DOCSLIB.ORG

Score for Uncertainty Composición Para La

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Score for Uncertainty Composición Para La SCORE FOR UNCERTAINTY COMPOSICIÓN PARA LA INCERTIDUMBRE MUSIC MAKERS HACKLAB ICAS FESTIVAL DRESDEN, GERMANY APRIL-2015 https://mmhl.bandcamp.com All the pictures by: David Pinzer English A SCORE FOR UNCERTAINTY The current context of technological democratization, where costs have fallen improving access to specialized knowl- edge and tools, has driven our generation to a cultural para- digm where the development of every new device reshapes the collective understanding of our present. Correspondingly the sonic landscape of the planet has been gradually modified with every technological upgrade, con- tinually creating sonorities never heard before. In words of Luigi Rusollo we may have conquered the infinite variety of noise-sounds yet “the machines we use for making music can only give back what we put into them” (Varèse 1966) and while theoretically we can generate any sound we im- agine, implementation is often a laborious task (Hermanss 2014). Hosted by the Interspecifics Collective and Alberto de Cam- po, »Score for Uncertainty« was a 7-day long collaborative laboratory focused on the creation of a sound composition from an unknown future using existing but novel instru- ments and sound catalogues. Participants collaborated in intensive improvisational sessions aiming to analyze the way new devices could be involved in the creation of a futur- istic soundscape. The result was presented as a live concert at the end of the ICAS Festival week in Dresden. Español COMPOSICIÓN PARA LA INCERTIDUMBRE El contexto actual de democratización de la tecnología donde los costos han decrecido mejorando el acceso a her- ramientas y conocimiento especializado ha llevado a nues- tra generación hacia un paradigma cultural donde el desar- rollo de cada nuevo aparato reconfigura el entendimiento colectivo de nuestro presente. De la misma forma el paisaje sonoro de nuestro planeta se ha modificado gradualmente al fin de cada desarrollo tec- nológico creando continuamente sonoridades nunca antes escuchadas. En palabras de Luigi Rusollo quizá hemos con- quistado una variedad infinita de ruido-sonido, sin embar- go las máquinas que usamos para hacer música solo nos pueden devolver lo que ponemos en ellas (Varése 1966). Y aunque teóricamente podemos generar cualquier sonido que imaginemos su implementación es a menudo una tarea laboriosa (Hermanss 2014). Con el Colectivo Interspecifics y Alberto de Campo como anfitriones »Composición para la Incertidumbre» fue un laboratorio colaborativo de 7 días que reunió instrumentos noveles y catálogos de sonido en la creación de una score sonoro desde un futuro desconocido. Los participantes co- laboraron en sesiones intensas de improvisación con el ob- jetivo de analizar la forma en que nuevos aparatos pueden involucrarse en la creación de un paisaje sonoro futurista. El resultado fue presentado en formato de acto en vivo al final del Festival ICAS en Dresden. English ALGORITHMS RULE OUR LIFE The following recordings were created at the end of a collabora- tive week. From this space the possibilities and limitations of a machine ensemble guided by random algorithms were studied. The result of this process is presented in this sound compilation. PlAYLIST - 1. OPENING: 15:05 Free improvisation in which every participant decided intui- tively when to join or leave the ensemble. - 2. INTERLUDE 20:17 Using an uncertainty generator written in Supercollider par- ticipants received indications from the system on 3 main roles: texture, rhythm and phrasing. - 3. FINALE : 16:18 Free improvisation in which every participant decided intui- tively when to join or leave the ensemble. *All recording were performed during the MusicMakers Hacklab Final Presentation as part of the ICAS Festival. Español LOS ALGORITMOS DIRIGEN NUESTRAS VIDAS Las siguientes grabaciones se realizaron al final de una semana de trabajo colaborativo. Desde este espacio se experimentaron las posibilidades y limitaciones de un ensamble de máquinas guiado por algoritmos aleatorios. Los resultados de este proceso son presentados en esta compilación sonora. LISTA DE REPRODUCCIÓN: - 1. OPENING: 15:05 Improvisación libre en la que cada participante decide intui- tivamente en que momento unirse o