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The University of Chicago Objects of Veneration
THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies............................................................................... -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Death and the Afterlife Among the Classic Period Royal Tombs of Copán, Honduras
To Be Born an Ancestor: Death and the Afterlife among the Classic Period Royal Tombs of Copán, Honduras The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters. Fierer-Donaldson, Molly. 2012. To Be Born an Ancestor: Death Citation and the Afterlife among the Classic Period Royal Tombs of Copán, Honduras. Doctoral dissertation, Harvard University. Accessed April 17, 2018 3:28:47 PM EDT Citable Link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9548615 This article was downloaded from Harvard University's DASH Terms of Use repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA (Article begins on next page) © 2012 – Molly Fierer-Donaldson All rights reserved William L. Fash Molly Fierer-Donaldson To Be Born an Ancestor: Death and the Afterlife Among the Classic Period Royal Tombs of Copán, Honduras Abstract This goal of this dissertation is to participate in the study of funerary ritual for the Classic Maya. My approach evaluates comparatively the seven royal mortuary contexts from the city of Copán, Honduras during the Classic period from the early 5th century to early 9th century CE, in order to draw out the ideas that infused the ritual behavior. It is concerned with analyzing the tomb as a ritual context that is a materialization of a community's ideas about death and the afterlife. The heart is the data gathered from my participation in the excavation of the Classic period royal tomb called the Oropéndola Tomb. -
La Violencia Sonora De Cannibal Corpse
Image not found or type unknown www.juventudrebelde.cu La violencia sonora de Cannibal Corpse La agrupación de rock estadounidense debe su popularidad a la propaganda que reciben indirectamente por parte de quienes los atacan y los ayuda a vender millones de álbumes Publicado: Jueves 09 octubre 2008 | 12:07:22 am. Publicado por: Juventud Rebelde AImage pesar not found de laor typeescasa unknown presencia de la banda en los medios, continúa su popularidad. A pesar de la escasa presencia de la banda en los medios, continúa su popularidad. Más de un lector de esta columna me ha abordado en algunos conciertos para solicitarme que escriba sobre Cannibal Corpse, una agrupación estadounidense que en nuestro país goza de gran popularidad entre los seguidores del metal. De inicio, me parece conveniente ubicar la corriente sonora en la que la aludida banda se desempeña, es decir, el death metal, un estilo caracterizado por la utilización de las voces guturales (nombradas en inglés growls), de marcada aspereza al emitirse y con bastante frecuencia incomprensibles. A lo anterior, únese un tiempo muy abrupto, el empleo de una batería en extremo rápida y un discurso en lo textual donde prevalece el anticristianismo, mensajes en relación con la muerte, la violencia explícita, la necrofilia, prácticas satánicas, los asesinos en serie y visiones en general apocalípticas. El origen de la corriente resulta polémico, pero el término como tal se usa por vez primera en 1984, cuando el grupo californiano Possessed edita un demo denominado Death metal. Si una agrupación ha logrado que el death resulte conocido a escala mundial, sin la menor discusión esa es Cannibal Corpse. -
Reading Death in Ancient Rome
Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus. -
Scms Atlanta 2016 Conference Program Preliminary Draft
1 SCMS ATLANTA 2016 CONFERENCE PROGRAM PRELIMINARY DRAFT Please review the preliminary draft of the 2016 Atlanta Conference Program and send your minor corrections or changes (affiliation, order of presentations, formatting issues or spelling corrections) to [email protected] by Friday, January 15, 2016 at 5PM CT. To look up author names select the Find button on the tool bar and enter the author's name in the upper left corner of the search box and return. You can also use Ctrl + F to locate the author's name. NOTE: SCMS cannot accommodate requests for changes to the scheduled day or time of any panel or workshop. Corrections will not be made to the preliminary draft. Corrections will be included in the final printed program that will be available at the conference. Open call panel chair assignments are not final. Due to possible changes in room assignments, room numbers will only be included in the final program. REGISTRATION Conference presenters who have not become members and paid the conference registration fee by Friday, February 5, 2016 at 5PM CT will be deleted from the final printed program. To register: https://cmstudies.site-ym.com/?page=conf_registration CANCELLATION/REFUND POLICY All cancellation notifications and requests for conference registration refunds must be submitted online by Monday, February 29, 2016 at 5PM CT. No cancellations by phone or email. Conference registration refunds will be processed at 80% of the amount paid. http://www.cmstudies.org/?page=conf_cancellation (Use this link if you haven't paid the -
