Firstly, OLD NORSE SHIP NAMES and SHIP TERMS Rudolf Simek
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Design, Build and Evaluate a Viking Longboat
History & D&T KS2 LESSON PLAN Design, build and evaluate a Viking longboat WHAT Use questioning and trial THEY’LL and error to fire imaginations LEARN and hone innovation skills, says Adam Parkhouse l About the design and shape of @parky_teaches Viking longboats l How sails have The era of the Vikings is such a rich strand of the history been used to power travel on water in curriculum, and one of my favourite subject areas to different cultures teach. There’s such depth wherever you look: from the compelling mythology to the lasting impact they had on l To use trial and error to get a modern-day Britain. This lesson focuses on the famous better result Viking longboat, renowned for its sleek design and speed in the water, and brings an opportunity to add design l How to evaluate the impact of and technology into your history lessons. It doesn’t even changes to a design need a water feature to work – your desks and floors will become the treacherous north seas to explore. MAIN LESSON START HERE 2|MAKING AND 1|LOOKING AT SAILS TESTING Before your pupils Once you’ve completed your Explain to the children they become master epic journey on the north will become sailmakers shipbuilders, take seas, it’s time to move back themselves, and learn how into the classroom and for the to evaluate and improve them outside to get pupils to become shipbuilders designs by testing and a feel of the scale of themselves. First, they need making alterations. a Viking longship. -
Skaði Njörður Baldur + Ævintýrin
Grímnismál Einars Pálssonar. Þrymheimur Skaði, Breiðablik Baldur Skaði, skýr brúður goða (Baltasar) Sumar konur eru ráðríkar. Skaði er tákn um mikinn framkvæmdavilja, dugnað og drifkraft. -Það þýðir ekki að standa hér einsog hengilmæna. Farðu út og gerðu eitthvað í málinu. Goþrún dimmblá skráir mál litlu kjaftforu völvu Óðsmál in fornu ISBN 978-9935-409-40-9 1 21. ISBN 978-9935-409-20-1 Skaði Njörður Baldur og ævintýrin Göia goði, Óðsmál, http://www.mmedia.is/odsmal [email protected]; [email protected] Norræn menning ***************************************** +354 694 1264; +354 552 8080 Goþrún Dimmblá setur hér spássíukrot: Í Reykajvík var mikið af baldursbrá í gamla daga. Notuð var hún sem spájurt, sagði amma mín, þannig, að gott væri síldarár, mikil síldveiði, það árið sem mikið væri um baldursbrá. Baldursbráin heitir á ensku day’s eye, dags auga, sem úr verður daisy. Hún vex í sendnum og malarbornum jarðvegi við sjóinn. Ég sá erlenda ferðamenn taka nærmyndir af villtum blómum á Sæbrautinni. Smá og harðger fjörublóm voru þar í þúsundatali. Lág og jarðlæg, með fögur lítil blóm, sem sáust vart nema maður krypi á kné. 2 Þau nota oft litla steina sér til skjóls, en teygja smáar krónur sínar til birtunnar. Tigulegur njólinn, harðger og seigur, sást vel. Baldursbráin teygði sig upp í sólina. Heilu breiðurnar opnuðu krónur í átt til sólar, í austur að morgni, í suður yfir daginn, í vestur þegar degi tók að halla. Þessar jurtir eru einsog Íslendingar: beina augum til sólar, og láta salt særok ekki hafa áhrif á sig. Margar fjörujurtir, auk þangs og þara, voru manneldi gott í gegnum aldirnar. -
Herjans Dísir: Valkyrjur, Supernatural Femininities, and Elite Warrior Culture in the Late Pre-Christian Iron Age
Herjans dísir: Valkyrjur, Supernatural Femininities, and Elite Warrior Culture in the Late Pre-Christian Iron Age Luke John Murphy Lokaverkefni til MA–gráðu í Norrænni trú Félagsvísindasvið Herjans dísir: Valkyrjur, Supernatural Femininities, and Elite Warrior Culture in the Late Pre-Christian Iron Age Luke John Murphy Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Gunnell Félags- og mannvísindadeild Félagsvísindasvið Háskóla Íslands 2013 Ritgerð þessi er lokaverkefni til MA–gráðu í Norrænni Trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Luke John Murphy, 2013 Reykjavík, Ísland 2013 Luke John Murphy MA in Old Nordic Religions: Thesis Kennitala: 090187-2019 Spring 2013 ABSTRACT Herjans dísir: Valkyrjur, Supernatural Feminities, and Elite Warrior Culture in the Late Pre-Christian Iron Age This thesis is a study of the valkyrjur (‘valkyries’) during the late Iron Age, specifically of the various uses to which the myths of these beings were put by the hall-based warrior elite of the society which created and propagated