retirarse del ensamble. - 2. INTERLUDE 20:17 Utilizando un generador de incertidumbre escrito en Super- collider, los participantes recibieron indicaciones para seguir 3 distinto roles: textura, ritmo y fraseo. - 3. FINALE : 16:18 Improvisación libre en la que cada participante decide intui- tivamente en que momento unirse o retirarse del ensamble. Todas las grabaciones fueron realizadas en vivo durante la presentación final del MusicMakers Hacklab como parte del Festival ICAS. English THE INSTRUMENTS/ SYTEMS/MODELS OF UNCERTAINTY Anja Erdmann The Sound and Light Apparatus <Raumsucher> consists of digi- tally controlled motors and lighting elements. The installation re- purposes the motors as crude sound generators. Moving shadow projections are animated by changing light sequences of the LEDs. Together they form an audio-visual network - temporally struc- tured movements. <Raumsucher> explores the difference between: object and projec- tion, construction and imagination - in search of manifold ways to perceive space. The System is a setting of sound and light objects, controlled by a Raspberry Pi and Arduino-Boards. The sound origi- nates from prepared dc-motors, beating small metallic objects. Changing motor movements and light sequences of the LEDs are played with Pure Data and a MIDI-Controller. Anja Erdmann (*1976, Erfurt) studied Media Art and Design at Bauhaus-University Weimar with focus on soundart and intermedia installations. Her first sound pro- ject “Klang-Bild-Raum“ (2009) has been exhibited at ZKM Karlsruhe and Neues Museum Weimar. In 2010-2012 she cooperated with Maxie Götze, together they created „Luftikus-installation with moving fans“ for Musée Réattu in Arles. The Mu- seum of Contemporary Art in France has acquired the installation for its collection. The sound art work „Impulse-Prepared Soundroom“ accrued in 2013 during the Art- ist in Residence Programme at Haiart in Hailuoto, Finland. Anja Erdmanns current installation“Raumsucher“ (2014) was shown at NOW!-Festival in Essen and at the Sound Art Exhibition (h)ear XL in the Netherlands. She lives and works in Weimar (Thuringia) English Alberto de Campo My performance setup is designed for fluid access to many sound processes, for a wide range of possibilities with a limited set of physical interfaces. Sources include the Blippoo box (a complex oscillator system by Rob Hordijk), the cracklebox (by STEIM), and many software processes written in the SuperCollider language. They are played with a Manta controller (by Jeff Snyder), a game- pad which can polyphonically record, replay and reshape control loops, the computer keyboard and the multitouch trackpad. Many of them have semi-autonomous (nontrivial) behaviour, so I don’t play them like fully controllable instruments; they rather become playing partners which surprise me, and I can learn to influence them. Alberto de Campo (born 1964) studied classical composition with Andrej Dobrow- olski, Georg Haas, and Beat Furrer; Jazz guitar with Adelhard Roidinger and Peter O’Mara, and electronic music with Curtis Roads and Stephen Travis Pope. After being a Visiting Scholar and Research Director at CREATE (UC Santa Barbara), he taught at IEM Graz (Austria) and at the Academy for Media and Arts (KHM) in Cologne, Germany, and as Edgard Varèse guest professor for Elektronic Music at Technical University Berlin. From 2005-2007 he led the research team of ‘SonEnvir’ (at IEM Graz), a project he initiated, where an interdisciplinary team studied the ap- plicability of data sonification in different scientific disciplines and contexts. With the team he wrote numerous publications, and organized a concert of sonifications of social data for the ICAD conference 2006 in London (‘Global Music - The world by ear’). From 2007-2009 he was Professor for Music Informatics at the Institut Fuer Musik and Medien of the Robert Schumann Hochschule Düsseldorf, and since 2009 he is Professor for Generative Art / Computational Art at el Institute for time based media en la University for the Arts Berlin. Alberto Harres During the Hacklab in Dresden I further developed a study of sound feedback. My aim was to create a texture of itself by using the own time that the laptop took to capture the sound through the microfone and reproduce it on the speakers and back to the microfone. Using my voice and filters I also explored other