~;I)Z~ Whose Presence Operagoers May Perhaps Be Crowded House, Greeted Geraldine Farrar's Devoutly Thankful Ere Long
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4 MUSICAL AM E RICA November 29, 1913 lenge invidious comparisons which are in dramas. This time, however, he selected evitably harmful. However thi s may be it "Lohengrin" for the purpose and it was TWO IMPORTANT DEBUTS MARK is certain that M r. IVr artinelli did not exert given before a very large audience on Fri as potent a spell over the discriminating as day evening of last week. Regarded as an TlfE WEEK A T METROPOLITAN the verdicts of London and Philadelp hia entity the performance must be set down warranted. The future may reveal hi s as one of the most dramatically eloquent Giovanni Martinelli Heard for First Time in "Boheme" and capabili ties in a far better light. Extenu Ih at has been heard here in some time ating circumstances serving as a balm for Ihough it was open to criticism in certain "Butterfly" - Mme. Arndt-Ober a Remarkable "Ortrud" possible disappoin tment were not wanting of its specifically musical aspects. Much last week. Dire nervousness held sway credit· for the impetuous spirit and vitality in "Lohengrin" - A Splendid Performance of "The Magic over the tenor during a large part of the of the proceedings is due the new stage evening and he was apparently unable to manager, Franz Horth, in whom the Metro Flute" gauge the size and acoustics of the house politan has apparently made a valuable ac upon so short an acquaintance. Then, too. CJuisition. ONSIDERED from the purely artistic, Iy ill several days before the performance. he had SUf.1 g Rodolfo but once before (and But the dominant feature of the rep that only a few days previously), while to C as distinct from the social, point of Yet there was no trace of indisposition in resentation was the Ortrud of Margarete complete his misfortunes he caught a cold Arndt-Ober, the young mezzo-soprano view, the real beginning .of the Metropoli the superb voice of this ' most versatile of baritones nor in the ebullience of his in Baltimore ana brought it with him to from th e Berlin Royal Opera, who on this tan opera season took place on 'vVednesday humor. It would be a pleasure to record N ew York. occasIOn made her first appearance in evening of last week when the "Magic a triumph. commensurate with those of hi s The VOlce which Martinelli disclosed is America. A more commanding realization F lute" was given. Mozart's musical spring colleagues for Mr. U rlus, the Tamino, but a of vVagner's ideal than this Ortrud has 110t been witnessed upon the Metropolitan stage of eternal youth was one of last year's sense of strict critical conscientiousness makes such a course impossible. The tenor METROPOLITAN OPERA in many a year. Mme. Ober's triumph was most imposing successes and again last \Vas heard' in the part last season and it superlative. A houseful of devout vVag week it attracted a vast audience and pro was . then observed that he did not fi ll its CALENDAR nerites cast artistic etiquette to the winds requirements as well as he did those of in the second act long enough to blot out voked no end of applause. , With this as WEDNESDAY, November 26, Doni- Siegfried or T ristan. This time he sang a few bars of Elsa's music with a _perfect with certain other masterworks Mr. Gatti zetti's HLuci a di La mmerm oor" j hurricane of app.[ause after the .neWGom er earnestly and with the manifest desire of Mm es. Hempel, Ma ttfeld ; Messrs. Casaz z; has aC~ Q mplished what his prede imbuing the character with all the dramatic had delIvered Ortrud's invocation to her cessors failed .t'o do-he has established C r istalll (debut) , Amato. Cond uctor heathen gods. When the second curtain and emotional qualities which might be Mr. Pol a cco. them as p-ermanent· components of the latent in it. Unfortunately he lacks the fell there were more thunderous plaudits standard repertoire. In its scenic depart finish of style, the perfect vocal poise, the Thursday afternoon, Novem ber 27, mingled .with cheers. It was the obvious ment the production is a1;Jout as perfect as W a gner's " ParSifa l" ; Mmes. F r em desire of the audience to have Mme. Ober a modern stage spectacle can be made; and elegance and the polish of phrasing neces sary to the singing of Mozart. Besides stad ; Messrs. Jarn , Weil, Goritz, he fore the curtain alone.. One or two only in one or two detai l s ,: · \~ .as last week's Witherspoon, Schlegel. Conductor, f .there are times when his beautiful voice other members of the cast fe lt differently cast susceptible of improv ~ me