25204 Cmp.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
25312 Cmp.Pdf
GRAN TEATRE DEL LICEU Temporada 1988-1989 I I I • PASSEIG UE GRACIA. 41 TEL£FON 216 U\ 73 CONSORCI DEL GRAN TEATRE DEL LICEU 08007 BARCELONA • Generalitat de CARRER SANT PAU. 6 Catalunya TEL E: F O N 31 7 32 46 de Barcelona 08001 BARCELONA Ajuntament • Ministerio de Cultura EL REGULADOR BAGU£S RAMBLA DE LES FLORS. 105 Diputació de Barcelona TEL£FQN 317 1974 08002 BARCELONA Societat del Gran Teatre del Liceu •••••••••••••••• ® Romano Gandolfi (Director d'Orquestra) Es diplomà en composició i piano al Conservatori de Parma i des del 1983 és director del Cor i consultor artístic al Gran Teatre del Liceu. Del 1971 al1983 havia estat director del Teatre de la Scala de Milà on paral-lelament desenvolupà una important activitat com a direc tor d'orquestra. Ha dirigit òperes i concerts simfònics a la Scala de Milà, Madrid, Buenos Aires, als EUA i als principals teatres italians: Roma, Nàpols, Bolonya i Trieste. Ha enregistrat per a la firma DECCA la Petite Messe Solennelle de Rossini amb Freni, Valentini-Terrani, Pavarotti, Raimondi i Cor de Cambra de la Scala, i per a la FONIT CETRA els Cors romàntics i 12 Lieder de Schubert amb Popp, Palacio, Cor de Cambra i instrumentistes de la Scala. El 1988 obtingué sorollosos èxits i crítiques extremadament favora bles al Brasil on dirigí diverses òperes a Rio de Janeiro i altres ciutats. ® Vittorio Sicuri (Director del Cor) Inicià els estudis musicals a Parma i Milà. L'any 1975 entrà a for mar part de la Scala de Milà, on durant tres anys exercí la seva acti vitat com a mestre col-laborador, treballant també amb els mestres registes Strehler, Zefirelli, De Filippo, Ponnelle, Ronconi, etc. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Bach — Mozart — Wagner — Musiques Contemporaines
LES DISQUES Bach — Mozart — Wagner — Musiques contemporaines. Abondance ces derniers mois de grandes œuvres religieuses ou lyriques enregistrées intégralement, d'une part, de grands disques de musique contemporaine, d'autre part. Nous avons sélectionné ici les meilleurs enregistrements représentant ces deux tendances de l'édition actuelle. A tout seigneur tout honneur : donnons la vedette au plus génial et au plus abondant de tous les musiciens, pour l'une de ses œuvres les plus riches et, curieusement, les plus mal connues. L'Oratorio de Noël de Jean-Sébastien Bach vient de bénéficier d'une gravure d'origine autrichienne pleinement satisfaisante (1). Certes, on le sait, cette œuvre monumentale, composée à la hâte, intègre de très nombreuses pages précédemment destinées à des Cantates, voire à la Passion selon saint Marc. Outre que ces doubles utilisations n'avaient rien de scandaleux à cette époque, elles n'em pêchent pas cet Oratorio de posséder son style propre et son unité profonde. Richesse mélodique, variétés instrumentales et rythmi ques : rarement le Cantor aura développé à un tel point les aspects divers de son unique génie. Hans Swarowsky dirige cette version enregistrée en mai et juin, l'an dernier. Sous sa baguette sont rangés l'Orchestre National de Vienne, le Wiener Kammerchor, ainsi que cinq solistes peu fami liers aux oreilles françaises et que l'on découvrira avec ravisse ment. La soprano Heather Harper, la contralto Ruth Hesse, les ténors Thomas Page et Kurt Equiluz, la basse Kieth Engen. C'est du grand art, inspiré, puissant que tous nous offrent ici. Us sont servis, en outre, par une prise de son et une gravure d'un niveau élevé. -
Journal of the Conductors Guild