possi- bilites within the feedback. Besides that I developed a sound-in- teractive visualisation on Processing that appeared on the show’s screen together with Gil’s visualisation. Alberto Harres Born in Rio de Janeiro - Brazil, 1994, Alberto is an artist that works in different medias, from digital art to street art, from sculpture and drawing to pro- gramming art. Is active with the group “Biônicos” of research and experimentation in digital culture, circuit-bending and interactive installations. Currently studies Visual Arts at UFRJ in Rio, but is currently living in Berlin for a student exchange program at UdK Berlin. Davic Nod For the MusicMakers performance I combined the XSL sound collection, Ableton Live, Max for Live and SoundScape Renderer. The XSL is a +2GB free sound collection by more than 50 artists around the world, including recordings from sound installations, underwater recordings, field-recordings, recordings of new and old instruments,
Load more

Recommended publications
  • Jahresbericht 2020 – Musicboard Berlin Gmbh
    Jahresbericht Annual Report Musicboard Berlin GmbH 2020 1 02 Vorwort Preface Inhalt Contents 06 Musicboard Berlin – Über uns About Us 08 Struktur des Musicboards Structure of the Musicboard 10 Übersicht Förderung 2020 Funding overview 2020 16 Stipendien & Residenzen 2020 Scholarships & Residencies 2020 116 Supporttourförderung Support-Tour Funding 118 Labelförderung Label Funding 120 Festivalförderung Festival Funding 140 Karrieresprungbrett Berlin 160 Pop im Kiez 174 Sonderaus schreibung für Popmusikprojekte Special Call for Concepts for Pop Music Projects 202 Kooperationen und Eigenveranstaltungen 2020 Cooperations and Musicboard Events 2020 206 Pop-Kultur 2020 210 Fête de la Musique 2020 2 — Vorwort Katja Lucker Das Festival Pop-Kultur sowie die Fête de la Musique erfanden Musicboard Berlin GmbH is dedicated first and foremost to the The Tag der Clubkultur (»Day of Club Culture«) took place on the Preface Katja Lucker sich in kürzester Zeit und unter immensem Druck als Digital-For- needs and visions of musicians. At the time of our residency 3rd of October, organised by the Clubcommission Berlin in co-op- mate neu, um den Bewohner:innen der Stadt wie auch weit über showcase in February 2020, it was hardly foreseeable what the eration with Musicboard and the Senate Department for Culture — sie hinaus die uneingeschränkte Teilhabe an Popkultur zu ermög- coming months would bring. For many artists, the year meant a and Europe. It highlighted 40 clubs and collectives across the city, Die Musicboard Berlin GmbH widmet sich in erster Linie den lichen – ohne dabei an Qualität nachzulassen. Sie zeigten, wie big step back: with tours and festivals cancelled, a main source of letting them present their utopian visions of collective, cultural Bedürfnissen und Visionen von Musiker:innen.
    [Show full text]
  • Thehard DATA Spring 2015 A.D
    Price: FREE! Also free from fakes, fl akes, and snakes. TheHARD DATA Spring 2015 A.D. Watch out EDM, L.A. HARDCORE is back! Track Reviews, Event Calendar, Knowledge Bombs, Bombast and More! Hardstyle, Breakcore, Shamancore, Speedcore, & other HARD EDM Info inside! http://theharddata.com EDITORIAL Contents Editorial...page 2 Welcome to the fi rst issue of Th e Hard Data! Why did we decided to print something Watch Out EDM, this day and age? Well… because it’s hard! You can hold it in your freaking hand for kick drum’s L.A. Hardcore is Back!... page 4 sake! Th ere’s just something about a ‘zine that I always liked, and always will. It captures a point DigiTrack Reviews... page 6 in time. Th is little ‘zine you hold in your hands is a map to our future, and one day will be a record Photo Credits... page 14 of our past. Also, it calls attention to an important question of our age: Should we adapt to tech- Event Calendar... page 15 nology or should technology adapt to us? Here, we’re using technology to achieve a fun little THD Distributors... page 15 ‘zine you can fold back the page, kick back and chill with. Th e Hard Data Volume 1, issue 1 For a myriad of reasons, periodicals about Publisher, Editor, Layout: Joel Bevacqua hardcore techno have been sporadic at best, a.ka. DJ Deadly Buda despite their success (go fi gure that!) Th is has led Copy Editing: Colby X. Newton to a real dearth of info for fans and the loss of a Writers: Joel Bevacqua, Colby X.
