What You Saw Was Not What You Got
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Soundstage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56
SoundStage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56 February 2009 Mike Bloomfield, Al Kooper, Steve Stills - Super Session Speakers Corner/Columbia Records CS 9701 Format: LP Originally Released: 1968 Reissue Released: 2008 by Joseph Taylor [email protected] Musical Performance Recording Quality Overall Enjoyment In 1968, Al Kooper had just left Blood Sweat & Tears, the horn band he had started, and was an A&R man at Columbia Records. Guitarist Mike Bloomfield, whom Kooper had played with on Highway 61 Revisited, was also between bands, so Kooper called him up and suggested they jam in the recording studio. Two other musicians, bassist Harvey Brooks and drummer Eddie Hoh, joined them for a marathon nine-hour session (pianist Barry Goldberg sat in on a couple of tracks). The next day, Bloomfield was a no show and Kooper, in a panic, cast about for another guitarist. He was lucky enough to track down Steven Stills, whose band, Buffalo Springfield, had just split up. After another long session, Kooper had enough material to create an album. Super Session, co-credited to Bloomfield, Kooper, and Stills, cost $13,000 to record and became a gold record. Kooper had horn arrangements dubbed onto some of the tunes, but otherwise they were released as originally recorded, except for some editing on a version of Donovan’s "Season of the Witch." Bloomfield is the reason to own the record. His searing guitar work is astonishing, some of the best of his brief career. He plays with focused intensity and a powerful grasp of blues tradition. -
Silly Love Songs
Wk 25 – 1976 June 19 – USA Top 100 1 1 11 SILLY LOVE SONGS Wings 2 2 15 GET UP AND BOOGIE Silver Convention 3 3 14 MISTY BLUE Dorothy Moore 4 4 12 LOVE HANGOVER Diana Ross 5 7 21 SARA SMILE Hall & Oates 6 6 17 SHANNON Henry Gross 7 8 8 SHOP AROUND Captain & Tennille 8 9 15 MORE MORE MORE Andrea True Connection 9 25 7 AFTERNOON DELIGHT Starland Vocal Band 10 13 8 I'LL BE GOOD TO YOU Brothers Johnson 11 5 12 HAPPY DAYS Pratt & McClain 12 21 10 KISS AND SAY GOODBYE Manhattans 13 15 10 LOVE IS ALIVE Gary Wright 14 16 10 TAKIN' IT TO THE STREETS Doobie Brothers 15 17 12 MOVIN' Brass Construction 16 18 9 I WANT YOU Marvin Gaye 17 19 8 NEVER GONNA FALL IN LOVE AGAIN Eric Carmen 18 24 10 MOONLIGHT FEELS RIGHT Starbuck 19 23 7 TAKE THE MONEY AND RUN Steve Miller Band 20 20 11 BARETTA'S THEME Rhythm Heritage 21 10 9 FOOL TO CRY Rolling Stones 22 26 6 THE BOYS ARE BACK IN TOWN Thin Lizzy 23 11 16 RIHANNON Fleetwood Mac 24 12 13 WELCOME BACK John Sebastian 25 14 19 BOOGIE FEVER Sylvers 26 30 10 GET CLOSER Seals & Crofts 27 32 5 YOU'RE MY BEST FRIEND Queen 28 34 11 THAT'S WHERE THE HAPPY PEOPLE GO Trammps 29 54 2 GOT TO GET YOU INTO MY LIFE Beatles 30 35 6 TODAY'S THE DAY America 31 36 8 LET HER IN John Travolta 32 38 7 MAKING OUR DREAMS COME TRUE Cyndi Grecco 33 37 6 TEAR THE ROOF OFF THE SUCKER Parliament 34 22 16 FOOLED AROUND AND FELL IN LOVE Elvin Bishop 35 42 7 SAVE YOUR KISSES FOR ME Brotherhood Of Man 36 41 11 TURN THE BEAT AROUND Vicki Sue Robinson 37 40 7 I'M EASY Keith Carradine 38 27 19 RIGHT BACK WHERE WE STARTED Maxine Nightingale 39 43 5 MAMMA MIA Abba 40 58 3 ROCK & ROLL MUSIC Beach Boys 41 51 3 SOMEBODY'S GETTING IT Johnnie Taylor 42 52 2 LAST CHILD Aerosmith 43 53 4 SOPHISTICATED LADY Natalie Cole 44 50 4 YOUNG HEARTS RUN FREE Candi Staton 45 55 2 I NEED TO BE IN LOVE Carpenters 46 46 7 YES YES YES Bill Cosby 47 57 4 WHO LOVES YOU BETTER Isley Brothers 48 45 9 THINKING OF YOU Paul Davis 49 59 4 A FIFTH OF BEETHOVEN Walter Murphy 50 60 3 GOOD VIBRATIONS Todd Rundgren 51 61 4 SILVER STAR Four Seasons 52 56 3 CAN'T STOP GROOVIN' NOW B.T. -
Breaking Down” with Premiere on All Things Go