Governing the Dead
HUMAN REMAINS AND VIOLENCE Governing the dead Governing the dead Governing ‘This is an important, original, diverse collection of studies that the dead broach the boundaries and intersections between the private and the public, between grieving and governing, and between nature, Sovereignty and the politics humanity and the state.’ Ben Kiernan, Director, Genocide Studies Program, Yale University, and of dead bodies author of Blood and Soil Edited by FINN STEPPUTAT In most of the world, the transition from life to death is a time when states and other forms of authority are intensely present. Focusing on the relationship between bodies and sovereignty, Governing the dead explores how, by whom and with what effects dead bodies are governed in conflict and non-conflict contexts across the world, including an analysis of the struggles over ‘proper burials’; the repatriation of dead migrants; abandoned cemeteries; exhumations; ‘feminicide’; the protection of dead drug-lords; and the disappeared dead. Mapping theoretical and empirical terrains, this volume suggests that the management of dead bodies is related to the constitution and membership of states and non-state entities that claim autonomy and impunity. ST This volume is a significant contribution to studies of death, E PPUTAt ( PPUTAt power and politics. It will be useful at both undergraduate and postgraduate levels in anthropology, sociology, law, criminology, political science, international relations, genocide studies, history, cultural studies and philosophy. Ed. Finn Stepputat is a Senior Researcher in Peace, Risk and Violence at the Danish Institute for International Studies (DIIS) ) ISBN 978-0-7190-9608-2 9 780719 096082 www.manchesteruniversitypress.co.uk HUMAN REMAINS AND VIOLENCE Cover design: www.riverdesign.co.uk Governing the dead HUMAN REMAINS AND VIOLENCE Human remains and violence aims to question the social legacy of mass violence by studying how diff erent societies have coped with the dead bodies resulting from war, genocide and state-sponsored brutality. -
Hispanic, African American, & Jewish Traditions
Grief and Cultural Competence: Hispanic, African American, & Jewish Traditions 3 CE Hours Dr. Candi K. Cann, Ph.D. Funeral Service Academy PO Box 449 Pewaukee, WI 53072 www.funeralcourse.com [email protected] 888-909-5906 Funeral Service Academy PO Box 449 Pewaukee, WI 53072 [email protected] Final Exam Course Name: Grief and Cultural Competence: Hispanic, African American, & Jewish Traditions (3 Contact Hours = .3 CEUs) HISPANIC MODULE 1. Currently, Hispanics are the largest minority in the United States: ________ of the total United States population in the 2013 census. a. 38.7% b. 29.4% c. 21.6% d. 17.1% 2. The body of the deceased plays an active role in the Hispanic tradition, from the wake and rosary to the funeral mass and burial, and is a central “actor” in the religious rituals remembering the dead. ________ is thus fairly common among Hispanics in the United States. a. Green burial b. Embalming c. Closed-casket service d. Cremation 3. Funeral directors can expect Hispanic wakes/visitations and services to include ________. a. Immediate family only b. Immediate and extended family only c. Immediate family and close personal friends only d. The entire extended family in addition to friends and colleagues 4. According to E.R. Shapiro, grieving models in the Hispanic tradition emphasize ________. a. A reintegration of the dead in a world without the deceased b. A dismissal of the dead from the world of the living c. Working through stages of detachment from the deceased d. Minimal mourning and remembrance AFRICAN AMERICAN MODULE 5. Per Deathbed Rituals and Traditions, the extended family and social network is often ________ the last moments. -
TECHNEWS Words: MICK WILSON
TECHNEWS words: MICK WILSON 138 TECH TALK — MANU GONZALEZ The Ibiza-based DJ/producer talks about how the island helped launch his tech voyage. DIGITAL LOVE 141 IN THE With the release of four new digital STUDIO products from Denon, has a new era We hear about French producer for DJs dawned? Vitalic’s studio gear. t’s undeniable that 2016 saw some pretty seismic shifts. Except, perhaps, in the DJ technology community. We kept on doing what we did with the I same old, same old. However, the new year may hold some surprises. We can now reveal a potential game- changer in the world of DJ technology, with the release of Denon DJ’s new DJ gear. Four new products aim to confront the dominance of Pioneer DJ in the booth: the SC5000 media player, Engine Prime music management system, X1800 mixer and the VL12 turntable. We suppose the biggest announcement was the new Denon 140 808 STATE DJ SC5000 Multimedia Player. When we first saw it, we Is Roland’s new DJ-808 controller were impressed by the way it looked, even before we had a set to become legendary? chance to get hands-on and find out what it could do. The DJ Mag Tech crew were amongst the first people to ever see and touch this array of new DJ technology. We welcomed it — after all, whilst there has been a cycle of industry standards over the years, there have only really been two periods of dominance without anything else really making a dent. Technics had its 1200s and Pioneer DJ had its CDJs; many tried to buck the trend but fell by the wayside. -
