Breaking Down” with Premiere on All Things Go
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Soundstage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56
SoundStage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56 February 2009 Mike Bloomfield, Al Kooper, Steve Stills - Super Session Speakers Corner/Columbia Records CS 9701 Format: LP Originally Released: 1968 Reissue Released: 2008 by Joseph Taylor [email protected] Musical Performance Recording Quality Overall Enjoyment In 1968, Al Kooper had just left Blood Sweat & Tears, the horn band he had started, and was an A&R man at Columbia Records. Guitarist Mike Bloomfield, whom Kooper had played with on Highway 61 Revisited, was also between bands, so Kooper called him up and suggested they jam in the recording studio. Two other musicians, bassist Harvey Brooks and drummer Eddie Hoh, joined them for a marathon nine-hour session (pianist Barry Goldberg sat in on a couple of tracks). The next day, Bloomfield was a no show and Kooper, in a panic, cast about for another guitarist. He was lucky enough to track down Steven Stills, whose band, Buffalo Springfield, had just split up. After another long session, Kooper had enough material to create an album. Super Session, co-credited to Bloomfield, Kooper, and Stills, cost $13,000 to record and became a gold record. Kooper had horn arrangements dubbed onto some of the tunes, but otherwise they were released as originally recorded, except for some editing on a version of Donovan’s "Season of the Witch." Bloomfield is the reason to own the record. His searing guitar work is astonishing, some of the best of his brief career. He plays with focused intensity and a powerful grasp of blues tradition. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Red River Radio Ascertainment Files October 2017 – December 2017 STORY LOG – Chuck Smith, NEWS PRODUCER, RED RIVER RADIO
Red River Radio Ascertainment Files October 2017 – December 2017 STORY LOG – Chuck Smith, NEWS PRODUCER, RED RIVER RADIO 2498 University of Louisiana System Raises College Grad Goals (1:08) Aired: October 10, 2017 Interview: Jim Henderson, President - University of Louisiana System Type: Interview Wrap 2499 La. Film Prize Wraps 6th Festival Season (3:28) Aired: October 11, 2017 Interview: Gregory Kallenberg, Exec. Dir.-LaFilmPrize, Shreveport, LA Type: Interview Wrap 2500 Many Still Haven't Applied For La. 2016 Flood Recovery Funds (1:53) Aired: October 12, 2017 Interview: Pat Forbes, director for the Louisiana Office of Community Development Type: Interview Wrap 2501 LSUS Pioneer Day Takes Us Back In Time This Saturday (3:28) Aired: October 13, 2017 Interview: Marty Young, Director – Pioneer Heritage Center, LSU-Shreveport Type: Interview Wrap 2502 Share A Story With StoryCorps In Shreveport (2:11) Aired: October 16, 2017 Interview: Morgan Feigalstickles, Site Manager / StoryCorps Type: Interview Wrap 2503 La. Coastal Restoration Projects $50 Billion Over 50 Years (2:15) Aired: Oct 17, 2017 Interview: Johny Bradberry, La. Coastal Protection and Restoration Authority Type: Interview Wrap 2504 Selling Pumpkins To Support Charities in Shreveport-Bossier (2:44) Aired: Oct. 19, 2017 Interview: Janice Boller, Chairman – St. Luke’s Pumpkin Patch Committee Type: Interview Wrap 2505 No Action From Bossier School Board Regarding Student Rights Allegations (1:54) Aired: Oct. 20, 2017 Interview: Charles Roads, South Texas College of Law / Houston, TX Type: Interview Wrap 2506 Caddo Commission Votes For Confederate Monument Removal (1:08) Aired: Oct. 20, 2017 Interview: Lloyd Thompson, President - Caddo Parish NAACP Type: Interview Wrap 2507 National Wildlife Refuge President Visits East Texas Wildlife Refuges (3:26) Aired: Oct 23, 2017 Interview: Geoffrey Haskett, President - National Wildlife Refuge Association Type: Interview Wrap 2508 NW La. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Teen Boy Shouting to Friends at Playground, Juin 1942 © Gordon Parks/Universal History Archive/ Universal Images Group/Getty Images
