TECHNEWS Words: MICK WILSON

Total Page:16

File Type:pdf, Size:1020Kb

TECHNEWS Words: MICK WILSON TECHNEWS words: MICK WILSON 138 TECH TALK — MANU GONZALEZ The Ibiza-based DJ/producer talks about how the island helped launch his tech voyage. DIGITAL LOVE 141 IN THE With the release of four new digital STUDIO products from Denon, has a new era We hear about French producer for DJs dawned? Vitalic’s studio gear. t’s undeniable that 2016 saw some pretty seismic shifts. Except, perhaps, in the DJ technology community. We kept on doing what we did with the I same old, same old. However, the new year may hold some surprises. We can now reveal a potential game- changer in the world of DJ technology, with the release of Denon DJ’s new DJ gear. Four new products aim to confront the dominance of Pioneer DJ in the booth: the SC5000 media player, Engine Prime music management system, X1800 mixer and the VL12 turntable. We suppose the biggest announcement was the new Denon 140 808 STATE DJ SC5000 Multimedia Player. When we first saw it, we Is Roland’s new DJ-808 controller were impressed by the way it looked, even before we had a set to become legendary? chance to get hands-on and find out what it could do. The DJ Mag Tech crew were amongst the first people to ever see and touch this array of new DJ technology. We welcomed it — after all, whilst there has been a cycle of industry standards over the years, there have only really been two periods of dominance without anything else really making a dent. Technics had its 1200s and Pioneer DJ had its CDJs; many tried to buck the trend but fell by the wayside. It must be said that perhaps Denon with its earlier SC range was the only one that even had a chance to topple the mighty CDJ, with the SC3900 and its motorised platter, and then the SC2900. Both very capable machines, but they 143 INTO THE didn’t capture the hearts of the DJ community. Now the new SC5000 has been launched, with a plethora of features XONE and innovations that might just make the CDJ look like Allen & Heath’s new XONE:PX5 DJ yesteryear’s equipment. mixer reviewed. FAMILIAR FEEL The Denon DJ SC5000 looks a little bit like the current CDJ-2000 Nexus, with its large tilted touch-screen display, jog-wheel and pitch-slider position and knob/button placement. A deliberate trick in that, if a DJ was to use the SC5000, they would be immediately comfortable without 150 TECH having to undergo an extensive learning curve. As soon as PRODUCER we set about the SC5000 there were no surprises. It was Killer Sounds, Sample Tank, immediate. The large multi touch-screen display beats the CDJ’s hands down. It’s almost like having an iPad Mini, Plug-In Corner and more... with swipe touch gesture manoeuvrability. The rest of the controls and dials and the eight performance pads at the base of the unit felt equally assured and offer up a feel 134 djmag.com TECH NEWS SOUNDBYTES STUDIO ESSENTIALS Polish DJ/producer Deas drops five of his Studio Essentials TOUCH SENSITIVE Algoriddim has released djay Pro for iPhone. The popular DJ app has been redesigned exclusively for iPhone 7, taking advantage of the phone’s unique haptic feedback and 3D Touch capabilities. DJs can now feel the beats while scratching and scrubbing the music. And with 3D Touch, users can precisely set a cue point without having to lift up their finger, while interacting with the waveforms. £3.99 alogriddim.com TAKE TWO Pioneer DJ has upgraded its Thermionic Culture Vulture flagship Serato DJ controller Mastering Plus with the all-new DDJ-SZ2. The “This is one of the most characteristic of quality. The new player will analyse music files on-the-fly. updated and upgraded four- devices in my studio. Built around five Just stick in a USB containing audio files and it does it in the channel controller now allows analogue saturator tubes, it is what I use on machine. It has dual-layer decks with dedicated outputs, and DJs to get hands-on with the a group of instruments. Everything sounds the 8” jog-wheel will display custom artwork and the current latest additions to Serato DJ, closer, and crunchy.” playing track. including key shift, key sync, This is the first media player to fully analyse both beat grid pitch play and Serato Flip. Elektron Analog Rhythm and musical key onboard the unit. All this is done utilising the It also comes with improved “This is my drum machine, I use it in every all-new Engine Prime software, Denon DJ’s take on Pioneer jog-wheels for more accuracy song. Very quickly I can