The Stories They Carried: Reflections of Vietnamese-Canadians 40 Years After That War

Total Page:16

File Type:pdf, Size:1020Kb

The Stories They Carried: Reflections of Vietnamese-Canadians 40 Years After That War Volume 32 Refuge Number 2 The Stories They Carried: Reflections of Vietnamese-Canadians 40 Years after That War Priscilla Koh Abstract de l’exode du Vietnam, afin de pouvoir étudier les Vietna- This article explores the narratives of former refugees from miens dans toute leur complexité, dans le contexte d’un Vietnam who resettled in Canada. Each of these stories nouvel environnement. highlights the profound dilemmas, motivations, and expe- riences of Vietnamese refugees. Collectively, they demon- Ah, the stories we tell and the stories told to us. strate the remarkable resilience of this community, and —Caroline Vu1 their determination to survive and remake themselves in Canada. The discussion illuminates the diversity and com- emories of the boat journey still trigger strong plexity of my respondents’ senses of belonging, homes, and emotions within the diasporic community dec- homelands, and how such notions and ties are continually ades after their departure from Vietnam. Forty evolving. The research aims to contribute to the postwar/ Myears after that war, stories about the boat journey continue refugee discourse, and to move the field beyond the param- to be told and retold through memoirs, academic research, eter of the war and exodus from Vietnam, in order to study films, television, and radio programs.2 The narratives of six Vietnamese in all their complexities—in a new locale. Vietnamese-Canadians highlighted in this article show not just the diversity of the “boat people’s” experiences, but also Résumé its complexity and deeply personal aspects. The first section Cet article explore les discours des anciens réfugiés du provides a brief historical overview of Vietnam’s refugee Vietnam qui se sont réinstallés au Canada. Chacune de ces crisis. The following sections explore different facets of histoires souligne les dilemmes profonds, les motivations my respondents’ “boat journeys”: their reasons for leaving et les expériences des réfugiés vietnamiens. Collectivement, Vietnam, their departures from Vietnam and experiences at refugee camps in Southeast Asia, and the challenges of elles démontrent la capacité remarquable d’adaptation de adapting to their new lives in Canada. Finally, the discus- cette communauté, et leur détermination de survivre et de sion will examine their current perspectives of and ties with se réinventer au Canada. La discussion met en lumière la Vietnam. diversité ainsi que la complexité des sentiments d’appar- tenance, de domicile, de patries, chez mes répondants, et Respondents and Methodology comment ces notions et ces liens sont en processus conti- In-depth life-story interviews were conducted in Ottawa nuel d’évolution. Cette recherche a pour but de contribuer between October 2014 and April 2015. Through the snow- sur le discours de l’après-guerre et des réfugiés, et de faire balling method, I was able to meet and become acquainted évoluer le domaine au-delà des paramètres de la guerre et with my respondents. To capture the diversity of “boat 9 Volume 32 Refuge Number 2 experiences,” I sought and selected individuals who had dif- (New Economic Zones) located in inhabited mountainous ferent motivations for leaving the country and espoused var- areas.5 As a result of the deprivations of the postwar period, ying cultural outlooks and perspectives about Vietnam. My it has been estimated that between 1.4 and 1.5 million Viet- respondents originated from different regions in Vietnam; namese fled the country between 1975 and 1990.6 all live in Ottawa except for one, who is based in Toronto. Between the mid-1970s and the 1990s, Vietnamese left They range in age from the mid-40s to 60s; all are university- the country in three distinct waves. The first wave in 1975 educated and white-collar professionals. Three have made included 140,000 southern Vietnamese, mostly political several return trips to Vietnam over the past two decades, leaders, army officers, and skilled professionals escaping the whilst the rest have not been back since they fled the country. communist takeover. In the second wave (1978–81), close to The interviews were conducted primarily in Viet- 400,000 refugees fled Vietnam. Due to the fact that many namese, since it is the language my respondents felt most of these refugees typically fled the country onboard over- comfortable with. The interviews ranged from an hour to crowded and dangerously constructed boats, the popular three hours long each time, typically taking place in cafes misnomer “boat people” became the new term of reference and restaurants in the Chinatown area of Ottawa, and in for all Vietnamese refugees. Ethnic Chinese made up 70 the case of one respondent in a home.3 These venues were per cent of the boat people. The third wave left Vietnam as not only the most convenient and easily accessible for my part of the Orderly Departure Program (ODP).7 By the mid- respondents, but were also spaces they were familiar with 1990s, over 200,000 Vietnamese had entered the United and felt comfortable in. The interview questions were semi- States through the ODP.8 Each wave faced complex contexts structured and open-ended. They sought to cover the major of exits and resettlement that affected family dynamics life domains associated with their refugee experience: expe- and adaptation.9 By the end of the 1990s, the vast major- riences growing up in Vietnam, motivations for leaving the ity of Vietnamese refugees were eventually resettled in the country and sense of “home” since their resettlement in United States. Others found home in far-flung countries, Canada.4 including Australia, Canada, China, France, Great Britain, The narratives presented here are not intended to encap- and Germany.10 sulate the full spectrum of the sentiments and experiences of Vietnamese Canadians, or for that matter, the Vietnam- Life after the Fall of Saigon ese refugee diaspora. That is beyond the scope and resources My respondents reflected how both their family and per- available for this project. The purpose of this research is sonal lives were affected by the change of political regime. to describe these emergent themes and what they suggest Life for them had not changed drastically in the immediate about the notions of home and belonging for first-gener- period following communist victory over South Vietnam ation Vietnamese refugees. As a case study, researching in 1975. By the late 1970s, however, they would witness dras- Canada’s Vietnamese refugee narratives is useful in under- tic changes in their daily lives as the regime embarked on standing other diasporic groups in the country who have aggressive socialization campaigns throughout central and followed similar trajectories. Their myriad departure and southern Vietnam. resettlement experiences can teach lessons about cultural Dung was born in Hanoi in 1952. Her family fled to Sai- change, the construction of communities, and the evolving gon after 1954 for political and religious reasons;11 they were meanings of identity, home, and culture. These narratives Buddhists who detested and feared communist rule. Dung’s also shed light on the various forms that national member- family lived in Saigon’s Phu Nhuan district. She recalled ship and belonging can take shape. how, after reunification, the communist soldiers moved into her family home and stayed there for a year. Dung Vietnam’s “Boat People”: A Brief Historical found their mannerisms and lifestyle strange and shocking Overview at the time: “I remember how dishevelled and malnour- The second Indochina conflict (1954–1975) resulted in the ished these young men looked when they first arrived at largest mass exodus of Vietnamese overseas. In the years our doorstep. They were out of touch with modernity and following the end of the conflict and national reunification, urban living, having fought and lived in the jungles for more than one million former soldiers, civil servants, and so many years. They didn’t know how to use a stove and teachers were subjected to học tập cải tạo (re-education), almost burnt our house down a couple of times. They were equivalent to a form of imprisonment whereby detainees also unfamiliar with modern sanitation; the flush toilet was were subject to years of intense political indoctrination and a shocking discovery for them. They used the toilet bowl to gruelling labour in secluded camps. Another million were wash their clothes. We were completely flabbergasted when forcibly de-urbanised and relocated to the khu kinh tề mới they took our family dog to cook and eat!”12 10 Volume 32 Refuge Number 2 Like Dung, Phuong’s family had to share their home There were many reasons that made it difficult for me to leave . in Danang, central Vietnam, with the victorious soldiers, the main one was the belief that a third, middle ground force— who eventually took possession of the house. Then, he that was neither communist or southern republic—would emerge recalled feeling sympathetic towards the soldiers, whom he and eventually take over the country. But mặt trận dân tộc giải described as a “raggedy and starved band of men who had phóng miền nam Việt Nam [National Liberation Front of South sacrificed their youth, and were willing to risk their lives for Vietnam], which we had believed was the third force, turned out the sake of unifying the country.”13 During the first round to be a Việt Cộng organization after all. of the regime’s socialization campaign, the family busi- I also didn’t want to leave my parents in Vietnam. Even though ness in the sale of imported bike parts was targeted, and I wanted to study overseas and had the opportunity to leave then, the shop was confiscated. Unlike the rest of his family, who I decided to stay on to be with my parents. When it came time for were resentful and wary of communist rule, Phuong said he me to resume my studies, I moved to Saigon to attend university actually felt glad when the communists took over the South.
