The Standardizations of Catalan: Latin to Present Day*
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Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
UN UPR 2020 ELEN Report on Spain
ELEN REPORT TO THE U.N. UNIVERSAL PERIODIC REVIEW, 35th SESSION 2020. LANGUAGE DISCRIMINATION AGAINST NON- CASTILIAN LANGUAGE SPEAKERS IN SPAIN ELEN is the European NGO that works for the promotion and protection of European lesser- used languages. It represents 45 languages with 164 member organisations in 23 European states. It has consultative status with the European Parliament, the Council of Europe, the UN and UNESCO. 1 ELEN STATEMENT TO THE U.N. UNIVERSAL PERIODIC REVIEW, 35th SESSION. LANGUAGE DISCRIMINATION AGAINST NON-CASTILIAN LANGUAGE SPEAKERS IN SPAIN Since ELEN’s 2015 Report to the UN UPR on language discrimination in Spain several public institutions in the Kingdom of Spain continue to openly discriminate against non-Castilian languages (Catalan, Galician, Basque which enjoy co-official status, and Aragonese and Asturian which do not). The organisations engaged in defending these languages and the media have regularly highlighted these cases of linguistic discrimination at the national and international level. While the incidents involve different degrees of severity all of them illustrate the low level of respect for speakers of non-Castilian languages as well as being clear violations of the human rights of those citizens. The inability to use co-official languages, and Asturian and Aragonese, is widespread among civil servants and authorities in spite of the official status of these languages (when they have such status) as well as being in violation of several international treaties and conventions signed and ratified by Spain. CATALAN ELEN member organisation Plataforma per la Llengua has reported1 99 cases of serious un- addressed language discrimination in the Catalan-speaking territories in the period between 2015 and 2019. -
Quaderni Di Filologia Romanza
q fr QUADERNI DI FILOLOGIA ROMANZA diretti da F rancesco B enozzo e A ndrea F assò v ol . 26 - 27 ( n .s. 5 - 6) 2018 - 2019 P À TRON EDITORE BOLOGNA INDICE Editoriale A NDREA F ASSÒ Cavalleria e guerra totale ............................................................................. pag. 7 F RANCO C ARDINI Ricordo di Jean Flori ............................................................................ ........ 9 Articoli F RANCESCO B ENOZZO La « Vita Sancti Faronis » , le origini delle chansons de geste e le ballate delle Isole Faroe . ... .... ........ ............................................................................ 13 M ARTA C AMELLINI L’ambasceria di Hasting nel « De moribus » di Dudone e la « Chanson de Roland » . ........... .................................................................... ..... 25 N AHID N OROZI Episodi paralleli nel « Tristano » e nel « Vis e Rāmin » di Gorgāni (XI sec.) . .. 3 5 E NRICO C ARNEVALE S CHIANCA Di alcuni poco noti arabismi n el lessico di cucina tardo - medievale ........ ..... 65 E PHRAIM N ISSAN About a Wrong Etymology of Latin mer ŭla ‘blackbird’, with a Plausible Alternative Etymological Hypothesis, and Other Topics in the Naming of Thrushes . .......... ... .... ........ ............................................................................ 8 5 B RUNO B ASILE Emilio Salgari al lavoro. I bucanieri del « Corsaro Nero » . ....................... ..... 115 D AN O CTAVIAN C EPRAGA Scrivere a voce alta: le lettere versificate dei soldati contadini romeni . .. ...... 131 S -
The Romanesque Heritage of the Vall De Boí
