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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Black Metal and Brews
Review: Roadburn Friday 20th April 2018 By Daniel Pietersen Day Two at Roadburn ‘18 and already Never wandering off into too-loose the bar is raised pretty high, with sets jam-band territory, the quartet unleash from Black Decades, Kælan Mikla and some of the best heads-down psych- Servants of the Apocalyptic Goat Rave rock I’ve seen and the crowd absolutely being my personal highlights from the lap it up over the set’s two-hour (two day before. We’ve a lot to get through, hours!) duration. though, and these bands won’t watch themselves. The Ruins of Beverast unleash a black metal stormcloud, all martial drums and lightning-strike guitars sweeping scythe-like over the field of nodding heads in a packed Green Room. It’s a ferocious, scathing display made all the more intense by the devastatingly tight musicianship. An immense start to the Panopticon (Paul Verhagen) day and that’s Roadburn in a nutshell; What Jeremy Bentham, the 18th even the first band on one of the century English philosopher who smaller stages are world class. developed the concept of the Panopticon, would think of his creation’s musical namesake is, sadly, impossible to know. I like to think that, even if the music were beyond him, the passionate social reformer would appreciate the politically relevant sentiments of the band, something which is made most obvious on their opening selection of country- influenced tracks. Banjo and mandolin Motorpsycho (Paul Verhagen) blend with mournful voices, singing of Next door, on the Main Stage, lost families and failing factories, into Motorpsycho are working up their songs that wouldn’t be out of place on groove and creating the kind of sounds, a Steve Earle record. -
Ihsahn to Premiere New Show at Inferno 2020
IHSAHN TO PREMIERE NEW SHOW AT INFERNO 2020 We can reveal that Ihsahn is currently in the studio putting the final touches on brand new material to be released via Candlelight Records. For Inferno 2020, Ihsahn will be perform this new material live for the first time, premiering a specialized set rooted in the blackest corners of his musical palette: "The music I’m working on distills the most basic, black metal aesthetics of my music. Keeping to rather traditional arrangements and expressed with Norwegian lyrics, I explore the core elements of my musical background. These new songs will form the basis for some conceptualized shows, which I shall debut at Inferno in 2020." More details coming soon… INFERNO METAL FESTIVAL 2020: MAYHEM IHSAHN – KAMPFAR – VED BUENS ENDE – CADAVER – MYRKSKOG – BÖLZER DJERV – SYLVAINE – VALKYRJA + MANY MORE TO BE ANNOUNCED IHSAHN Ihsahn comes from Notodden, Norway, where he at the age of thirteen started playing in what developed into one of the world’s most influential black metal bands, Emperor. At only seventeen he recorded and performed “In the Nightside Eclipse”, which has many times been voted as one of the top metal albums of all time. After Emperor released their last album, “Prometheus - The Discipline of Fire & Demise” in 2001, Ihsahn has focused on is solo work and has by now released seven albums under the name Ihsahn. Now Ihsahn will return to Inferno Metal Festival for a special premiere of his new show. Make sure you don’t miss it. https://www.facebook.com/ihsahnmusic/ INFERNO METAL FESTIVAL 2020 Inferno Metal Festival 2020 marks the 20 years anniversary of the festival. -
Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1. -
The Queers Beat Off Mp3, Flac, Wma
The Queers Beat Off mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Beat Off Country: US Released: 2014 Style: Punk MP3 version RAR size: 1883 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1281 mb Rating: 4.3 Votes: 828 Other Formats: AAC MP4 MIDI DMF AC3 TTA FLAC Tracklist Hide Credits A1 Steak Bomb 0:48 A2 Drop The Attitude Fucker 1:40 A3 You Make Me Wanna Puke 2:07 A4 Teenage Gluesniffer 2:35 A5 Ben Weasel 2:16 A6 Voodoo Doll 3:01 Mirage B1 2:56 Written By – T. Hart B2 Grounded 1:45 B3 Live This Life 1:37 B4 Half Shitfaced 1:30 B5 Too Many Twinkies 1:13 B6 All Screwed Up 3:25 My Old Man's A Fatso B7 Written-By – Angry Samoans Credits Bass, Vocals – B-Face Drums – Dan Panic Guitar, Vocals – Danny Vapid, Joe King Producer – Ben Weasel Recorded By – Mark Schwartz, Mass Giorgini Remix, Remastered By – Mass Giorgini Written-By – B-Face (tracks: B4, B6), Joe King (tracks: A1-A5, B1-B6) Notes This limited edition of 400 features hand-screened artwork and is pressed on black vinyl. Other versions Category Artist Title (Format) Label Category Country Year The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US 1994 Queers Album) Records Lookout! Lk 0081CD, The Beat Off (CD, Records, Lk 0081CD, US 1994 #81 LOOKOUT Queers Album) Lookout! #81 LOOKOUT Records The Beat Off (Cass, Lookout! LOOKOUT #81 LOOKOUT #81 US 1994 Queers Album) Records The Beat Off (CD, Asian Man ASM 142 CD ASM 142 CD US 2007 Queers Album, RE) Records The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US Unknown Queers Album) Records Related Music albums to Beat Off by The Queers The Putz - Hole In One Artemisia Absinthium / Weasel Walter - Split AA/ WW Cletus - Grease, Grits And Gravy Screeching Weasel - Weasel Mania Don Winsley - Rise Of The Weasel King Remix EP Various - Punk USA Goat Perversion - Mass-åKra Screeching Weasel - Snappy Answers For Stupid Questions Screeching Weasel - Kill The Musicians The Queers - Everything's O.K. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Årsmelding 2010 Copyright © 2011 by Norsk Kulturråd All Rights Reserved Utgitt Av Norsk Kulturråd I Kommisjon Hos Fagbokforlaget