these religious phenomena. It seeks to establish the relationship of the various valkyrja reflexes of the culture under study with other supernatural females (particularly the dísir) through the close and careful examination of primary source material, thereby proposing a new model of base supernatural femininity for the late Iron Age. The study then goes on to examine how the valkyrjur themselves deviate from this ground state, interrogating various aspects and features associated with them in skaldic, Eddic, prose and iconographic source material as seen through the lens of the hall-based warrior elite, before presenting a new understanding of valkyrja phenomena in this social context: that valkyrjur were used as instruments to propagate the pre-existing social structures of the culture that created and maintained them throughout the late Iron Age. -
Tangible Religion: Amulets, Illnesses, and the Demonic Seven Sisters Rudolf Simek University of Bonn
Tangible Religion: Amulets, Illnesses, and the Demonic Seven Sisters Rudolf Simek University of Bonn It is a well-known fact within Medieval studies that in Western Europe in the Middle Ages there existed, side by side, three major strategies of coming to terms with illnesses: Firstly, what we today would consider proper medical ther- apy, in its many variants from traditional monastic medicine (by the infirmarii) to itinerant barber surgeons (medici) to aca- demic medical science (phisici) as practised within and without the Salernitan school. Medical handbooks in manuscript form, containing collections of active ingredients (simplicia) and pre- scriptions for particular ailments (indicationes) as well as rules on dietetics and prognostics testify to this tradition even in Old Norse vernacular texts. Secondly, by taking recourse to miraculous divine help, usually in the form of asking the saints for intercession on the behalf of the patient or his kin, whether by prayer alone or the promise of votive gifts, resulting in the miraculous recovery of the patient – at least in the many successful cases reported and handed down in hagiographic literature, usually in the miracle collections tied to the lives of particular saints, certainly not as case histories on the recovery of particular patients and even less connected with particular illnesses – unless the saint in question was known to “specialise” in certain medical problems, such as St. Margaret for difficult births and St. Blaise for throat illnesses, to name but two of many. Thirdly, by taking resort to religio-magical practises, such as magical charms, amulets, and rituals. Although all of these were How to cite this book chapter: Simek, R. -
The Prose Edda
THE PROSE EDDA SNORRI STURLUSON (1179–1241) was born in western Iceland, the son of an upstart Icelandic chieftain. In the early thirteenth century, Snorri rose to become Iceland’s richest and, for a time, its most powerful leader. Twice he was elected law-speaker at the Althing, Iceland’s national assembly, and twice he went abroad to visit Norwegian royalty. An ambitious and sometimes ruthless leader, Snorri was also a man of learning, with deep interests in the myth, poetry and history of the Viking Age. He has long been assumed to be the author of some of medieval Iceland’s greatest works, including the Prose Edda and Heimskringla, the latter a saga history of the kings of Norway. JESSE BYOCK is Professor of Old Norse and Medieval Scandinavian Studies at the University of California, Los Angeles, and Professor at UCLA’s Cotsen Institute of Archaeology. A specialist in North Atlantic and Viking Studies, he directs the Mosfell Archaeological Project in Iceland. Prof. Byock received his Ph.D. from Harvard University after studying in Iceland, Sweden and France. His books and translations include Viking Age Iceland, Medieval Iceland: Society, Sagas, and Power, Feud in the Icelandic Saga, The Saga of King Hrolf Kraki and The Saga of the Volsungs: The Norse Epic of Sigurd the Dragon Slayer. SNORRI STURLUSON The Prose Edda Norse Mythology Translated with an Introduction and Notes by JESSE L. BYOCK PENGUIN BOOKS PENGUIN CLASSICS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., -
Ships!), Maps, Lighthouses
