Oy^AART! of Tone School

Total Page:16

File Type:pdf, Size:1020Kb

Oy^AART! of Tone School THE *<EW YORK HERALD, FRIDAY, DECEMBER J), 1921. + »+V 3 J Miss Anne Burr Miss Mona Crozer PERSONAL INTELLIGENCE. [ 4 ' HENRY D. FLOOD, LONG DIED. KKW YORK. ErnanV Has a Notable Revival With IN CONGRESS, IS DEAD Acl.-et^. Ida v I; Irclaud. Jam..a D. Atklnso; H&roVi 1!. Alaithevr*. iJherr.v Is a Debutante Married Here to >. Outgoing passengers for Europe to- Hills, William It. Merikle, liilas V. Virginia Representative Was 1'rt.rireriiot, K. I . Meyer, Ca rrie H. morrow will include Mrs. Elistaa Dyer, ais Campled!. James B. Murphy, Sophronla K. Mr. Grenvllle Temple Emmet, Mr. and Ponselle Elvira at Metropolitan Serving Eleventh Term. t'atliri, Nine T. It< P.*. Minnie , on Her Neal Mrs. William Payne Thompson and Mrs. Clark. William ,s> hf-nrk. G l\. W Birthday Wainwright Frederick CranniT. Mary I.. Simons Mary C. Havemeyer. Washington, Dec. S..Congressional Crist. luiia I' Smith, Mary A. Ruffo. business was suspended to-day out of In-ven, GjsrarN "Utpheti. Kdna E Mrs. Charles E. Tracy has closed her Indisposed. Replaced by respect to Representative Henry D. f ipple. Ar.nl® \ Thompson (Bliss) ,F B. Luncheon Given by Mrs. W. H. the Uuoe, Jatries \Vak*-maii, A. H country place In Highland Falls, N. Y., Danise. and Martinelli Has Flood of Virginia, chairman of Fa k. Frances Wilson. Patrick a. "Burr at the Plaza Serves and, after passing a week with her Democratic Congressional Commit tee, Ferry. Clark I;. Wil W. t . Mrs. Thomas G. Cook In Tuxedo yfr whose ileath, caused by ht art trouble, Gardner, Ctuirles II. Wing. Mary A. sister. Title Role. Caroline A. Park, Is a guest of her sister. Miss Grace occurred shortly before noon. Hiti.t), Double Purpose. The Bigelow at 21 Oramercy Park. Her House immediately after going In Mcniorlani. daughter. Miss Anne H. Tracy, sailed for / into session adjourned until to-morrow Europe with Miss Anne Morgan, but will Hy W. J. HENDERSON. after adopting resolutions of regret, Naughton. Jennie M. Mcftorley. Alary Mrs. Willam H. Burr gave a luncheon return the middle of Verdi's l.afer the Senate adjourned, until January. "Ernani" was sung at the « // yesterday at the Plaza which served a out of respect to the dead MondayACKEFIT..Kuddenlv. a; her home, 89."> W:, Metropolitan Opera House last evening l J as av., Vonkers. N. Y-, on Thursday.rhurton was T. Dana of 14 who hairman of the R<o>resentative,House Oecerrber Ida France' wife" double purpose* It to introduce Mr. and Mrs. David after a period of silence since Affairs 191" S. Baldwin, East street have come from enduring Foreign Committee in of Nelson L. Ackert. Notice of funeral Iter daughter. Miss Anne Burr, and also Sixty-flftli 1903. The the resolution that a nereausr. to her Lenox,. to the Ambassador, where opera was produced at the declaring introduced oelebrata daughter's birthday. Maaa., state of war existed the B. A'.,it on. The 1' ar*. Metropolitan on 28 of that between United ATKINSON..Harold Jn the centre of the table, which was t.lso Mx. and Mrs. Le Roy King. January year States and the Imperial Governments of ueral Church (Campbell HuiloliiR). Broad decorated with pink flowers, was placeu ajid had its final performance on Febru- Germany ami Austria-Hungary. ay, tiflth St., Friday, 11 A. M. w a birthday cake with candles, and !t Am rh:tirmjin nf t)\r> /.rv Tr».