nt. And' Mr. Hertz. about it, though,and effectually succeeded given in addition to such sceni'e and vocal ~' fakes on a decided throatiness in emission ·_ .":....;i"quali ty upon the absence of which his Thursda y evening, . Novembe r 27, in depriving a great artist of such homage factors so splendid an instrument as the J ~dmirers congratulated themselves last Puccini's " Manon Lescaut ,; Mmes. as rightly belonged to her. Metropolitan orchestra and SUcl1 a past Bari, D uchene; Messrs. Caruso, master of the secrets of orchestrar'. inter year. By her vivid pantomimic c\elineation of Concerning the rest of the performance Scotti, Seguroia. Conductor, Mr. Po- irony, hauteur, scorn, disappointment· and pretation as Alfred Hertz the result ;'b~ c la cco. comes such as Mozart probably nev~ ,pis; there remains to be said only that the impotent rage in the opening act Mme. Ober tured in ' his fondest dreams. Besides 'it choruses were thrillingly sung (particu Friday, November 28, Mo ussorg quickly proved herself an actress of alto was characteristic of Mr. ' Gatti's artistic larly the sublime "0 Isis und Osiris") and sky's " Bor is Godunow" j Mmes. Ober, gether exceptional penetration and )rysight. judgment to present this typically German that the orchestra under Mr. Hertz- who Breslau (debut) , Spa r kes, Duchene ; But in the' second act she dominii\ed from opera in the language in whicl1 it was writ was aRplap.deq 10J1g and. loudly when he Messrs. Dldur, Alth'ouse, Reiss . Con fi.rst to last. For magnificence :bf sweep, ten instead of the inappropriate Italian ver first appea-r-ed-surpassed Itself m the elas ducto r, Mr, T oscanini. for stup·endous potency of emotional ut sion in which New York had previously ticity, delicacy and abundance of color Saturday afternoon , November 29 , terance, for incisiveness of accent, for been forced to hear it when it heard it with which it played its way through M ozart's " Magic Flute"; M mes. breadth and impassioned eloquence, for at all. Mozart's translucent score. Destinn, ~emJ:>el ; M essrs. Urlus, vitriolic asperity mingled with a grandeur Br aun, Goritz, ReIs s , G r iswold. Con - truly regal this Ortntd is probably unsur " The're was l aughter ._ ~p l enty last week " Boh emel.' I'ntroduces Martine ltl Ove r the humorous lines' and situations of ductor, Mr. Hertz. passed by any living impersonator of the which Messrs. Goritz and Reiss and M iss "La Boheme" on Thursday evening of Monday evening, Decembe r 1, W a g . character. Sensitive to every latent dra Alten made such capital use, though the last week drew an exceptionally large gath ner' s HLohengrin" ; Mmes. , Fremsta d, matic possibili ty of the part she emphasized higher musical beauties of the representation ering though Caruso did not figure in the Ober; Messrs'. UrI us, W~il , Bra un, details last week that illumine the action call ed forth approval quite as emphatic. cast. But the multitude was keyed up to Schlegel. Conductor, Mr. Hertz. with a wealth of significance btlt to which Save for Lillian Eubank, an American a high pitch of expectancy because of the most singers are oblivious. If any objec Wednesda y evenin g, Decem ber 3, tion might be made it would be to a ten mezzo-soprano who appeared as the Second N ew York debut of Giovanni Martinelli, Verdi 's " Un Ballo in M asch era,J; Lady,' and Carl Schlegel, a new baritone the young Italian tenor w.ho had won golden dency to drive home obvious points too Mmes. Destinn, Hempel, Matzena ue r ; strongly. who, was one of the lesser priests, the cast opinions from all sorts of . people in Lon Messrs. Caruso, Amato, Roth ler, De was devoid of unusual features. Judg don and had consequently, as the fashion S eg urola . Co nductor, Mr. T os canini. Mme. Ober is a large woman and her ment on the work of these newc:omers must goes these days, been spoken of as a vo ice matches her physical proportions in be withheld until they can be heard in Caruso rival. A week ago he sang in Phila Thursd ay evening, Decem ber 4, volume. Moreover it is a superb organ of roles affording them solo opportunities. delphia and Philadelphians, as is their W a gner's " S iegfrIed"; Mmes. Frem· true mezzo-soprano quality and of exfen T he ensembles of the three Ladies were, wont, emitted ecstatic echoes. sta d, Ober, Alte n ; iVlessrs. Urlus, Gris sive compass. At times the singer was in however, very beautifully sung, Vera Curtis So it was preordained that a great popu wold, ReiSS , Gorltz, R uysdae l. Con· clined to drive it at top pressure with the and Lila Robeson being the remaining com lar reception awaited the young man at his d uctor, Mr.