Price £2.00 (free to regular customers) 03.03.21 List up-dated Winter 2020 S H I P S V E S S E L S A N D M A R I N E A R C H I T E C T U R E 03.03.20 Update PHILATELIC SUPPLIES (M.B.O'Neill) 359 Norton Way South Letchworth Garden City HERTS ENGLAND SG6 1SZ (Telephone; 01462-684191 during my office hours 9.15-3.15pm Mon.-Fri.) Web-site: www.philatelicsupplies.co.uk email: [email protected] TERMS OF BUSINESS: & Notes on these lists: (Please read before ordering). 1). All stamps are unmounted mint unless specified otherwise. Prices in Sterling Pounds we aim to be HALF-CATALOGUE PRICE OR UNDER 2). Lists are updated about every 12-14 weeks to include most recent stock movements and New Issues; they are therefore reasonably accurate stockwise 100% pricewise. This reduces the need for "credit notes" and refunds. Alternatives may be listed in case some items are out of stock. However, these popular lists are still best used as soon as possible. Next listings will be printed in 4, 8 & 12 months time so please indicate when next we should send a list on your order form. 3). New Issues Services can be provided if you wish to keep your collection up to date on a Standing Order basis. Details & forms on request. Regret we do not run an on approval service. 4). All orders on our order forms are attended to by return of post. We will keep a photocopy it and return your annotated original. -
Gylfaginning Codex Regius, F
Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text ....................................................................................................... -
CMS 2018 3Rd Qtr (Pdf)
Remember Those From Whom You Came Newsletter Of The Clan MacAlpine Society The Worldwide Organization For MacAlpines 3rd Quarter 2018 ~ Volume 41 Kenneth McAlpine William McAlpin Michael McAlpin Sir William McAlpine Finn Alpin Sidney Fay McAlpin Earl Dale McAlpine Bruce McAlpine Commander’s News The Society has been very active over the summer months with events in Scotland, Canada and across the U.S. I have had the good fortune of attending many of these, and it has been my pleasure to meet so many at these events, and to enjoy their enthusiasm. Spending time in Scotland at the Shennachie event and then in the beautiful countryside was a special treat, and then on to the Kilmartin Glen where we continue to discover more about the old homesteads. Our Annual General Meeting will be held at the Stone Mountain Highland Games in October. There is an exciting venue set up for it and I look forward to seeing many of you there. By the time this newsletter is published, it will be just weeks away from November 11th. Whether referred to as Remembrance Day, Armistice Day, or Veterans Day, its origins reflect upon the 11th hour of the 11th day of the 11th month. The date and time of the armistice ending WW I, 100 years ago this year. Living in Canada in the early 1960’s, the reverence for this day was drilled into every child in every classroom. Poppies were handed out and worn. At 11:00 AM, a two-minute silence was always observed. It is fitting that we all remember those from all countries that suffered through this tragedy. -
Viking Longship Hours
The Vikings are coming! THE VIKINGS The Vikings came from three countries, Denmark, Norway and Sweden. The name ‘Viking’ comes from a language called ‘Old Norse’ and means ‘a pirate raid’. People who went off raiding in ships were said to be ‘going Viking’. The Viking age in European history was about AD 700 to 1100. During this time many Vikings travelled to other countries, such as Britain and Ireland. Some went to fight and steal treasure. Others settled in new lands as farmers, craftsmen or traders. bbc. co.uk/handsonhistory Make a 1.5 Viking longship hours The Vikings built fast ships for raiding and war. These ships were called ‘dragon-ships’ or ‘longships’. Viking longships could sail in shallow water, so they could travel up rivers as well as across the sea. In a raid, a ship could be pulled up on a beach, the Vikings could jump out and start fighting, and then make a quick getaway if they were chased. A longship had room for between 40 and 60 men and they slept and ate on deck. There was some space below deck for stores, but no cabins. A ship carried everything needed at sea - drinking water, dried meat and fish to eat, tools and weapons, and furs to keep warm. You will need • Card at least 30cm x 20cm in size (large empty cereal boxes work well) • A small cardboard box (for example an empty teabag box) • Pencil • Ruler • Scissors • Masking tape • Coloured pens or paints • Sticky tack • Drinking straws • Glue • Fine string or thread (optional) • Coloured paper (optional) bbc.co.uk/handsonhistory THE VIKINGS Instructions 1. -
