Study Guide for the Book of Revelation
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St. John's Evangelical Church Newsletter Celebrate Freedom
St. John’s Evangelical Church 211 E. Carrol Street Kenton, Ohio 43326 (Non Profit Organization) Do Not Delay Dated Material St. John’s Evangelical Church Newsletter July 2018 211 E. Carrol Street Rev. Dr. Randall J. Forester, Senior Pastor Kenton, OH 43326 Website: www.stjohnskenton.org Church Phone: 419-673-7278 Email: [email protected] Pastor Randall cell: 724-290-3651 Church Office Hours: Monday—Friday (9 AM—1 PM) Celebrate Freedom—July 4 Hardin County Fairgrounds Celebrate Freedom will be held at the Hardin County Fairgrounds on Wednesday, July 4 from 4-10 PM. It will begin with the parade and end with fireworks at 10 PM. Events include: Grandstand concerts, kid’s zone, kids pedal pull, Evel Knievel’s motorcycle, Antique tractor display, honor- ing military and veterans, car show, and Touch-A-Truck, For more infor- mation, you can visit the website: www.celebratefreedomhardinco.com. ST. JO HN'S EVANGELICAL CHURCH 211 East Carrol Street Kenton, OH 43326 REV . DR. RANDALL J. F ORESTER , PASTOR & TEACHER Phone: 419-673-7278 (o) Phone: 724-290-3651 (c) JULY 2018 THE PASTOR’S PAGE E-mail: [email protected] With the 4th of July soon upon us, we will see Old Glory, the party line” or “vote for the lesser of two evils” in the the Stars and Stripes, proudly displayed in all sorts of man- name of compromise. Our first love is the Lord above ners. It will wave majestically throughout our land from any other. flagpoles at homes, businesses, and civic locations. It will decorate clothing, memorabilia, plates, and napkins. -
Symbolic Images of the Bible Exlained in the New
SYMBOLIC IMAGES OF THE BIBLE EXLAINED IN THE NEW REVELATION THROUGH JAKOB LORBER AND GOTTFRIED MAYERHOFER (ref: www.the-new-revelation.weebly.com , www.hisnewword.org ) The facts that the known Scriptures and especially The Old Testament are spiritually encoded, that people need divine revelation to understand them, that such revelation happened when the Lord Himself explained them to His disciples and that there will come a time when He will bring His wisdom to the people in plain language are all clearly pointed in both the Old and the New Testament. We thus invite you to investigate some Bible verses pointing to the following: GOD'S MYSTERIOUS WISDOM IS TO BE REVEALED BY HIS SPIRIT. MEN KNOW NOTHING FROM THEMSELVES. THE OLD TESTAMENT IS VEILED. THE LORD OPENED IT FOR HIS DISCIPLES. PLAIN LANGUAGE PROMISED BY THE LORD IN BOTH THE OLD AND NEW TESTAMENT i (please press the roman letter at the end of the previous paragraph to see the relevant Bible verses and same to come back to the beginning/ titles list) * The previous references being noted, we will add here a collection of explanations of the spiritually encoded prophetic language of the Bible as they can be found in the New Revelation. However, please consider that this is far from being exhaustive and also that the meanings of God’s eternal and infinite words are not to be seen as restricted to just these short explanations that are given as basic instruction for Lord’s people. It is definitely, of great importance to study the Scripture in the light of these disclosures and observe how much, as a result of that, the understanding of the messages of the old prophets and Revelation increases as also the consistency between them and the teachings of Jesus; this is indeed a most compelling demonstration that God (and the God of the entire Bible) is the same yesterday, today and forever (Heb 13:8) and that the spirit of prophecy is nothing else but a testimony of the Jesus (Rev 19:10). -
Prince Batdance Mp3, Flac, Wma
Prince Batdance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: Batdance Country: Philippines Released: 1989 Style: Synth-pop MP3 version RAR size: 1885 mb FLAC version RAR size: 1971 mb WMA version RAR size: 1871 mb Rating: 4.6 Votes: 887 Other Formats: FLAC MMF XM VOC FLAC AHX ASF Tracklist Hide Credits Batdance (The Batmix) 1 7:15 Producer [Additional Production], Remix – Mark Moore, William Orbit Batdance (Vicki Vale™ Mix) 2 5:55 Producer [Additional Production], Remix – Mark Moore, William Orbit 3 200 Balloons 5:05 Companies, etc. Copyright (c) – DC Comics Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Phonographic Copyright (p) – WEA International Inc. Manufactured By – WEA Manufacturing Pressed By – Specialty Records Corporation Credits Producer, Arranged By, Composed By, Performer – Prince Notes Standard jewel case with full artwork. Front insert: From the Warner Bros. Motion Picture Soundtrack album BATMAN™, a Warner Bros. Film. Back tray insert: Original version of "BATDANCE" available on the Warner Bros. Motion Picture Soundtrack Album BATMAN™, a Warner Bros. Film. Available on LP, Cassette and Compact Disc (1/4/2-25936). Warner Bros. Records Inc., a Warner Communications Company [Warner Music logo] TM & © 1989 DC Comics Inc. ℗ 1989 Warner Bros. Records Inc. for the U.S. & WEA International Inc. for the world outside of the U.S. Printed in U.S.A. Disc: Warner Bros. Records Inc., a Warner Communications Company [Warner Music logo]® ℗ 1989 Warner Bros. Records Inc. for the U.S., TM & © 1989 DC Comics Inc. Mfg. by WEA Manufacturing. (ASCAP) Original version of "BATDANCE" available on the Warner Bros. -
