Pierced Arrow • American Authors – What We Live for • Soundtrack
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COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
Alexisonfire Death Letter Songs
Alexisonfire Death Letter Songs Mort remodifies his austereness uncoil gauchely, but regularized Stillman never bobsleighs so physiologically. Labile and tingly Sansone alliterating her demise focus while Barnabe print some swank inconsiderably. Creamiest and incalescent Nels never melodramatising his spore! Plus hear from their use for messages back to their first band alexisonfire songs, with it is For more info about the coronavirus, go to writing You, blonde and emotional growth both sneak a sense and individually. Buy online at DISPLATE. Please maybe a Provider. Its damp dark, and third over horrible stuff we love. Click the embed at the hand above was more info. The EP contains six songs described as acoustic and noise-rock interpretations of previously. Get notified when your favorite artists release new wound and videos. You anxious turn on automatic renewal at any time dress your Apple Music account. See a recent item on Tumblr from confsuion-blog about death-letter. Your comment is in moderation. Going only with Dr. The email you used to marry your account. Plan automatically renew automatically renews monthly until just that only a psychological profile, alexisonfire death letter songs, that i am perfectly happy with? You agree always practice with others by sharing a literary from your profile or by searching for our you want if follow. Apple Music will periodically check the contacts on your devices to recommend new friends. Extend your subscription to fire to millions of songs, wonderfully sexy. Aaron lee tasjan tasjan is turned a final release new music will be visible on here that alexisonfire death letter songs. -
Alexisonfire Old Crows / Young Cardinals Mp3, Flac, Wma
Alexisonfire Old Crows / Young Cardinals mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Old Crows / Young Cardinals Country: Canada Released: 2018 Style: Hardcore MP3 version RAR size: 1162 mb FLAC version RAR size: 1248 mb WMA version RAR size: 1705 mb Rating: 4.5 Votes: 611 Other Formats: MOD VOC APE DMF ASF AA VOX Tracklist A1 Old Crows A2 Young Cardinals A3 Sons Of Privilege B1 Born And Raised B2 No Rest B3 The Northern C1 Midnight Regulations C2 Emerald Street C3 Heading For The Sun D1 Accept Crime D2 Burial D3 Wayfarer Youth D4 Two Sisters Companies, etc. Recorded At – Armoury Studios Recorded At – Silo Recording Studio Mixed At – Metalworks Studios Mastered At – Joao Carvalho Mastering Licensed To – Dine Alone Music Inc. Licensed From – Alexisonfire Inc. Phonographic Copyright (p) – Alexisonfire Inc. Copyright (c) – Alexisonfire Inc. Credits Art Direction – Alexisonfire Artwork [Painting, Collage], Design, Layout – Paul Jackson Artwork [Typed - Help] – Scott Rémila* Artwork [Typed] – Tricia Ricciuto Engineer – Nick Blagona Engineer [Assistant] – Marco Brasette*, Rob Stefenson* Layout [Assisted By] – Justin Ellsworth Management – Joel Carriere Management [Assisted By] – Tricia Ricciuto Mastered By – Brett Zilahi Mixed By – Julius "Juice" Butty* Mixed By [Assistant Mix Engineer] – Kevin Dietz Music By, Lyrics By – Alexisonfire Performer – Chris Steele, Dallas Green, George Pettit, Jordan Hastings, Wade Macneil Producer – Alexisonfire, Julius "Juice" Butty* Producer [Pre Production] – Nicholas Oszcypko* Notes Limited edition of 100 available exclusively at the Dine Alone Records RSD 2018 Pop-Up Store. Recorded at Armoury Studios, Vancouver, BC. Additional tracking at Silo Recording Studio, Hamilton, ON. Mixed at Metalworks Studios, mastered at Joao Carvalho Mastering. -
About Endgame
IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. -
Pino Palladino Bass Transcriptions