Punk Section
A “nihilistic dreamboat to negation”? The cultural study of death metal and the limits of political criticism Michelle Phillipov Thesis submitted for the degree of Doctor of Philosophy Discipline of English University of Adelaide October 2008 CONTENTS Contents ................................................................................................................... II Abstract.................................................................................................................... IV Declaration ........................................................................................................ VI Acknowledgements ............................................................................. VII Introduction ...................................................................................................... 1 From heavy to extreme metal ............................................................................................. 9 The politics of cultural studies .......................................................................................... 20 Towards an understanding of musical pleasure ............................................................. 34 Chapter 1 Popular music studies and the search for the “new punk”: punk, hip hop and dance music ........................................................................ 38 Punk studies and the persistence of politics ................................................................... 39 The “new punk”: rap and hip hop .................................................................................. -
Scms 2015 Conference Program Preliminary Draft
SCMS 2015 CONFERENCE PROGRAM PRELIMINARY DRAFT Please review the preliminary draft of the 2015 Montreal Conference Program and send your minor corrections or changes (affiliation, order of presentations, format issues or spelling corrections) to [email protected] by January 9, 2015 at 5PM CT. SCMS cannot accommodate requests for changes in the scheduled day or time of the panels or workshops. Please note that corrections will not be made to the preliminary draft. They will be included in the final printed program that will be available at the conference. To look up author names select the Find button on the tool bar and enter the author's name in the upper left corner of the search box and return. You can also use Ctrl + F to locate the author's name. Note: Open call panel chair assignments are not final. Volunteer chairs are still being assigned. Room numbers are for administrative use only. Due to possible changes in room assignments, the names of the rooms will be included in the final printed program only. REGISTRATION Conference presenters who have not become members and paid the conference registration fee by January 30, 2015 at 5PM CT will be deleted from the final printed program. To register: https://cmstudies.site- ym.com/?page=conf_registration CANCELLATION/REFUND POLICY All cancellation notifications and requests for conference registration refunds must be submitted online by 5PM CT, Friday, February 25, 2015. No cancellations by phone or email. Conference registration refunds will be processed at 80% of the amount paid. -
Metal Obs' Numéro 29
Metal Obs’ numéro 29 - Avril 2009 - GRATUIT Metal Obs’ n°29 - Avril 2009 MENSUEL METAL GRATUIT DISTRIBUÉ EXCLUSIVEMENT DANS LES MAGASINS FNAC - Oui, nous succombons aux sirènes du numé RÉDACTEUR EN CHEF Geoffrey PAUFERT (Fnac Valenciennes) SE- rique. Mais cette fois-ci, dans le bon sens. Le CRÉTAIRE DE RÉDACTION Will «Of Death» HIEN RÉDACTION Will Metal Obs’ s’associe ce mois-ci au site Believe. Of Death, Yazan «Yath» El Safadi, Gaetan Soleil, Olivier «Breizhjo- ker» Le Pan, Regis «min cousin» Vandenbussche, Lucie, Looner, Luna fr, distributeur de musique numérique sur des , Gilles «Der Kaiser» Kaeser plateformes légales comme www.fnacmusic. MAQUETTE: Geoffrey Paufert un sampler numérique (voir page suivante). En WEBMASTER : Jean-Noël Bonnaillie com pour vous offrir - REMERCIEMENTS aux labels, à la FNAC et à tous les vendeurs me- espérant que cela ravira vos oreilles pendant la lecture de ce numéro. tal, les chargés de communication FNAC, Mathieu Barville, Jean-Luc Un numéro à la bourre, comme d’habitude. Un bouclage dans la dou Muller, Daniel d’UNDERCLASS, Charles-Henri Provost, Virginie Binard, leur, tard le soir, alors qu’un Chelsea/Liverpool nous tendait les bras (et Karine «Blackberry forever» S. la pizza qui va avec). De plus en plus de chroniques, d’interviews. Alors REMERCIEMENTS ETERNELS Michel S. que ceux qui se plaignent du manque de chroniques nous jettent une NOUS CONTACTER : fois de plus la première pierre, mais nos moyens de pagination sont [email protected] exploités au maximum. www.noise-web.com Le plus dur en fait aura été de choisir, de sélectionner avec soin le www.myspace.com/noiseweb contenu de ce numéro.