build up the main DJ’s Rekordbox software. Engine has been around for a while, in the mix. rhythm parts. It has a great sound, and the but this new incarnation has been pimped up. Engine Prime £1799 pioneerdj.com device speeds up my workflow.” is a librarian and analysis system that lets DJs import music by dragging and dropping songs, or via direct integration Shadow Hills Mastering Compressor from existing iTunes or Serato DJ collections. Completely “I use this compressor almost always in the rewritten with a host of new features, the Engine application is final stage of my mixes. The compressor is optimised for use with the new SC5000 media player and X1800 actually a set of four mono compressors Prime four-channel mixer. plus a set of transformer outputs, which allow me to colour the sound recordings The X1800 is a four-channel club mixer with creative and without aggressive operating of the device. powerful sweep and BPM-based FX controls, and a hi-def One of my favourite things.” audio engine. The X1800 is designed to work hand-in-hand with the new SC5000 media player via the Engine Connect Retro Instruments 2A3 protocol, sharing the beat grid and time information with LEGO BEATS “Well-known reproduction of a Pultec EQ, the mixer, from the player, to align the FX LFOs. Denon DJ’s Check out these wicked new just on steroids. Beautifully brightens the expressive ‘Flex-Fader’ cross-fader adds a new level of physical Lego kits from Numode. The upper band in my recordings and thickens performance flexibility, while the all-new frequency-controlled German company specialises the mixes, I love it!” ‘Band-Isolation’ brings even more creative possibilities in Lego replicas of some of for DJs. And last but in no way least is the impressive VL12 dance music’s most legendary Looptrotter Satur8/24 turntable. Denon DJ has decided not to go down the Technics kit — Roland’s TB-303, “The Looptrotter recently came into my route with its new turntable and has plumped for an original- Technics’ 1200, Akai’s MPC studio. It’s built by a Polish company — a looking deck with a host of equally cool features. and a classic ’80s boom 24-channel summing mixer, containing eight box. The Lego replicas don’t channels, with analogue saturation. I must It’s an interesting time for Denon DJ and it will be intriguing generate any sound, but look admit that for years, I used a ‘tube’ to see what Pioneer DJ (and the rest) does next in response as good as the originals, with summing unit. The Looptrotter is a nice to this quartet of products. What can be said is that this new the attention to detail being change. It sounds very good and it is hard ‘arms race’ will benefit DJs as both companies and others look truly outstanding. for me to imagine my mixes without it now. at ways of improving and using the new technologies. numode.net Satur8/24 is really great.” •denondj.com djmag.com 135 TECH NEWS APP REVIEW SOUNDBYTES APP: KADO VERDICT DEVELOPER: KADO FORMAT: DESKTOP APP PRICE: FREE 30 DAY TRIAL 8/10 links, which takes users to the usual popular dance music download stores. It can be run alongside iTunes or DJ software, and its smart filter GO WITH THE FLOW options allow DJs to search via Talented producer Tim style, BPM, key, track popularity Exile has released a new KADO IS A NEW desktop app that as well as other options. It also loop sequencer called allows DJs to research tracks tells users which DJs have been FLOWs, which is packed for their sets. It’s an intelligent playing the tracks. with over 1GB of loops, musical search engine that will Kado can also suggest new created from improvised EMANUEL SATIE find tracks that are a match. Call releases. For example, if the app jams with his Flow Machine CAN’T LIVE WITHOUT it a personal music assistant. has learned that the user has instrument. The loops are APPLE MACBOOK PRO It searches/analyses 200,000 played multiple tracks from a royalty-free and can be DJ sets to find music that works label in their last set, Kado will used by anyone as long as Emanuel Satie doesn’t name just one piece of with the sort of sounds you tell inform them when that label they have a copy of Native kit but manages to eke out five… it to look for. Simply drag and releases a new track. We used to Instruments’ free Reaktor drop a track into the Kado app get friends and contacts to do 6 Player. “I thought long and hard about what piece of from a computer and Kado will this for us, to help whittle out • FREE equipment I wanted to choose for this feature.