-_ HILLS..Suddenly. on December (1, Mrs. Paoit Fitz Simons, Mrs. McDnugall ary 21. The - s," 1(121.. contained the provcrbltl luck singers engaged in the William It. Bills, husband of Agne-. plecee, Hawkes and Mrs. Raymond T. Baiter series of rltorles, Mr. Flood was author of the Bills and father of Arthur. Funeral from thimble, coin and ring. in the representations were Mme. Ills Miss Burr's joined friends at luncheon Serr.brlch resolution admitting New Mexico and late residence, 122 Kast had st., Fri father. Mr. William Hotel yesterday. Ambassador as Elvira, Mr. de Marchl as ArlJtonn. to Statehood. day. December 9, 1921. Requiem mass Burr, was for many years a Hubert Ernani, Mr. Scottl as Don Carlo* and at 11 A. M. at St. Ignatius Loyola Church. at Columbia, but he has retiredprofessor Mr. Flood had been in ill health for With st. and Park av., city. Interment and has been living with his family Mrs. Ten Eyck Wendell pave a Edouard de Ileszke as Don Ray Gomes several weeks. As chairman of the State Sleepy Hollow Cemetery. Tarrytown. N. T Democratic . in New Canaan. Conn. His wife is >eeterday at the Colony Ciub and di Silva. Mr. Mancinelli was the Committee he took an active CRUOGEUHOF. Edward Everett. alter a luncheon part, in the recent Gubernatorial short lllnues, at his home, 1129 Lexington of Suffragan Herbert sister last night gave a dinner there. av. Funeral at Bishop conductor. In Virginia, hut since the electioncampaign services St. James's Shipman. The Church. Madison av. and 71st st., Friday. ; The guests opera has, however, been heard had been unable to attend sessions of December 9, at 11 A- K. Interment private. Included Misses /Susan Mr. and Mrs. Harry B. Holiins. Jr., of lie Beatrice Bayne, Jean Douglas.Gibney. Crickholly. their courrtry place in East in this city since that time, owing to Congress, died In his Washington CAMPBELL.At Suffern, N. V., December 8 Margaret MacMlllln. Martha Syk.'s, the home. 1921. James B. Campbell, beloved husband Isllp, are at the Hotel Lorraine. Industry of the tireless Mr. of I-etltla Letson Campbell. Notice of Mary Noyes, Alice Bowker. Mary Alloc Serving his eleventh term in Con gress, funeral Jane merstcln, who produced It at the Ham: Mr. Flood represented the Tenth Vir- hereafter. Barney, Currier. Margery CATLIN . Nino T., con of 'harlee A. and Adele Thompson, Hayes Blake,Andrews. Mrs. Craig Riddle gave a luncheon hattan Opera House on December 11, sinia district. His home was in M. T. at Pierre's. her guests Manj lha Catlln, November 8, at Shanghai. Gwendolyn Coombe. Clarlsse de Khani, yesterday Among »«»i. xfin singers were Mme, kuss as where burial will be Appomattox,after China, in his 29th year. Anita Blaine Damroach. Harriet Paige were Mrs. Brady Harriman, Mrs. funeral services here Monday. Speaker Elvira, Mr. Bassi as Mr. CLARK..On December 8. William Stevenson Greene, Rosalie Paul Barclay, Ann Noel Rawlins and Mrs. EugeneHerbertS. Ernani, Uilleit is expected to announce Clark. In the 42d year of his age. beloved Cornelia Helen Lowe as Don Carton and Mr. ArimondiAncona the selection of a to-morrowof eon of Mary L. t'lark ana the late Thomas Phelps, Strong, Reynai. committee Clark. .Rice, Kute Darlington. Eliabeth as Don Ruy. A second and last eighteen Representatives to represent Notice, of funeral later. Elinor C. Stewart, Wllma Kohler. the House at the funeral. CRANMER..At May wood. N. J.. Docemb'. Sturgls. Mr. Lloyd Warren gave a small dinner ance took place on December 28.perform! 8. widow of A II1BS,II 111-.: "III. 1921, Mary I-ouisa, Joseph at tor Lord j CranmT. in her Funeral set Louise Wednesday night Sherry's Mr. Gatti-Casazza is a believer in the 7.1th yar. J>Mia Baldwin. Trippe, Thekla and Lady Gran&rd. The other guests vices at her late residence, 37 Lenox av Wigand, Margaret Thompson, Candace included the Marchioness of Crewe, Miss early Verdi and his belief was greatly LOST AND FOUND. Maywood, on Saturday, December 10. a: Woodruff, Sylvia Goddard, Betty Cornelius 2:30 o'clock. Interment Cedar Lawn Cecilia Banks, Margaret Cushman, I_ ..... Violet M. de Trafford, Mrs. strengthened by the popular favor ATTTOMODII,R STOLEN. Cemetery. Vanderbllt, Mr. E. de Peyster Livingston stowed upon his revival of "Da Forzabej SPECIAL, CRIST..At on lsabelle Craig. Barbara Schnlewtnd. del Chandler REWARD. Stamford. Conr... Wednesday, Betty Merchant, Grace and Mr. Francis W. Crownlnshield. Destino." Whether a similar meas- Dispatch 11*21 Car No. 100337. December 7. 