L'AVÈNEMENT DE LA POP CULTURE NOIRE AMÉRICAINE PAGE SUIVANTE : TEEN BOY SHOUTING TO FRIENDS AT PLAYGROUND, JUIN 1942 © GORDON PARKS/UNIVERSAL HISTORY ARCHIVE/ UNIVERSAL IMAGES GROUP/GETTY IMAGES BLACK POWER ENTRETIEN / RASHIDA K. BRAGGS Quelle est votre vision de la pop culture noire américaine d’aujourd’hui ? Elle me semble très riche. Lorsqu’on voit le féminisme afrmé de Beyoncé ou Nick Minaj, on constate l’héritage de Maya Angelou, Toni Morrison ou Sonia Sanchez. Les musiciens pop et les réseaux sociaux citent régulièrement James Baldwin, décédé depuis près de trente ans. Au-delà de ces mentions, la pop culture revisite le passé, notamment via des documentaires retraçant le parcours d’icônes, de Nina Simone à Michael Jordan, ou en mettant en lumière des sujets cruciaux comme le manque de visibilité des acteurs noirs. Mais ce qui me frappe le plus, c’est l’attention désormais portée à la subjectivité noire qui, si elle a toujours été présente, a rarement été aussi populaire. Le cinéma ne se contente plus de récits historiques sur l’esclavage ou la ségrégation, à l’instar d’Amistad et Django Unchained. Ce sont des récits importants à raconter, mais qui rappellent également les stéréotypes, l’injustice, l’iniquité. Mes étudiants se demandent pourquoi il y a peu de flms sur les joies du quotidien des Noirs, ENTRETIEN AVEC pourquoi celui-ci semble lié à la soufrance, à l’oppression et à la violence. La Avant d’ouvrir une multitude de portes d’entrées sur vie noire est tellement plus complexe ! Aujourd’hui, grâce au travail d’ouverture l’univers d’artistes qui ont tous, chacun à leur manière, des générations ultérieures, les réalisateurs sont en mesure de bénéfcier de RASHIDA K. -
O N T H E 12 U P Hamish Anderson Aussie Blues-Rock Man Hurries up and Waits
MONITOR PEOPLEPEOPLE ✪ NNEWSEws ✪ NONOISEISE O N T H E 12 U P HAMISH ANDERSON Aussie blues-rock man hurries up and waits here’s a trend This approach pervades with being horribly writing I find too often that I’ll among young every aspect of Hamish’s patronising – suggests an ear get distracted by a message or bluesmen, process. Part Tom Petty, part JJ that’s gifted rather than I’ll open up social media and T much like the Cale, his deftly-constructed honed. Trust us: sounding this get lost. When writing on a perennial boy 2017 debut album Trouble led relaxed in the digital age takes typewriter you can be totally racer, to play guitar with to him touring the US a lot of work. in your zone.” go-faster stripes, souping up alongside Vintage Trouble and “I write on a typewriter He’ll need that focus: 2018 knackered licks with frippery Kenny Wayne Shepherd last when I can,” expands is already shaping up to be a and cold pace. LA-based, year. But it’s his gravelly Hamish. “Because you really big year, with second-album Australian-born songwriter guitar work – undress-y, have to commit to what you sessions and a trip to Europe Hamish Anderson is a very louche and noticeably slower write and you can eliminate on the cards. “The goal is to different proposition. He playing than his peers – that distractions. I use my phone perform in the UK in 2018,” favours the slow burn. truly sets him apart. Lyrical to get ideas down quickly as reveals Hamish. -
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to The
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to the CD-2 “No Direction Home”, Michael Bloomfield plays the guitar intro and a solo later and Dylan plays the opening solo (his one and only recorded electric solo?) 1. “Leopard-skin Pill-box Hat” (6.24) (take 1) slow 2. “Leopard-skin Pill-box Hat” (3.58) Bloomfield solo 3. “Leopard-skin Pill-box Hat” (3.58) Dylan & Bloomfield guitar solo 4. “Leopard-skin Pill-box Hat” (6.23) extra verse On track (2) there is very fine playing from MB and no guitar solo from Uncle Bob, but a harmonica solo. 1966 3 – LP-2 “BLONDE ON BLONDE” COLUMBIA 1966? 3 – EP “BOB DYLAN” CBS EP 6345 (Portugal) 1987? 3 – CD “BLONDE ON BLONDE” CBS CDCBS 66012 (UK) 546 1992? 3 – CD “BOB DYLAN’S GREATEST HITS 2” COLUMBIA 471243 2 (AUT) 109 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 - COLUMBIA C2K 93937 (US) 529 Alternate take 1 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 – COL 520358-2 (UK) 562 Alternate take 1 ***** Febr. 4.-11, 1966 – The Paul Butterfield Blues Band at Whiskey a Go Go, LA, CA Feb. 25, 1966 – Butterfield Blues Band -- Fillmore ***** THE CHICAGO LOOP 1966 Prod. Bob Crewe and Al Kasha 1,3,4 - Al Kasha 2 Judy Novy, vocals, percussion - Bob Slawson, vocals, rhythm guitar - Barry Goldberg, organ, piano - Carmine Riale, bass - John Siomos, drums - Michael Bloomfield, guitar 1 - John Savanno, guitar, 2-4 1. "(When She Wants Good Lovin') She Comes To Me" (2.49) 1a. -
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1. -