    [Show full text]
  • Imagine La Culture De Demain Guide Du
    Imagine la culture de demain Imagine the culture of tomorrow Guide du Lab European Lab Forum 5e édition Lab’s Guide 13 – 15 mai 2015 1 GENAY NEUVILLE-SUR-SAÔNE SAINT-GERMAIN- MONTANAY AU-MONT-D’OR CURIS- FLEURIEU- AU-MONT-D’OR CAILLOUX- SUR-SAÔNE SUR-FONTAINES ALBIGNY- POLEYMIEUX- SUR-SAONE ROCHETAILLEE- AU-MONT-D’OR SUR-SAÔNE COUZON- SATHONAY- AU-MONT-D’OR VILLAGE FONTAINES- SAINT-MARTIN LIMONEST SAINT-ROMAIN- AU-MONT-D’OR SATHONAY- FONTAINES- CAMP SAINT-DIDIER- RILLIEUX-LA-PAPE SUR-SAÔNE COLLONGES- LA TOUR- AU-MONT-D’OR SAINT-CYR- AU-MONT-D’OR DE-SALVAGNY AU-MONT-D’OR DARDILLY PATRIMOINE + DÉCOUVERTE CHAMPAGNE- CALUIRE-ET-CUIRE AU-MONT-D’OR JONAGE VAULX-EN-VELIN MARCY-L’ETOILE VILLEURBANNE ECULLY CULTURE MEYZIEU CHARBONNIERES- LES-BAINS DECINES-CHARPIEU SAINT-GENIS- LES-OLLIERES TASSIN-LA-DEMI-LUNE+ CRÉATIVITÉ CRAPONNE LYON CHASSIEU FRANCHEVILLE SAINTE-FOY- BRON LES-LYON LA MULATIERE MODE + EXPOSITION MUSIQUES + ÉLECTRONIQUE OULLINS SAINT-FONS SAINT-PRIEST PIERRE-BENITE VENISSIEUX SAINT-GENIS-LAVAL DANSE + ART CONTEMPORAIN + BIENNALES IRIGNY FEYZIN CORBAS CINÉMA + ÉVÉNEMENT MIONS VERNAISON CHARLY SOLAIZE GRIGNY GIVORS Territoire en effervescence, espace de créations, lieu d’imagination, la Métropole de Lyon participe à la diffusion de la culture et de la créativité. Elle porte les Biennales de Lyon « Art contemporain et Danse », coordonne les Journées Européennes du Patrimoine, frissonne sur les Quais du Polar, vibre au rythme des Nuits Sonores et fait résonner l’amour du cinéma sur tout le territoire grâce au Festival Lumière. CULTURE + CRÉATIVITÉ, ou comment des événements majeurs participent au rayonnement de toute une agglomération.
    [Show full text]
  • Download Brochure
    Name: Niraj Singh ACOUSTAMIND Hometown: Mumbai Genre: Electronic Dance Music: Psytrance, Dark Progressive Likes (Facebook): 1270 likes About: Acoustamind - is Niraj Singh who is born and bred from Bombay, India. Niraj got acquainted with disc joking at a very tender age of 16. In his Djing journey, he was hit by the psychedelic music wave in 2005 which gave birth to his psychedelic project “Psyboy Original” under which he performed in several events and festivals throughout India. Completed his “Audio Engineering” from the prestigious SAE institute in the year 2012 to deepen his understanding of music production and is currently pursuing Acoustical instruments. He spends majority time of the day in his studio (Rabbit Hole Soundlab), producing music which consists of dark and harmonic atmospheres, deep and powerful bass lines, psychedelic melodies and synthesized rhythms. His music is a smooth blend of familiar Sounds from the nature and unheard Alienated sounds. “Acoustamind” as a project believes and focuses on working with collaboration with various artists like Karran, Shishiva, etc to produce music with cross collaboration of creative ideologies. Niraj has shared the stage with many senior artists of the dark and forest psychedelic trance genre on numnerous occasions in Goa and other parts of India. Acoustamind’s objective is to spread UNBOUNDED FRESH BREATHTAKING AND BRAIN TRANSFORMING ELECTROMAGNETIC WAVES with a humble smile through SOUNDCARPETS MELTED WITH PHAT KICKS AND ULTRAUEBERROLLING GROOVY BASSLINES and wishes to travel the world. http://bhooteshwara.com/artist/acoustamind/ http://soundcloud.com/…/acoustamind-vs-kosmic-baba-bad-robot Name: Ovnimoon records ALPHATRANCE Hometown: Toulouse, France Genre: Psychedelic trance, Progressive trance Psytrance, Trance Likes(Facebook): 10,588 About: Dj Alphatrance (Ovnimoon Records) is DJ who is spiritually enlightened by Buddhism.
