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Thi Bui's the Best We Could Do: a Teaching Guide
Thi Bui’s The Best We Could Do: A Teaching Guide The UO Common Reading Program, organized by the Division of Undergraduate Studies, builds community, enriches curriculum, and engages research through the shared reading of an important book. About the 2018-2019 Book A bestselling National Book Critics Circle Finalist, Thi Bui’s The Best We Could Do offers an evocative memoir about the search for a better future by seeking to understand the past. The book is a marvelous visual narrative that documents the story of the Bui family escape after the fall of South Vietnam in the 1970s, and the difficulties they faced building new lives for themselves as refugees in America. Both personal and universal, the book explores questions of community and family, home and healing, identity and heritage through themes ranging from the refugee experience to parenting and generational changes. About the Author Thi Bui is an author, illustrator, artist, and educator. Bui was born in Vietnam three months before the end of the Vietnam War and came to the United States in 1978 as part of a wave of refugees from Southeast Asia. Bui taught high school in New York City and was a founding teacher of Oakland International High School, the first public high school in California for recent immigrants and English learners. She has taught in the MFA in Comics program at California College for the Arts since 2015. The Best We Could Do (Abrams ComicArts, 2017) is her debut graphic novel. She is currently researching a work of graphic nonfiction about climate change in Vietnam. -
My Folkloristic History of the Việt Nam War: a Non-Communist Experience
Journal of Southeast Asian American Education and Advancement Volume 8 Issue 1 Article 20 2013 My Folkloristic History of the Việt Nam War: A Non-communist Experience Long S. Le University of Houston, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/jsaaea Recommended Citation Le, Long S. (2013) "My Folkloristic History of the Việt Nam War: A Non-communist Experience," Journal of Southeast Asian American Education and Advancement: Vol. 8 : Iss. 1, Article 20. DOI: 10.7771/2153-8999.1075 Available at: https://docs.lib.purdue.edu/jsaaea/vol8/iss1/20 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. Le: My Folkloristic History of the Vi?t Nam War: A Non-communist Expe A peer-reviewed scholarly journal Journal of Southeast Asian American published by the National Association for the Education & Advancement of Education & Advancement Cambodian, Laotian, and Vietnamese Volume 8 (2013) www.JSAAEA.org Americans (NAFEA) My Folkloristic History of the Việt Nam War: A Non-communist Experience Long Le University of Houston Abstract Like many families who were on the “wrong” side of the Việt Nam war, my family history has effectively been “displaced” from official discourse in Việt Nam when the country was “reunified” in 1975, as well as in the discourse of public history in the U.S. -
ISICR Vol. 16.1
ISICR Officers President Eleanor Fish President-elect Leonidas Platanias Secretary Tom Hamilton April 2009 - Volume 16, No. 1 Treasurer Bob Friedman The History of Interferon: Some per- sonal thoughts and experiences in the Future ISICR Meetings early years of Interferon research 2009 Meeting Joseph Sonnabend Oct. 17 - 21, 2009 Joint ISICR/ICS/SLB In 1964, the world of interferon research was much different and Lisbon, Portugal really just beginning to blossom. There was no molecular biology and the tools available for research were much more primitive. 2010 Meeting Thus research into interferons required a thought process about the Joint ISICR/ICS biology of the experimental systems being investigated. The follow- Chicago, Illinois ing is a recollection from Dr. Joseph Sonnabend, one of the pioneers in Interferon research, accompanied by a reproduction of some ISICR WWW Site thoughts he circulated for discussion at that time. www.ISICR.org HI ISICR Business Office [email protected] I probably wrote this in the room I shared with Alick Isaacs. It was TEL: 301-634-7250 written in response to Joyce Taylor's experiment with actinomycin FAX: 301-634-7420 suggesting that interferon's antiviral action required cell RNA syn- thesis. Joyce and I were the only members of the virology division ISICR Newsletter Editors using biochemical techniques at that time and I was quite close to Howard Young the work she was doing, and of course Bob Friedman and I were to [email protected] work together. Hannah Nguyen [email protected] When Joyce first saw her results, we thought that an inactive prepa- ration of interferon had been used. -
