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Imaginea Femeii În Spațiul Public: Între Realitate Și Simbol (A Doua Jumătate a Secolului Al XIX-Lea) Băluță, Ionela
www.ssoar.info Imaginea femeii în spațiul public: între realitate și simbol (a doua jumătate a secolului al XIX-lea) Băluță, Ionela Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Băluță, I. (2000). Imaginea femeii în spațiul public: între realitate și simbol (a doua jumătate a secolului al XIX-lea). Annals of the University of Bucharest / Political science series, 2, 21-33. https://nbn-resolving.org/urn:nbn:de:0168- ssoar-397561 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de IMAGINEA FEMEII ÎN SPAJIUL PUBLIC: ÎNTRE REALITATE SIMBOL (A DOUA JUMÄTATE A SECOLULUI AL XIX-LEA) lONELA BÄLUJA Aparitia si dezvoltarea spaîului public, aparitia conceptului de naîune §i proiectul politic al statului national román, iatä cateva fenomene fundamentale pentru societatea romäneascä din a doua jumätate a secolului al XlX-lea. Fenomene care impun o redefinire a puterii sociale si politice, ceea ce conduce la o reorganizare concreta §i simbólica a vietii sociale. Asistäm astfei la o serie de procese menite sä stabileascä noile rela^ si ierarhii sociale, noile identitä^ ale diferiîlor actori sociali. între aceste procese, relatiile dintre bärba^ §i femei precum §i rolurile legitime care le vor fi atribuite ocupä un loe important.
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INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
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