Recommended publications
  • Thi Bui's the Best We Could Do: a Teaching Guide
    Thi Bui’s The Best We Could Do: A Teaching Guide The UO Common Reading Program, organized by the Division of Undergraduate Studies, builds community, enriches curriculum, and engages research through the shared reading of an important book. About the 2018-2019 Book A bestselling National Book Critics Circle Finalist, Thi Bui’s The Best We Could Do offers an evocative memoir about the search for a better future by seeking to understand the past. The book is a marvelous visual narrative that documents the story of the Bui family escape after the fall of South Vietnam in the 1970s, and the difficulties they faced building new lives for themselves as refugees in America. Both personal and universal, the book explores questions of community and family, home and healing, identity and heritage through themes ranging from the refugee experience to parenting and generational changes. About the Author Thi Bui is an author, illustrator, artist, and educator. Bui was born in Vietnam three months before the end of the Vietnam War and came to the United States in 1978 as part of a wave of refugees from Southeast Asia. Bui taught high school in New York City and was a founding teacher of Oakland International High School, the first public high school in California for recent immigrants and English learners. She has taught in the MFA in Comics program at California College for the Arts since 2015. The Best We Could Do (Abrams ComicArts, 2017) is her debut graphic novel. She is currently researching a work of graphic nonfiction about climate change in Vietnam.
    [Show full text]
  • Special 2Nd Anniversary Issue!
    Mar07 1-10-P 3/30/07 9:07 AM Page 1 F ASHION LIFESTYLE ART ENTERTAINMENT MARCH 2007 FREE Special 2nd Anniversary Issue! A Cinematic Journey with Ham Tran Donna Cole in the Minority What’s Baking on Bellaire? Going for the Gold Fashion Pops yellowmags.com Halter dress and motorcycle jacket by Philipe and David Blond Shoes by Cesar Paciotti Photographer : Jhane Hoang Fashion Stylist/Art Director : MarcSifuentes.com Hair/Makeup : Erica Gray Digital Retouching and Graphics : Arianna Stolt Model : Mayuko at Elite Mar07 1-10-P 3/30/07 9:07 AM Page 2 FROM THE PUBLISHER It is hard for me to conceive that Yellow Magazine is marking its second anniversary! How cliché it seems to state, “it feels like yesterday” when we launched the inaugural issue. This is a sense that one generally gets during times of heightened activity and of great joy. The publication of Yellow Magazine represents both to me and, hence, time is passing at a breathtaking pace. Perhaps the most rewarding aspect about publishing the magazine is the consistent support communicated to us by you, the readers. As I take part in many of the community events that occur during the year, I am humbled by the appreciative comments that have been shared with me. I am proud to be an Asian American, and I am proud of the contributions that Asian Americans make to the community at large. It is this magazine’s mission and its honor to elevate the awareness of these contributions and to foster the positive intercultural dynamics that benefit us all.
    [Show full text]
  • My Folkloristic History of the Việt Nam War: a Non-Communist Experience
    Journal of Southeast Asian American Education and Advancement Volume 8 Issue 1 Article 20 2013 My Folkloristic History of the Việt Nam War: A Non-communist Experience Long S. Le University of Houston, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/jsaaea Recommended Citation Le, Long S. (2013) "My Folkloristic History of the Việt Nam War: A Non-communist Experience," Journal of Southeast Asian American Education and Advancement: Vol. 8 : Iss. 1, Article 20. DOI: 10.7771/2153-8999.1075 Available at: https://docs.lib.purdue.edu/jsaaea/vol8/iss1/20 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. Le: My Folkloristic History of the Vi?t Nam War: A Non-communist Expe A peer-reviewed scholarly journal Journal of Southeast Asian American published by the National Association for the Education & Advancement of Education & Advancement Cambodian, Laotian, and Vietnamese Volume 8 (2013) www.JSAAEA.org Americans (NAFEA) My Folkloristic History of the Việt Nam War: A Non-communist Experience Long Le University of Houston Abstract Like many families who were on the “wrong” side of the Việt Nam war, my family history has effectively been “displaced” from official discourse in Việt Nam when the country was “reunified” in 1975, as well as in the discourse of public history in the U.S.