Journey from the Fall
Summer Screenshots: Hot Nights+Cold War Historical Context for Journey from the Fall August 12, 2020 China’s influence Red River Delta Le Loi Red River Delta Red River Delta ◦ Indochina ◦ Red River and Mekong deltas ◦ Life under French colonial rule Mekong Delta ● Ho Chi Minh, “He Who Enlightens” ● Vietminh ● Hanoi Cold War Domino Theory Battle of Dien bien Phu Geneva Conference The Unwinnable War in Vietnam ● President John F. Kennedy ● President Lyndon B. Johnson ● Napalm ● Agent Orange ● Vietcong ● Tet Offensive America loses Vietnam & the Fallout Thuyền nhân Việt Nam ◦ President Richard M. Nixon ◦ Vietnamization ◦ Ho Chi Minh Trail ◦ Fall of Saigon ◦ Thuyền nhân Việt Nam ◦ Operation New Life The Aftermath in Vietnam About the director, Ham Tran Profiled recently in the PBS series, “Asian Americans,” part 4 “Generation Rising.” Tran cast non-actors from the Vietnamese community in supporting roles in Journey from the Fall. Tran and his team interviewed about 400 people to tell their story of Vietnam and their lives after the war. 1. Vietnamese Communist Re-education Camps (grades 9-12) 2. The “Fall” in Journey from the Curriculum Ideas:: Fall (grades 7-12) 3. The Legend of Le Loi and kite-flying as representations of Vietnamese history and culture (grades K-5) Historical Timeline of Vietnam 15th c. CE 1955 1975-1993 2nd c. BCE Expansionist After defeating 1975 More than 1 Invasion of Red Ming dynasty France in Indochina Saigon falls to million River delta by defeated by War, Vietnam Vietminh & Vietnamese China’s Han Le Loi; Le divided at the 17th Vietcong. US are sent to dynasty dynasty parallel at Geneva troops leave re-education ushered in. -
Making Waves
LA TIMES – MOVIES Making waves Wave Releasing UNIVERSAL MESSAGE: Gauger’s “Owl and the Sparrow,” a love story set in modern-day Vietnam, features Le The Lu, Pham Thi Han and Cat Ly. Wave Releasing, a start-up of Vietnamese American filmmakers, aims to find a wider outlet for their out-of-the-mainstream voices. By My-Thuan Tran January 18, 2009 Writer-director Stephane Gauger had high hopes for his debut feature, "Owl and the Sparrow," shot on the busy streets of Ho Chi Minh City. The Vietnamese-language film, about an orphan who plays matchmaker to a lonely zookeeper and a flight attendant, blazed through the 2007 film festival circuit, snagging awards and accolades in the Hollywood Reporter and Variety. Winning the Crystal Heart Award at the Heartland Film Festival in Indianapolis was a watershed for the filmmakers, signifying that their subtitled film reached beyond the confines of Vietnamese enclaves like Orange County's Little Saigon. "It was huge when it won an award in a festival that represents Middle America," said executive producer Timothy Bui. "That told us that this film can succeed in the mainstream market, not just for Vietnamese audiences." But finding a company to distribute the film to American theaters was another matter. Gauger and Bui wanted to market the film to both Vietnamese and mainstream audiences but had a difficult time finding a distributor who knew how to tap into Vietnamese communities. "We had a few meetings, and we kept hearing, 'We love the movie, but we don't know how to market it,' " Bui said. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title An assemblage of fragments : history, revolutionary aesthetics and global capitalism in Vietnamese/American literature, films and visual culture Permalink https://escholarship.org/uc/item/6wd3q8xv Author Võ, Ch'o'ng-Đài Ĥòng Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO An Assemblage of Fragments: History, Revolutionary Aesthetics and Global Capitalism in Vietnamese/American Literature, Films and Visual Culture A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Chương-Đài Hồng Võ Committee in charge: Professor Lisa Lowe, Chair Professor Rosemary Marangoly George Professor Yen Le Espiritu Professor Thu-Hương Nguyễn-Võ Professor Lisa Yoneyama Professor Yingjin Zhang 2009 Copyright Chương-Đài Hồng Võ, 2009 All rights reserved. The dissertation of Chương-Đài Hồng Võ is approved, and it is acceptable in quality and form for publication on microfilm and electronically: —————————————————————————————————— —————————————————————————————————— —————————————————————————————————— —————————————————————————————————— —————————————————————————————————— —————————————————————————————————— Chair University of California, San Diego 2009 iii DEDICATION Ba Má iv TABLE OF CONTENTS Signature Page……………………………………………………………………...iii Dedication…………………………………………………………..………............iv Table of Contents…………………………………………………………………...v -
