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Tempus Magazine February 12, 2021
RE:VIEW RE:VIEW ITALIAN STYLE STEPS THE SUMMER OF MUSIC BEGINS WITH THE RETURN OF THE BBC PROMS ONTO THE PODIUM Plus + • Earl Spencer dives into English history • HOFA Gallery celebrates the mothers of mankind • Start your engines for Salon Privé • Save the Date: your luxury events calendar PROUD TO BE THE OFFICIAL TOAST OF FORMULA 1® #FERRARITRENTOF1 DRINK RESPONSIBLY The F1 logo, FORMULA 1, F1, GRAND PRIX and related marks are trademarks of Formula One Licensing BV, a Formula 1 company. All rights reserved. 90 91 MUSIC | BBC PROMS Summer of sound PARALLEL UNIVERSES Composer Britta Byström presents a world premiere inspired by the notion of a ‘hierarchical multiverse’ The world’s biggest classical festival returns to and violinist Jennifer Pike takes on Sibelius’ Violin Concerto in D minor, op.47. the Royal Albert Hall for six weeks of music 10 August STRAVINSKY FROM MEMORY The Aurora Orchestra returns to the Proms to mark the 50th anniversary of Igor Stravinsky’s death with a rendition of his Firebird Suite, performed entirely from memory. 11 August ABEL SELAOCOE: AFRICA MEETS EUROPE South African cellist Abel Selaocoe redefines his instrument in this blend of traditional styles with improv, singing and body percussion. A delight of boundary-crossing fusion. 15 August THE BBC SINGERS & SHIVA FESHAREKI Experimental composer and turntable artist Feshareki joins conductor Sofi Jeannin and the BBC Singers for a choral playlist that brings the Renaissance to the present day. 19 August his year, the Royal Albert Hall marks it was an opportunity to build a repertoire of its 150th anniversary, and what better rare and under-performed works, as well as T way to celebrate than by welcoming introducing new composers. -
Broadcasting the Arts: Opera on TV
Broadcasting the Arts: Opera on TV With onstage guests directors Brian Large and Jonathan Miller & former BBC Head of Music & Arts Humphrey Burton on Wednesday 30 April BFI Southbank’s annual Broadcasting the Arts strand will this year examine Opera on TV; featuring the talents of Maria Callas and Lesley Garrett, and titles such as Don Carlo at Covent Garden (BBC, 1985) and The Mikado (Thames/ENO, 1987), this season will show how television helped to democratise this art form, bringing Opera into homes across the UK and in the process increasing the public’s understanding and appreciation. In the past, television has covered opera in essentially four ways: the live and recorded outside broadcast of a pre-existing operatic production; the adaptation of well-known classical opera for remounting in the TV studio or on location; the very rare commission of operas specifically for television; and the immense contribution from a host of arts documentaries about the world of opera production and the operatic stars that are the motor of the industry. Examples of these different approaches which will be screened in the season range from the David Hockney-designed The Magic Flute (Southern TV/Glyndebourne, 1978) and Luchino Visconti’s stage direction of Don Carlo at Covent Garden (BBC, 1985) to Peter Brook’s critically acclaimed filmed version of The Tragedy of Carmen (Alby Films/CH4, 1983), Jonathan Miller’s The Mikado (Thames/ENO, 1987), starring Lesley Garret and Eric Idle, and ENO’s TV studio remounting of Handel’s Julius Caesar with Dame Janet Baker. Documentaries will round out the experience with a focus on the legendary Maria Callas, featuring rare archive material, and an episode of Monitor with John Schlesinger’s look at an Italian Opera Company (BBC, 1958). -
Lyle Tompsen, Student Number 28001102, Masters Dissertation