    [Show full text]
  • Creative Europe Culture Music Projects
    Creative Europe Culture Music Projects July 2020 Creative Europe NETWORKS - MUSIC More information on the European Union is available on the Internet (http://europa.eu). Luxembourg : Publications Office of the European Union, 2020 PRINT ISBN : 978-92-9484-121-6 doi : 10.2797/97142 EC-02-19-821-EN-C PDF ISBN : 978-92-9484-120-9 doi : 10.2797/746060 EC-02-19-821-EN-N © Education, Audiovisual and Culture Executive Agency, 2020 The Commission’s reuse policy is implemented by Commission Decision 2011/833/EU of 12 December 2011 on the reuse of Commission documents (OJ L 330, 14.12.2011, p. 39 – https://eur-lex.europa.eu/eli/ dec/2011/833/oj). Unless otherwise noted, the reuse of this document is authorised under the Creative Commons Attribution 4.0 International (CC BY 4.0) licence (https://creativecommons.org/licenses/by/4.0/). This means that reuse is allowed, provided appropriate credit is given and any changes are indicated. For any use or reproduction of elements that are not owned by the EU, permission may need to be sought directly from the respective rightholders. The EU does not own the copyright in relation to any images which do not carry the copyright indicator © European Union. CREDITS Cover photo : © Louise Mather. Creative Europe Culture Music Projects July 2020 TABLE OF CONTENTS TABLE OF CONTENTS FOREWORD 8 - 9 CREATIVE EUROPE PROGRAMME AND INFOGRAPHICS 10 - 11 MUSIC 12 - 77 CLASSICAL MUSIC 12 - 22 EEE - Emerging European Ensembles 12 ARDEA - International Classical Music Masterclasses ARDEA 13 Music Up Close Network - connecting
    [Show full text]
  • Teckyo-Ete-2K18-Light.Pdf
    WWW.TECKYO.COM POPOF INTERVIEW POPOF - HUNGRY MUSIC - TEHO AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2018 / Numéro spécial été D E C O R A T I O N & P E R F O R M E R S B Y C I E R A T A F I A S Y S T E M S O N : 1 0 K W P O O L 5 x 1 0 / E S P A C E V I P . T E R R A S S E " C h i l l " & O M B R A G E E E s p a c e F o o d t r u c k , S t a n d s c r e a t e u r s T e r r a i n d e p e t a n q u e , O h f a d a ! B a r a c o c k t a i l s D I M A N C H E 1 / 1 5 / 2 9 J U I L L E T M E R C R E D I 1 5 A O U T D I M A N C H E 2 6 A O U T L I 1 E 1 U H 3 I N 0 - E 2 D I 3 H T 0 0 TECKYO.COM Edito Sommaire 3 Enfin, l’été s’est installé de façon durable. Il est donc temps de profiter du soleil et de programmer vos sorties, avec tous les évènements que nous avons listés pour vous.
    [Show full text]
  • Miranda, 20 | 2020, « Staging American Nights » [En Ligne], Mis En Ligne Le 30 Mars 2020, Consulté Le 16 Février 2021
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 20 | 2020 Staging American Nights Représentations de l’intime et mises en scène de la nuit aux Amériques David Bousquet, Nathalie Galland, Candice Lemaire, Marine Paquereau et Judite Rodriguès (dir.) Édition électronique URL : http://journals.openedition.org/miranda/22874 DOI : 10.4000/miranda.22874 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique David Bousquet, Nathalie Galland, Candice Lemaire, Marine Paquereau et Judite Rodriguès (dir.), Miranda, 20 | 2020, « Staging American Nights » [En ligne], mis en ligne le 30 mars 2020, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/22874 ; DOI : https://doi.org/10.4000/ miranda.22874 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Staging American Nights Staging American Nights : Représentations de l’intime et mises en scène de la nuit aux Amériques David Bousquet, Nathalie Galland, Candice Lemaire, Marine Paquereau et Judite Rodrigues Nuits intimes et inimitiés nocturnes Alain Montandon After Hours, Through the Night: Jazz Poetry and the Temporality of Emergence Audrey Goodman “Moon Change”: Night Scenes and the Collision of the Personal and the Political in Tony Kushner’s Caroline, or Change (2004) Anouk Bottero Sleepless in Carver Country: Insomnia and Existential Crisis in Raymond Carver’s Short Fiction Marine Paquereau Will they, won’t they? Dream sequences and virtual consummation in the series Moonlighting Shannon Wells-Lassagne « Find your way from darkness to light » : la nuit et l’héritage de la tradition romantique dans Knight of Cups de Terrence Malick Guilain Chaussard Les nuits américaines de Mihail Malaimare Jocelyn Dupont La nuit érotique : entre ciel et chair dans les sonnets votifs de Tomás Segovia Judite Rodrigues La nuit de la langue.
