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Jahresbericht 2020 – Musicboard Berlin Gmbh
Jahresbericht Annual Report Musicboard Berlin GmbH 2020 1 02 Vorwort Preface Inhalt Contents 06 Musicboard Berlin – Über uns About Us 08 Struktur des Musicboards Structure of the Musicboard 10 Übersicht Förderung 2020 Funding overview 2020 16 Stipendien & Residenzen 2020 Scholarships & Residencies 2020 116 Supporttourförderung Support-Tour Funding 118 Labelförderung Label Funding 120 Festivalförderung Festival Funding 140 Karrieresprungbrett Berlin 160 Pop im Kiez 174 Sonderaus schreibung für Popmusikprojekte Special Call for Concepts for Pop Music Projects 202 Kooperationen und Eigenveranstaltungen 2020 Cooperations and Musicboard Events 2020 206 Pop-Kultur 2020 210 Fête de la Musique 2020 2 — Vorwort Katja Lucker Das Festival Pop-Kultur sowie die Fête de la Musique erfanden Musicboard Berlin GmbH is dedicated first and foremost to the The Tag der Clubkultur (»Day of Club Culture«) took place on the Preface Katja Lucker sich in kürzester Zeit und unter immensem Druck als Digital-For- needs and visions of musicians. At the time of our residency 3rd of October, organised by the Clubcommission Berlin in co-op- mate neu, um den Bewohner:innen der Stadt wie auch weit über showcase in February 2020, it was hardly foreseeable what the eration with Musicboard and the Senate Department for Culture — sie hinaus die uneingeschränkte Teilhabe an Popkultur zu ermög- coming months would bring. For many artists, the year meant a and Europe. It highlighted 40 clubs and collectives across the city, Die Musicboard Berlin GmbH widmet sich in erster Linie den lichen – ohne dabei an Qualität nachzulassen. Sie zeigten, wie big step back: with tours and festivals cancelled, a main source of letting them present their utopian visions of collective, cultural Bedürfnissen und Visionen von Musiker:innen. -
Thehard DATA Spring 2015 A.D
Price: FREE! Also free from fakes, fl akes, and snakes. TheHARD DATA Spring 2015 A.D. Watch out EDM, L.A. HARDCORE is back! Track Reviews, Event Calendar, Knowledge Bombs, Bombast and More! Hardstyle, Breakcore, Shamancore, Speedcore, & other HARD EDM Info inside! http://theharddata.com EDITORIAL Contents Editorial...page 2 Welcome to the fi rst issue of Th e Hard Data! Why did we decided to print something Watch Out EDM, this day and age? Well… because it’s hard! You can hold it in your freaking hand for kick drum’s L.A. Hardcore is Back!... page 4 sake! Th ere’s just something about a ‘zine that I always liked, and always will. It captures a point DigiTrack Reviews... page 6 in time. Th is little ‘zine you hold in your hands is a map to our future, and one day will be a record Photo Credits... page 14 of our past. Also, it calls attention to an important question of our age: Should we adapt to tech- Event Calendar... page 15 nology or should technology adapt to us? Here, we’re using technology to achieve a fun little THD Distributors... page 15 ‘zine you can fold back the page, kick back and chill with. Th e Hard Data Volume 1, issue 1 For a myriad of reasons, periodicals about Publisher, Editor, Layout: Joel Bevacqua hardcore techno have been sporadic at best, a.ka. DJ Deadly Buda despite their success (go fi gure that!) Th is has led Copy Editing: Colby X. Newton to a real dearth of info for fans and the loss of a Writers: Joel Bevacqua, Colby X. -
Bakalářka-Formální Verze-Pdf
UNIVERZITA KARLOVA FAKULTA HUMANITNÍCH STUDIÍ Studium humanitní vzdělanosti- Kreativní modul VOJTĚCH VACEK Psaní o elektronické taneční hudbě v žánrových médiích BAKALÁŘSKÁ DIPLOMOVÁ PRÁCE Vedoucí práce: Mgr. Matěj Kratochvíl, Ph.D. Praha 2020 Prohlášení: Prohlašuji, že jsem práci vypracoval samostatně. Všechny použité prameny a literatura byly řádně citovány. Dále také prohlašuji, že práce nebyla využita k získání jiného nebo stejného titulu. Vojtěch Vacek V Praze dne: ……………………… Poděkování: Rád bych touto cestou poděkoval svému vedoucímu práce Mgr. Matěji Kratochvílovi, Ph.D. za cenné rady a připomínky, vstřícnost a trpělivost při dokončování této práce. Obsah Obsah ........................................................................................................................................4 Abstrakt ..................................................................................................................................6 Klíčová slova .........................................................................................................................6 Úvod ......................................................................................................................................7 1. Historie elektronické hudby .............................................................................................10 1.1. Druhy elektronické hudby ......................................................................................11 2. Elektronická taneční hudba ..............................................................................................12 -