Journal of the Conductors Guild Volume 32 2015-2016 19350 Magnolia Grove Square, #301 Leesburg, VA 20176 Phone: (646) 335-2032 E-mail: [email protected] Website: www.conductorsguild.org Jan Wilson, Executive Director Officers John Farrer, President John Gordon Ross, Treasurer Erin Freeman, Vice-President David Leibowitz, Secretary Christopher Blair, President-Elect Gordon Johnson, Past President Board of Directors Ira Abrams Brian Dowdy Jon C. Mitchell Marc-André Bougie Thomas Gamboa Philip Morehead Wesley J. Broadnax Silas Nathaniel Huff Kevin Purcell Jonathan Caldwell David Itkin Dominique Royem Rubén Capriles John Koshak Markand Thakar Mark Crim Paul Manz Emily Threinen John Devlin Jeffery Meyer Julius Williams Advisory Council James Allen Anderson Adrian Gnam Larry Newland Pierre Boulez (in memoriam) Michael Griffith Harlan D. Parker Emily Freeman Brown Samuel Jones Donald Portnoy Michael Charry Tonu Kalam Barbara Schubert Sandra Dackow Wes Kenney Gunther Schuller (in memoriam) Harold Farberman Daniel Lewis Leonard Slatkin Max Rudolf Award Winners Herbert Blomstedt Gustav Meier Jonathan Sternberg David M. Epstein Otto-Werner Mueller Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis Gunther Schuller Thelma A. Robinson Award Winners Beatrice Jona Affron Carolyn Kuan Jamie Reeves Eric Bell Katherine Kilburn Laura Rexroth Miriam Burns Matilda Hofman Annunziata Tomaro Kevin Geraldi Octavio Más-Arocas Steven Martyn Zike Theodore Thomas Award Winners Claudio Abbado Frederick Fennell Robert Shaw Maurice Abravanel Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis Esa-Pekka Salonen Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Michael Tilson Thomas Pierre Boulez Sir Simon Rattle David Zinman Sir Colin Davis Max Rudolf Journal of the Conductors Guild Volume 32 (2015-2016) Nathaniel F. -
Boris Godunov
Modest Mussorgsky Boris Godunov CONDUCTOR Opera in a prologue and four acts Valery Gergiev Libretto by the composer, based on the play by PRODUCTION Alexander Pushkin (1875 version, with additions Stephen Wadsworth from the 1869 version) SET DESIGNER Ferdinand Wögerbauer Saturday, October 23, 2010, 12:00–4:15 pm COSTUME DESIGNER Moidele Bickel New Production LIGHTING DESIGNER Duane Schuler CHOREOGRAPHER Apostolia Tsolaki This production of Boris Godunov was made possible by generous gifts from Karen and Kevin Kennedy, Mr. and Mrs. Howard Solomon, and Mr. and Mrs. Wilmer J. Thomas, Jr. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 268th Metropolitan Opera performance of Modest Mussorgsky’s Boris Godunov Conductor Valery Gergiev in o r d e r o f v o c a l a p p e a r a n c e Nikitich, a police officer Xenia, daughter of Boris Valerian Ruminski Jennifer Zetlan Mitiukha, a peasant Feodor, son of Boris Mikhail Svetlov Jonathan A. Makepeace Shchelkalov, a boyar Nurse, nanny to Boris’s Alexey Markov children Larisa Shevchenko Prince Shuisky, a boyar Oleg Balashov Boyar in Attendance Brian Frutiger Boris Godunov René Pape Marina Ekaterina Semenchuk Pimen, a monk Mikhail Petrenko Rangoni, a Jesuit priest Evgeny Nikitin Grigory, a monk, later pretender to the Russian throne Holy Fool Aleksandrs Antonenko Andrey Popov Hostess of the Inn Chernikovsky, a Jesuit Olga Savova Mark Schowalter Missail Lavitsky, a Jesuit Nikolai Gassiev Andrew Oakden Varlaam Khrushchov, a boyar Vladimir Ognovenko Dennis Petersen Police Officer Gennady Bezzubenkov Saturday, October 23, 2010, 12:00–4:15 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. -
CITING MUSIC RESOURCES in CHICAGO STYLE (17 Edition
CITING MUSIC RESOURCES IN CHICAGO STYLE (17th edition) AUTHOR/DATE STYLE QUICK GUIDE Points to Remember: Chicago Manual of Style uses numbered chapters and paragraphs to illustrate the building blocks of a citation. This guide will refer back to paragraphs where more information is available (ex. CMS 15.9). Chicago Manual of Style Author-Date Guidelines require a “References” list at the end of a paper. Citations in this list should be alphabetized by author last name, or the first element (CMS 14.65). The citation elements and format for a book form the basis for other items such as scores. Use headline style when capitalizing titles, unless the title is in a foreign language. Italicize titles of longer works like books and journals. Put quotation marks around titles of shorter works such as journal articles or essays in edited collections. Entries are to have the first line flush and indent subsequent lines (achieved with a hanging indent). To create a URL using a DOI, add the prefix https://doi.org/ to the number provided (CMS 14.8). BOOK Basic format Last name, First name. Year of publication. Title of Book. Place of publication: Publisher. If the item is a later edition add a statement after the title. If there is an editor instead of an author, include the abbreviation ed. or eds. if more than one. Sampsel, Laurie. 