1921. Julia Parker, wife of Mary Whitmore, ure of approval will be dealt out to N. J. license 103338. special nickel disc the late Stephen R. Jrtrt. Funeral Alilstrom. Janavinoo Kerens. 1/ouise wheels; two extra side lightu: spot 011 will be held at the residence of serviceslier ' "Erneni" light Bensel. Roberta Rhodes, Lysbeth Mr. Ogden Mills will give a dinner for remains to be determined by left; new side glass lenses; Initials "J. J. L." daughter. Mra C. II. Baldwin, Hhlppan the calculations of Earl Dewts and between <1o>rs "to en December 8 Margaret Bavetiport and HelenMiller,. I i his son-in-law and daughter. Lord and his from tith Point, Stamford. Conn., on Friday aids. By way of it as-, end 13th .t. Communicate with E. n. 1 ;30 o'clock. Automobile wjl! afternoonme" t I.a Fetra. Qranard, at 2 East Sixty-ninth explanation may 7". Fulton , Lady that these, are the b<said HOPWOOD. St.. New York. Tele- trahi leaving ('.rand Central 12:03. Inter-* Mrs. Kdward Everett Hall and her street, December 12. gentlemen who phone Beekman 8987. nicnt Woodlawn. Miss sit at the receipt of custom In the box laughter. Goraldine Hall, gave a office. LOST.Decernbti 7, in McCreery's store. blue DEWB8..tiuntav N. D< r.ioer 8, 1921. luncheon 1n their at r velvet bag containing wrist watch and service) at 111) late Funeral apartment 636 Fifth ' Mr. and Mrs. Oliver G. Jennings have Once residence, 39 W - "-" a -.a! avenue yesterday for Miss Catherine V. » < "i upon time "Ernani" was policy; liable to owner only; alsoinruraiice119th st., Friday, D">' ember 9, at 8 P.
Recommended publications
  • Enrico Caruso
    NI 7924/25 Also Available on Prima Voce ENRICO CARUSO Opera Volume 3 NI 7803 Caruso in Opera Volume One NI 7866 Caruso in Opera Volume Two NI 7834 Caruso in Ensemble NI 7900 Caruso – The Early Years : Recordings from 1902-1909 NI 7809 Caruso in Song Volume One NI 7884 Caruso in Song Volume Two NI 7926/7 Caruso in Song Volume Three 12 NI 7924/25 NI 7924/25 Enrico Caruso 1873 - 1921 • Opera Volume 3 and pitch alters (typically it rises) by as much as a semitone during the performance if played at a single speed. The total effect of adjusting for all these variables is revealing: it questions the accepted wisdom that Caruso’s voice at the time of his DISC ONE early recordings was very much lighter than subsequently. Certainly the older and 1 CAVALLERIA RUSTICANA, Mascagni - O Lola ch’ai di latti la cammisa 2.50 more artistically assured he became, the tone became even more massive, and Rec: 28 December 1910 Matrix: B-9745-1 Victor Cat: 87072 likewise the high A naturals and high B flats also became even more monumental in Francis J. Lapitino, harp their intensity. But it now appears, from this evidence, that the baritone timbre was 2 LA GIOCONDA, Ponchielli - Cielo e mar 2.57 always present. That it has been missed is simply the result of playing the early discs Rec: 14 March 1910 Matrix: C-8718-1 Victor Cat: 88246 at speeds that are consistently too fast. 3 CARMEN, Bizet - La fleur que tu m’avais jetée (sung in Italian) 3.53 Rec: 7 November 1909 Matrix: C-8349-1 Victor Cat: 88209 Of Caruso’s own opinion on singing and the effort required we know from a 4 STABAT MATER, Rossini - Cujus animam 4.47 published interview that he believed it should be every singers aim to ensure ‘that in Rec: 15 December 1913 Matrix: C-14200-1 Victor Cat: 88460 spite of the creation of a tone that possesses dramatic tension, any effort should be directed in 5 PETITE MESSE SOLENNELLE, Rossini - Crucifixus 3.18 making the actual sound seem effortless’.