Recommended publications
  • Glastonburyminiguide.Pdf
    GLASTONBURY 2003 MAP Produced by Guardian Development Cover illustrations: John & Wendy Map data: Simmons Aerofilms MAP MARKET AREA INTRODUCTION GETA LOAD OF THIS... Welcome to Glastonbury 2003 and to the official Glastonbury Festival Mini-Guide. This special edition of the Guardian’s weekly TV and entertainments listings magazine contains all the information you need for a successful and stress-free festival. The Mini-Guide contains comprehensive listings for all the main stages, plus the pick of the acts at Green Fields, Lost and Cabaret Stages, and advice on where to find the best of the weird and wonderful happenings throughout the festival. There are also tips on the bands you shouldn’t miss, a rundown of the many bars dotted around the site, fold-out maps to help you get to grips with the 600 acres of space, and practical advice on everything from lost property to keeping healthy. Additional free copies of this Mini-Guide can be picked up from the Guardian newsstand in the market, the festival information points or the Workers Beer Co bars. To help you keep in touch with all the news from Glastonbury and beyond, the Guardian and Observer are being sold by vendors and from the newsstands at a specially discounted price during the festival . Whatever you want from Glastonbury, we hope this Mini-Guide will help you make the most of it. Have a great festival. Watt Andy Illustration: ESSENTIAL INFORMATION INFORMATION POINTS hygiene. Make sure you wash MONEY give a description. If you lose There are five information your hands after going to the loo The NatWest bank is near the your children, ask for advice points where you can get local, and before eating.
    [Show full text]
  • Prince Batdance Mp3, Flac, Wma
    Prince Batdance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: Batdance Country: Philippines Released: 1989 Style: Synth-pop MP3 version RAR size: 1885 mb FLAC version RAR size: 1971 mb WMA version RAR size: 1871 mb Rating: 4.6 Votes: 887 Other Formats: FLAC MMF XM VOC FLAC AHX ASF Tracklist Hide Credits Batdance (The Batmix) 1 7:15 Producer [Additional Production], Remix – Mark Moore, William Orbit Batdance (Vicki Vale™ Mix) 2 5:55 Producer [Additional Production], Remix – Mark Moore, William Orbit 3 200 Balloons 5:05 Companies, etc. Copyright (c) – DC Comics Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Phonographic Copyright (p) – WEA International Inc. Manufactured By – WEA Manufacturing Pressed By – Specialty Records Corporation Credits Producer, Arranged By, Composed By, Performer – Prince Notes Standard jewel case with full artwork. Front insert: From the Warner Bros. Motion Picture Soundtrack album BATMAN™, a Warner Bros. Film. Back tray insert: Original version of "BATDANCE" available on the Warner Bros. Motion Picture Soundtrack Album BATMAN™, a Warner Bros. Film. Available on LP, Cassette and Compact Disc (1/4/2-25936). Warner Bros. Records Inc., a Warner Communications Company [Warner Music logo] TM & © 1989 DC Comics Inc. ℗ 1989 Warner Bros. Records Inc. for the U.S. & WEA International Inc. for the world outside of the U.S. Printed in U.S.A. Disc: Warner Bros. Records Inc., a Warner Communications Company [Warner Music logo]® ℗ 1989 Warner Bros. Records Inc. for the U.S., TM & © 1989 DC Comics Inc. Mfg. by WEA Manufacturing. (ASCAP) Original version of "BATDANCE" available on the Warner Bros.
    [Show full text]
  • Connected by Music Dear Friends of the School of Music
    sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends.