Connected by Music Dear Friends of the School of Music
sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends. -
1 Bible: Revelation Syllabus Introductory Remarks 1. God Gives
1 Bible: Revelation Syllabus Introductory Remarks 1. God gives prophecy not to _______________ idle _____________ but to teach practical ____________ 2. Futurist approach 3. Theme: God’s _____________ __________________ through __________ ________ a. His name appears in the _______________ and _____________ verses b. He ____________________ the content of the book c. His coming will set in motion the ______________ of the book d. The Book should ____________ us to worship Him as the saints in Heaven do e. _______________ to displease Him, ______________ to make salvation sure, evangelize the lost 4. Puts life into ______________, it teaches about _______________, __________ and the depraved nature of man Outline: I. Ch. 1-3 Description of Christ and His comments about the 7 churches in Asia Minor II. Ch. 4-5 Vision of Heaven and Lamb’s decision to bring judgement upon the world III. Ch. 6 The Seal judgements IV. Ch. 8-9, 11:15-19, 15 The trumpet judgements V. Ch. 16 The Vial judgements VI. Ch. 19 Christ’s victory at Armageddon VII. Ch. 20 The Millennium VIII. Ch. 21-22 The New Heaven and New Earth *the intervening chapters deal with the tribulation in both Heaven and on earth 2 Christ in the Revelation: o Doctrines: . Bibliology: Inspiration (revelation through men and angels) . Christology: Christ’s names and titles . Christ’s deity (claimed by Christ) . Christ’s work (sustain, redeem, judge) . Soteriology: Atonement (the work of the Lamb) . Ecclesiology: Head of the church (Christ’s rule over the seven churches) Key verse: Revelation 1:8 “I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come, the Almighty.” Theme: Near the end of the Revelation an angelic messenger told John the main point of prophecy--to give information about the person and work of the Lord Jesus Christ. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
The Theosophical Seal by Arthur M. Coon the Theosophical Seal a Study for the Student and Non-Student
The Theosophical Seal by Arthur M. Coon The Theosophical Seal A Study for the Student and Non-Student by Arthur M. Coon This book is dedicated to all searchers for wisdom Published in the 1800's Page 1 The Theosophical Seal by Arthur M. Coon INTRODUCTION PREFACE BOOK -1- A DIVINE LANGUAGE ALPHA AND OMEGA UNITY BECOMES DUALITY THREE: THE SACRED NUMBER THE SQUARE AND THE NUMBER FOUR THE CROSS BOOK 2-THE TAU THE PHILOSOPHIC CROSS THE MYSTIC CROSS VICTORY THE PATH BOOK -3- THE SWASTIKA ANTIQUITY THE WHIRLING CROSS CREATIVE FIRE BOOK -4- THE SERPENT MYTH AND SACRED SCRIPTURE SYMBOL OF EVIL SATAN, LUCIFER AND THE DEVIL SYMBOL OF THE DIVINE HEALER SYMBOL OF WISDOM THE SERPENT SWALLOWING ITS TAIL BOOK 5 - THE INTERLACED TRIANGLES THE PATTERN THE NUMBER THREE THE MYSTERY OF THE TRIANGLE THE HINDU TRIMURTI Page 2 The Theosophical Seal by Arthur M. Coon THE THREEFOLD UNIVERSE THE HOLY TRINITY THE WORK OF THE TRINITY THE DIVINE IMAGE " AS ABOVE, SO BELOW " KING SOLOMON'S SEAL SIXES AND SEVENS BOOK 6 - THE SACRED WORD THE SACRED WORD ACKNOWLEDGEMENT Page 3 The Theosophical Seal by Arthur M. Coon INTRODUCTION I am happy to introduce this present volume, the contents of which originally appeared as a series of articles in The American Theosophist magazine. Mr. Arthur Coon's careful analysis of the Theosophical Seal is highly recommend to the many readers who will find here a rich store of information concerning the meaning of the various components of the seal Symbology is one of the ancient keys unlocking the mysteries of man and Nature. -
House, Techno & the Origins of Electronic Dance Music
HOUSE, TECHNO & THE ORIGINS OF ELECTRONIC DANCE MUSIC 1 EARLY HOUSE AND TECHNO ARTISTS THE STUDIO AS AN INSTRUMENT TECHNOLOGY AND ‘MISTAKES’ OR ‘MISUSE’ 2 How did we get here? disco electro-pop soul / funk Garage - NYC House - Chicago Techno - Detroit Paradise Garage - NYC Larry Levan (and Frankie Knuckles) Chicago House Music House music borrowed disco’s percussion, with the bass drum on every beat, with hi-hat 8th note offbeats on every bar and a snare marking beats 2 and 4. House musicians added synthesizer bass lines, electronic drums, electronic effects, samples from funk and pop, and vocals using reverb and delay. They balanced live instruments and singing with electronics. Like Disco, House music was “inclusive” (both socially and musically), infuenced by synthpop, rock, reggae, new wave, punk and industrial. Music made for dancing. It was not initially aimed at commercial success. The Warehouse Discotheque that opened in 1977 The Warehouse was the place to be in Chicago’s late-’70s nightlife scene. An old three-story warehouse in Chicago’s west-loop industrial area meant for only 500 patrons, the Warehouse often had over 2000 people crammed into its dark dance foor trying to hear DJ Frankie Knuckles’ magic. In 1982, management at the Warehouse doubled the admission, driving away the original crowd, as well as Knuckles. Frankie Knuckles and The Warehouse "The Godfather of House Music" Grew up in the South Bronx and worked together with his friend Larry Levan in NYC before moving to Chicago. Main DJ at “The Warehouse” until 1982 In the early 80’s, as disco was fading, he started mixing disco records with a drum machines and spacey, drawn out lines. -