    [Show full text]
  • 10-06-2018 Aida Mat.Indd
    Synopsis Act I Egypt, during the reign of the pharaohs. At the royal palace in Memphis, the high priest Ramfis tells the warrior Radamès that Ethiopia is preparing another attack against Egypt. Radamès hopes to command the Egyptian army. He is in love with Aida, the Ethiopian slave of Princess Amneris, the king’s daughter, and he believes that victory in the war would enable him to free and marry her. But Amneris also loves Radamès and is jealous of Aida, whom she suspects of being her rival for Radamès’s affection. A messenger brings news that the Ethiopians are advancing. The king names Radamès to lead the army, and all prepare for war. Left alone, Aida is torn between her love for Radamès and loyalty to her native country, where her father, Amonasro, is king. In the temple of Vulcan, the priests consecrate Radamès to the service of the god Ptah. Ramfis orders Radamès to protect the homeland. Act II Ethiopia has been defeated, and in her chambers, Amneris waits for the triumphant return of Radamès. Alone with Aida, she pretends that Radamès has fallen in battle, then says that he is still alive. Aida’s reactions leave no doubt that she loves Radamès. Amneris is certain that she will defeat her rival. At the city gates, the king and Amneris observe the victory celebrations and praise Radamès’s triumph. Soldiers lead in the captured Ethiopians, among them Amonasro, who signals his daughter not to reveal his identity as king. Amonasro’s eloquent plea for mercy impresses Radamès, and the warrior asks that the order for the prisoners to be executed be overruled and that they be freed instead.
    [Show full text]
  • Signerede Plader Og Etiketter Og Fotos Signed Records and Labels and Photos
    Signerede plader og etiketter og fotos Signed records and labels and photos Soprano Blanche Arral (10/10-1864 – 3/3-1945) Born in Belgium as Clara Lardinois. Studied under Mathilde Marchesi in Paris. Debut in USA at Carnegie Hall in 1909. Joined the Met 1909-10. Soprano Frances Alda (31/5-1879 – 18/9-1953) Born Fanny Jane Davis in New Zealand. Studied with Mathilde Marchesi in Paris, where she had her debut in 1904. Married Guilio Gatti-Casazza – the director of The Met – in 1910. Soprano Geraldine Farrar – born February 28, 1882 – in Melrose, Massachusetts – died March 11, 1967 in Ridgefield, Connecticut Was also the star in more than 20 silent movies. Amercian mezzo-soprano Zélie de Lussan – 1861 – 1949 (the signature is bleached) American tenor Frederick Jagel – June, 10, 1897 Brooklyn NY – July 5, 1982, San Francisco, California At the Met from 1927 - 1950 Soprano Elisabeth Schwartzkopf – Met radio transmission on EJS 176 One of the greatest coloratura sopranos. Tenor Benjamino Gigli (20/3-1890 – 30/11-1957) One of the greatest of them all. First there was Caruso, then Gigli, then Björling and last Pavarotti. Another great tenor - Guiseppe di Stefano (24/7-1921 – 3/3-2008) The Italian tenor Guiseppe Di Stefano’s carreer lasted from the late 40’s to the early 70’s. Performed and recorded many times with Maria Callas. French Tenor Francisco (Augustin) Nuibo (1/5-1874 Marseille – Nice 4.1948) The Paris Opéra from 1900. One season at The Met in 1904/05. Tenor Leo Slezak (18/8-1873 – 1/6-1946) born in what became Czeckoslovakia.