The Goddess: Myths of the Great Mother Christopher R
Gettysburg College Faculty Books 2-2016 The Goddess: Myths of the Great Mother Christopher R. Fee Gettysburg College David Leeming University of Connecticut Follow this and additional works at: https://cupola.gettysburg.edu/books Part of the English Language and Literature Commons, Folklore Commons, and the Religion Commons Share feedback about the accessibility of this item. Fee, Christopher R., and David Leeming. The Goddess: Myths of the Great Mother. London, England: Reaktion Press, 2016. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/books/95 This open access book is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. The Goddess: Myths of the Great Mother Description The Goddess is all around us: Her face is reflected in the burgeoning new growth of every ensuing spring; her power is evident in the miracle of conception and childbirth and in the newborn’s cry as it searches for the nurturing breast; we glimpse her in the alluring beauty of youth, in the incredible power of sexual attraction, in the affection of family gatherings, and in the gentle caring of loved ones as they leave the mortal world. The Goddess is with us in the everyday miracles of life, growth, and death which always have surrounded us and always will, and this ubiquity speaks to the enduring presence and changing masks of the universal power people have always recognized in their lives. -
Parallels Between Old Norse Cosmogony and Eschatology1
TEMENOS NORDIC JOURNAL OF COMPARATIVE RELIGION Temenos Vol. 57 No. 1 (2021), 103–26 DOI: 10.33356/temenos.100075 The Echo of Creation: Parallels between Old Norse Cosmogony and Eschatology1 JAN A. KOZÁK Charles University Abstract The article explores the idea of an echo, both literal and structural, that connects Old Norse cosmogony and eschatology. The motif of a bellowing sound or cry appears in cosmogony in the figure of Ymir, ‘Crier’, who is killed by the Æsir, and from his body the world is cre- ated. During the eschatological events the booming sound recurs when Heimdallr blows his horn shortly before the Æsir themselves are killed by their adversaries. A cry is also emitted by Óðinn when he sacrifices himself on the Cosmic Tree. The booming bellow is thus associated with death, especially in the context of implicit or explicit sacrifice. The structural resonance between cosmogony and eschatology is composed of a series of five motifs that reappear in the same sequence at both liminal moments. The eschatology seems to be structurally a repetition of the cosmogony, but with inverted roles: the victims are the gods, and the sacrificers are the giants, which is the inverse of the situation during the cosmogony. The present analysis sheds light on the sacrificial pattern hidden behind the two events, and helps contextualize the motif of the mighty sound that reappears at both moments in cosmic history. Keywords: Old Norse Myth, cosmogony, eschatology, sacrifice, sound, murder, creation, Heimdall, Gjallarhorn, Ymir In this article I will explore the parallels between Old Norse cosmogony and eschatology from two different but interconnected perspectives – first, by focusing on the motif of the bellowing sound or cry, and second, by focusing 1 This research was supported by the Marie Skłodowska-Curie Fellowship of the Horizon 2020 Programme at the University of Bergen, SYMBODIN project. -
Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2019 Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Comparative Literature Commons, Cultural History Commons, Disability Studies Commons, European History Commons, European Languages and Societies Commons, Folklore Commons, History of Religion Commons, History of Science, Technology, and Medicine Commons, Medieval History Commons, Medieval Studies Commons, Scandinavian Studies Commons, and the Social and Cultural Anthropology Commons Recommended Citation Lawson, Michael David, "Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia" (2019). Electronic Theses and Dissertations. Paper 3538. https://dc.etsu.edu/etd/3538 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia ————— A thesis presented to the faculty of the Department of History East Tennessee State University ————— In partial fulfillment of the requirements for the degree