    [Show full text]
  • Discover Canada the Rights and Responsibilities of Citizenship 2 Your Canadian Citizenship Study Guide
    STUDY GUIDE Discover Canada The Rights and Responsibilities of Citizenship 2 Your Canadian Citizenship Study Guide Message to Our Readers The Oath of Citizenship Le serment de citoyenneté Welcome! It took courage to move to a new country. Your decision to apply for citizenship is Je jure (ou j’affirme solennellement) another big step. You are becoming part of a great tradition that was built by generations of pioneers I swear (or affirm) Que je serai fidèle before you. Once you have met all the legal requirements, we hope to welcome you as a new citizen with That I will be faithful Et porterai sincère allégeance all the rights and responsibilities of citizenship. And bear true allegiance à Sa Majesté la Reine Elizabeth Deux To Her Majesty Queen Elizabeth the Second Reine du Canada Queen of Canada À ses héritiers et successeurs Her Heirs and Successors Que j’observerai fidèlement les lois du Canada And that I will faithfully observe Et que je remplirai loyalement mes obligations The laws of Canada de citoyen canadien. And fulfil my duties as a Canadian citizen. Understanding the Oath Canada has welcomed generations of newcomers Immigrants between the ages of 18 and 54 must to our shores to help us build a free, law-abiding have adequate knowledge of English or French In Canada, we profess our loyalty to a person who represents all Canadians and not to a document such and prosperous society. For 400 years, settlers in order to become Canadian citizens. You must as a constitution, a banner such as a flag, or a geopolitical entity such as a country.
    [Show full text]
  • ISICR Vol. 16.1
    ISICR Officers President Eleanor Fish President-elect Leonidas Platanias Secretary Tom Hamilton April 2009 - Volume 16, No. 1 Treasurer Bob Friedman The History of Interferon: Some per- sonal thoughts and experiences in the Future ISICR Meetings early years of Interferon research 2009 Meeting Joseph Sonnabend Oct. 17 - 21, 2009 Joint ISICR/ICS/SLB In 1964, the world of interferon research was much different and Lisbon, Portugal really just beginning to blossom. There was no molecular biology and the tools available for research were much more primitive. 2010 Meeting Thus research into interferons required a thought process about the Joint ISICR/ICS biology of the experimental systems being investigated. The follow- Chicago, Illinois ing is a recollection from Dr. Joseph Sonnabend, one of the pioneers in Interferon research, accompanied by a reproduction of some ISICR WWW Site thoughts he circulated for discussion at that time. www.ISICR.org HI ISICR Business Office [email protected] I probably wrote this in the room I shared with Alick Isaacs. It was TEL: 301-634-7250 written in response to Joyce Taylor's experiment with actinomycin FAX: 301-634-7420 suggesting that interferon's antiviral action required cell RNA syn- thesis. Joyce and I were the only members of the virology division ISICR Newsletter Editors using biochemical techniques at that time and I was quite close to Howard Young the work she was doing, and of course Bob Friedman and I were to [email protected] work together. Hannah Nguyen [email protected] When Joyce first saw her results, we thought that an inactive prepa- ration of interferon had been used.
    [Show full text]
  • Journey from the Fall
    Summer Screenshots: Hot Nights+Cold War Historical Context for Journey from the Fall August 12, 2020 China’s influence Red River Delta Le Loi Red River Delta Red River Delta ◦ Indochina ◦ Red River and Mekong deltas ◦ Life under French colonial rule Mekong Delta ● Ho Chi Minh, “He Who Enlightens” ● Vietminh ● Hanoi Cold War Domino Theory Battle of Dien bien Phu Geneva Conference The Unwinnable War in Vietnam ● President John F. Kennedy ● President Lyndon B. Johnson ● Napalm ● Agent Orange ● Vietcong ● Tet Offensive America loses Vietnam & the Fallout Thuyền nhân Việt Nam ◦ President Richard M. Nixon ◦ Vietnamization ◦ Ho Chi Minh Trail ◦ Fall of Saigon ◦ Thuyền nhân Việt Nam ◦ Operation New Life The Aftermath in Vietnam About the director, Ham Tran Profiled recently in the PBS series, “Asian Americans,” part 4 “Generation Rising.” Tran cast non-actors from the Vietnamese community in supporting roles in Journey from the Fall. Tran and his team interviewed about 400 people to tell their story of Vietnam and their lives after the war. 1. Vietnamese Communist Re-education Camps (grades 9-12) 2. The “Fall” in Journey from the Curriculum Ideas:: Fall (grades 7-12) 3. The Legend of Le Loi and kite-flying as representations of Vietnamese history and culture (grades K-5) Historical Timeline of Vietnam 15th c. CE 1955 1975-1993 2nd c. BCE Expansionist After defeating 1975 More than 1 Invasion of Red Ming dynasty France in Indochina Saigon falls to million River delta by defeated by War, Vietnam Vietminh & Vietnamese China’s Han Le Loi; Le divided at the 17th Vietcong. US are sent to dynasty dynasty parallel at Geneva troops leave re-education ushered in.
