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BBC SOUND BROADCASTING Its Engineering Development
Published by the British Broadcorrmn~Corporarion. 35 Marylebone High Sneer, London, W.1, and printed in England by Warerlow & Sons Limited, Dunsruble and London (No. 4894). BBC SOUND BROADCASTING Its Engineering Development PUBLISHED TO MARK THE 4oTH ANNIVERSARY OF THE BBC AUGUST 1962 THE BRITISH BROADCASTING CORPORATION SOUND RECORDING The Introduction of Magnetic Tape Recordiq Mobile Recording Eqcupment Fine-groove Discs Recording Statistics Reclaiming Used Magnetic Tape LOCAL BROADCASTING. STEREOPHONIC BROADCASTING EXTERNAL BROADCASTING TRANSMITTING STATIONS Early Experimental Transmissions The BBC Empire Service Aerial Development Expansion of the Daventry Station New Transmitters War-time Expansion World-wide Audiences The Need for External Broadcasting after the War Shortage of Short-wave Channels Post-war Aerial Improvements The Development of Short-wave Relay Stations Jamming Wavelmrh Plans and Frwencv Allocations ~ediumrwaveRelav ~tatik- Improvements in ~;ansmittingEquipment Propagation Conditions PROGRAMME AND STUDIO DEVELOPMENTS Pre-war Development War-time Expansion Programme Distribution Post-war Concentration Bush House Sw'tching and Control Room C0ntimn.t~Working Bush House Studios Recording and Reproducing Facilities Stag Economy Sound Transcription Service THE MONITORING SERVICE INTERNATIONAL CO-OPERATION CO-OPERATION IN THE BRITISH COMMONWEALTH ENGINEERING RECRUITMENT AND TRAINING ELECTRICAL INTERFERENCE WAVEBANDS AND FREQUENCIES FOR SOUND BROADCASTING MAPS TRANSMITTING STATIONS AND STUDIOS: STATISTICS VHF SOUND RELAY STATIONS TRANSMITTING STATIONS : LISTS IMPORTANT DATES BBC ENGINEERING DIVISION MONOGRAPHS inside back cover THE BEGINNING OF BROADCASTING IN THE UNITED KINGDOM (UP TO 1939) Although nightly experimental transmissions from Chelmsford were carried out by W. T. Ditcham, of Marconi's Wireless Telegraph Company, as early as 1919, perhaps 15 June 1920 may be looked upon as the real beginning of British broadcasting. -
Births, Marriages, and Deaths
DEC. 31, 1955 MEDICAL NEWS MEDICALBRrsIJOURNAL. 1631 Lead Glazes.-For some years now the pottery industry British Journal of Ophthalmology.-The new issue (Vol. 19, has been forbidden to use any but leadless or "low- No. 12) is now available. The contents include: solubility" glazes, because of the risk of lead poisoning. EXPERIENCE IN CLINIcAL EXAMINATION OP CORNEAL SENsITiVrry. CORNEAL SENSITIVITY AND THE NASO-LACRIMAL REFLEX AFTER RETROBULBAR However, in some teaching establishments raw lead glazes or ANAES rHESIA. Jorn Boberg-Ans. glazes containing a high percentage of soluble lead are still UVEITIS. A CLINICAL AND STATISTICAL SURVEY. George Bennett. INVESTIGATION OF THE CARBONIC ANHYDRASE CONTENT OF THE CORNEA OF used. The Ministry of Education has now issued a memo- THE RABBIT. J. Gloster. randum to local education authorities and school governors HYALURONIDASE IN OCULAR TISSUES. I. SENSITIVE BIOLOGICAL ASSAY FOR SMALL CONCENTRATIONS OF HYALURONIDASE. CT. Mayer. (No. 517, dated November 9, 1955) with the object of INCLUSION BODIES IN TRACHOMA. A. J. Dark. restricting the use of raw lead glazes in such schools. The TETRACYCLINE IN TRACHOMA. L. P. Agarwal and S. R. K. Malik. APPL IANCES: SIMPLE PUPILLOMETER. A. Arnaud Reid. memorandum also includes a list of precautions to be ob- LARGE CONCAVE MIRROR FOR INDIRECT OPHTHALMOSCOPY. H. Neame. served when handling potentially dangerous glazes. Issued monthly; annual subscription £4 4s.; single copy Awards for Research on Ageing.-Candidates wishing to 8s. 6d.; obtainable from the Publishing Manager, B.M.A. House, enter for the 1955-6 Ciba Foundation Awards for research Tavistock Square, London, W.C.1. -
The Trinity Review, May 1948