    [Show full text]
  • Saturday, March 22, 1941 760 Wov __ .1100 Wq.X11 ..1550
    WMCA _ 570INN-Ye _810 WI...TRW...MO WBAY .660 WABO ....BOOWEVIl 1300 RADIO TODAY WOR_ 710 WI EN' .1010 WhOM. ._1450 WJZ. SATURDAY, MARCH 22, 1941 760 WOV __ .1100 WQ.X11 ..1550 Young People's Concert: New York Philharmonic-SymphonyWABO, NEWS BROADCASTS 11:05 A. M.-12:15. Morning WOR WABOAVNY431 6:30-WEAF, WJZ, :SO-WMCA., WH14 Foreign Policy Association Luncheon: Hotel AstorWQXR, 1:45-8. WABC 8 :45-WNYC - 6 :45,WEAF 8 :55-WQXR, WJZ Metropolitan Opera: Verdi's "Aida," With Bruns. eastagna, Stella 6:55-WOE 9:00-WRAP, WABC1 Roman, Giovanni Martinelli, Ezio Plaza, and OthersWJZ, 2-5:30. 7 :05-WQXR 9:30-WOE 7 :15-WHN, WMCA 9 :45-WILN Baseball: Dodgers-Red Sox, at Clearwater, Fla.WOR, 2:55-5:25. :30-WEAF 10 :00-WMCA. 7 :45-WABC :00-WOE, WNTO, Library of Congress Concert: Budapest QuartetWABC, 3-3:55. 7 :55-WJZ. WQXR WABO Governor Lehman on Catholic Charities ProgramWABC, 5:15-5:30, 8 :00-WRAP, Afternoon Grand Coulee Dam: Ceremonies at Starting of Electric Generators:12 :00-WEN, WQXR 2:45-WOE Governor Langlie; Message From President RooseveltWEAF, 4:02-12 :15-WMCA. 3:343-WQXR 4:30. 12 :25-WJZ WMCA, WEVD :30-WOK 3:45-WNY04 Drama: "Defense for America"; Rear Admiral Taussig, and Others-12:45-WEAlr 3:55-WARO WEAF, 7-7:30. 1:45-WMCA, WEAF 4:00-WRAP :00-WNY0 WABO People's Forum:"Hitler's Spring Plans"; Ralph Ingersoll,Sonia. 2:15-WEI4 5 :50-WABO Tamara, and OthersWABC, 7-7:30.
    [Show full text]
  • Archivio Giuseppe De Luca 1892 - 1980
    Archivio Giuseppe De Luca 1892 - 1980 Progetto Musicisti italiani nel mondo Tipologia d'intervento riordino Estremi cronologici 2018 Descrizione Gruppo degli archivi di musiciti che hanno avuto importanti esperienze internazionali Soggetto conservatore Istituto Nazionale Tostiano - Ortona Condizione giuridica privato Macrotipologia ente di cultura, ricreativo, sportivo, turistico Cenni storico istituzionali L'Istituto Nazionale Tostiano costituito ad Ortona (CH) nel 1983 con Deliberazione del Consiglio Comunale di Ortona n. 161 del 21/03/1983; n. 198 del 27/04/83; n.225 25/07/83 e n. 159 del 14/11/1996, tutte esecutive, è una istituzione di impegno musicologico unica nella regione Abruzzo occupandosi statutariamente della vita e delle opere del compositore Francesco Paolo Tosti, degli altri musicisti abruzzesi e più in generale della musica vocale da camera ed altri settori della cultura musicale. Tale lavoro viene svolto attraverso il collegamento con istituzioni di cultura, editoria ed organizzazione musicale di rilevanza internazionale con un’intensa attività editoriale e discografica, l’attivazione di corsi di perfezionamento internazionali e l’organizzazione di mostre, seminari e convegni in Italia e all’estero. L'Istituto collabora per lo svolgimento delle proprie attività statutarie con diversi enti nazionali ed internazionali in particolare allo sviluppo di progetti di messa in rete di basi di dati e di banche dati. L'Isituto Nazionale Tostiano ha ottenuto il riconoscimento di Istituto culturale di rilevanza nazionale ai sensi
    [Show full text]
  • ARSC Journal
    DISCOGRAPHY THE FIRST MARTINELLI RECORDINGS A selection from original documents located at the Edison National Historic Site Compiled by Raymond R. Wile The recent organization of several of the letter files that had been maintained by various officers of Thomas A. Edison, Inc. has made it possible to gather together a grouping devoted to the first recording activities of Giovanni Martinelli. A few documents may be missing from the story since one major file-that belonging to Walter Miller, Head of the Foreign Department and Director of Recording, has not yet been arranged. The compilation throws considerable light on the impact that the young Martinelli must have made at the time of his London debut and also gives tantalizing glimpses of the musical scene of 1912. Since the documents provided additional information concerning the recordings I have appended a revised version of my discography of Martinelli's Edison recordings. The series of documents is reproduced through the courtesy of the McGraw-Edison Co. and through the kindness of the National Park Service's installation at the Edison National Historic Site. The continued kindness, enthusiasm and the sensitivity of the present and former staff to my research requirements has enabled me to make it useful and a pleasure to pursue. R.W. 22nd May. 1912. Mr. W. H. Miller, Manager, Recording Department, 79-83 Fifth Avenue, NEW YORK. U.S.A. Dear Mr Miller, In my letter of April 27th I referred to the tenor Martinelli who made such a very favourable impression on his first appearance at Covent Garden. He has appeared frequently since, and is referred to by all of the critics as a great find.