    [Show full text]
  • The Experience of Bicultural Conflict by Vietnamese Adolescent Girls in Greater Vancouver
    THE EXPERIENCE OF BICULTURAL CONFLICT BY VIETNAMESE ADOLESCENT GIRLS IN GREATER VANCOUVER Jean Monica Mogg Cert. Advanced Nursing Ed., University of Edinburgh, 1969 B.A. (Soc/Cmns.), Simon Fraser University, 1978 THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS (WOMEN'S STUDIES) in the Department of Women's Studies @ Jean Monica Mogg 1991 SIMON FRASER UNIVERSITY October, 1991 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name : Jean Monica Mogg Degree: Master of Arts Title of Thesis: The Experience of Bicultural Conflict by Adolescent Vietnamese Girls in Greater Vancouver. Examining Committee: Chairperson: Mary Lynn Stewart, Ph.D. Senior Supervisor Arlene McLaren, Ph. D. Phyllis Johnson, Ph.D. External Examiner, School of Family and Nutritional Sciences, University of British Columbia Date Approved: 2 o$/ - ii - PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission.
    [Show full text]
  • Making Waves
    LA TIMES – MOVIES Making waves Wave Releasing UNIVERSAL MESSAGE: Gauger’s “Owl and the Sparrow,” a love story set in modern-day Vietnam, features Le The Lu, Pham Thi Han and Cat Ly. Wave Releasing, a start-up of Vietnamese American filmmakers, aims to find a wider outlet for their out-of-the-mainstream voices. By My-Thuan Tran January 18, 2009 Writer-director Stephane Gauger had high hopes for his debut feature, "Owl and the Sparrow," shot on the busy streets of Ho Chi Minh City. The Vietnamese-language film, about an orphan who plays matchmaker to a lonely zookeeper and a flight attendant, blazed through the 2007 film festival circuit, snagging awards and accolades in the Hollywood Reporter and Variety. Winning the Crystal Heart Award at the Heartland Film Festival in Indianapolis was a watershed for the filmmakers, signifying that their subtitled film reached beyond the confines of Vietnamese enclaves like Orange County's Little Saigon. "It was huge when it won an award in a festival that represents Middle America," said executive producer Timothy Bui. "That told us that this film can succeed in the mainstream market, not just for Vietnamese audiences." But finding a company to distribute the film to American theaters was another matter. Gauger and Bui wanted to market the film to both Vietnamese and mainstream audiences but had a difficult time finding a distributor who knew how to tap into Vietnamese communities. "We had a few meetings, and we kept hearing, 'We love the movie, but we don't know how to market it,' " Bui said.