The Gift of Freedom War, Debt, and Other Refugee Passages the Gift of Freedom
MIMI THI NGUYEN The Gift of Freedom WAR, DEBT, And OTHER REFUGEE PASSAGES The Gift of Freedom NEXT WAVE: NEW DIRECTIONS IN WOMEN’S STUDIES A series edited by Inderpal Grewal, Caren Kaplan, and Robyn Wiegman MIMI THI NGUYEN The Gift of Freedom WAR, DEBT, AND OTHER REFUGEE PASSAGES Duke University Press Durham and London 2012 ∫ 2012 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Designed by C. H. Westmoreland Typeset in Minion with Stone Sans display by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. FOR MY PARENTS, HIEP AND LIEN, AND MY BROTHER, GEORGE CONTENTS Preface ix Acknowledgments xiii Introduction. The Empire of Freedom 1 1. The Refugee Condition 33 2. Grace, the Gift of the Girl in the Photograph 83 3. Race Wars, Patriot Acts 133 Epilogue. Refugee Returns 179 Notes 191 Bibliography 239 Index 267 PREFACE Rebuilding Iraq will require a sustained commitment from many nations, in- cluding our own: we will remain in Iraq as long as necessary, and not a day more. America has made and kept this kind of commitment before—in the peace that followed a world war. After defeating enemies, we did not leave behind occupy- ing armies, we left constitutions and parliaments. We established an atmosphere of safety, in which responsible, reform-minded local leaders could build lasting institutions of freedom. In societies that once bred fascism and militarism, liberty found a permanent home. —GEORGE W. BUSH, February ≤∏, ≤≠≠≥ And there we are, ready to run the great Yankee risk. -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE -
The Stories They Carried: Reflections of Vietnamese-Canadians 40 Years After That War
Volume 32 Refuge Number 2 The Stories They Carried: Reflections of Vietnamese-Canadians 40 Years after That War Priscilla Koh Abstract de l’exode du Vietnam, afin de pouvoir étudier les Vietna- This article explores the narratives of former refugees from miens dans toute leur complexité, dans le contexte d’un Vietnam who resettled in Canada. Each of these stories nouvel environnement. highlights the profound dilemmas, motivations, and expe- riences of Vietnamese refugees. Collectively, they demon- Ah, the stories we tell and the stories told to us. strate the remarkable resilience of this community, and —Caroline Vu1 their determination to survive and remake themselves in Canada. The discussion illuminates the diversity and com- emories of the boat journey still trigger strong plexity of my respondents’ senses of belonging, homes, and emotions within the diasporic community dec- homelands, and how such notions and ties are continually ades after their departure from Vietnam. Forty evolving. The research aims to contribute to the postwar/ Myears after that war, stories about the boat journey continue refugee discourse, and to move the field beyond the param- to be told and retold through memoirs, academic research, eter of the war and exodus from Vietnam, in order to study films, television, and radio programs.2 The narratives of six Vietnamese in all their complexities—in a new locale. Vietnamese-Canadians highlighted in this article show not just the diversity of the “boat people’s” experiences, but also Résumé its complexity and deeply personal aspects. The first section Cet article explore les discours des anciens réfugiés du provides a brief historical overview of Vietnam’s refugee Vietnam qui se sont réinstallés au Canada. -
Since1929pacific CITIZEN
vnVW.PACIFICCITlZEN.ORG Making Them Cry Changed Lives Flexing the Brain UCLA grad Ham Tran Five years later Nat'l JACL awards tells the boat people's Muslim Americans more scholarships tearjerking story in are still feeling the to our future leaders. 