The Romanesque heritage of the Vall de Boí NIO M O UN IM D R T IA A L • P • W L O A I R D L D N World Heritage Site H O E M R I E TA IN G O E • PATRIM United Nations Catalan Romanesque Educational, Scientific and Churches of the Vall de Boí Cultural Organization inscribed on the World Heritage List in 2000 A little history As from the 9th century, the land to the south of shown by the act of consecration which Ramon the Pyrenees became organised into counties Guillem, bishop of Roda-Barbastro, ordered to that depended on the Frankish kingdom and be painted on a column of the church of Sant were part of the “Marca Hispánica” or Hispanic Climent in Taüll in 1123, as a symbol of the Mark. However, in the 10th century the Catalan territory’s control. counties gradually removed themselves from the Carolingian Empire and eventually achieved A few years later, in 1140, a pact was signed political and religious independence. by both bishoprics. Most of the parishes in the Vall de Boí became part of the Urgell bishopric, The Vall de Boí, or Boí Valley, formed part of one with only the church of l’Assumpció in Cóll of these counties: that of Pallars-Ribagorça, continuing to belong to Roda-Barbastro. At the belonging to the house of Toulouse until same time as this re-structuring of the territory, the end of the 9th century. When the county was happening a new social order was also became independent, there started a complex taking shape: feudalism. -
The Poetry of Joan Maragall
THE ANNUAL JOAN GILI MEMORIAL LECTURE ARTHUR TERRY The Poetry of Joan Maragall THE ANGLO-CATALAN SOCIETY 2001 © The text and English translations: Arthur Terry This edition: The Anglo-Catalan Society Produced and typeset by The Hallamshire Press Limited, Sheffield This text is Arthur Terry's own translation of the third Annual Joan Gili Memorial Lecture, La poesia de Joan Maragall, delivered at the Palau de la Generalitat during the Anglo-Catalan Society's XLVI Annual Conference, Barcelona, 14-17 December, 2000. Grateful acknowledgement is made of regular sponsorship of The Annual Joan Gili Memorial Lectures provided by the Institució de Les Lletres Catalanes, and of the grant towards publication costs received from the Fundació Congrés de Cultura Catalana. The author Arthur Terry was born in York on February 17th, 1927. After studying French and Spanish at Cambridge, he spent a year in Barcelona and then took up an Assistant Lectureship in Spanish at the Queen's University of Belfast in 1950. He remained there until 1972, ascending by slow degrees to the Chair of Spanish, which he held from 1963. In his last ten years there, he was a member of a writing group which included Philip Hobsbaum, Seamus Heaney and Michael Longley, for which he produced his first serious translations of Spanish and Catalan poetry. In 1973, he went to the University of Essex as Professor of Literature, a post he held until his retirement in 1993. Since then, he has been Visiting Professor at the Universities of Nottingham and London (Queen Mary and Westfield College), and is now an Emeritus Professor. -
Saber, Sen I Trobar: Ramon De Cornet and the Consistory of the Gay Science1 Marina Navàs Farré École Nationales Des Chartes E-Mail: Marina [email protected]
No. 3 (Spring 2014), 176-194 ISSN 2014-7023 SABER, SEN I TROBAR: RAMON DE CORNET AND THE CONSISTORY OF THE GAY SCIENCE1 Marina Navàs Farré École Nationales des Chartes e-mail: [email protected] Received: 31 Oct. 2013 | Revised: 10 Feb. 2014 | Accepted: 10 March 2014 | Available online: 20 June 2014 | doi: 10.1344/Svmma2014.3.15 Resum Sovint l’estudi de la lírica occitanocatalana del segle XIV ha estat supeditat a la poètica de certamen que gravita a l’entorn del Consistori del Gai Saber de Tolosa de Llenguadoc. A aquest fet, cal sumar-hi el judici pejoratiu que gran part de la crítica ha formulat sobre el Consistori, atribuint- li la voluntat d’imposar una forma artificiosa acompanyada d’un contingut moral o devot que s’avingués amb l’ortodòxia cristiana. Els pocs autors conservats de l’època que no es podien