Sacem Annual Report 2018 Strategic Review Management Report Transparency Report Financial Statements
Annual Report and Accounts 2018 Your Sacem SOCIETY OF AUTHORS, COMPOSERS AND PUBLISHERS OF MUSIC Contents 2 Sacem in 2018 8 Innovation 16 A historic vote 24 Business model 28 2018 Highlights 44 Management report General rights 2018 €319.2m 2017 €305.8m TV/Radio (including TV Operators) 2018 €313.0m 2017 €319.8m Online (music and VoD/SVoD) 2018 €177.8m 2017 €83.8m Strategic review Management report Transparency report 01 Sacem at a glance 44 Operations and governance 64 Transparency report 02 An overview of Sacem in 2018 46 Supervision, members and collections 66 Transparency auditor’s report 18 President’s statement 50 A varied repertoire 20 Q&A with Jean-Noël Tronc 54 Cultural aid Financial statements 67 Income and expenses statement 22 Focus on the streaming market: 56 Social responsibility 68 Balance sheet a global growth story 57 Information systems 70 Notes to the statutory 24 Focus on Sacem’s business model 58 Human resources financial statements 26 Collections 59 Legal framework 73 Appendices 27 Distribution and operations 60 Financial performance 85 Auditor’s report on the 28 2018 Highlights (combined figures) financial statements 87 Glossary 89 Credits Strategic review Management report Transparency report Financial statements Sacem at a glance Sacem is the most international of all the What we do authors’ societies in the world. We are proud We collect royalties and distribute them to our members to be at the forefront of our increasingly and mandates. global industry – maximising the value of authors’ rights, investing in technology, Where we operate driving strategic partnerships and ensuring Throughout France and around the world, with more than that royalties are distributed efficiently, 763,500 client contracts. -
Imagine La Culture De Demain Guide Du
Imagine la culture de demain Imagine the culture of tomorrow Guide du Lab European Lab Forum 5e édition Lab’s Guide 13 – 15 mai 2015 1 GENAY NEUVILLE-SUR-SAÔNE SAINT-GERMAIN- MONTANAY AU-MONT-D’OR CURIS- FLEURIEU- AU-MONT-D’OR CAILLOUX- SUR-SAÔNE SUR-FONTAINES ALBIGNY- POLEYMIEUX- SUR-SAONE ROCHETAILLEE- AU-MONT-D’OR SUR-SAÔNE COUZON- SATHONAY- AU-MONT-D’OR VILLAGE FONTAINES- SAINT-MARTIN LIMONEST SAINT-ROMAIN- AU-MONT-D’OR SATHONAY- FONTAINES- CAMP SAINT-DIDIER- RILLIEUX-LA-PAPE SUR-SAÔNE COLLONGES- LA TOUR- AU-MONT-D’OR SAINT-CYR- AU-MONT-D’OR DE-SALVAGNY AU-MONT-D’OR DARDILLY PATRIMOINE + DÉCOUVERTE CHAMPAGNE- CALUIRE-ET-CUIRE AU-MONT-D’OR JONAGE VAULX-EN-VELIN MARCY-L’ETOILE VILLEURBANNE ECULLY CULTURE MEYZIEU CHARBONNIERES- LES-BAINS DECINES-CHARPIEU SAINT-GENIS- LES-OLLIERES TASSIN-LA-DEMI-LUNE+ CRÉATIVITÉ CRAPONNE LYON CHASSIEU FRANCHEVILLE SAINTE-FOY- BRON LES-LYON LA MULATIERE MODE + EXPOSITION MUSIQUES + ÉLECTRONIQUE OULLINS SAINT-FONS SAINT-PRIEST PIERRE-BENITE VENISSIEUX SAINT-GENIS-LAVAL DANSE + ART CONTEMPORAIN + BIENNALES IRIGNY FEYZIN CORBAS CINÉMA + ÉVÉNEMENT MIONS VERNAISON CHARLY SOLAIZE GRIGNY GIVORS Territoire en effervescence, espace de créations, lieu d’imagination, la Métropole de Lyon participe à la diffusion de la culture et de la créativité. Elle porte les Biennales de Lyon « Art contemporain et Danse », coordonne les Journées Européennes du Patrimoine, frissonne sur les Quais du Polar, vibre au rythme des Nuits Sonores et fait résonner l’amour du cinéma sur tout le territoire grâce au Festival Lumière. CULTURE + CRÉATIVITÉ, ou comment des événements majeurs participent au rayonnement de toute une agglomération. -
Download Brochure