FOR IMMEDIATE RELEASE: AUSTRALIAN BLUES/ROCK GUITARIST, HAMISH ANDERSON, ANNOUNCES NEW SINGLE, “BREAKING DOWN” WITH PREMIERE ON ALL THINGS GO -------------- Australia-born, blues-rock artist Hamish Anderson premiered his new track, "Breaking Down" on All Things Go, who declared, “From soulful strums of a thick bass to near-rockabilly breakdowns, the young artist clearly knows the path from nostalgia to the future.” Anderson is currently on an East coast tour with The Main Squeeze and will be performing on November 17 with Doyle Bramhall II at Moroccan Lounge in Los Angeles. “Breaking Down” dials up straight ahead, high energy rock and roll reminiscent of early Kings of Leon -with the swagger of 60s bands like The Kinks and The Who. Produced by 7x Grammy winner Jim Scott (whose credits include Red Hot Chili Peppers and Tom Petty), this new single is an unabashed rocker from start to finish, with a driving bass line and a breakneck drum beat backing up his rhythmic guitar styling The second single from Anderson’s upcoming album due out in 2019, "Breaking Down" follows up the single/video “No Good.” The video premiered on Billboard, who deems Anderson a “singer, songwriter and guitar hero.” That track, which debuted on Relix Magazine, was selected for Spotify’s Official ‘Nu Blues’ playlist. Anderson tells premiere partner, All Things Go: "With my new single, "Breaking Down" I wanted to write an unabashed rocker. I was listening to a lot of The Kinks, The Who and even early Kings of Leon when I wrote it -- that inspired the tone of it overall. -
Society's Child [Verse 1] Come to My Door, Baby Face Is Clean And
Society’s Child (Janis Ian) [Verse 1] Preachers of equality Come to my door, baby Think they believe it, then why Face is clean and shining black won't they just let us be? as night My mother went to answer you [Chorus 2] know They say I can't see you That you looked so fine anymore baby Now I could understand your Can't see you anymore tears and your shame She called you "boy" instead of [Verse 3] your name One of these days I'm gonna When she wouldn't let you stop my listening inside Gonna raise my head up high When she turned and said One of these days I'm gonna "But honey, he's not our kind." raise my glistening wings and fly [Chorus 1] But that day will have to wait She says I can't see you any for a while more, baby Baby I'm only society's child Can't see you anymore When we're older things may change [Verse 2] But for now this is the way, they Walk me down to school, baby must remain Everybody's acting deaf and blind [Chorus 3] Until they turn and say, "Why I say I can't see you anymore don't you stick to your own baby kind." Can't see you anymore My teachers all laugh, their No, I won't see you anymore, smirking stares baby Cutting deep down in our affairs 193 "Society's Child", or "Baby I've Been Thinking", was a song written, composed, and recorded in 1965 by Janis Ian. -
N Ieman Reports
NIEMAN REPORTS Nieman Reports One Francis Avenue Cambridge, Massachusetts 02138 Nieman Reports THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY VOL. 62 NO. 1 SPRING 2008 VOL. 62 NO. 1 SPRING 2008 21 ST CENTURY MUCKRAKERS THE NIEMAN FOUNDATION HARVARDAT UNIVERSITY 21st Century Muckrakers Who Are They? How Do They Do Their Work? Words & Reflections: Secrets, Sources and Silencing Watchdogs Journalism 2.0 End Note went to the Carnegie Endowment in New York but of the Oakland Tribune, and Maynard was throw- found times to return to Cambridge—like many, ing out questions fast and furiously about my civil I had “withdrawal symptoms” after my Harvard rights coverage. I realized my interview was lasting ‘to promote and elevate the year—and would meet with Tenney. She came to longer than most, and I wondered, “Is he trying to my wedding in Toronto in 1984, and we tried to knock me out of competition?” Then I happened to keep in touch regularly. Several of our class, Peggy glance over at Tenney and got the only smile from standards of journalism’ Simpson, Peggy Engel, Kat Harting, and Nancy the group—and a warm, welcoming one it was. I Day visited Tenney in her assisted living facility felt calmer. Finally, when the interview ended, I in Cambridge some years ago, during a Nieman am happy to say, Maynard leaped out of his chair reunion. She cared little about her own problems and hugged me. Agnes Wahl Nieman and was always interested in others. Curator Jim Tenney was a unique woman, and I thoroughly Thomson was the public and intellectual face of enjoyed her friendship. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Salsa2bills 1..3