encabir del tot en aquest marc, com ara Ramon de Cornet –paradoxalment l’autor amb més obra conservada de la primera meitat del Tres-cents i amb una difusió més àmplia–, són considerats una excepció i fins i tot, en el cas de Cornet, d’estrafolari. Però si estudiem la seva obra en el marc de la tradició literària més immediata, la dels darrers trobadors, veurem com la poètica del XIV és una evolució natural d’aquest llegat, que respon a unes exigències de gust literari que va molt més enllà de les suposades coaccions consistorials. Una mostra d’això és la peça «Al noble cavalier» de Cornet. Paraules clau: Ramon de Cornet, lírica occitanocatalana, trobadors, Consistori de la Gaia Ciència, Escola de Tolosa Abstract The study of 14th-century Occitan poetry has been overshadowed by its alleged subjection to the poetics of the contests organized by the Toulousain Consistory of the Gay Science. -
Poet O F the "Renaixenca"
JACINT VERDAGUER, THE POET OF THE "RENAIXENCA"4 JACINT VERDAGUERIS 1~TH CENTURY CATALAN LITERATURE'S CENTRAL FIGURE, THE MOST IMPORTANT OF THE RENAIXENCAWRITERS AND THE POET WHO GAVE THE CATALANLANGUAGE THE DRIVE IT NEEDED TO RISE FROM THE ASHES AND RETURN TO ITS ANCIENT SPLENDOUR. acint Verdaguer (1 845- 1902) is played by Verdaguer at a moment of cause of al1 this, Verdaguer is often 19th century Catalan literature's threefold irnportance. Firstly, we have spoken of with some mistrust, with central figure, the most impor- Verdaguer as the father of modern lit- doubts and misgivings, or else he is the Renaixenga writers and the erary Catalan. Secondly, as the poet of a raised to the condition of indisputable poet who gave the Catalan language the renascent culture in the context of spe- classic, while the real scope and dimen- drive it needed to rise from the ashes and cific historical circumstances: at the sion of his work remains unknown. retum to its ancient splendour. The term centre of a literature which was roused Renaixenga is applied to the years of and brought back to life by Romant- cultural and political reviva1 in Catalo- icism, which grew up in the shadow of In the shadow of the "Jocs Florals" nia dunng the 19th century, approxi- the "Jocs Florals", and which reached and a renascent church mately between 1833 and 1885. It is maturity as a modern language in the Verdaguer was born in 1845 in Folgue- therefore not surprising that Verdaguer last decades of the 19th century. The roles, Osona, into a simple but well- should often have been thought of as "Jocs Florals" were a traditional Pro- educated farming family. -
Historia Del Deslinde De La Frontera Hispano-Francesa
HISTORIA DEL DESLINDE DE LA Joan Capdevila i Subirana I FRONTERA HISPANO-FRANCESA Del tratado de los Pirineos (1659) a los tratados de Bayona (1856-1868) Edita y Comercializa: Centro Nacional de Información Geográfica Oficina central: General Ibáñez de IberIbero,o, 3 28003 MADRID Comercialización: General Ibáñez de Ibero,Ibero, 3 28003 MADRID Joan Capdevila i Subirana Teléfono:Teléfono: +34 91 597 94 53 Fax: +34 91 553 29 13 e-mail: [email protected] http://www.cnig.es HISTORIA DEL DESLINDE DE LA FRONTERA HISPANO-FRANCESA HISTORIA DEL DESLINDE DE LA FRONTERA 9 7 8 8 4 4 1 6 1 4 8 0 2 HISTORIA DEL DESLINDE DE LA FRONTERA HISPANO-FRANCESA Del tratado de los Pirineos (1659) a los tratados de Bayona (1856-1868) JOAN CAPDEVILA I SUBIRANA GOBIERNO MINISTERIO INSTITUTO DE FOMENTO GEOGRÁFICO DE ESPAÑA NACIONAL Catálogo general de publicaciones oficiales http://www.060.es Venta electrónica: http://www.cnig.es Edita: Centro Nacional de Información Geográfica © Dirección General del Instituto Geográfico Nacional Centro Nacional de Información Geográfica Joan Capdevila i Subirana Estudio realizado por Joan Capdevila i Subirana Fotomecánica y maquetación: Subdirección General de Cartografía Servicio de Edición y Trazado Impreso en la imprenta nacional del BOE ISBN: 978-84-416-1480-2 NIPO: 162-09-013-6 Depósito legal: M-41696-2009 Als meus pares, font de vida. Índice Prólogo ................................................................................................................................................................. 9 Agradecimientos -