Name: Niraj Singh ACOUSTAMIND Hometown: Mumbai Genre: Electronic Dance Music: Psytrance, Dark Progressive Likes (Facebook): 1270 likes About: Acoustamind - is Niraj Singh who is born and bred from Bombay, India. Niraj got acquainted with disc joking at a very tender age of 16. In his Djing journey, he was hit by the psychedelic music wave in 2005 which gave birth to his psychedelic project “Psyboy Original” under which he performed in several events and festivals throughout India. Completed his “Audio Engineering” from the prestigious SAE institute in the year 2012 to deepen his understanding of music production and is currently pursuing Acoustical instruments. He spends majority time of the day in his studio (Rabbit Hole Soundlab), producing music which consists of dark and harmonic atmospheres, deep and powerful bass lines, psychedelic melodies and synthesized rhythms. His music is a smooth blend of familiar Sounds from the nature and unheard Alienated sounds. “Acoustamind” as a project believes and focuses on working with collaboration with various artists like Karran, Shishiva, etc to produce music with cross collaboration of creative ideologies. Niraj has shared the stage with many senior artists of the dark and forest psychedelic trance genre on numnerous occasions in Goa and other parts of India. Acoustamind’s objective is to spread UNBOUNDED FRESH BREATHTAKING AND BRAIN TRANSFORMING ELECTROMAGNETIC WAVES with a humble smile through SOUNDCARPETS MELTED WITH PHAT KICKS AND ULTRAUEBERROLLING GROOVY BASSLINES and wishes to travel the world. http://bhooteshwara.com/artist/acoustamind/ http://soundcloud.com/…/acoustamind-vs-kosmic-baba-bad-robot Name: Ovnimoon records ALPHATRANCE Hometown: Toulouse, France Genre: Psychedelic trance, Progressive trance Psytrance, Trance Likes(Facebook): 10,588 About: Dj Alphatrance (Ovnimoon Records) is DJ who is spiritually enlightened by Buddhism. -
Introduction to Rave Culture
"God Is A DJ" This is my church This is where I heal my hurt It's a natural grace Of watching young life shape It's in minor keys Solutions and remedies Enemies becoming friends When bitterness ends This is my church This is my church This is where I heal my hurt It's in the world I become Content in the hum Between voice and drum It's in change The poetic justice of cause and effect Respect, love, compassion This is my church This is where I heal my hurt For tonight God is a DJ This is my church - Faithless, 1998 Table of Contents Introduction .............................................................................................................................. 4 Chapter 1: Introduction to Rave Culture .............................................................................. 6 1.1 Techno and house music .......................................................................................................................................... 6 1.2 UK acid house and the birth of rave culture .................................................................................................... 8 1.3 Elements of rave culture ....................................................................................................................................... 11 1.4 Social reactions .......................................................................................................................................................... 13 1.5 Rave culture in the Netherlands ....................................................................................................................... -
Creative Europe Culture Music Projects
Creative Europe Culture Music Projects July 2020 Creative Europe NETWORKS - MUSIC More information on the European Union is available on the Internet (http://europa.eu). Luxembourg : Publications Office of the European Union, 2020 PRINT ISBN : 978-92-9484-121-6 doi : 10.2797/97142 EC-02-19-821-EN-C PDF ISBN : 978-92-9484-120-9 doi : 10.2797/746060 EC-02-19-821-EN-N © Education, Audiovisual and Culture Executive Agency, 2020 The Commission’s reuse policy is implemented by Commission Decision 2011/833/EU of 12 December 2011 on the reuse of Commission documents (OJ L 330, 14.12.2011, p. 39 – https://eur-lex.europa.eu/eli/ dec/2011/833/oj). Unless otherwise noted, the reuse of this document is authorised under the Creative Commons Attribution 4.0 International (CC BY 4.0) licence (https://creativecommons.org/licenses/by/4.0/). This means that reuse is allowed, provided appropriate credit is given and any changes are indicated. For any use or reproduction of elements that are not owned by the EU, permission may need to be sought directly from the respective rightholders. The EU does not own the copyright in relation to any images which do not carry the copyright indicator © European Union. CREDITS Cover photo : © Louise Mather. Creative Europe Culture Music Projects July 2020 TABLE OF CONTENTS TABLE OF CONTENTS FOREWORD 8 - 9 CREATIVE EUROPE PROGRAMME AND INFOGRAPHICS 10 - 11 MUSIC 12 - 77 CLASSICAL MUSIC 12 - 22 EEE - Emerging European Ensembles 12 ARDEA - International Classical Music Masterclasses ARDEA 13 Music Up Close Network - connecting -