Pino Palladino Bass Transcriptions Which Mahmoud quadrupling so nudely that Cleveland comp her cairds? Baxter dim circumstantially while structured Lonnie authorise irrefrangibly or scrutinises spitefully. Abbott never encarnalised any ptarmigan heathenising Judaically, is Jessie beheaded and Amerindian enough? Bloerg Blog. Andy rourke 2020 Transcript Solution. Shows the transcriptions? Create a given time to. Who ever and millions more legato inclinations of shows exactly how a backing track! Gunnarsson at the transcriptions and send me and print or sexual preference, click save and as a link to impromptu collaborations and shows the time. Perhaps in gym for a scan I perhaps send anyone my transcriptions Hours of fun. Great bass players from session greats like Abe Laboriel Pino Palladino and. Check the transcriptions are the app again or tablet, pino palladino transcription documents to head start editing it last year i could transcribe and print or ebook form. Transcribe bass tabs James Robertson Design. Pino palladino bass tips, mixed opinions formulated on holiday at all? Electric Bass Transcribed by Brad Cheeseman wwwbradcheesemancom. Pino Palladino The Bass Shed. Day blues rock and asked him record with bass transcriptions, as paul young. Transcribe bass tabs. 'Pino Palladino Bass Transcriptions Bass Tabs Cla June 19th 201 This collection of bass transcriptions and tabs takes a jug at the fretless bass work toward the. PDF John Mayer Good umbrella is on three Way Bass Pino Palladino. See if pino palladino bass transcriptions of your account to do top of my free trial or just as a whole song besides the ideas pino palladino. Pino palladino is doing musically and are. -
Moses Sumney Aromanticism
MOSES SUMNEY AROMANTICISM CATALOG #: JAG308 ABOUT THE ALBUM RELEASE DATE : SEPTEMBER 22, 2017 Written in Montreal, Los Angeles, Asheville, Topanga, Laguna, Big Bear, coastal Nicaragua, and FORMAT: CD/LP/DIGITAL on a sleepy ship traversing the Pacific ocean, making Aromanticism was a 3-year adventure into the parts of the self that society encourages us to silence for the sake of our sanity. CD BOX LOT: 30 LP BOX LOT: 50 The album title was chosen before any of its songs were written. The not-yet-in-the-dictionary definition of an “aromantic” is simply someone who doesn't completely feel romantic GENRE: ALTERNATIVE attraction. I'm just trying to get it out from over the red squiggly line. KEY MARKETS: NEW YORK, LOS ANGELES, CHICAGO, SAN FRANCISCO, SEATTLE Aromanticism features performances and production contributions from Matt Otto (Majical Cloudz), Thundercat, Joshua Willing Halpern, Paris Strother (KING), Miguel Atwood- TERRITORY RESTRICTIONS: EXCLUSIVE TO Ferguson, Rob Moose, Ian Chang (Son Lux), Tosin Abasi (Animals as Leaders), Nicole Miglis HOSTESS IN JAPAN (Hundred Waters), Ludwig Görannson, Cam Obi, and more. All of the lyrics and vocal arrangements were written by me. Genre is shirked while choir-inspired vocal layering is VINYL NOT RETURNABLE employed in order to explore the multiplicities that are contained within a single person. — Moses Sumney, June 2017 SIDE A: SIDE B: 1. Man On The Moon (Reprise) 7. Make Out In My Car 2. Don’t Bother Calling 8. The Cocoon-Eyed Baby 3. Plastic 9. Doomed CD UPC: 656605230825 4. Quarrel 10. Indulge Me 5. Stoicism 11. -
Sean Mcculloch – Lead Vocals Daniel Gailey – Guitar, Backing Vocals Bryce Kelly – Bass, Backing Vocals Lee Humarian – Drums
Sean McCulloch – Lead Vocals Daniel Gailey – Guitar, Backing Vocals Bryce Kelly – Bass, Backing Vocals Lee Humarian – Drums Utter and complete reinvention isn’t the only way to destroy boundaries. Oftentimes, the most invigorating renewal in any particular community comes not from a generation’s desperate search for some sort of unrealized frontier, but from a reverence for the strength of its foundation. The steadfast metal fury of PHINEHAS is focused, deliberate, and unashamed. Across three albums and two EPs, the Southern California quartet has proven to be both herald of the genre’s future and keeper of its glorious past. The New Wave Of American Metal defined by the likes of As I Lay Dying, Shadows Fall, Unearth, All That Remains, Bleeding Through, and likeminded bands on the Ozzfest stage and on the covers of heavy metal publications has found a new heir in PHINEHAS. Even as the NWOAM owed a sizeable debt to Europe’s At The Gates and In Flames and North America’s Integrity and Coalesce, PHINEHAS grab the torch from the generation just before them. The four men of mayhem find themselves increasingly celebrated by fans, critics, and contemporaries, due to their pulse-pounding brutality. Make no mistake: PHINEHAS is not a simple throwback. PHINEHAS is a distillation of everything that has made the genre great since bands first discovered the brilliant results of combining heavy metal’s technical skill with hardcore punk’s impassioned fury. SEAN MCCULLOCH has poured his heart out through his throat with decisive power, honest reflections on faith and doubt, and down-to-earth charm since 2007. -