The Sons of God, Spirits, Spiritual and Spirits
11/03/18 Teacher: Bro. Buie The Israel of God 520 W. 138th Street, Riverdale, IL. 60827 Ph. 800-96-BIBLE KJV 1 Prayer: Psalms 116:1-5, 8 I love the LORD, because he hath heard my voice and my supplications. (2) Because he hath inclined his ear unto me, therefore will I call upon him as long as I live. (3) The sorrows of death compassed me, and the pains of hell gat hold upon me: I found trouble and sorrow. (4) Then called I upon the name of the LORD; O LORD, I beseech thee, deliver my soul. (5) Gracious is the LORD, and righteous; yea, our God is merciful. 8 For thou hast delivered my soul from death, mine eyes from tears, and my feet from falling. Cherub Angel SONS OF GOD: SPIRITS (ANGELS) Job 1:6-7 Now there was a day when the sons of God came to present themselves before the LORD, and Satan came also among them. (7) And the LORD said unto Satan, Whence comest thou? Then Satan answered the LORD, and said, From going to and fro in the earth, and from walking up and down in it. Notes: Sons of God = Angels Satan came also because even though he was cast down he is still a serving spirit. Angels are not the only sons of God and they do not procreate. God said…"Every seed after his own kind" If Angels were able to sleep with women, their children would also be spirit beings, meaning they wouldn't die and we would see them today. -
Towards a Holistic Interpretation of Musical Genre Analysis Thesis
1 JYVÄSKYLÄ STUDIES IN HUMANITIES Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis JYVÄSKYLÄN YLIOPISTO 1 2 JYVÄSKYLÄ STUDIES IN HUMANITIES Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities at the University of Jyväskylä, in Auditorium S212, on June 10, 2004 at 12 o’clock noon. 2 3 Towards a Holistic Interpretation of Musical Genre Analysis JYVÄSKYLÄ STUDIES IN HUMANITIES 3 4 Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities at the University of Jyväskylä, in Auditorium S212, on June 10, 2004 at 12 o’clock noon. 4 5 ABSTRACT Kemp, Chris Towards a holistic interpretation of musical genre analysis Jyväskylä: University of Jyväskylä, 2004 ? (Jyväskylä Studies in Humanities ISSN ISBN Diss In the past, exploration of music has focused on analysis by formalists, refferentialists and through social, semiotic and anthropological viewpoints including Schenkerian-Yeston (1977), Semiotic-Eco (1977), and Motivic-Ruwet (1987). Although each has its merits in the formal analysis of music, few explore genre identification. In musical genre studies the exploration of musical, paramusical (extramusical) and perceptual elements are essential to facilitate a full understanding of the subject area. Johnson in Zorn supports such a perspective in his argument for a holistic approach to musical analysis (Zorn 2000:29). The multidisciplinary nature of music and the discourses embodied in its creation, development and dissemination utilise a range of signifiers for identification advocating the utilisation of a “hybrid” (Wickens 1999) methodology combining quantitative and qualitative analysis. -
ACTS NOTEBOOK Ozark Christian College—NT 150 Compiled by Mark E
ACTS NOTEBOOK Ozark Christian College—NT 150 Compiled by Mark E. Moore, Ph.D. TABLE OF CONTENTS 1:1 Introduction to Acts .......................................................................................................4 1:1 People, Places, Events, & Prophecies in Acts .............................................................15 1:1 Archaeology and the Book of Acts ..............................................................................19 1:1 Characteristics of the Book of Acts .............................................................................22 1:2 Apostles in Acts ...........................................................................................................23 1:2 A Brief Synopsis of the Twelve ...................................................................................26 1:3 Resurrection Appearances ...........................................................................................29 1:3 Theology of the Resurrection in Acts ..........................................................................30 1:4 Notes on the Kingdom of God .....................................................................................31 1:9 Ascension .....................................................................................................................33 1:13 Miscellaneous Comments on the List of Apostles .......................................................34 1:15 Church Growth in Acts ................................................................................................35 -
Microsoft Visual Basic
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