Trinity College Trinity College Digital Repository Trinity Publications (Newspapers, Yearbooks, Trinity Review (1939 - 1980) Catalogs, etc.) 5-1-1948 The Trinity Review, May 1948 Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/review Recommended Citation Trinity College, "The Trinity Review, May 1948" (1948). Trinity Review (1939 - 1980). 11. https://digitalrepository.trincoll.edu/review/11 This Article is brought to you for free and open access by the Trinity Publications (Newspapers, Yearbooks, Catalogs, etc.) at Trinity College Digital Repository. It has been accepted for inclusion in Trinity Review (1939 - 1980) by an authorized administrator of Trinity College Digital Repository. The Trinity Review Volume II May, 1948 Number 3 EDITORIAL BOARD THOMAS C. F. LOWRY Editor-in-Chief HARRY M. BRACKEN F. ScoTT BILLYOU Executive Editor Business Manager STANLEY F. RODGERS GEORGE W. STOWE Art Editor Circulation Manager LEONARD c. OVERTON FRANK LAMBERT, }R. ]OHN w. COOTE RoBERT M. BLUM EDWARD R . PARONE ROBERT W. HERBERT APOLOGIA The third number of this volume of the Review is ap pearing on the wee~end designated by the college as com memorative of its one hundred and twenty-fifth anniversary. It is a happy coincidence that such a celebration should be in order at the time of the Review's evident emergence from the ran~s of embryonic underta~ings to those com prised of established and vital institutions. The newly instituted editorial board wishes at this time to pledge itself to the maintenance and furthering of the literary ideals so well defined by the previous editors. A special debt of gratitude is owed to Harold W. -
Colby Alumnus Vol. 64, No. 2: Winter 1975
Colby College Digital Commons @ Colby Colby Alumnus Colby College Archives 1975 Colby Alumnus Vol. 64, No. 2: Winter 1975 Colby College Follow this and additional works at: https://digitalcommons.colby.edu/alumnus Part of the Higher Education Commons Recommended Citation Colby College, "Colby Alumnus Vol. 64, No. 2: Winter 1975" (1975). Colby Alumnus. 86. https://digitalcommons.colby.edu/alumnus/86 This Other is brought to you for free and open access by the Colby College Archives at Digital Commons @ Colby. It has been accepted for inclusion in Colby Alumnus by an authorized administrator of Digital Commons @ Colby. "") - -� � :O:-'-! . .. - ---� � ) =-.::-� -=---��-- ) :..:... • _ _I._ --�- -- - .. - - - . - .. ...:-.:.- .· :;:- . ... z· > - ' . they be regarded with an appropriate dignity, and The President's Page taken seriously, during the years of residence. The president of a prominent college in another part of the country wrote an article during some of the more difficult years on the campuses entitled "How to Sur vive Though Surrounded by Students," or something like that. His first and most important word of advice was "Listen to them." It did not take two Constitutional Conventions to convince most of us on the faculty and in the admin istration that students ought to be listened to. Let me enumerate some of the ways in which students are listened to at Colby, and let me emphasize that what they have to say is taken seriously. Each year two students are elected by their fellows to be representatives to the board of trustees. They do not vote, but neither do the two faculty representa tives. They do, however, have the full privilege of the floor, and they receive all the written materials and hear all the discussions that full voting trustees have FEW OBSERVATIONS ARE IN ORDER WITH REGARD TO access to. -
British Radio Drama and the Avant-Garde in the 1950S
British radio drama and the avant-garde in the 1950s Hugh Chignell 1 Bournemouth University, UK Correspondence: Professor Hugh Chignell, Faculty of Media and Communication, Bournemouth University, Poole, Dorset, BH12 5BB, UK. +44 (0)1202 961393 Email: [email protected] 1 British radio drama and the avant-garde in the 1950s Abstract The BBC in the 1950s was a conservative and cautious institution. British theatre was at the same time largely commercial and offered a glamorous distraction from wider social and political realities. During the decade, however, new avant-garde approaches to drama emerged, both on the stage and on radio. The avant-garde was particularly vibrant in Paris where Samuel Beckett was beginning to challenge theatrical orthodoxies. Initially, managers and producers in BBC