NORSK KULTURRÅD Årsmelding 2010 Copyright © 2011 by Norsk kulturråd All rights reserved Utgitt av Norsk kulturråd i kommisjon hos Fagbokforlaget Grafisk produksjon: John Grieg AS, Bergen Omslagsdesign ved forlaget Forsidebilde: Fra Vegard Vinge og Ida Müllers oppsetning av Vildanden. Foto: Magnus Skrede. Sideombrekking: Laboremus Sandefjord AS Redaksjon: Janne Stang Dahl og Mari Johansen Sekretariatfunksjonen til Fond for lyd og bilde og Statens kunstnerstipend er administrativt tilknyttet og samlokalisert med Norsk kulturråd. Fond for lyd og bilde og Statens kunstnerstipend har egne styrende organ og gir ut egne årsmeldinger. Norsk kulturråd Grev Wedels plass 1 Postboks 8052 Dep N-0031 Oslo Tlf: +47 22 47 83 30 Faks: +47 22 33 40 42 www.kulturrad.no Innhold Innledning .............................................. 5 Tildelinger og innkjøp ........................... 26 Allmenne kulturformål ............................. 26 Kunst og publikum ................................. 6 Rom for kunst .......................................... 27 Barne- og ungdomskultur ......................... 29 Råd og utvalg ......................................... 7 Andre formål ............................................ 34 Billedkunst og kunsthåndverk................... 37 Administrasjonen .................................. 11 Musikk ..................................................... 49 Scenekunst................................................ 80 Kommunikasjonsvirksomhet ................ 13 Litteratur ................................................. -
Schedule Report
New Releases - 1 October 2021 SAY SOMETHING RECORDS • Available on stunning Red and Black Splatter vinyl (SSR027LP)! A collector's must!! • Featuring: Vocalist Colin Doran of Hundred Reasons, drummer Jason Bowld from Bullet For My Valentine and formerly Pitchshifter, Killing Joke • Full servicing to all relevant media • Extensive print & internet advertising • Print reviews confirmed in KERRANG! and METAL HAMMER • Featured interviews with ‘The Sappenin’ Podcast’ and ‘DJ Force X’ https://open.spotify.com/episode/0ZUhmTBIuFYlgBamhRbPHW?si=9O4x5SWmT2WbhSC0lR3P3g • For fans of: Hundred Reason, Jamie Lenman, Hell is for heroes, The Xcerts, Bullet For My Valentine, Biffy Clyro • Facebook: https://www.facebook.com/TheyFellFromTheSky Twitter: https://twitter.com/tfftsband Instagram: https://www.instagram.com/tfftsband/ • Soundsphere Magazine: https://www.soundspheremag.com/news/culture/colin-doran-jason-bowld-hundred-reasons-bfmv- pitchshifter-form-rock-studio-project-they-fell-from-the-sky/ GigSoup: https://gigsoupmusic.com/pr/colin-doran-jason-bowld-form-rock-studio-project-they-fell-from-the-sky-and- release-debut-single-dry/ The AltClub: https://thealtclub.com/they-fell-from-the-sky-release-new-single-dry/ Volatile Weekly: https://volatileweekly.com/2021/03/colin-doran-jason-bowld-hundred-reasons-bfmv-pitchshifter-form-rock- studio-project-they-fell-from-the-sky-and-release-debut-single-dry/ The Punksite: https://thepunksite.com/news/they-fell-from-the-sky-announce-debut-single-and-album/ Tinnitist: https://tinnitist.com/2021/03/22/indie-roundup-23-songs-to-make-monday-far-more-enjoyable/ -
Compound AABA Form and Style Distinction in Heavy Metal *
Compound AABA Form and Style Distinction in Heavy Metal * Stephen S. Hudson NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hudson.php KEYWORDS: Heavy Metal, Formenlehre, Form Perception, Embodied Cognition, Corpus Study, Musical Meaning, Genre ABSTRACT: This article presents a new framework for analyzing compound AABA form in heavy metal music, inspired by normative theories of form in the Formenlehre tradition. A corpus study shows that a particular riff-based version of compound AABA, with a specific style of buildup intro (Aas 2015) and other characteristic features, is normative in mainstream styles of the metal genre. Within this norm, individual artists have their own strategies (Meyer 1989) for manifesting compound AABA form. These strategies afford stylistic distinctions between bands, so that differences in form can be said to signify aesthetic posing or social positioning—a different kind of signification than the programmatic or semantic communication that has been the focus of most existing music theory research in areas like topic theory or musical semiotics. This article concludes with an exploration of how these different formal strategies embody different qualities of physical movement or feelings of motion, arguing that in making stylistic distinctions and identifying with a particular subgenre or style, we imagine that these distinct ways of moving correlate with (sub)genre rhetoric and the physical stances of imagined communities of fans (Anderson 1983, Hill 2016). Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory “Your favorite songs all sound the same — and that’s okay . -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.