    [Show full text]
  • Rosa Ponselle (1897-1981) Also Sang Together on the Last Night of That Second Season Destino
    111141 bk Ponselle04 EU 3/8/07 12:15 Page 4 8.111141 VERDI: La forza del destino: VERDI: Il trovatore: 1 Pace, pace, mio Dio 4:37 ! Miserere 4:30 GREAT SINGERS • PONSELLE 17th January 1928; CVE 29060-8 (Victor 6875 A) with Giovanni Martinelli, tenor, ADD and the Metropolitan Opera Chorus VERDI: La forza del destino: 23rd January 1928; CVE 41637-1 (Victor 8097 A) 2 Pace, pace, mio Dio 4:42 17th January 1928; CVE 29060-9 VERDI: Il trovatore: (unpublished on 78 rpm) @ Miserere 4:28 with Giovanni Martinelli, tenor, Rosa VERDI: Ernani and the Metropolitan Opera Chorus 3 Ernani! Ernani, involami 4:40 23rd January 1928; CVE 41637-2 (Victor 8097 A) 17th January 1928; CVE 29062-6 (Victor 6875 B) PONSELLE VERDI: La forza del destino: DVORˇ ÁK: # La vergine degli angeli 4:33 4 Songs My Mother Taught Me 2:41 with Ezio Pinza, bass, 17th January 1928; BVE 41623-1 (Victor 1319 A) and the Metropolitan Opera Chorus 23rd January 1928; CVE 41636-1 (Victor 8097 B) American Recordings RUBINSTEIN: 5 Since I First Met Thee 3:16 BELLINI: Norma: with Lennartz, cello Casta diva 1923-1929, Volume 4 17th January 1928; BVE 41624-3 (Victor 1319 B) with the Metropolitan Opera Chorus $ Sediziose voci 4:51 VERDI: La forza del destino: 30th January 1929; CVE 49031-3 (Victor 8125 A) Final Scene (Act IV Scene 7) with Giovanni Martinelli, tenor, and Ezio Pinza, bass % Ah! bello a me ritorna (Cabaletta) 3:03 6 Io muoio! 3:28 31st December 1928; CVE 49032-2 (Victor 8125 B) BELLINI 18th January 1928; CVE 41625-1 (unpublished on 78 rpm) BELLINI: Norma: ^ Mira, o Norma 7 Non imprecare,
    [Show full text]
  • Cavalleria Rusticana Pagliacci
    cavalleriaPIETRO MASCAGNI rusticana AND pagliacciRUGGERO LEONCAVALLO conductor Cavalleria Rusticana Fabio Luisi Opera in one act production Libretto by Giovanni Targioni-Tozzetti Sir David McVicar and Guido Menasci, based on a story set designer and play by Giovanni Verga Rae Smith Pagliacci costume designer Moritz Junge Opera in a prologue and two acts lighting designer Libretto by the composer Paule Constable Saturday, April 25, 2015 choreographer 12:30–3:45 PM Andrew George vaudeville consultant New Production (pagliacci) Emil Wolk The productions of Cavalleria Rusticana and Pagliacci were made possible by generous gifts from M. Beverly and Robert G. Bartner, Mr. and Mrs. Paul M. Montrone, and the Estate of Anne Tallman general manager Peter Gelb Major funding was received from Rolex music director James Levine Additional funding was received from John J. Noffo Kahn principal conductor and Mark Addison, and Paul Underwood Fabio Luisi The 675th Metropolitan Opera performance of PIETRO MASCAGNI’S This performance cavalleria is being broadcast live over The rusticana Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Fabio Luisi America’s luxury in order of vocal appearance homebuilder®, with generous long-term turiddu support from Marcelo Álvarez The Annenberg santuzz a Foundation, The Eva-Maria Westbroek Neubauer Family Foundation, the mamma lucia Vincent A. Stabile Jane Bunnell Endowment for Broadcast Media, alfio and contributions George Gagnidze from listeners lol a worldwide. Ginger Costa-Jackson** There is no pe asant woman Toll Brothers– Andrea Coleman Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74.