Lyle Tompsen, Student Number 28001102, Masters Dissertation The Mari Lwyd and the Horse Queen: Palimpsests of Ancient ideas A dissertation submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the Degree of Master of Arts Celtic Studies 2012 Lyle Tompsen 1 Lyle Tompsen, Student Number 28001102, Masters Dissertation Abstract The idea of a horse as a deity of the land, sovereignty and fertility can be seen in many cultures with Indo-European roots. The earliest and most complete reference to this deity can be seen in Vedic texts from 1500 BCE. Documentary evidence in rock art, and sixth century BCE Tartessian inscriptions demonstrate that the ancient Celtic world saw this deity of the land as a Horse Queen that ruled the land and granted fertility. Evidence suggests that she could grant sovereignty rights to humans by uniting with them (literally or symbolically), through ingestion, or intercourse. The Horse Queen is represented, or alluded to in such divergent areas as Bronze Age English hill figures, Celtic coinage, Roman horse deities, mediaeval and modern Celtic masked traditions. Even modern Welsh traditions, such as the Mari Lwyd, infer her existence and confirm the value of her symbolism in the modern world. 2 Lyle Tompsen, Student Number 28001102, Masters Dissertation Table of Contents List of definitions: ............................................................................................................ 8 Introduction .................................................................................................................. -
The Boar's Head and Yule Log Festival
The Boar’s Head and Yule Log Festival January 3 & 4, 2015 IN THE CITY OF CINCINNATI The Festival’s roots. Oxford University’s Queens College, The Boar’s Head Tradition Oxford, England. From Medieval Terrors to Modern Magic 1340 - 2015 The Boar’s Head Festival is probably the oldest continuing festival of the Christmas season. When it came to Cincinnati in 1940, it already had a 600-year history. The pageant’s roots go back to medieval times when wild boars were the most dangerous animals in European forests. They were a menace to humans and were hunted as public enemies. Like our Thanksgiving turkey, roasted boar was a staple of medieval banquet tables—symbolizing the triumph of man over ferocious beast. As Christian beliefs overtook pagan customs in Europe, the presentation of a boar’s head at Christmas time came to symbolize the triumph of the Christ Child over the evils of the world. The festival we know today originated at Queen’s College, Oxford, England, in 1340. Legend has it that a scholar was studying a book of Aristotle while walking through the forest on his way to Christmas Mass. Suddenly he was confronted by an angry boar. Having no other weapon, the quick-witted student rammed his metal-bound philosophy book down the throat of the charging animal and the boar choked to death. That night, the beast’s head, finely dressed and garnished, was carried in procession into the dining room accompanied by carolers. By 1607, a similar ceremony was being celebrated at St. John’s College, Cambridge. -
Community Carol Sing Deck the Halls I Saw Three Ships
COMMUNITY CAROL SING DECK THE HALLS I SAW THREE SHIPS TABLE Deck the halls with boughs of holly, I saw three ships come sailing in, Fa la la la la, la la la la. On Christmas day, On Christmas day. OF CONTENTS Tis the season to be jolly... I saw three ships come sailing in, Don we now our gay apparel... On Christmas day in the morning. DECK THE HALLS page 3 Troll the ancient Yuletide carol... And what was in those ships all three… The Virgin Mary and Christ were there… O COME, ALL YE FAITHFUL page 3 See the blazing Yule before us... Pray, whither sailed those ships all I SAW THREE SHIPS page 3 Strike the harp and join the chorus... three.. Follow me in merry measure... O they sailed into Bethlehem… HERE WE COME A-WASSAILING page 3 While I tell of Yuletide treasure... page 4 IT CAME UPON A MIDNIGHT CLEAR Fast away the old year passes, HERE WE COME A-WASSAILING Hail the new, ye lads and lasses... HARK! THE HERALD ANGELS SING page 4 Here we come a-wassailing Among Sing we joyous, all together... the leaves so green; Here we come GOD REST YE MERRY GENTLEMEN page 5 Heedless of the wind and weather... a-wandering, So fair to be seen. RUDOLPH THE RED-NOSED REINDEER page 5 Chorus: Love and joy come to you, O COME ALL YE FAITHFUL JINGLE BELLS page 6 And to you our wassail, too. O come all ye faithful, And God bless you and JINGLE BELL ROCK page 6 joyful and triumphant. -
Menuhin Competition Returns to London in 2016 in Celebration of Yehudi Menuhin's Centenary