By:AAOrtiz, Jr. H.R.ANo.A796 RESOLUTION 1 WHEREAS, Nearly 2-1/2 years have gone by since Freddy Fender 2 died on October 14, 2006, but the passage of time has in no way 3 diminished the stature of this Texas music legend, and his legacy 4 remains as poignant as ever; and 5 WHEREAS, Born Baldemar Huerta on June 4, 1937, in the South 6 Texas town of San Benito, he began singing at a young age and 7 originally focused on performing the conjunto, Tejano, and 8 traditional Mexican music that was popular in his Hispanic 9 neighborhood; after serving three years in the U.S. Marine Corps, 10 he launched his music career in the late 1950s by playing Texas 11 honky-tonks and recording Spanish versions of popular hits by other 12 performers; when Imperial Records offered him a contract in 1959, 13 he adopted the stage name Freddy Fender; and 14 WHEREAS, The following year, that name became well known all 15 across the country as Mr. Fender 's song "Wasted Days and Wasted 16 Nights" became a national hit; sadly, his good fortune was 17 short-lived, as an arrest for possession of a small amount of 18 marijuana led to a three-year prison term in Louisiana; by the late 19 1960s, he had returned to the Rio Grande Valley, where he earned a 20 living as a mechanic, playing music only on the weekends; and 21 WHEREAS, Mr. Fender 's talent refused to be denied, however, 22 and in 1975, his career was reborn when "Before the Next Teardrop 23 Falls" became a number one hit on both the pop and country charts; 24 he followed "Teardrop" with a remake of his original hit, "Wasted 81R9785 JH-D 1 H.R.ANo.A796 1 Days and Wasted Nights," and it once again swept the country, 2 becoming his second consecutive number one country song; two more 3 number one smashes from the same multi-platinum album confirmed his 4 status as a major country music star and earned him the 1975 Best 5 Male Artist award from Billboard magazine; and 6 WHEREAS, Ever the versatile performer, Mr. -
Relational Aggression on Film: an Intersectional Analysis of Mean Girls
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 2 NUMBERS 1 & 2 2014 Editor BOB BATCHELOR Thiel College Associate Editor NORMA JONES Kent State University Associate Editor KATHLEEN TURNER Aurora University Book Review Editor JENNIFER C. DUNN Dominican University Assistant Editor MYC WIATROWSKI Indiana University Assistant Editor MAJA BAJAC-CARTER Kent State University Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture-studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2014 Midwest Popular and American Culture Association. All rights reserved. Cover photo credits Cover Artwork “Living Popular Culture” by Brent Jones © 2014 “Selfie for Peace” by Savannah Jones © 2014 “Party People” by Roob9 licensed by PhotoDune iPhone frame: Creative Commons “iPhone 5S” by Karlis Dambrans is licensed under CC BY 2.0 EDITORIAL ADVISORY BOARD ANTHONY ADAH JUSTIN GARCIA Minnesota State University, Moorhead Millersville University AARON BARLOW ART HERBIG New York City College of Technology (CUNY) Indiana University - Faculty Editor, Academe, the magazine of the AAUP Purdue University, Fort Wayne JOSEF BENSON ANDREW F. HERRMANN University of Wisconsin Parkside East Tennessee State University PAUL BOOTH JARED JOHNSON DePaul University Thiel College GARY BURNS JESSE KAVADLO Northern Illinois University Maryville University of St. Louis KELLI S. BURNS KATHLEEN A. KENNEDY University of South Florida Missouri State University ANNE M. CANAVAN WILLIAM KIST Emporia State University Kent State University ERIN MAE CLARK LARRY Z. LESLIE Saint Mary’s University of Minnesota University of South Florida BRIAN COGAN MATTHEW MIHALKA Molloy College University of Arkansas - Fayetteville ASHLEY M. DONNELLY LAURIE MOROCO Ball State University Thiel College LEIGH H. -
FOR IMMEDIATE RELEASE February 11, 2015