    [Show full text]
  • Interview with Brian Robison by Forrest Larson for the Music at MIT
    Music at MIT Oral History Project Cherry Emerson Interviewed by Forrest Larson November 28, 2000 Interview no. 1 Massachusetts Institute of Technology Lewis Music Library Transcribed by: University of Connecticut, Center for Oral History, Tapescribe, from the audio recording Transcript Proof Reader: Lois Beattie Transcript Editor: Forrest Larson ©2009 Massachusetts Institute of Technology Lewis Music Library, Cambridge, MA ii Table of Contents 1. Family background (00:15—CD1 00:15) .....................................................................1 Father, Cherry Emerson, Sr. —Georgia Tech and family tradition of chemistry—studies at Emory University— Alfredo Barili—Mother, Sina White—“When We Were Sweethearts” — musical family members—Mrs. Caldwell, first piano teacher—important early musical influences 2. Early musical experiences (18:23—CD1 18:23) ...........................................................6 Operettas—movies—Rachmaninoff—Paderewski—Atlanta music series—Rosa Ponselle and Giovanni Martinelli in Aida 3. Piano study with Alfredo Barili [see also chapter 1] (29:33)—CD1 29:33) .................9 Biographical background—Adelina Patti—musical and pianistic influence—“Mozart Technique”—Edward MacDowell 4. Continuing piano study (47:47—CD1 47:47) .............................................................14 Repertoire—acquisition of Steinway grand piano—José Iturbi—Edwin Hanley—Charles Beaton—Atlanta Conservatory of Music 5. Undergraduate study at Emory University (1:16:39—CD2 13:37) .............................21 Chemistry at Emory—liberal arts—Emerson’s support for Science 2000—Latin language study 6. Graduate school years at MIT (1:27:07—CD2 24:04) ................................................24 Fellowship to Johns Hopkins University—Warren K. Lewis—graduate school studies—music at MIT—music in Boston—Boston Symphony Orchestra—Serge Koussevitzky—Lotte Lehman—MIT School of Chemical Engineering Practice Note on timing notations: Recording of this interview can be found either as one continuous file or as split up over two audio CDs.
    [Show full text]
  • Martinelli and Tibbett in Scenes from Otello and Simon Boccanegra (The Great 1939 Victor Recordings) Mp3, Flac, Wma
    Martinelli Martinelli And Tibbett In Scenes From Otello And Simon Boccanegra (The Great 1939 Victor Recordings) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Martinelli And Tibbett In Scenes From Otello And Simon Boccanegra (The Great 1939 Victor Recordings) Country: UK Released: 1991 Style: Romantic, Opera MP3 version RAR size: 1177 mb FLAC version RAR size: 1223 mb WMA version RAR size: 1722 mb Rating: 4.1 Votes: 920 Other Formats: APE AA TTA MPC AC3 VOX FLAC Tracklist Simon Boccanegra Act I 1 Dinne...Alcun Là Non Vedesti?..Figlia! Tal Nome Palpito 4:36 2 Plebe! Patrizi! Popolo...Piango Su Voi, Sul Placido 5:06 Otello Act I 3 Inaffia L'ugola! (Brindisi) 3:46 4 Già Nella Notte Densa 8:40 Act II 5 Vanne! La Tua Meta...Credo In Un Deo Crudel 4:41 Non Pensatei Più...Tu? Indietro'...Ora E Per Sempre Addio...E Qual 6 5:15 Certezza Sognate 7 Era La Notte...Oh! Mostruosa Colpa! 4:09 8 Ah! Mille Vite...Sì Pel Ciel 3:19 Act III 9 Dio! Mi Potevi Scagliar 4:12 10 Vieni; L'aula È Deserta...Questo È Una Ragna 4:44 Act IV 11 Canzone Del Salice 4:27 12 Ave Maria 4:12 13 Niun Mi Tema 4:28 Companies, etc. Record Company – Pavillion Records Ltd. Credits Baritone Vocals – Lawrence Tibbett, Roberts Nicholson (tracks: 2) Chorus – Metropolitan Opera Chorus Composed By – Verdi* Conductor – Wilfrid Pelletier Liner Notes – Alan Blyth Orchestra – Metropolitan Opera Orchestra* Soprano Vocals – Helen Jepson (tracks: 4, 11, 12), Rose Bampton (tracks: 2) Tenor Vocals – Giovanni Martinelli, Herman Dreeben (tracks: 3), Nicolas Massue* (tracks: 3, 10) Transferred By – Mark Obert-Thorn Notes Recorded 3 and 9 May 1939.