Menuhin Competition returns to London in 2016 in celebration of Yehudi Menuhin's Centenary 7-17 April 2016 The Menuhin Competition - the world’s leading competition for violinists under the age of 22 – announces its return to London in 2016 in celebration of Yehudi Menuhin’s centenary. Founded by Yehudi Menuhin in 1983 and taking place in a different international city every two years, the Competition returns to London in 2016 after first being held there in 2004. The centenary event will take place in partnership with some of the UK’s leading music organisations: the Royal Academy of Music, the Philharmonia Orchestra, Southbank Centre, the Yehudi Menuhin School and the National Youth Orchestra of Great Britain. It will be presented in association with the BBC Concert Orchestra and BBC Radio 3 which will broadcast the major concerts. Yehudi Menuhin lived much of his life in Britain, and his legacy - not just as one of the greatest violinists of the 20th century, but as an ambassador for music education - is the focus of all the Competition’s programming. More festival of music and cultural exchange than mere competition, the Menuhin Competition in 2016 will be a rich ten-day programme of concerts, masterclasses, talks and participatory activities with world-class performances from candidates and jury members alike. Competition rounds take place at the Royal Academy of Music, with concerts held at London’s Southbank Centre. 2016 jury members include previous winners who have gone on to become world class soloists: Tasmin Little OBE, Julia Fischer and Ray Chen. Duncan Greenland, Chairman of the Menuhin Competition comments: “We are delighted to be bringing the Competition to London in Menuhin’s centenary year and working with such prestigious partners. -
December 2020: the Peaceful Transfer of Mumming
Folklife Today December 2020: The Peaceful Transfer of Mumming Announcer: From the Library of Congress in Washington, D.C. Music: “Breaking Up Christmas” played by Norman Edmonds, Paul Edmonds, and Rufus Quesinberry. JOHN FENN: Welcome to Folklife Today! I’m John Fenn, the head of research and programs at the American Folklife Center, and I’m here with Steve Winick, a folklife specialist at the Center and the creator of the Folklife Today blog. Steve: Hi, everyone! John: We have kind of an unusual episode for December. Every year, in the week or two before Christmas, staff members of the American Folklife Center put our research and performance skills into play, bringing collections to life in a dramatic performance that tours the halls of the Library of Congress. The performance is based on traditional mummers’ plays. And this year, since we can’t actually perform our mummers’ play live, we decided to do it as a podcast episode, sort of like an old-time radio play. We did all the recording remotely over the Web, so sound quality varies. Steve: Right, but we don’t want to throw our audience in at the deep end, so we’re going to say a little about the tradition first. And for that, we’re joined by Jennifer Cutting, another folklife specialist at the American Folklife Center. Hi Jennifer! Jennifer: Hi John! Hi Steve! Hi everybody out there! John: So Jennifer, what are mummer’s plays? Jennifer: Well, “mumming” is an old word for a tradition of getting dressed up in costumes and going from house to house, doing a performance in exchange for food, drink…sometimes money. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
Dr. Julian Ackerley, Director
ConcertDr. Julia n Ackerley, Director Saturday, December 12, 2020 4:00 p.m. Tucson Arizona Boys Chorus Hall Since 1980, Julian Ackerley has served as Director of the Tucson Arizona Boys Chorus. He has achieved acclaim as an accomplished conductor and administrator and has taken the choristers on performance tours spanning five continents and over 25 countries. Dr. Ackerley served as the National Boychoir Repertoire and Standards Chair for the American Choral Directors Association and is a specialist in working with boys emerging voices. He was also selected Choral Director of the Year by the ACDA Arizona Chapter. An experienced teacher, Ackerley has taught music at all levels from elementary to university students. Dr. Ackerley received his doctor of musical arts degree from the University of Arizona with emphasis in music education, vocal performance and choral conducting. He is a frequent guest conductor and clinician. Through the years his