the New Year with a Big Bang of new releases! Leading the charge is the Arrow Video Blu-ray deluxe edition of the Blaxploitation epic WILLIE DYNAMITE. Tighter, tougher and meaner than John Shaft, Willie Dynamite shows you around 70s New York while avoiding all manner of authority. Of course sporting the most outrageous outfits and cruising in his purple-and-gold Cadillac. Includes an exclusive featurette KISS MY BAAD ASSS, hosted by Ice-T, and featuring interviews with Richard Roundtree, Melvin van Peebles, Isaac Hayes and more. Feel the heat of WILLIE DYNAMITE! The great CANNONBALL ADDERLEY blazes this month with the previously-unissued CD SWINGIN’ IN SEATTLE. Recorded at the Penthouse in 1966-67, Cannonball is joined by Nat Adderley, Joe Zawinul and more jazz masters. Reel to Real Records also lights up January with a CD release from ETTA JONES, and the newly discovered recording A SOULFUL SUNDAY: LIVE AT THE LEFT BANK. -
JOURNAL of MUSIC and AUDIO Issue 4, April 11, 2016
Issue 4, April 11, 2016 JOURNAL OF MUSIC AND AUDIO Copper Copper Magazine © 2016 PS Audio Inc. www.psaudio.com email [email protected] Subscribe copper.psaudio.com/home/ Page 2 Credits Issue 5, April 25, 2016 JOURNAL OF MUSIC AND AUDIO Publisher Paul McGowan Editor Bill Leebens Copper Columnists Seth Godin Richard Murison Dan Schwartz Bill Leebens Lawrence Schenbeck Duncan Taylor WL Woodward Inquiries Writers [email protected] Andrew Benjamin 720 406 8946 Lawrence Schenbeck Boulder, Colorado Anthony Bigler USA Robert Hart Copyright © 2016 PS Audio International Copper magazine is a free publication made possible by its publisher, PS Audio. We make every effort to uphold our editorial integrity and strive to offer honest content for your enjoyment. Copper Magazine © 2016 PS Audio Inc. www.psaudio.com email [email protected] Page 3 Copper JOURNAL OF MUSIC AND AUDIO Issue 5 - April 25, 2016 Opening Salvo Letter from the Editor Bill Leebens It’s hard to believe we’ve already reached the fifth issue of Copper. It’s been really interesting to view the wide range of responses from our readers: what one loves, another despises. We know that extreme reactions indicate passion, and we want to encourage that...without provoking bloodshed, of course! Our columnists represent a diversity of topics and viewpoints, something for everyone. This issue, Seth Godin writes about the joys of teetering on the edge of control. Richard Murison samples the subject of sample rates. Dan Schwartz looks back at his development as a professional bassist, and his part in a legendary recording. Lawrence Schenbeck revisits the concept of The Shock of the New, as it applies to music. -
Psaudio Copper
Issue 41 SEPTEMBER 11TH, 2017 Welcome to Copper #41! The title isn't to announce a James Taylor retrospective---sorry to crush your hopes--- but is just what I see in today's weather reports. The Pacific Northwest, where I'm bound for a long-delayed vacation, is up in flames, along with many other parts of the tinder-dry US. Meanwhile, back in my former home of Florida...they've already had nearly two feet of rain, and Hurricane Irma is not even close to the state yet. Stay safe, everyone. I'm really pleased and excited to have Jason Victor Serinus back with us, with the first part of an intensive introduction to art song. Jason brings tremendous knowledge of the field, and provides plenty of recorded examples to listen to, and in the case of videos, watch. There are many stunning performances here, and I hope you enjoy this extraordinary resource. We'll have Part 2 in Copper #42. Dan Schwartz is again in the lead-off spot with the second in his series of articles on encounters–this one, with Phil Lesh and crew; Seth Godin tells us how control is overrated; Richard Murison hears a symphony; Duncan Taylor takes us to Take 1; Roy Hall tells about a close encounter of the art kind; Anne E. Johnson introduces indie artist Anohni; and I worry about audio shows (AGAIN, Leebs??), and conclude my look at Bang & Olufsen. Industry News tells of the sale of audiophile favorite, Conrad-Johnson; Gautam Raja is back with an amazing story that I think you'll really enjoy, all about Carnatic music, overlooked heritage, and the universal appeal of rock music; and Jim Smith takes another warped look at LPs. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world.