    [Show full text]
  • 2015 Washington, D.C
    of Out Many, August 13–16, 2015 Washington, D.C. !,, 9/5.%%$ 4/+./7 !"/54 &,54%).352!.#% WWWFLUTEINSURANCECOM ,AKEVIEW$RIVE 3UITE! 3EBRING &,53! SERVICE ANDERSON GROUPCOM &,,ICENSE,s),,ICENSEs#!,ICENSE) 43RD ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, WASHINGTON D.C., 2015 3 nfaonline.org LET’S PLAY FLUTE! AN INNOVATIVE METHOD FOR STUDENTS OF ANY AGE by Elizabeth Weinzierl & Edmund Waechter Let’s Play Flute! is a new English adaptation of a successful method by noted *HUPDQÀXWLVWVDQGSHGDJRJXHV WITH PLAY-ALONG ONLINE AUDIO: 50600096 • Method Book 1 • 50600097 • Method Book 2 • 50600098 • Repertoire Book 1 • 50600099 • Repertoire Book 2 • 50600124 • Piano accompaniments for Method Books 1 & 2 • SPECIAL CONFERENCE OFFER FOR FLUTE TEACHERS Get a FREE copy of Method Book 1 at the Hal Leonard exhibit booth #417 while supplies last. 4 43RD ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, WASHINGTON D.C., 2015 nfaonline.org rself Indulge you Choose your Powell and never look back. connect with us at booth #131. Follow us at #PowellFlutesDC. ® VERNE Q. POWELL® FLUTES INC. One Clock Tower Place, Maynard, MA 01754 USA 978.461.6111 www.PowellFlutes.com Table of Contents Letter from the President ................................................................................9 Officers, Directors, Staff, Convention Volunteers, and Competition Coordinators............................................................................14 Welcome Letter from the Mayor of Washington, D.C.............................18 From the Convention Program Chair..........................................................20
    [Show full text]
  • Årsmelding 2012
    Årsmelding 2012 4/4 FORUM FOR TAKT OG TONE AKKERHAUGEN ROCKSAMFUNN AKTIVE STUDENTERS FORENING AKUSTISK TROMSØ ALTA SOUL OG BLUESFESTIVAL ANDØY BLUESKLUBB ARENDAL BLUESKLUBB ARENDAL ROCKKLUBB ARONNESROCKEN ASKER BLUES KLUBB ASKESUS MUSIKKLUBB AUDUNBAKKENFESTIVALEN AVERØY ROCKEKLUBB BACKBEAT BACKLINE MUSIC BAILLSUND BLUESKLUBB BARDU ROCKKLUBB ALAROCK BERGEN BLUES & ROOTS CLUB BERGEN REALISTFORENING BERGENFEST BINGEN SCENE BINGO`N LILLEHAMMER STUDENTSAMFUNN BJERKVIK MUSIKKVERKSTED BLUEBOX BLUES IN HELL BLUES INVEST BLUESLAGET LOKST UTØVE BLÆST BLÅ BLÅFROSTFESTIVALEN BODØ BLUESKLUBB BODØ METAL KLUBB BUDDY SCENE BUKTAFESTIVALEN BYDELSROCK BYGDALARM BYSCENEN, TRONDHEIM BØLGEN KULTURHUS, LARVIK CAFE GENERALEN CAFE MONO CAFE OPERA CANAL STREET ARENDAL JAZZ- OG BLUESFESTIVAL CHRISTIANSAND BLUES CLUB CODSTOCKFESTIVALEN COSMOPOLITE SCENE COUNTRYFESTIVALEN I SELJORD DECENT BOOKING DET AKADEMISKE Kvarter Det NORSKE STUDENTERSAMFUND DRIV DRØBAK Blues CluB DØGNVILLFESTIVALEN EDDY`S KITCHEN EGGSTOCKfestivalen eiDsvoll roCK & BLUES KLUBB EIKERAPEN Roots festival eKstremsporTVEKO ELEKTROSTAT OSLO SYNTFEStival elverum BluesKluBB energiMØLLA EXTREMA NORway familiefestivalen familien fan IT BLUES CLUB FAUSKE BLUesKluBB festiDalen festivalen sin fjelLPARKFESTIVALen fjorDane musiKKforum fjæra BluesKLUBB FLORØ ROCKEKLuBB folKen fonnafest foreningen maaKesKRIK FORENIngen unDer Brua FOT KluBB freDagsliven frEDRIKSTAD ROCKEKluBB (the Crypt) frimus- fri musiKKen venner NÅ! FUgl fønix etne g60 gamla KonsertsteD gjøviK OG TOTEN BLUESKluBB glassmagasineT GLOPPen musiKKforum