radio rejected a radio version of Beckett’s, Waiting for Godot and other experimental work was viewed with distaste but eventually Beckett was accepted and commissioned to write All That Fall (1957), a masterpiece of radio drama. Other Beckett broadcasts followed, including more writing for radio, extracts from his novels and radio versions of his stage plays as well as plays by the experimental radio dramatist, Giles Cooper. This article examines the different change agents which enabled an initially reluctant BBC to convert enthusiastically to the avant-garde. A networked group of younger producers, men and women, played a vital role in the acceptance of Beckett as did the striking pragmatism of senior radio managers. A willingness to accept the transnational cultural flow from Paris to London was also an important factor. The attempt to reinvent radio drama using ‘radiophonic’ sound effects (pioneered in Paris) was another factor for change and this was encouraged by growing competition from television drama on the BBC and ITV. -
The Eagle 1952 (Easter)
THE EAGLE vi :Jv1agazine SUPPORTED BY MEMBERS OF Sf John's College ! IU, Joh. Ooli. Lib. Oa.rob, VOLUME LV, Nos. 240 241 & PRINTED A T THE UNIVERSITY PRESS FOR SUBSCRIBERS ONLY MCMLII CONTENTS PACE The Master I Emest Alfred Benians: Master 1933-52 4 13 February 1952 10 Cambridge in the last Half Century II EDITORIAL COMMITTEE The Commemoration Sermon 23 GOLDSMITH B. G. CARTLEDGE, C. C. Three Poems: Allegory, Soliloquy, Harvest Home 27 Mr BAMBROUGH (Editor), (Treasurer), J. P. SULLlVAN, (Secretary), Mr HINDE, Mr HINSLEY Impressions of Greece: Summer, 1951 29 MrWA'fT. be sent Poem: Sea Crossing issue of the Magazine should 32 All contributions for the next College, by 1 December 1952. Editors, The Eagle, St John's Poem: She . 32 to The Notes, assistance in making the College The Editors will welcome as possible of the Poem: Butterfly 33 generally, as complete a record and the Magazine or They will welcome books members of the College. Pots Errant . 33 careers of and and its members for review; dealing with the College articles notice. "Resurrection" and "On ne badine pas avec l'amour" 3 of the College for shorter 4 books published by members "Epicene" . 36 College Chronicle 39 College Notes 71 Obituary: Edward Earle Raven 82 George Udny Yule. 89 Book Reviews 98 College Awards 102 Illustrations: The Master Frontisp iece Ernest Alfred Benians facing p. 4 Edward Earle Raven " 82 George Udny Yule . 89 " rH.E EAGLE F� ��������������������������� ���� Nos. 240 &1 241 �� ��������������������������� ���� THE MASTER AMES MANN WORDIE is sixty-three and a loyal Scot. -
John Gassner
John Gassner: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Gassner, John, 1903-1967 Title: John Gassner Papers Dates: 1894-1983 (bulk 1950-1967), undated Extent: 151 document boxes, 3 oversize boxes (65.51 linear feet), 22 galley folders (gf), 2 oversize folders (osf) Abstract: The papers of the Hungarian-born American theatre historian, critic, educator, and anthologist John Gassner contain manuscripts for numerous works, extensive correspondence, career and personal papers, research materials, and works by others, forming a notable record of Gassner’s contributions to theatre history. Call Number: Manuscript Collection MS-54109 Language: Chiefly English, with materials also in Dutch, French, German, Greek, Hebrew, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, and Turkish Access: Open for research Administrative Information Acquisition: Purchases and gifts, 1965-1986 (R2803, R3806, R6629, G436, G1774, G2780) Processed by: Joan Sibley and Amanda Reyes, 2017 Note: The Ransom Center gratefully acknowledges the assistance of the Gladys Krieble Delmas Foundation, which provided funds to support the processing and cataloging of this collection. Repository: The University of Texas at Austin, Harry Ransom Center Gassner, John, 1903-1967 Manuscript Collection MS-54109 Biographical Sketch John Gassner was a noted theatre critic, writer, and editor, a respected anthologist, and an esteemed professor of drama. He was born Jeno Waldhorn Gassner on January 30, 1903, in Máramarossziget, Hungary, and his family emigrated to the United States in 1911. He showed an early interest in theatre, appearing in a school production of Shakespeare’s The Tempest in 1915. Gassner attended Dewitt Clinton High School in New York City and was a supporter of socialism during this era. -