    [Show full text]
  • Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
    Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International
    [Show full text]
  • Communiqué De Presse
    COMMUNIQUE DE PRESSE SOUS L ’IMPULSION DE S.A.S. LE PRINCE ALBERT II, SERA ORGANISE A MONACO LE 1ER FESTIVAL DE MUSIQUE POP ROCK . MONACO LIVE PRODUCTIONS ET RADIO MONACO PRESENTENT « MONACO LIVE 2008 » QUI SE TIENDRA SUR LE PORT HERCULE DE MONACO DU 5 AU 7 JUILLET 2008 . « MONACO LIVE 2008 » proposera 3 concerts d’exception : - le 5 juillet à 20 h30 : TOKIO HOTEL date unique après le Parc des Princes le 21 juin - le 6 juillet à 21h : DAVID GUETTA ET JOACHIM GARRAUD date unique après le Stade de France le 05 juillet - le 7 juillet à 21 h : JAMIROQUAI – en exclusivité à Monaco Ces concerts se dérouleront sur la darse sud du Port Hercule de Monaco et chaque concert pourra accueillir 10 000 personnes. Les prix des places vont de 25 euros à 50 euros en catégorie 2 debout et de 40euros à 65 euros en catégorie 1 debout (seulement 3 000 places par concert). Les places seront mises en vente à partir du 21 mars auprès de la FNAC, Carrefour et tous les points de vente habituels. Une conférence de presse sera organisée courant Avril afin de donner tous les détails de l’organisation de ce « MONACO LIVE 2008 ». CONTACTS : Monaco Live Productions : le Roc Fleuri . 1 rue du Ténao . MC 98000 Monaco Tél. +377 97 97 23 80 . Fax. +377 97 97 39 09 . www.mlp.mc Salim Zeghdar [email protected] . Karine Morel [email protected] Radio Monaco : 95.4 FM. www.radio-monaco.com 7 rue du Gabian MC 98000 Monaco . Tél.
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • LETTER from the EDITOR HELPING LIGHT the Dear Readers, GAS MONKEY BAR N' GRILL This Month I Want to Talk About GC Pro’S Ongoing Efforts to Support Pro-Audio Education
    PRESEN TS AUDIOv SolutionS LETTER FROM THE EDITOR HELPING LIGHT THE Dear readers, GAS MONKEY BAR N' GRILL This month I want to talk about GC Pro’s ongoing efforts to support pro-audio education. Aspiring audio professionals in secondary education programs— MARTIN PROFESSIONAL’S NEW RUSH SERIES OF specializing in recording, post-production, live sound, film scoring and more— COST-EFFECTIVE LED FIXTURES MAKES THIS receive the benefit of standardized curricula and instruction from expert faculty with BARBECUE-AND-MUSIC DESTINATION A REAL DISCOVERY certification in current industry technologies. Although the allure of self-taught, self- nurtured basement genius is powerful, the importance of these formalized programs cannot be understated. Standard nomenclature, best practices, and contemporary and vintage analog gear (and its intersection with ever-changing digital equipment and techniques) are invaluable tools on the road to success in professional audio, and this is what accredited schools offer. GC Pro supports these programs by consulting on trends in gear, offering educational discounts to students and faculty, and participating in enrichment opportunities whenever possible. One of the advantages of working with GC Pro is the knowledge base of our Account Managers. We’re experts on the science of audio and the art of creating world-class sound. Experience with real-world, practical applications of gear and techniques puts us in a unique position to offer our expertise. We currently have special programs set up with recording arts schools across the country—more than 40 of them. When students enroll in a program, they are often expected to obtain certain gear to complete their assignments, based on the requirements of the individual You wanted cast-off hot cars brought back to life before place has come to be known, is rider-ready equipment such program.
    [Show full text]
  • Microsoft Office Outlook
    Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music.