Los Condados Francos En La Hispania Nororiental
LOS CONDADOS FRANCOS EN LA HISPANIA NORORIENTAL (desde el Conde Bera hasta la capitular de Quiercy -877 ) Autores: Julio Bou Santos, Juli Garzo Sanjuán. Resumen: El presente trabajo pretende dar una visión de la evolución histórica de los condados francos en la Hispania Nororiental (lo que hoy se denomina Cataluña) e inicio del proceso de separación política, religiosa y cultural del reino de los francos. El proceso podemos dividirlo en 4 fases: Fase I – Conquista inicial del territorio por parte de los francos hasta el tratado de Quiercy (791-877) o sea, desde la creación de los condados carolingios al sur de los Pirineos hasta que estos se hacen hereditarios. Fase II – Desde el tratado de Quiercy hasta el saqueo de Barcelona por Almanzor (877- 987), o sea hasta el inicio de la desconexión franca al negarse el conde Borrell II de Barcelona a renovar el pacto de vasallaje (988). Fase III – Desde el saqueo de Barcelona hasta la unión del condado de Barcelona con la corona de Aragón en Alfonso II de Aragón (987-1164) Fase IV – Desde la unión del condado de Barcelona con la corona de Aragón hasta el tratado de Corbeil ( 1164 -1258) , donde los reyes de Francia renunciaban a sus derechos sobre los condados de Ampuries, Barcelona, Besalú, Cerdanya, Conflent, Gerona, Osona, Rosellón y Urgell. Palabras clave: Condados Francos, Marca Hispánica, Gothia, Septimania, Condados catalanes, Cataluña, de Ampuries, Condado de Barcelona, Condado Besalú, Condado de la Cerdanya, Condado de Conflent, Condado de Gerona, Condado de Osona, Condado del Rosellón, Condado de Urgell. Introducción. De cómo los árabes conquistan la Península Ibérica y derrotan a los visigodos Después de la entrada árabe a la Península Ibérica, y como consecuencia de su aplastante victoria en la batalla del río Guadalete (Julio 711) las tribus árabes y bereberes del Califato Omeya, comandadas por Táriq ben Ziyad iniciaron la invasión musulmana de la península. -
BH CORONA ARAGON BH NOWTILUS 2/20/2012 1:08 PM Page 5
BH CORONA ARAGON_BH NOWTILUS 2/20/2012 1:08 PM Page 5 BREVE HISTORIA DE LA CORONA DE ARAGÓN David González Ruiz BH CORONA ARAGON_BH NOWTILUS 2/20/2012 1:08 PM Page 6 Colección: Breve Historia www.brevehistoria.com Título: Breve historia de la Corona de Aragón Autor: © David González Ruiz Director de la colección: José Luis Ibáñez Salas Copyright de la presente edición: © 2012 Ediciones Nowtilus, S.L. Doña Juana I de Castilla 44, 3º C, 28027 Madrid www.nowtilus.com Reservados todos los derechos. El contenido de esta obra está protegido por la Ley, que establece pena de prisión y/o multas, además de las corres pondientes indemnizaciones por daños y perjuicios, para quienes reprodujeren, plagiaren, distribuyeren o comunicaren públicamente, en todo o en parte, una obra literaria, artística o científica, o su trans- formación, interpretación o ejecución artística fijada en cualquier tipo de soporte o comunicada a través de cualquier medio, sin la preceptiva autorización. ISBN: 978-84-9967-308-0 Fecha de edición: Abril 2012 BH CORONA ARAGON_BH NOWTILUS 2/20/2012 1:08 PM Page 7 Para Irene, Anna, Xevi y mis padres. A ellos les debo todo lo que soy. BH CORONA ARAGON_BH NOWTILUS 2/20/2012 1:08 PM Page 9 Índice Capítulo 1. Introducción .......................................... 13 Capítulo 2. Antecedentes (778-1134) ....................... 19 La formación de la Marca Hispánica .................... 19 El Condado de Aragón: de la intervención carolingia a la influencia pamplonesa .................... 51 El Reino de Aragón: de Sancho III el Mayor a Alfonso I el Batallador........................................ 58 El proceso de feudalización................................... 72 Cronología .......................................................... -