    [Show full text]
  • Norsk Kulturfond Tildelinger 2011 Rom for Kunst Tildelinger 2011 TILDELINGER NORSK KULTURFOND 2011 ROM for KUNST
    Norsk kulturfond Tildelinger 2011 Rom for kunst Tildelinger 2011 TILDELINGER NORSK KULTURFOND 2011 ROM FOR KUNST SØKER FYLKE PROSJEKT TILSKUDD ALBATRASS OSLO FORTELLERFESTIVALEN 2011 250 000 BARONIET ROSENDAL HORDALAND ETABLERING AV FLERBRUKSSAL FOR 1 000 000 KONSERT- OG TEATERFORMÅL BOMULDSFABRIKEN KUNSTHALL AUST-AGDER BYGGING AV GANGVEI IFM MED 1 500 000 PROSJEKTET KUNSTARENA TORBJØRNSBU GRUVER CHRISTIANSSANDS VEST-AGDER OPPGRADERING AV LOKALER, NY 600 000 KUNSTFORENING DRIFTSMODELL OG NYTT SAMARBEIDSNETTVERK CIRKUS XANTI AKERSHUS MOBIL SIRKUSLANDSBY - 500 000 FERDIGSTILLING AV ARENAEN DANS FOR VOKSNE OSLO UTVIKLING AV PRODUKSJONSPLATTFORM 400 000 DOKKHUSET SCENE SØR-TRØNDERLAG ENGANGSTILSKUDD 500 000 ELSE LEIRVIK ROGALAND ATELIÉR NORMANNSGATE - 50 000 OPPGRADERING OG ISTANDSETTING AV EKSISTERENDE LOKALER FELLESSKAPSPROSJEKTET Å OSLO ROM-AMBASSADE I OSLO 85 000 FORTETTE BYEN FORTELLERFESTIVALEN OSLO FORTELLERFESTIVALEN 2012-2014 400 000 GALLERI FORMAT OSLO OSLO OMBYGGING 500 000 HAUSMANN BA OSLO KULTURHUSET HAUSMANIA - 550 000 OPPGRADERING LOKALER OG VIDEREFØRING ARENAUTVIKLING 2011- 2012 KINOKINO SENTER FOR KUNST ROGALAND TILRETTELEGGING FOR FLERE 90 000 OG FILM UTTRYKKSFORMER KULTUR- OG TEATERVERKSTEDET NORDLAND FORPROSJEKT - ARENA HELGELAND 70 000 FYRET KUNSTNERNES HUS OSLO UTBEDRING AV AKUSTIKK OG 150 000 BLENDINGSFORHOLD LEVANGER KOMMUNE - NORD -TRØNDELAG LEVANGER KUNSTFORENING - 500 000 KULTURENHETEN OPPGRADERING AV EKSISTERENDE LOKALER OG UTVIKLING AV NY DRIFTSMODELL LITTERATURHUSET I BERGEN HORDALAND INVESTERINGER UTSTYR 1 100
    [Show full text]
  • Årsmelding for 2019
    ÅRS MELD ING 20 19 For- og bakside: Bilder tatt under #taplass. De som er avbildet ble spurt om hva slags ord de forbinder Tvibit med, og disse ordene ble skrevet på deres bilde. Foto: Stina Grønbech. Øverst fra venstre: 1. Margarita Michal- chenko, deltaker på Barents Sound Design 2. NUFF 3. DJ Workshop: DJ Andrea i sving 4. Arctic Dawn var en kreativ utendørs felles- skapsopplevelse for å feire solas tilbakekomst etter mørketida. Det ble arrangert på soldagen i Telegrafbukta, og Tvibit var støttespiller. Et fantastisk tilbud for unge! Tilbudet gjør at « man kan holde på med det man liker på fritida uavhengig av forkunnskap og råd. » Kevin, 17 år, deltaker på filmgruppe En ting jeg må trekke frem som gjorde stort « inntrykk på meg var den gode responsen jeg fikk fra de andre Tvibit-deltakerne da jeg hadde mitt fremlegg om prosjektet. Det var mange fine tilbakemeldinger i etterkant og det ga meg troen