    [Show full text]
  • C.O 03 P', I~ COCO F~F~ R~3~
    If you have issues viewing or accessing this file, please contact us at NCJRS.gov. i ~a37t, National Institute of Justice and U.S. State Department Policing in Emerging Democracies Workshop k Prepared Papers and Participant Biographies l i C.O 03 P', I~ COCO f~f~ 1 r~3~ December 14-15, 1995 W.=- W-= Washington, DC DATABASE DOCUMENT SCREENING Document Checking (DUPE Checkiag) ............. TMP#_ Screening Decision:(in~ OUT (Circle) BRS Rec'd Date: Publication Date: ~"~CO.~.C~ Page Numbers: [ "'" l~ '/ BJS ~ AIDS (AID) FUNDING/GRANTS (FND) _.~'NIJ ~ COMPUTERS/I"ECHNOLQGY (TEC) __ GANGS (GNG) OJJDP ~ CORRECTIONS (cOt) JUVENILES (JUV) ONOcP ~ cRIME PrEvEntIon (coP) OVC ~ CRIMINOLOGY(C JR) __ STATISTICS (STA) BJA (grants only) ~ COURTS (CTS) VICTIMS (VRC) ~. DRUGS (DAC) GRANT# I .N~r.RNATIONAL International SPONSORINGAGENCY: IDE Foreign Document "['itlc/'rranslation ( 10 page minimum/publication date no later than 3 yearsI INTl.,.ATIVES BJS INTER'L STATISTICS DRUGS & CRIME STATISTICS YOUTII. GUNS & VIOLENCE SPF-C!AL SERVICES MEMO: NIJ Catalog Recommendations: YES REFERENCE SCREENING: Screener's Initials -- Dale Screened 9/93 David H. Bayley Dean and Professor School of Criminal Justice 1 University at Albany State University of New York 4 October 1995 Conference: Policing in Emerging Democracies WHO ARE WE KIDDING? or DEVELOPING DEMOCRACY THROUGH POLICE REFORM My thoughts are the topic are organized into three parts: Principles, by which I mean unavoidable impediments in achieving democracy through police reform. Possibilities, referring to opportunities through police reform that may be exploited. Policies, which will be specific recommendations for getting the job done. PRINCIPLES If the objective of American policy is to encourage and facilitate the reform of police forces abroad so as to smooth transitions to democracy, policy-makers must recognize three unavoidable constraints on their efforts.
    [Show full text]
  • KEEFUS CIANCIA (Discography)
    KEEFUS CIANCIA 1/1/19 (Discography) Recording Album / Project Artist Credit Beyond the Palace Walls Paragon Taxi Piano, Keyboards (1993) Jazz in the Present Tense The Solsonics Keyboards (1993) Bop Gun Ice Cube Keyboards (1993) Fo Life Mack 10 Keyboards (1993) Cool Struttin The Pacific Jazz Alliance Keyboards (1994) Keyboards, Moog Synthesizer, N Gatz We Truss South Central Cartel (1994) Claves Nut-Meg Sez "Bozo the Town" Weapon of Choice Keyboards, Vocals (1994) Clavinet, Fender Rhodes, Moog Back to Reality Jeune (1995) Lead Highperspice Weapon of Choice Keyboards, Vocals (1996) I Am L.V. L.V. Keyboards (1996) Radio Odyssey Various Artists Keyboards (1996) The Jade Vincent Moy Producer, Composer, Musician (1996) Experiment Concepto Sol d'Menta Keyboards (1998) Nutmeg Phantasy Weapon of Choice Keyboards (1998) Whitey Ford Sings the Blues [Clean] Everlast Keyboards, Performer (1998) Another True Fiction Jerry Toback Moog Synthesizer (1999) Eat at Whitey's Everlast Bass, Keyboards, Band (2000) Loud Rocks Various Artists Keyboards (2000) Moog Synthesizer, Claves, You Know, for Kids Hate Fuck Trio (2000) Wurlitzer Synthesizer, Farfisa Organ, The ID Macy Gray (2001) Composer Motherland Natalie Merchant Piano, Keyboards (2001) Stimulated, Vol. 1 Various Artists Keyboards (2001) Diana Priscilla Ahn (2001) Organ, Keyboards, Clavinet, C'mon, C'mon Sheryl Crow (2002) String Samples Keyboards, Producer, Engineer, Soul of John Black The Soul of John Black (2003) Associate Producer Piano, Keyboards, Moog Thousand Kisses Deep Chris Botti (2003) Synthesizer,