Josep Martil1es Al1d Brauii Mol1toya
Monocentrism vs, pluricentrism in Catalan I Josep Martil1es al1d Brauii MOl1toya Abstract This papcr aims to examine the problem arising from the application or the monocentnc versus the pluriccntric codification models to languOlge structures in Cltahm language and, particul.uly, in the Valencian territory. Although some examples will be given from spelling, phonetics or morphology, wc shall focus on !cxis, as It IS the area most pcrcei\'cd by speakers, and therefore that most visible to public opll1ion. The source material comes from historical, and espeCially from contemporary text corpora, which allows us to make a contrastive - both quaLtativc and qUJntitahve - study of the use of certain lexical options, of their speciauzation In more or less formal contexts, and of the positi\'e or negative prejudices they may ha\'e caused among users. It is our belief that bearing these factors III mind is very important for the selection of materials in our corpus. We shall now analyze each oflhe positions that may be observed among Valencian on the model for the Catalan standard. KeJwords: Catalan language, codification, monocentric, pluricentric, Valencian tcrritor)' 1. Introduction Catalan is a language that extends over a wide territory of eleven million speakers, in four European states, mainly Spain (Catalonia, Valencian region, eastern part of Aragon, Balearic Islands and the Carxe area in the province of Murcia), but also France (Department of Eastern Pyrenees or northern Catalonia), Andorra and Italy (the city of Alghero, in Sardinia). Although this would lead one to expect a pluricentric model, it has not been state borders that have given rise to the most extreme approaches between the non· dominant varieties (NDV) and the dominant variety (DV) (Muhr 2004), but the internal borders between autonomous regions in Spain, especially between Valencia (NDV) and 1. -
Imperial Emotions
Imperial Emotions LUP, Krauel, Imperial Emotions.indd 1 21/10/2013 12:57:14 Contemporary Hispanic and Lusophone Cultures Series Editor L. Elena Delgado, University of Illinois at Urbana-Champaign Richard Rosa, Duke University Series Editorial Board Jo Labanyi, New York University Chris Perriam, University of Manchester Lisa Shaw, University of Liverpool Paul Julian Smith, CUNY Graduate Center This series aims to provide a forum for new research on modern and contemporary hispanic and lusophone cultures and writing. The volumes published in Contemporary Hispanic and Lusophone Cultures reflect a wide variety of critical practices and theoretical approaches, in harmony with the intellectual, cultural and social developments that have taken place over the past few decades. All manifestations of contemporary hispanic and lusophone culture and expression are considered, including literature, cinema, popular culture, theory. The volumes in the series will participate in the wider debate on key aspects of contemporary culture. 1 Jonathan Mayhew, The Twilight of the Avant-Garde: Contemporary Spanish Poetry 1980–2000 2 Mary S. Gossy, Empire on the Verge of a Nervous Breakdown 3 Paul Julian Smith, Spanish Screen Fiction: Between Cinema and Television 4 David Vilaseca, Queer Events: Post-Deconstructive Subjectivities in Spanish Writing and Film, 1960s to 1990s 5 Kirsty Hooper, Writing Galicia into the World: New Cartographies, New Poetics 6 Ann Davies, Spanish Spaces: Landscape, Space and Place in Contemporary Spanish Culture 7 Edgar Illas, Thinking