Sewanee Alumni News, 1949
ALUMNI NEWS A Sports History OF Wi\t Hntoersitg of the 3outh BEING A Statistical Compilation of all Inter-Collegiate Athletic Contests in which Sewanee Teams have participated, together with the Names of all Sewanee Athletes. 1875-1948 THE UNIVERSITY OF THE SOUTH SEWANEE, TENNESSEE fol. XV, No. i February 15, 1949 (§ewanee ^Alumni V\(ews THE ASSOCIATED ALUMNI Officers Charles McD. Puckette, '07. .President Sjewamee Alumni News, issued quarterly by the John B. Greer, '08 1st Vice-Pres. Associated Alumni of The University of the ^outh. at Sewanee. Tennessee. Entered as second- Edmund C. Armes, '13 ..2nd Vice-Pres. class matter May 25. 1954.. at the postoffice ar Se- Coleman A. Harwell, '26_3rd Vice-Pres. wanee. Tenn.. under the Act of March 3. 1879. Rev. Lee A. Belford, '35 . -Rec. Sec'y '35 FEBRUARY 15, 1949 Douglas L. Vaughan, Treasurer Arthur Ben Chitty, '35. .Alumni Sec'y t Member American Alumni Council and Editor, Alumni News CONTENTS Introduction: Sports at Sewanee by James Gregg, Jr 3 Sewanee Football Statistics: Dates and Scores of All Games 7 Summary of All Games by Seasons 12 Summary of Records Against College Teams 13 Lettermen in Football: Names of Coaches, Managers, Players 14 Principal Scoring Plays: Runs, Passes, Field Goals 21 Sewanee Ail-Time Football Team: All-Star Selections . 25 Basketball Statistics: Scores of All Games, Lettermen 27 Baseball Statistics: All Recorded Scores, Lettermen 29 Track Records, Meets, and Teams 33 Tennis Records, Meets, and Lettermen 37 Golf Meets and Lettermen 39 Iron Men of Sewanee: The Team of 1899 40 ATHLETIC STAFF— 1948-49 Gordon M. -
Broadcasting in the UK and US in the 1950S
Broadcasting in the UK and US in the 1950s Broadcasting in the UK and US in the 1950s: Historical Perspectives Edited by Jamie Medhurst, Siân Nicholas and Tom O’Malley Broadcasting in the UK and US in the 1950s: Historical Perspectives Edited by Jamie Medhurst, Siân Nicholas and Tom O’Malley This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Jamie Medhurst, Siân Nicholas, Tom O’Malley and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8899-0 ISBN (13): 978-1-4438-8899-8 CONTENTS Contributors ............................................................................................... vii Editors ........................................................................................................ ix Acknowledgements .................................................................................... xi List of illustrations .................................................................................... xiii Chapter One ................................................................................................. 1 Introduction Jamie Medhurst and Tom O’Malley Chapter Two ............................................................................................... -
Kristin Rebien Burned Bridges. the Rise and Fall of the Former BBC
Kristin Rebien Burned Bridges. The Rise and Fall of the Former BBC Journalist Karl-Eduard von Schnitzler in East Germany Schnitzler’s journalistic career was closely intertwined with larger political developments. Its vicissitudes indicate major shifts in the role of politics in broadcasting. Declared anti-Nazism enabled Schnitzler to receive journalistic training at the BBC German Service during World War II. It also allowed him to rise to a central position in British-controlled post-war radio in Germany. Declared Communism caused him to lose this position at the onset of the Cold War. Schnitzler’s relocation to the East was part of a larger regional concentration of political elites. Parallel to the pressure curve of the Cold War, his career went through a second complete cycle of