    [Show full text]
  • House, Techno & the Origins of Electronic Dance Music
    HOUSE, TECHNO & THE ORIGINS OF ELECTRONIC DANCE MUSIC 1 EARLY HOUSE AND TECHNO ARTISTS THE STUDIO AS AN INSTRUMENT TECHNOLOGY AND ‘MISTAKES’ OR ‘MISUSE’ 2 How did we get here? disco electro-pop soul / funk Garage - NYC House - Chicago Techno - Detroit Paradise Garage - NYC Larry Levan (and Frankie Knuckles) Chicago House Music House music borrowed disco’s percussion, with the bass drum on every beat, with hi-hat 8th note offbeats on every bar and a snare marking beats 2 and 4. House musicians added synthesizer bass lines, electronic drums, electronic effects, samples from funk and pop, and vocals using reverb and delay. They balanced live instruments and singing with electronics. Like Disco, House music was “inclusive” (both socially and musically), infuenced by synthpop, rock, reggae, new wave, punk and industrial. Music made for dancing. It was not initially aimed at commercial success. The Warehouse Discotheque that opened in 1977 The Warehouse was the place to be in Chicago’s late-’70s nightlife scene. An old three-story warehouse in Chicago’s west-loop industrial area meant for only 500 patrons, the Warehouse often had over 2000 people crammed into its dark dance foor trying to hear DJ Frankie Knuckles’ magic. In 1982, management at the Warehouse doubled the admission, driving away the original crowd, as well as Knuckles. Frankie Knuckles and The Warehouse "The Godfather of House Music" Grew up in the South Bronx and worked together with his friend Larry Levan in NYC before moving to Chicago. Main DJ at “The Warehouse” until 1982 In the early 80’s, as disco was fading, he started mixing disco records with a drum machines and spacey, drawn out lines.
    [Show full text]
  • Joachim Garraud Invader Spécial
    Une interview co-produite par www.lesoreilles.co m et www.livlezart.fr Joachim Garraud Invader Spécial © Clément Arcamone Joachim Garraud, qui a remixé, composé ou produit des artistes comme David Guetta, Jean-Michel Jarre, David Bowie, OMD, Kylie Minogue, Mylène Farmer, Ceronne ou Moby... est devenu l'un des DJ's Français les plus cotés dans l'hexagone comme à l'international. C'est dans son studio d'enregistrement qu'il nous a reçu en mars 2012 pour cet entretien exclusif. Embarquons pour ce voyage qui nous permettra de découvrir ou de mieux connaître ce terrestre extra. 1 plan musical, comme Laurie Anderson, différentes activités professionnelles ou et d'autres enregistrements plus personnelles : Live, production, etc ? rythmés, plus Jazz. Ils avaient aussi du Avec un agenda classique (rire). Je Jean-Michel Jarre, ce qui était un point jongle beaucoup effectivement, j'essaie commun entre nous. Le premier disque d'avoir une façon intelligente de le que j'ai acheté c'était celui de Herbie gérer pour avoir une vie bien remplie et Hancock où il y avait Rockit (l'album bien équilibrée. Mon rêve absolu serait Future Shock, 1983, Ndj) un mélange d'avoir plus de temps. Dans mon de jazz, de musique électronique, de planning j'ai "Aller à la piscine avec musique expérimentale, avec un côté mes enfants" ou "Aller au cinéma avec © joachimgarraud.com dance. J'adorais faire danser les gens. ma femme". Les gens me disent : "Mais Du coup, je me suis retrouvé avec trois tu les traites comme de vulgaires Comment as tu découvert la musique ? casquettes, celle de musicien, celle de rendez-vous ! " Mais non, c'est juste Grâce à mes parents.
    [Show full text]