2013. Music Research: A Handbook. 2nd ed. New York: Oxford University Press. Samson, Jim, ed. 2001. The Cambridge History of Nineteenth-century Music. Cambridge: Cambridge University Press. E-BOOK Include a URL, DOI, or name of subscription database at the end of the citation. -
A History of Toivola, Michigan by Cynthia Beaudette AALC
A A Karelian Christmas (play) A Place of Hope: A History of Toivola, Michigan By Cynthia Beaudette AALC- Stony Lake Camp, Minnesota AALC- Summer Camps Aalto, Alvar Aapinen, Suomi: College Reference Accordions in the Cutover (field recording album) Adventure Mining Company, Greenland, MI Aged, The Over 80s Aging Ahla, Mervi Aho genealogy Aho, Eric (artist) Aho, Ilma Ruth Aho, Kalevi, composers Aho, William R. Ahola, genealogy Ahola, Sylvester Ahonen Carriage Works (Sue Ahonen), Makinen, Minn. Ahonen Lumber Co., Ironwood, Michigan Ahonen, Derek (playwrite) Ahonen, Tauno Ahtila, Eija- Liisa (filmmaker) Ahtisaan, Martti (politician) Ahtisarri (President of Finland 1994) Ahvenainen, Veikko (Accordionist) AlA- Hiiro, Juho Wallfried (pilot) Ala genealogy Alabama Finns Aland Island, Finland Alanen, Arnold Alanko genealogy Alaska Alatalo genealogy Alava, Eric J. Alcoholism Alku Finnish Home Building Association, New York, N.Y. Allan Line Alston, Michigan Alston-Brighton, Massachusetts Altonen and Bucci Letters Altonen, Chuck Amasa, Michigan American Association for State and Local History, Nashville, TN American Finn Visit American Finnish Tourist Club, Inc. American Flag made by a Finn American Legion, Alfredo Erickson Post No. 186 American Lutheran Publicity Bureau American Pine, Muonio, Finland American Quaker Workers American-Scandinavian Foundation Amerikan Pojat (Finnish Immigrant Brass Band) Amerikan Suomalainen- Muistelee Merikoskea Amerikan Suometar Amerikan Uutiset Amish Ammala genealogy Anderson , John R. genealogy Anderson genealogy -
Private Musiksammlung Archiv CD/DVD
Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Sacchini Sacchini L'Isola d'amore - 1980 Wiesbaden Lella Cuberli - Roestta Pizzo - Ignazio Daniel Chorzempa O - hr-klassik Claves - Alan Opie - - - - - - 308,01 Antonio Maria Gaspare - Sacchini (1730 - 1786) - Die Insel der Liebe Cappella coloniensis 14.02.2004 - Oper 22 - cda402 T- VHS-Audi 2 CD o Sacchini Oedipe à Colone - 2004 Dijon Manon Feubel - Fabrice Mantegna - Jean-Paul Penin O - 05.06.2004 Auditorium Daniel Galvez-Vallejo - Sviatoslav 993,01 Antonio Maria Gaspare - Smirnov - Raphaëlle Farman - Sacchini (1730 - 1786) - Ödipus auf Kolonos Orchestre de la 20.08.2007 - Géraldine Casey - Jacques Gay - - - Camerata de Oper 46 - cda708 T- Dok 486 2 CD Sacchini EDIPO À COLONE - 2004 Dijon - - - - - - - - - n O - 05.06.2004 Antonio Maria Gaspare - Sacchini (1730 - 1786) - 01.01.1900 - Oper 46 - cda1411 TA-an Manon Feubel, Fabrice Mantegna, Daniel Galvez-Vallejo, Sviatoslav Smirnov, Jean-Paul Penin A Raphaëlle Farman, Géraldine Casey, Jacques Gay. alne 2 CD Sacchini Oedipe à Colone - 2005 Nathalie Paulin - Robert Getchell - n O - Stephansdom Tony Boutté - Francois Loup - Kirsten Antonio Maria Gaspare - Blaise - Kara Morgan - Jonathan Sacchini (1730 - 1786) - Ödipus auf Kolonos Opera Lafayette 07.06.2012 - Kimple - - - Orchestra and Chorus Oper 46 - cda1206 T- Int-A2/mp CD 3 0 Saint-Saëns Samson et Dalila - 1956 Stockholm Blanche Thebom - Set Svanholm - Herbert Sandberg O - 04.09.1956 Concertzender Sigurd Björling - - - - - - - Camille Saint-Saëns - (1835 - 1921) - 2.