'Journey from the Fall.' sting of discrimination. WINNERS' LIST PAGES 6·7 ENTERTAINMENT PAGE 9 PAGE 3 Wake the Giant Just in time for the November elections, since1 929 PACIFIC CITIZEN a study calls APAs the 'Sleeping Giant' in California politics. The National Publication of th e Japanese American Citizens League PAGE 3 #30651 Vol. 143, No.6 ISSN: 0030-8579 SEPT. 15-0CT. 5, 2006 Calling 911 Doesn't Always 9/11 REMEMBRANCE Mean Help· is On the Way Personal Belongings of Fallen Sept. 11th Hero . are Donated to World Trade Center Tribute Exhibit Many VoIP phone (i.e. Internet phone) users do By Pacific Citizen Staff not realize their 911 service does not work like tradi Alongside the picture of a tional 911 on landlines. bespectacled young man cradling APAs need to be especially the head of a wounded Sept. 11, 2001, victim sits the medical bag aware since this group is and belt he used to save lives. the largest among VoIP The medical supplies belonged to phone users. Zack Zeng, a Bank of New York By CAROLINE AOYAGI-STOM financial analyst and trained emer Executive Editor gency medical technician credited for heroism during the terrorist Peter John will never forget Feb. attacks. Amid the smoke, debris and 2, 2005. Two armed robbers had confusion, Zeng's mission was AP PHOTOIPAT SULLIVAN burst into his Houston home, shoot clear - he was killed while per PHOTO COURTESY OFFICE OF COUNCILMEMBER lIU Peter John with his VOIP phone. -
Sharing the Travail of Reeducation Camps, Expelling the Betrayer: the Politics of Deportation in a Vietnamese American Community
The Japanese Journal of American Studies, No. 31 (2020) Copyright © 2020 Ayako Sahara. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. Sharing the Travail of Reeducation Camps, Expelling the Betrayer: The Politics of Deportation in a Vietnamese American Community Ayako SAHARA* INTRODUCTION: POLITICS OF DEPORTATION Deportation has become a hot issue in the United States, especially under the current Donald Trump administration, where it is a part of the president’s “America fi rst” agenda. Immigration raids and detention are the primary components of the new American “deportation regime.”1 The regime itself emerged with the application of principles of neoliberal governance to immigration in the late 1990s because of the surge in anti-immigrant sentiment and accelerated after the launch of the so-called war on ter ror in 2001. Trump has described undocumented immigrants as not only inassimilable but also criminal to justify the curbing of even legal immigration, besides clamping down on illegal immigration.2 The issue of deportation is about who should and should not be in a community. In the current deportation regime, “deportability” is initiated and imposed by state power; further, the process has been normalized and standardized.3 Deportability in the United States has been associated with criminality, which includes not only committing actual crimes within the United States or outside but also making bogus asylum claims. The US government, moreover, has a long history of denying and *Associate Professor, Ohtsuki City College 111 112 AYAKO SAHARA expelling those whom the government does not want.4 Law professor Daniel Kanstroom advises that the deportation trend should be understood in its long historical context.5 Deportation is not only a technology of government to emphasize national borders but a way for a community to expel their “others” to maintain their unity. -
Emily Abbott '19 Executive Development Assistant, Sony
Emily Abbott ’19 Executive Development Assistant, Sony Pictures Studios Emily Abbott recently graduated from UCLA with a B.A. in english, a concentration in creative writing, and a Minor in film & television. Emily now works on the Sony Lot for a production company titled Counterbalance Entertainment, where she assists Dina Hillier, Jon Hurwitz, Josh Heald, and Hayden Schlossberg. Counterbalance currently has multiple projects in development at networks such as TBS, FOX, and Hulu. During her time at UCLA, Emily interned at New Horizons Picture Corp, Route One Entertainment, The Tonight Show Starring Jimmy Fallon, and Sony Pictures Television, respectively. Emily was a Writer’s PA for Cobra Kai Season 3. Carlos Adame ’06 CEO, Piñata Farms Erik Akutagawa ’94 Senior Program Manager, Ticketmaster Erik Akutagawa has been a leader in the entertainment and media industry for more than two decades. Most recently, Erik served as senior program manager for Fox and the NFL. Prior to that, Erik was the digital image resources manager at Rhythm & Hues Studios, where he led Academy Award winning teams on projects such as the feature film Life of Pi. Erik has won two Academy Awards (in 2013 and 2008) and three Scientific and Technical Academy Awards (in 2016, 2011 and 2008) Kean Almryde ’09 Manager, Media Network Synergy, Walt Disney Parks & Resorts Kean Almryde as Associate Manager for Media Network Synergy enjoys sharing the stories and magical vacation experiences of storytellers known for their work in television and film. His Disney career started in 2010 as a member of Radio Disney’s Rockin’ Road Crew.