    [Show full text]
  • UC San Diego UC San Diego Electronic Theses and Dissertations
    UC San Diego UC San Diego Electronic Theses and Dissertations Title An assemblage of fragments : history, revolutionary aesthetics and global capitalism in Vietnamese/American literature, films and visual culture Permalink https://escholarship.org/uc/item/6wd3q8xv Author Võ, Ch'o'ng-Đài Ĥòng Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO An Assemblage of Fragments: History, Revolutionary Aesthetics and Global Capitalism in Vietnamese/American Literature, Films and Visual Culture A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Chương-Đài Hồng Võ Committee in charge: Professor Lisa Lowe, Chair Professor Rosemary Marangoly George Professor Yen Le Espiritu Professor Thu-Hương Nguyễn-Võ Professor Lisa Yoneyama Professor Yingjin Zhang 2009 Copyright Chương-Đài Hồng Võ, 2009 All rights reserved. The dissertation of Chương-Đài Hồng Võ is approved, and it is acceptable in quality and form for publication on microfilm and electronically: —————————————————————————————————— —————————————————————————————————— —————————————————————————————————— —————————————————————————————————— —————————————————————————————————— —————————————————————————————————— Chair University of California, San Diego 2009 iii DEDICATION Ba Má iv TABLE OF CONTENTS Signature Page……………………………………………………………………...iii Dedication…………………………………………………………..………............iv Table of Contents…………………………………………………………………...v
    [Show full text]
  • The Gift of Freedom War, Debt, and Other Refugee Passages the Gift of Freedom
    MIMI THI NGUYEN The Gift of Freedom WAR, DEBT, And OTHER REFUGEE PASSAGES The Gift of Freedom NEXT WAVE: NEW DIRECTIONS IN WOMEN’S STUDIES A series edited by Inderpal Grewal, Caren Kaplan, and Robyn Wiegman MIMI THI NGUYEN The Gift of Freedom WAR, DEBT, AND OTHER REFUGEE PASSAGES Duke University Press Durham and London 2012 ∫ 2012 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Designed by C. H. Westmoreland Typeset in Minion with Stone Sans display by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. FOR MY PARENTS, HIEP AND LIEN, AND MY BROTHER, GEORGE CONTENTS Preface ix Acknowledgments xiii Introduction. The Empire of Freedom 1 1. The Refugee Condition 33 2. Grace, the Gift of the Girl in the Photograph 83 3. Race Wars, Patriot Acts 133 Epilogue. Refugee Returns 179 Notes 191 Bibliography 239 Index 267 PREFACE Rebuilding Iraq will require a sustained commitment from many nations, in- cluding our own: we will remain in Iraq as long as necessary, and not a day more. America has made and kept this kind of commitment before—in the peace that followed a world war. After defeating enemies, we did not leave behind occupy- ing armies, we left constitutions and parliaments. We established an atmosphere of safety, in which responsible, reform-minded local leaders could build lasting institutions of freedom. In societies that once bred fascism and militarism, liberty found a permanent home. —GEORGE W. BUSH, February ≤∏, ≤≠≠≥ And there we are, ready to run the great Yankee risk.
    [Show full text]
  • The Entanglements of Canada's National Identity Building And
    THE ENTANGLEMENTS OF CANADA'S NATIONAL IDENTITY BUILDING AND VIETNAMESE CANADIAN COMMUNITY CONFLICTS: RACIAL CAPITALIST DEMOCRACY AND THE COLD WAR NEOLIBERAL MULTICULTURAL SUBJECT ANH PHUNG NGO A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN SOCIAL WORK YORK UNIVERSITY TORONTO, ONTARIO June 2019 © Anh Phung Ngo, 2019 Abstract This study weaves Cold War Epistemology, critical multiculturalism, racial capitalism, and critical refugee studies to theorize how the Vietnamese Canadian subjectivity is related to Canada’s national identity formation. Adopting a critical ethnography methodology and discourse analysis, this study asks: What are the conditions of community conflicts within the Vietnamese community and how are those conflicts related to the processes of Canadian national identity formation? The production and contestation of Vietnamese Canadian subjectivity in the making of Canadian national identity is traced through three major sites of analysis. This first site is the debate on the Memorial to Victims of Communism as captured in the media. The second site is the parliamentary and community commemoration of the “Fall of Saigon” on April 30th, 1975 which includes debates on the Journey to Freedom Day Act and local community events. The final site is a Toronto community agency conflict of identity. This study reveals the logic of racial capitalist democracy underlying Canadian national identity as free, humanitarian, democratic, and peace-making. This is constructed through the production of Vietnamese Canadian subjectivity as a particular model minority and model refugee framed within Cold War neoliberal and multicultural discourse with significant consequences to the wellbeing of the community.
    [Show full text]
  • Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
    Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] ​ www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, ​ 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE
    [Show full text]