FOR IMMEDIATE RELEASE February 11, 2015 CONTACT: Meg Walker Gretchen Koss President, Dir. of Marketing President, Dir. of Publicity Tandem Literary Tandem Literary 212-629-1990 ext. 2 212-629-1990 ext. 1 [email protected] [email protected] 20th Annual Audie® finalists announced in thirty categories Winners announced at the Audie Awards Gala in New York City on May 28th hosted by award winning author Jack Gantos Philadelphia, PA – The Audio Publishers Association (APA) has announced finalists for its 2015 Audie Awards® competition, the only awards program in the United States devoted entirely to honoring spoken word entertainment. Winners will be announced at the Audies Gala on May 28, 2015, at the New York Academy of Medicine in New York. Newbery award winning author, and audiobook narrator extraordinaire, Jack Gantos will emcee the event and says "I'm thrilled to host the Audies. Unlike when I'm in the recording studio, while on stage at the Audies Gala I can wear a watch, have my stomach growl, jiggle pocket change, trip over my own tongue, laugh at my own jokes, completely screw up my lines and not have to worry about repeating myself-- again and again. It is an honor to be a part of recognizing all the incredible audio talent in the industry who do the hard work of controlling themselves in the studio every single day." This year there will be an additional category: JUDGES AWARD – SCIENCE & TECHNOLOGY. Janet Benson, Audies Competition Chair, says “Recognizing the constantly evolving nature of modern science and technology, the Audies Competition Committee wished to honor audiobooks which celebrate Science, Technology, Engineering, and Mathematics. -
H. Con. Res. 113
IV 116TH CONGRESS 2D SESSION H. CON. RES. 113 Expressing the sense of Congress regarding the achievements of Tejano music artists such as Freddy Fender, Roberto Pulido, Flaco Jimenez, and Selena Quintanilla, in recognition of their contributions to the cultural heritage and diversity of the United States. IN THE HOUSE OF REPRESENTATIVES AUGUST 21, 2020 Mr. VELA submitted the following concurrent resolution; which was referred to the Committee on Education and Labor CONCURRENT RESOLUTION Expressing the sense of Congress regarding the achievements of Tejano music artists such as Freddy Fender, Roberto Pulido, Flaco Jimenez, and Selena Quintanilla, in rec- ognition of their contributions to the cultural heritage and diversity of the United States. Whereas Freddy Fender, a Texan from San Benito, is known for putting Tejano music on the map, starting his music career in 1947 when he was 10 years old and expanding his work with Los Super Seven and the Texas Tornados; Whereas Roberto Pulido, a native of the Rio Grande Valley, Texas, is accredited for being one of the most influential Tejano artists in history with an album, Te Vi Partir, making it into the Billboard Top Latin Albums chart; VerDate Sep 11 2014 00:38 Aug 22, 2020 Jkt 099200 PO 00000 Frm 00001 Fmt 6652 Sfmt 6300 E:\BILLS\HC113.IH HC113 kjohnson on DSK79L0C42PROD with BILLS 2 Whereas Flaco Jimenez, a Grammy award winning Tejano music star, pioneered the recognition of Tejano music around the globe, having worked with artists such as Bob Dylan and Dr. John; Whereas Selena Quintanilla, -
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to The
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to the CD-2 “No Direction Home”, Michael Bloomfield plays the guitar intro and a solo later and Dylan plays the opening solo (his one and only recorded electric solo?) 1. “Leopard-skin Pill-box Hat” (6.24) (take 1) slow 2. “Leopard-skin Pill-box Hat” (3.58) Bloomfield solo 3. “Leopard-skin Pill-box Hat” (3.58) Dylan & Bloomfield guitar solo 4. “Leopard-skin Pill-box Hat” (6.23) extra verse On track (2) there is very fine playing from MB and no guitar solo from Uncle Bob, but a harmonica solo. 1966 3 – LP-2 “BLONDE ON BLONDE” COLUMBIA 1966? 3 – EP “BOB DYLAN” CBS EP 6345 (Portugal) 1987? 3 – CD “BLONDE ON BLONDE” CBS CDCBS 66012 (UK) 546 1992? 3 – CD “BOB DYLAN’S GREATEST HITS 2” COLUMBIA 471243 2 (AUT) 109 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 - COLUMBIA C2K 93937 (US) 529 Alternate take 1 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 – COL 520358-2 (UK) 562 Alternate take 1 ***** Febr. 4.-11, 1966 – The Paul Butterfield Blues Band at Whiskey a Go Go, LA, CA Feb. 25, 1966 – Butterfield Blues Band -- Fillmore ***** THE CHICAGO LOOP 1966 Prod. Bob Crewe and Al Kasha 1,3,4 - Al Kasha 2 Judy Novy, vocals, percussion - Bob Slawson, vocals, rhythm guitar - Barry Goldberg, organ, piano - Carmine Riale, bass - John Siomos, drums - Michael Bloomfield, guitar 1 - John Savanno, guitar, 2-4 1. "(When She Wants Good Lovin') She Comes To Me" (2.49) 1a. -
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1.