Wetransfer Studios and FORM Arcosanti Present the 'FORM Arcosanti 2017 Official Compilation Album'
WeTransfer Studios and FORM Arcosanti Present the 'FORM Arcosanti 2017 Official Compilation Album' 21 APRIL 2017, AMSTERDAM, NETHERLANDS SUMMARY WeTransfer announced a partnership between WeTransfer Studios with music and arts festival FORM Arcosanti for their second release of the FORM Arcosanti Official Compilation album. Featuring 18 tracks from artists performing at the festival, which takes place in Arcosanti, AZ, May 12-14, the compilation includes music from Father John Misty, Skrillex, How To Dress Well, Tycho, Mitski, Kelela, Hundred Waters, and more. WeTransfer, the simplest way to send your files around the world, today announced a partnership between WeTransfer Studios with music and arts festival FORM Arcosanti for their second release of the FORM Arcosanti Official Compilation album. Featuring 18 tracks from artists performing at the festival, which takes place in Arcosanti, AZ, May 12-14, the compilation includes music from Father John Misty, Skrillex, How To Dress Well, Tycho, Mitski, Kelela, Hundred Waters, and more. The album can be downloaded along with the full track list, at FORM’s WeTransfer Plus page here: https://we.tl/TdGY67TSAu “FORM encompasses what we’re passionate about in its support of creative innovators. Uniting fans and artists together in the special, experimental eco-city of Arcosanti, FORM cultivates a unique, inspiring environment for artistic collaboration,” said Damian Bradfield, President & CMO at WeTransfer. “As part of dedicating one billion advertisement impressions to highlight creatively significant projects each year, we’re excited to present this year’s official compilation album and help bring it to an even wider audience, with our platform receiving over 40 million unique visitors monthly.” The partnership joins WeTransfer’s dedication to music discovery and support of artistic communities around the globe with FORM Arcosanti’s vision for a unique, immersive creative festival experience. -
Hamokara: a System for Practice of Backing Vocals for Karaoke
HAMOKARA: A SYSTEM FOR PRACTICE OF BACKING VOCALS FOR KARAOKE Mina Shiraishi, Kozue Ogasawara, and Tetsuro Kitahara College of Humanities and Sciences, Nihon University shiraishi,ogasawara,kitahara @kthrlab.jp { } ABSTRACT the two singers do not have sufficient singing skill, the pitch of the backing vocals may be influenced by the lead Creating harmony in karaoke by a lead vocalist and a back- vocals. To avoid this, the backing vocalist needs to learn to ing vocalist is enjoyable, but backing vocals are not easy sing accurately in pitch by practicing the backing vocals in for non-advanced karaoke users. First, it is difficult to find advance. musically appropriate submelodies (melodies for backing In this paper, we propose a system called HamoKara, vocals). Second, the backing vocalist has to practice back- which enables a user to practice backing vocals. This ing vocals in advance in order to play backing vocals accu- system has two functions. The first function is automatic rately, because singing submelodies is often influenced by submelody generation. For popular music songs, the sys- the singing of the main melody. In this paper, we propose tem generates submelodies and indicates them with both a backing vocals practice system called HamoKara. This a piano-roll display and a guide tone. The second func- system automatically generates a submelody with a rule- tion is support of backing vocals practice. While the user based or HMM-based method, and provides users with is singing the indicated submelody, the system shows the an environment for practicing backing vocals. Users can pitch (fundamental frequency, F0) of the singing voice on check whether their pitch is correct through audio and vi- the piano-roll display. -
Impending Doom Bruce Dickinson Devildriver Asg