success and subsequent failure. When the Allies seized Germany in 1945, they brought with them not only their collective visions for a new German state, but also their national cultural beliefs. Traditional regional differences within Germany were now crisscrossed with new lines of difference between the four zones of occupation. Not only was Lower Saxony traditionally different from Bavaria, but new cultural differences arose between the British and the American, the Soviet and the French zone. This new type of regionalism became particularly virulent in the field of radio broadcasting that had to be rebuilt from scratch in all four zones. Post-war broadcasting was, in administrative organization and programming, fundamentally different from National Socialist radio. It also did not revert to the practices of Weimar Republic radio. In the vacuum that arose in 1945, each zone of occupation established its own broadcasting model. -
National Programmes Regional Programmes
NovEMBER 27, 1931 WORLD-RADIO )l93 (London) NATIONAL PROGRAMMES (Northern) 1,148 kc/s (261 ·3 m.) 995 kc/s (301.5 m.) (68 kW.) (Daventry) 193 kc/s (1,554·4 m.) (35 kW.) (7o kW.) 11.0 p.m.-12 .midnight.-Dance 7.Io-7.25 p.m.-" The Countryside." 4.Io p.m.-Jack Payne and his B.B.C. 8.o p.m.-The Wireless Military Band. SUNDAY (NOV. 29) Music. Ray Fox aiid his Band, Mr. Frarik Prewett. Dance Orchestra. Conductt>r, B. Walton O'DoQnell. from Monseigneur. 7.30 p.m.-" What is Man ? "-IV. 4.30 p.m.-The Grosvenor House Phyllis Scott and John Rorke in 3.0 p.m.-Twenty-Eighth Annuol Orchestra, directed by Joseph Scottish FestiYal Service. Relayed Dr. John Baker (University Demon Duets (with Phyllis Scott at the strator in Zoology, University 1\!Ieeus. Pianoforte). from St. Calumba's Church of 5· I 5 p.m.-The Children's Hour. Scotland, Pont Street. TUESDAY (DEC. 1st) Museum, Oxford) : " The Evolu Q.O p.m.-" The Second News. u tion of Mind." 6.o p.m.-" The I•'irst Ne"·s." 4.0 p.m.-M~ssiah (Handell. Part I. 9-IS p.m.-Shipping Forecast; New IO.I5 a.m.-The Daily Seryice. S.o p.m.-Jnterval. 6.30 p.m.-The Foundations of Dora Labbettc (Soprano) ; Betty 10.45 a.m.-_'' British and Overseas l\1usic. Beethoven's Pianoforte York Stock Market Report. Bannerman (Contralto) ; Eric Dishes "-VII. · S.I 5 p.m.-B.B.C. -
The Pirates and Pop Music Radio
SELLING THE SIXTIES Was pirate radio in the sixties a non-stop psychedelic party – an offshore discothèque that never closed? Or was there more to it than hip radicalism and floating jukeboxes? From the mavericks in the Kings Road and the clubs ofSohotothemultinationaladvertisers andbigbusiness boardrooms Selling the Sixties examines the boom of pirate broadcasting in Britain. Using two contrasting models of unauthorized broadcasting, Radios Caroline and London, Robert Chapman situates offshore radio in its social and political context. In doing so, he challenges many of the myths which have grown up around the phenomenon. The pirates’ own story is framed within an examination of commercial precedents in Europe and America, the BBC’s initial reluctance to embrace pop culture, and the Corporation’s eventual assimilation of pirate programming into its own pop service, Radio One. Selling the Sixties utilizes previously unseen evidence from the pirates’ own archives, revealing interviews with those directly involved, and rare audio material from the period. This fascinating look at the relationship between unauthorized broadcasting and the growth of pop culture will appeal not only to students of communications, mass media, and cultural studies but to all those with an enthusiasm for radio history, pop, and the sixties. Robert Chapman’s broadcasting experience includes BBC local radio in Bristol and Northampton. He has also contributed archive material to Radios One and Four. He is currently Lecturer and Researcher in the Department of Performing Arts and Media Studies at Salford College of Technology. Selling the Sixties THE PIRATES AND POP MUSIC RADIO ROBERT CHAPMAN London and New York First published 1992 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc.