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BBC SOUND BROADCASTING Its Engineering Development
Published by the British Broadcorrmn~Corporarion. 35 Marylebone High Sneer, London, W.1, and printed in England by Warerlow & Sons Limited, Dunsruble and London (No. 4894). BBC SOUND BROADCASTING Its Engineering Development PUBLISHED TO MARK THE 4oTH ANNIVERSARY OF THE BBC AUGUST 1962 THE BRITISH BROADCASTING CORPORATION SOUND RECORDING The Introduction of Magnetic Tape Recordiq Mobile Recording Eqcupment Fine-groove Discs Recording Statistics Reclaiming Used Magnetic Tape LOCAL BROADCASTING. STEREOPHONIC BROADCASTING EXTERNAL BROADCASTING TRANSMITTING STATIONS Early Experimental Transmissions The BBC Empire Service Aerial Development Expansion of the Daventry Station New Transmitters War-time Expansion World-wide Audiences The Need for External Broadcasting after the War Shortage of Short-wave Channels Post-war Aerial Improvements The Development of Short-wave Relay Stations Jamming Wavelmrh Plans and Frwencv Allocations ~ediumrwaveRelav ~tatik- Improvements in ~;ansmittingEquipment Propagation Conditions PROGRAMME AND STUDIO DEVELOPMENTS Pre-war Development War-time Expansion Programme Distribution Post-war Concentration Bush House Sw'tching and Control Room C0ntimn.t~Working Bush House Studios Recording and Reproducing Facilities Stag Economy Sound Transcription Service THE MONITORING SERVICE INTERNATIONAL CO-OPERATION CO-OPERATION IN THE BRITISH COMMONWEALTH ENGINEERING RECRUITMENT AND TRAINING ELECTRICAL INTERFERENCE WAVEBANDS AND FREQUENCIES FOR SOUND BROADCASTING MAPS TRANSMITTING STATIONS AND STUDIOS: STATISTICS VHF SOUND RELAY STATIONS TRANSMITTING STATIONS : LISTS IMPORTANT DATES BBC ENGINEERING DIVISION MONOGRAPHS inside back cover THE BEGINNING OF BROADCASTING IN THE UNITED KINGDOM (UP TO 1939) Although nightly experimental transmissions from Chelmsford were carried out by W. T. Ditcham, of Marconi's Wireless Telegraph Company, as early as 1919, perhaps 15 June 1920 may be looked upon as the real beginning of British broadcasting. -
Photojournalism Photojournalism
Photojournalism For this section, we'll be looking at photojournalism's impact on shaping people's opinions of the news & world events. Photojournalism From Wikipedia, the free encyclopedia Photojournalism is a particular form of journalism (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story. It is now usually understood to refer only to still images, but in some cases the term also refers to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography (e.g., documentary photography, social documentary photography, street photography or celebrity photography) by complying with a rigid ethical framework which demands that the work be both honest and impartial whilst telling the story in strictly journalistic terms. Photojournalists create pictures that contribute to the news media, and help communities connect with one other. Photojournalists must be well informed and knowledgeable about events happening right outside their door. They deliver news in a creative format that is not only informative, but also entertaining. Timeliness The images have meaning in the context of a recently published record of events. Objectivity The situation implied by the images is a fair and accurate representation of the events they depict in both content and tone. Narrative The images combine with other news elements to make facts relatable to audiences. Like a writer, a photojournalist is a reporter, but he or she must often make decisions instantly and carry photographic equipment, often while exposed to significant obstacles (e.g., physical danger, weather, crowds, physical access). -
The Complete Run of the Iconic Newspaper Of
1938-1957 The compleTe run of The iconic newspaper of phoTojournalism now online www.gale.cengage.co.uk/picturepost THe PICTURE POST HiSToRiCAl ARCHiVe, 1938-1957 The Picture Post Historical Archive, 1938-1957 is the complete, fully text searchable facsimile archive of the Picture Post, the iconic newspaper published in Britain from 1938-1957 that defi ned the style of photojournalism in the 20th century. As the latest addition to Gale Historical Newspaper Collections, the Picture Post provides students and researchers with online access to a remarkable visual record of the 1930s to 1950s – from the humorous and light-hearted snapshots of daily life in Britain to the serious and history-defi ning moments of domestic and international affairs. The online archive consists of the complete run of the paper – from its fi rst issue in 1938 to its last in 1957 – and includes almost 50,000 pages, all newly digitised from originals in full colour. Time-saving features such as multiple search paths, browse options and limiters allow users to pinpoint results quickly. Increasing the speed and the effi cacy of teaching and research, users can magnify and crop images as required and store results and save notes in a named user account across sessions. SEARCH FEATURES AND FUNCTIONALITY Home page • Basic Search • Advanced Search by index types – Entire Document, Article Title, Caption, Contributor Name, Keyword, Record Number • Limit Searches by Publication Date, Article Type, or Illustration Type • Browse by Issue or Contributor • Sophisticated Image Viewer -
The Social Relationship Between the Family and the Animal in Michael Bond’S a Bear Called Paddington
i THE SOCIAL RELATIONSHIP BETWEEN THE FAMILY AND THE ANIMAL IN MICHAEL BOND’S A BEAR CALLED PADDINGTON A FINAL PROJECT In Partial Fulfillment of the Requirement For S-1 Degree in Literature In English Department, Faculty of Humanities Diponegoro University Submitted by: Adelia Nataly Andaruni 13020115140108 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY 2019 ii PRONOUNCEMENT The writer states truthfully that this project is compiled by her without taking any results from other research in any university, in S-1, S-2, S-3 degree and diploma. In addition, the writer ascertains that she does not take material from other publications or someone’s work except for the references mentioned in bibliography. Semarang, September 25th, 2019 Adelia Nataly Andaruni ii iii THE SOCIAL RELATIONSHIP BETWEEN THE FAMILY AND THE ANIMAL IN MICHAEL BOND’S A BEAR CALLED PADDINGTON Written by: Adelia Nataly Andaruni NIM: 13020115140108 Is approved by project advisor On 16ͭʰSeptember, 2019 Project Advisor Dra. R.Aj. Atrinawati, M.Hum NIP. 196101011990012001 The Head of the English Department Dr. Agus Subiyanto, M.A. NIP. 196408141990011001 iii iv VALIDATION Approved by Strata 1 project Examination Committee Faculty of Humanity Diponegoro University On October 17rd, 2019 Chair Person Second Member Drs. Jumino, M. Lib., M. Hum. Hadiyanto, S. S., M. Hum. NIP.19620703199001 1 001 NIP.19740725 200801 1 013 Second Member Third Member Dr. Agus Subiyanto, M. A. Drs.Siswo Harsono, M. Hum NIP.19640814 199001 1 001 NIP.19640418 199001 1 001 iv v MOTTO AND DEDICATION Even nature has hidden lessons for mankind for underneath its silent saga. The trees teach us to give without discrimination, the seasons proclaim that time keeps changing for the better and the vastness of the sky bears the amount of love we should hold in our hearts for everyone we come across throughtout the day. -
Ÿþm I C R O S O F T W O R
Save Kids’ TV Campaign British children’s television - on the BBC, Channel 4, ITV and Five - has been widely acknowledged as amongst the most creative and innovative in the world. But changes in children’s viewing patterns, and the ban on certain types of advertising to children, are putting huge strains on commercial broadcasters. Channel 4 no longer makes children’s programmes and ITV (until recently the UK’s second largest kids’ TV commissioner) has ceased all new children’s production. They are deserting the children’s audience because it doesn’t provide enough revenue. Channel FIVE have cut back their children’s programming too. The international channels - Disney, Nickelodeon and Cartoon Network - produce some programming here, but not enough to fill the gap, and much of that has to be international in its focus so that it can be used on their channels in other territories. The recent Ofcom report on the health of children’s broadcasting in the UK has revealed that despite the appearance of enormous choice in children’s viewing, the many channels available offer only a tiny number of programmes produced in the UK with British kids’ interests at their core. The figures are shocking – only 1% of what’s available to our kids is new programming made in the UK. To help us save the variety and quality of children’s television in the UK sign the e-petition on the 10 Downing Street website or on http://www.SaveKidsTV.org.uk ends Save Kids' TV - Name These Characters and Personalities 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Help save the quality in UK children's television Go to www.savekidstv.org.uk Save Kids TV - Answers 1 Parsley The Lion The Herbs/The Adventures of Parsley 2 Custard Roobarb and Custard 3 Timothy Claypole Rentaghost 4 Chorlton Chorlton and the Wheelies 5 Aunt Sally Worzel Gummidge 6 Errol The Hamster Roland's Rat Race, Roland Rat on TV-AM etc 7 Roland Browning Grange Hill 8 Floella Benjamin TV Presenter 9 Wizbit Wizbit 10 Zelda Terrahawks 11 Johnny Ball Presenter 12 Nobby The Sheep Ghost Train, It's Wicked, Gimme 5 etc. -
50 Years of Equity a Trip Down Memory Lane
50 Years of Equity A Trip Down Memory Lane 5050 50 Years of Equity A Trip Down Memory Lane 5050 50 Years of Equity / a trip down memory lane 50 Years of Equity A Trip Down Memory Lane Contents Your invitation Pages 1-2 1963 - 1972 Pages 3-8 1973 - 1982 Pages 9-14 1983 - 1992 Pages 15-26 1993 - 2002 Pages 27-38 2003 - 2012 Pages 39-56 2013 & Beyond Pages 57-65 50 Thanks for the memories Page 66 5050 Your invitation to join us... Your invitation to join us on… A Trip Down Memory Lane In this, our 50th anniversary year, the Board and staff of Equity Housing Group offer you a warm welcome and invite you to join us on a ‘Trip Down Memory Lane’. We are sure you will agree that we have quite some story to tell. We could not be prouder of all that we have achieved since our founder, local entrepreneur and Disley Estate agent, Clifford Pott, set up North Cheshire Housing Association, back in 1963. Fast forward 50 years and in 2013, we are still all about developing much needed, high quality housing, whether for rent or sale, as well as providing the first class services that make being an Equity customer such a great experience. Today, everyone connected with Equity can look back with immense pride at the huge difference we have made, to thousands of people’s lives, over the past 50 years. But putting nostalgia to one side, in 2013 we are still in a really great place. -
The 100 Greatest Kids' TV Shows
The 100 Greatest Kids’ TV Shows UK TV compilation marathon : 2001 : dir. : Channel 4 : ? min prod: : scr: : dir.ph.: …………………………….……………………………………………………………………………… Guest pundits: Ref: Pages Sources Stills Words Ω 8 M Copy on VHS Last Viewed 5500 2.5 0 0 1,287 - - - - - No August 2001 Broadcast Channel 4: 27/08/01. The last few years of the 20th century presented the media with a perfect occasion to conduct their own ad hoc round-ups of the century’s most influential people, most important films, best popular music etc etc. So 2001 is perhaps a little soon to be dipping back into the same baskets, yet Channel 4 has strewn the year with surveys similar to this one (see for example “Top Ten Teen Idols”). One might think such retrospectives were a clear invitation to the over-25s to bask for a short while in the kind of programming they used to enjoy – a brief escape from a television saturated with material aimed at the apolitical, pill-popping post-Thatcherite generation, breast-fed on tabloid culture. Ah but no, Channel 4 are too shrewd for that. Their retrospectives are chiefly an opportunity for that same generation to thumb their noses at everything which preceded their own miraculous lives. And so it goes with this one. It’s some reflection on the value of their poll that the two programmes topping Channel 4’s list were not even children’s programmes anyway! – “The Muppet Show” (no.2) and “The Simpsons” (no.1) never purported to be made for kids, were never broadcast in children’s TV slots, and hence not surprisingly are best favoured by adults. -
The Enchanted Wood Five on a Treasure Island a Bear Called Paddington
Books for Children Aged 6 - 8 The Enchanted Wood by Enid Blyton Egmont When Joe, Beth and Frannie move into a new home, they discover a mysterious wood on their very doorstep. Five on a Treasure Island by Enid Blyton Hodder Meet Enid Blyton's most famous characters - Julian, Dick, Anne, George and of course the ever-loyal Timmy the dog A Bear Called Paddington by Michael Bond HarperCollins Children's Books Paddington, the brown bear from darkest Peru, is found by the Brown family on Paddington Station with his hat, duffel coat and marmalade sandwiches. Books for Children Aged 6 - 8 The Milly-Molly-Mandy Storybook by Joyce Lankester Brisley Macmillan Milly-Molly-Mandy lives with her mother, father, uncle, aunt, grandmother and grandfather in a 'nice white cottage with a thatched roof'. Flat Stanley by Jeff Brown Egmont Stanley Lambchop wakes up one morning to find he is only half an inch thick Clarice Bean, That's Me by Lauren Child Orchard Books Clarice Bean gives us a snapshot of her life and family in the book that launched a bestselling series. Books for Children Aged 6 - 8 That Rabbit Belongs to Emily Brown by Cressida Cowell Orchard Books Emily and her toy rabbit, Stanley, love to go on adventures together. The BFG by Roald Dahl Puffin The BFG stands for Big Friendly Giant, who unexpectedly spirits a little girl named Sophie out of bed, and into the land of the child-eating giants. The Story of Babar by Jean De Brunhoff Egmont ' In the great forest, a litle elephant was born. -
Dear Friends of the JCC's Jewish & Israeli Film Series, Hello! I'm
Dear Friends of the JCC’s Jewish & Israeli Film Series, Hello! I’m Stephanie Bennett, the new coordinator of the Film Series. I am taking over for Monica Friess who led the series for the past eight years … As we embark on our 24th season, we want to thank you for your support. The festival continues to be a success because of the generosity of its sponsors. We are truly grateful. We hope that we can count on your support again this year. This year we are presenting a diverse array of films, including two children’s programs that are made possible by a grant from Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency. It is also important to thank the Lehigh Valley Arts Council for its role as administrators of this grant opportunity. Did you know that Curious George and Paddington Bear have Jewish roots? On February 7 we will present Monkey Business: The Adventures of Curious George’s Creators. Narrated by Sam Waterston, the film tells the story of Hans and Margret Rey, a Jewish couple who fled the Nazis and carried hidden with them the manuscript for what would become one of the best loved children’s books of all time. On March 20 we will show Nicky’s Family, which recounts how philanthropist Sir Nicholas Winton arranged safe passage for 669 Jewish children from Prague to England at the outset of WWII. This kindertransport served as inspiration for author Michael Bond, who based the beloved Paddington Bear character on children arriving in England awaiting placement in new homes. -
British Radio Drama and the Avant-Garde in the 1950S
British radio drama and the avant-garde in the 1950s Hugh Chignell 1 Bournemouth University, UK Correspondence: Professor Hugh Chignell, Faculty of Media and Communication, Bournemouth University, Poole, Dorset, BH12 5BB, UK. +44 (0)1202 961393 Email: [email protected] 1 British radio drama and the avant-garde in the 1950s Abstract The BBC in the 1950s was a conservative and cautious institution. British theatre was at the same time largely commercial and offered a glamorous distraction from wider social and political realities. During the decade, however, new avant-garde approaches to drama emerged, both on the stage and on radio. The avant-garde was particularly vibrant in Paris where Samuel Beckett was beginning to challenge theatrical orthodoxies. Initially, managers and producers in BBC radio rejected a radio version of Beckett’s, Waiting for Godot and other experimental work was viewed with distaste but eventually Beckett was accepted and commissioned to write All That Fall (1957), a masterpiece of radio drama. Other Beckett broadcasts