på at det jeg driver med har et godt potensiale.» Deltaker på Tvibitstigens kompetansesamling høst 2019 Redaktør: Vilde Fjeldheim Wold Tekst: Christian Hyld, Sif Vik, Anette Tunheim Jakobsen, Mia Marlene Eriksen, Jonas Sivertsen, Helge André Hansen, Sofie Lødding, Espen Nomedal, Terje André Nymark, Mathilde Sofie Henriksen, Stian Andreassen, Ismet Bachtiar, Hermann Greuel, Alessandro Belleli, Margrethe Lind, Karl Kristian Hansen, Stina Grønbech, Fredrik Forssman, Marion Bouvier, Mariann Meszaros Josefsen, Randi Elisabeth Olsen, Merete Nypan, Vilde Fjeldheim Wold. Fotoredaktør: Alessandro Belleli Trykk: Læring gjennom arbeid – avdeling Trykkeriet Design: Eivind Bårdsen Tvibit på nett: www.tvibit.net www.filmveksthuset.no facebook.com/tvibit instagram.com/tvibit Tvibit er en del av Kultur&Idrett, Tromsø kommune.
    [Show full text]
  • 09-08-17.Compressed 412.Pdf
    the Inside this issue: NORWEGIAN Two soups to ease us into autumn american story on pages 14-15 Volume 128, #17 • September 8, 2017 Est. May 17, 1889 • Formerly Norwegian American Weekly, Western Viking & Nordisk Tidende $3 USD Norway’s musical collage A B C D E F WHAT’S INSIDE? « En god poplåt skal Nyheter / News 2-3 gå inn det ene øret og ut Business 4 gjennom munnen. » Sports 5 – Carl Hammarén Opinion 6-7 Research & Science 8 G Arts & Entertainment 9 Norway near you 10-11 Travel 12-13 Taste of Norway 14-15 G Music 16-23 Barneblad 24 From jazz and accordion to indigenous sounds Norwegian Heritage 25 Norsk Språk 26-27 to vintage pop and strange string instruments, Bulletin Board 28 Norway has a lot to offer the music world $1 = NOK 7.805 updated 09/01/2017 For photo credits, see the individual stories: A & F: “Exploring Norway’s pop music ‘oldies,’” by Sean LaFleur, page 16 In comparison B: “Sámi yoik survives and thrives,” by Judith Gabriel Vinje, page 22 08/01/2017 7.9231 C: “Leif & Sunnie bring a favorite song home,” by Sunnie Sundquist, page 19 03/01/2017 8.4006 D: “Never second fiddle: On Norway’s most famous instrument,” by M. Michael Brady, page 17 E: “From Sognefjord to Sandpoint to Shanghai,” by Barbara K. Rostad, page 21 09/01/2016 8.3273 G: “Nordic Jazz: Finland and Norway share the stage,” by Christine Foster Meloni & May Kamalick, page 20 2 • September 8, 2017 Nyheter fra Norge theNORWEGIANamerican Nyheter Musikkbransjen med rekordvekst «Game of Thrones» ga nettrekord I et intervju med fagbladet Kampanje Nesten 12.000 nord­ opp­lyser­Telenor­at­trafikken­i­bredbånds­ menn jobbet i musikk­ nettet­nådde­nye­høyder­28.­august.­Den­ amerikanske­strømmeleverandøren­HBO­ bransjen i 2015 bruker­ Telenors­ nett­ inn­ i­ det­ norske­ markedet,­og­det­er­sesongavslutningen­til­ PETTER SOMMER serien­«Game­of­Thrones»­som­tilskrives­ NRK den­ voldsomme­ trafikken­ i­ nettverket.­ —­«Game­of­Thrones»­er­en­veldig­pop­ En­ny­rapport­fra­Music­Norway­viser­at­ ulær­serie­og­en­stor­snakkis­i­Norge.­Der­ det­er­gode­tider­i­musikkbransjen­i­Norge.
    [Show full text]