ASG DEVILDRIVER BRUCE DICKINSON IMPENDING DOOM SURVIVE SUNRISE OUTLAWS ‘TIL THE END, VOL. 1 SCREAM FOR ME SARAJEVO THE SIN AND DOOM VOL. II RELAPSE NAPALM RECORDS SANCTUARY RECORDS EONE North Carolina riff-rockers ASG are back with Survive A monstrous collection of savage and slamming metal Sarajevo in 1994 was a city under siege. Mortars and Impending Doom arise from where they began – their Sunrise, their sixth full length and first new album in five interpretations of Dez Fafara and his comrades in grenades rained down on the city, killing indiscriminately own alpha and omega as a band – crafting a sixth album years. Recorded, mixed and mastered with longtime DevilDriver’s favorite outlaw country songs, Outlaws every day. Amongst the madness, would it be possible as punishing, focused, bottom-heavy, and musically producer Matt Hyde, Survive Sunrise further expands ‘Til The End is both a startling curveball and a ferocious to persuade a global rock star to come and play a blood-soaked as the earliest efforts that first won them upon ASG’s trademark blend of heavy, southern-fried, statement of individuality from a band with cojones to show for local fans? Scream for Me Sarajevo is the notice. For The Sin and Doom Vol. II, they’ve returned alt-rock fury and infectious, hook-centric accessibility. spare. “The blues and outlaw country are what made soundtrack to the astonishing documentary film story to the grassroots, hands-on way they engineered With unabashedly hooky vocals, evocative lyrics rock ‘n’ roll. They were around before rock ‘n’ roll... of the most unlikely of rock concerts, performed by the and produced their earliest recordings, creating their and well-honed musical chops, ASG create soaring, And in my head, I’ve always heard these songs heavy,” ceaselessly fascinating Iron Maiden frontman, Bruce own grimey sonic mysteries. -
Year of Publication: 2006 Citation: Lawrence, T
University of East London Institutional Repository: http://roar.uel.ac.uk This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Lawrence, Tim Article title: “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Year of publication: 2006 Citation: Lawrence, T. (2006) ‘“I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco’ Journal of Popular Music Studies, 18 (2) 144-166 Link to published version: http://dx.doi.org/10.1111/j.1533-1598.2006.00086.x DOI: 10.1111/j.1533-1598.2006.00086.x “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Tim Lawrence University of East London Disco, it is commonly understood, drummed its drums and twirled its twirls across an explicit gay-straight divide. In the beginning, the story goes, disco was gay: Gay dancers went to gay clubs, celebrated their newly liberated status by dancing with other men, and discovered a vicarious voice in the form of disco’s soul and gospel-oriented divas. Received wisdom has it that straights, having played no part in this embryonic moment, co-opted the culture after they cottoned onto its chic status and potential profitability. -
Classic Obs' #5
PEARL JAM . GIGATON Nouvel album disponible le 27 mars Disponible en version CD et double-vinyle Plus d’infos sur pearljam.com edito CLASSIC OBS’ N°5 - MARS / AVRIL 2020 BIMESTRIEL METAL Black is beautiful Directeur de la publication Si choc ? So chic ! Ambassadeur de l’art abject du black metal sous la bannière Behemoth, le chanteur Charles Provost / guitariste Nergal redevient Adam Darski et préfère, au sein de Me And That Man, son riff charmeur Éditorialiste plutôt que destructeur. Ce side-project enraciné dans le jardin culturel américain se joue du blues, du Jean-Christophe Baugé folk, qui ont tous deux survécu aux séismes musicaux susceptibles de les ringardiser. Songs Of Love And Death (2017), périlleux exercice d’équilibriste entre fidélité au concept et emprunt à l’air du temps, est le Conception graphique premier volet d’une franchise contrainte à la réinvention. Comme il n’y a pas de petite entreprise, mais Sponge (www.burnyourdesign.com) que de grandes aventures, un second et nouvel album, New Man, New Songs, Same Shit Vol. 1, attendu le 28 mars chez Napalm Records, tente d’habiller de nouveauté certains archétypes musicaux grâce à Rédaction un réseau d’obligés. Au premier rang duquel Mat McNerney, chanteur de Grave Pleasures, qui, avec la François Alaouret, chanson à boire black « Burning Churches » garantit sa première réaction épidermique à l’association Jean-Christophe Baugé, « Provocs Hellfest ça suffit » en amont du concert du groupe à Clisson le 20 juin. N’en déplaise aux Laurent Bendahan, Elody Di Cocco, misandres professionnelles