choirs have received numerous prestigious invitations to appear in regional, national and Julian Ackerley international events, conferences and festivals. Just recently the Director Chorus was featured a second consecutive year for the National Christmas Tree Lighting. Anne Grimes is delighted to work with the talented singers of TABC. She is a musician, music teacher, and music director in the Tucson area, currently teaching vocal and instrumental music at Santa Rita High School, serving as music director for Desert Springs PCA Church, and teaching voice at Pima College. Her experience in musical theater is vast: playing piano for 30 Gaslight Theater productions, music directing for Arts Express and CYT, and playing piano for many musical and theater groups. -
HUG Holiday Songbook a Collection of Christmas Songs Used by the Halifax Ukulele Gang (HUG) Halifax, Nova Scotia, Canada
STRUM YULETIDE EDITION The HUG Holiday Songbook A collection of Christmas songs used by the Halifax Ukulele Gang (HUG) Halifax, Nova Scotia, Canada All of the songs contained within this book are for research and personal use only. Many of the songs have been simplified for playing at our club meetings. General Notes: ¶ The goal in assembling this songbook was to pull together the bits and pieces of music used at the monthy gatherings of the Halifax Ukulele Gang (HUG) ¶ Efforts have been made to make this document as accurate as possible. If you notice any errors, please contact us at http://halifaxukulelegang.wordpress.com/ ¶ The layout of these pages was approached with the goal to make the text as large as possible while still fitting the entire song on one page ¶ Songs have been formatted using the ChordPro Format: The Chordpro-Format is used for the notation of Chords in plain ASCII-Text format. The chords are written in square brackets [ ] at the position in the song-text where they are played: [Em] Hello, [Dm] why not try the [Em] ChordPro for [Am] mat ¶ Many websites and music collections were used in assembling this songbook. In particular, many songs in this volume were used from the Christmas collections of the Seattle Ukulele Players Association (SUPA), the Bytown Ukulele Group (BUG), Richard G’s Ukulele Songbook, Alligator Boogaloo and Ukulele Hunt ¶ Ukilizer (http://www.ukulizer.com/) was used to transpose many songs into ChordPro format. ¶ Arial font was used for the song text. Chord diagrams were created using the chordette fonts from Uke Farm (http://www.ukefarm.com/chordette/) HUG Holiday Songbook - Halifax Ukulele Gang (HUG) 2015 (http://halifaxukulelegang.wordpress.com) Page 2 Table of Contents All I Want for Christmas is My Two Front Teeth............................................................. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
MUSIC for FOUR Arrangements by Daniel Kelley
Collection No. 1 Music Samples POPULAR CHRISTMAS FAVORITES Rudolph the Red-Nosed Reindeer, Rockin’ Around the Christmas Tree & More! MUSIC for FOUR Arrangements by Daniel Kelley TABLE OF CONTENTS A Caroling We Go Music & Lyrics by Johnny Marks 5 Copyright 1966* A Holly Jolly Christmas Music & Lyrics by Johnny Marks 1 Copyright 1962, 1964* I Heard the Bells on Christmas Day Music by Johnny Marks; Lyrics by Henry Wadsworth 3 Copyright 1956* Longfellow, adapted by Johnny Marks The Night Before Christmas Song Music by Johnny Marks; Lyrics adapted by Johnny Marks 6 Copyright 1952* from Clement Moore’s Poem Rockin’ Around the Christmas Tree Music & Lyrics by Johnny Marks 4 Copyright 1958* Rudolph the Red-Nosed Reindeer Music & Lyrics by Johnny Marks 2 Copyright 1949* *All Copyrights St. Nicholas Music Inc., New York, New York; Copyright Renewed; All Rights Reserved These arrangements Copyright 2011 St. Nicholas Music Inc. LAST RESORT MUSIC PUBLISHING, INC. www.lastresortmusic.com Unauthorized duplication is a violation of the law Music for Four, Collection No. 1 Popular Christmas Favorites Part 1 Flute or Oboe or Violin 1 Music Sample A Holly Jolly Christmas Music and Lyrics by Johnny Marks Moderately bright 1 easy swing # j j j C j œ œ Œ j œ œ j œ œ Œ Ó Œ œ œ & (secondœ part) œ œ ∑ œ# ∑ œ# œ ∑ œ# A F 5 # œ œ œ œ œ œ œ œ œ œ œ œ ≥œ œ œ. œ & . ˙ œ œ ˙. Œ J B 10 ≥ œ œ œ œ # œ œ œ. œ œ œ œ œ œ ˙ Œ œ œ œ œ œ ˙ œ œ & J 15 ≥ .