followed, including more writing for radio, extracts from his novels and radio versions of his stage plays as well as plays by the experimental radio dramatist, Giles Cooper. This article examines the different change agents which enabled an initially reluctant BBC to convert enthusiastically to the avant-garde. A networked group of younger producers, men and women, played a vital role in the acceptance of Beckett as did the striking pragmatism of senior radio managers. A willingness to accept the transnational cultural flow from Paris to London was also an important factor. The attempt to reinvent radio drama using ‘radiophonic’ sound effects (pioneered in Paris) was another factor for change and this was encouraged by growing competition from television drama on the BBC and ITV. -
Wellingtonia Issue 7 : Second Quarter 2010 FREE ISSUE! Newsletter of the Wellington History Group, Rediscovering the Past of Wellington in Shropshire
Wellingtonia Issue 7 : Second Quarter 2010 FREE ISSUE! Newsletter of the Wellington History Group, rediscovering the past of Wellington in Shropshire EDITORIAL IN THIS ISSUE ****************** elcome to the latest issue Page of Wellingtonia, which 2. Admaston Home Guard (as usual) is packed with W 3. Taking the Plunge items of interest to everyone wanting to know more about the 4. My YM history of the Wellington area. 6. Izzy Whizzy So much has been happening 7. Brief Encounters recently that, at times, it’s difficult 8. John Houlston: to keep up with events. Whenever possible, we try to give Victorian Travel Agent information to the local Press 10. The French Connection without falling into the trap of 11. 14 Market Square creating ‘wishful thinking’ history: Is this Wellington’s Cultural 12. Location, Location it’s very easy to pass odd Icon of the Twentieth Century? 14. Rebuilding Britain comments which can be See page 6. misinterpreted or misconstrued, so 16. Workhouse Woes the best we can do is use these Below: Archaeologists Tim Malim 17. Furniture Adverts pages to set the record straight or (left) and Laurence Hayes resume 18. 100 Years Ago: 1910 give a more reasoned assessment excavations at the rear of Edgbaston 20. Announcements for a variety of features which House in Walker Street. Many more Contact Details have been uncovered. finds have been recovered, including Two areas worth a special these animal bones (bottom right). mention are the further excavations of the garden behind Edgbaston House which continues to yield remarkable finds, and recent refurbishment work at 14 Market Square, where stonework and timber carvings present us with challenges in interpretation. -
Knowledge Organiser for Year 1 and 2 Topic: Local History Study / Book Topic: Beegu
Knowledge Organiser for Year 1 and 2 Topic: Local History Study / Book Topic: Beegu Key questions: - Can you explain what an object from the past might have been used for? - Can you spot old and new things in a picture? - Can you describe a significant place from the past in your own locality? - Can you find things out about the past by talking to an older person? Key facts: Can you explain what an object from the past might have been used for? Can you spot old and new things in a picture? A loom is a device used to weave. The purpose of any loom is to hold the warp threads in place, to facilitate the weaver weaving the weft threads through them. The precise shape of the loom and its mechanics may vary, but the purpose is the same. Can you describe a significant place from the past in your own locality? Can you find things out about the past by talking to an older person? Harry was born in Bradford in 1888, fish and chip frying was a family business. He bought premises at White Cross which had formerly been the Silver Badge Cafe at a cost of £150, opening for business on 20th December 1928. He was so successful that 3 years later he built his "palace", based on the opulence of the Ritz Hotel, he installed fitted carpets, oak paneled walls and crystal chandeliers. Seating 250 customers, it was the largest fish and chip shop in the world! In 1952, he served fish and chips at 1912 prices to celebrate 25 years trading.