    [Show full text]
  • 10-06-2018 Aida Mat.Indd
    GIUSEPPE VERDI aida conductor Opera in four acts Nicola Luisotti Libretto by Antonio Ghislanzoni production Sonja Frisell Saturday, October 6, 2018 PM set designer 1:00–4:40 Gianni Quaranta costume designer Dada Saligeri lighting designer Gil Wechsler choreographer Alexei Ratmansky The production of Aida was made revival stage director Stephen Pickover possible by a generous gift from Mrs. Donald D. Harrington The revival of this production is made possible by a gift from Viking Cruises general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 1,166th Metropolitan Opera performance of GIUSEPPE VERDI’S aida conductor Nicola Luisotti in order of vocal appearance r amfis a priestess Dmitry Belosselskiy Gabriella Reyes** r adamès amonasro Aleksandrs Antonenko Quinn Kelsey amneris Anita Rachvelishvili solo dancers Jennifer Cadden aida Bradley Shelver Anna Netrebko the king Ryan Speedo Green* a messenger Arseny Yakovlev** Saturday, October 6, 2018, 1:00–4:40PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. The Met: Live in HD series is supported by Rolex. Chorus Master Donald Palumbo Musical Preparation Derrick Inouye, Howard Watkins*, Carol Isaac, and Liora Maurer Assistant Stage Directors Jonathon Loy and J. Knighten Smit Stage Band Conductor Gregory Buchalter Italian Coach Loretta Di Franco Prompter Carol Isaac Met Titles Christopher Bergen Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Headdresses by Rodney Gordon Studios and Miles-Laity, Ltd.
    [Show full text]
  • T Reasury O Pera
    MANON LESCAUT•MARTHA• MEFISTOFELE• DIE MEISTERSINGER• MIGNON• NORMA• LE NOZZE DI FIGARO• OTELLO• PAGLIACCI I PESCATORI DI PERLE DIE ZAUBERFLÖTE • • PORGY AND BESS THE PRIMA VOCETREASURYTHE PRIMA OFOPERA TWO VOLUME DIE WALKÜRE • • LE POSTILLON DE LONJUMEAU IL TROVATORE • TREASURY TRISTAN UND ISOLDE • • OPERA PRINCE IGOR LA TRAVIATA • • Great Arias in Historic Recordings I PURITANI TOSCA • ARTISTS INCLUDE • CARUSO •CHALIAPIN •FARRAR •TETRAZZINI RIGOLETTO TANNHAÜSER • McCORMACK •PONSELLE •TIBBETT NI 1738NI NI 1738 • RINALDO FIVE DISC SET LA SONNAMBULA ROMEOET JULIETTE•DER ROSENKAVALIER• SADKO• SAMSON ET DALILA• SEMELE• SIMON BOCCANEGRA• THE SNOW MAIDEN MANON LESCAUT•MARTHA• MEFISTOFELE• DIE MEISTERSINGER• MIGNON• NORMA• LE NOZZE DI FIGARO• OTELLO• PAGLIACCI I PESCATORI DI PERLE NI 1738 NI 1738 DIE ZAUBERFLÖTE • PRIMA VOCE • PORGY AND BESS PRIMA VOCE puts the performance first. Our aim in transferring 78s to compact DIE WALKÜRE disc is simple: to allow the full musical enjoyment of these recordings without the • distraction of intrusive surface noise between the performer and the listener. This is achieved by a process which re-records rather than re-masters the original sound. • First, to maintain the original sound, several takes are made of each 78. These LE POSTILLON DE LONJUMEAU takes are then digitally edited together and any intrusive clicks or thumps are IL TROVATORE removed at this stage: the removal is judged by human ear alone, and not with the • TREASURY aid of computer programs or electronic filters. Only mint condition 78rpm pressings manufactured from the finest materials of the time are used for transfer, providing a further, natural reduction in surface noise. The result captures for all time the immediacy of the original performances.
    [Show full text]