Score for Uncertainty Composición Para La
SCORE FOR UNCERTAINTY COMPOSICIÓN PARA LA INCERTIDUMBRE MUSIC MAKERS HACKLAB ICAS FESTIVAL DRESDEN, GERMANY APRIL-2015 https://mmhl.bandcamp.com All the pictures by: David Pinzer English A SCORE FOR UNCERTAINTY The current context of technological democratization, where costs have fallen improving access to specialized knowl- edge and tools, has driven our generation to a cultural para- digm where the development of every new device reshapes the collective understanding of our present. Correspondingly the sonic landscape of the planet has been gradually modified with every technological upgrade, con- tinually creating sonorities never heard before. In words of Luigi Rusollo we may have conquered the infinite variety of noise-sounds yet “the machines we use for making music can only give back what we put into them” (Varèse 1966) and while theoretically we can generate any sound we im- agine, implementation is often a laborious task (Hermanss 2014). Hosted by the Interspecifics Collective and Alberto de Cam- po, »Score for Uncertainty« was a 7-day long collaborative laboratory focused on the creation of a sound composition from an unknown future using existing but novel instru- ments and sound catalogues. Participants collaborated in intensive improvisational sessions aiming to analyze the way new devices could be involved in the creation of a futur- istic soundscape. The result was presented as a live concert at the end of the ICAS Festival week in Dresden. Español COMPOSICIÓN PARA LA INCERTIDUMBRE El contexto actual de democratización de la tecnología donde los costos han decrecido mejorando el acceso a her- ramientas y conocimiento especializado ha llevado a nues- tra generación hacia un paradigma cultural donde el desar- rollo de cada nuevo aparato reconfigura el entendimiento colectivo de nuestro presente. -
Teckyo-Ete-2K18-Light.Pdf
WWW.TECKYO.COM POPOF INTERVIEW POPOF - HUNGRY MUSIC - TEHO AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2018 / Numéro spécial été D E C O R A T I O N & P E R F O R M E R S B Y C I E R A T A F I A S Y S T E M S O N : 1 0 K W P O O L 5 x 1 0 / E S P A C E V I P . T E R R A S S E " C h i l l " & O M B R A G E E E s p a c e F o o d t r u c k , S t a n d s c r e a t e u r s T e r r a i n d e p e t a n q u e , O h f a d a ! B a r a c o c k t a i l s D I M A N C H E 1 / 1 5 / 2 9 J U I L L E T M E R C R E D I 1 5 A O U T D I M A N C H E 2 6 A O U T L I 1 E 1 U H 3 I N 0 - E 2 D I 3 H T 0 0 TECKYO.COM Edito Sommaire 3 Enfin, l’été s’est installé de façon durable. Il est donc temps de profiter du soleil et de programmer vos sorties, avec tous les évènements que nous avons listés pour vous. -
Miranda, 20 | 2020, « Staging American Nights » [En Ligne], Mis En Ligne Le 30 Mars 2020, Consulté Le 16 Février 2021
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 20 | 2020 Staging American Nights Représentations de l’intime et mises en scène de la nuit aux Amériques David Bousquet, Nathalie Galland, Candice Lemaire, Marine Paquereau et Judite Rodriguès (dir.) Édition électronique URL : http://journals.openedition.org/miranda/22874 DOI : 10.4000/miranda.22874 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique David Bousquet, Nathalie Galland, Candice Lemaire, Marine Paquereau et Judite Rodriguès (dir.), Miranda, 20 | 2020, « Staging American Nights » [En ligne], mis en ligne le 30 mars 2020, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/22874 ; DOI : https://doi.org/10.4000/ miranda.22874 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Staging American Nights Staging American Nights : Représentations de l’intime et mises en scène de la nuit aux Amériques David Bousquet, Nathalie Galland, Candice Lemaire, Marine Paquereau et Judite Rodrigues Nuits intimes et inimitiés nocturnes Alain Montandon After Hours, Through the Night: Jazz Poetry and the Temporality of Emergence Audrey Goodman “Moon Change”: Night Scenes and the Collision of the Personal and the Political in Tony Kushner’s Caroline, or Change (2004) Anouk Bottero Sleepless in Carver Country: Insomnia and Existential Crisis in Raymond Carver’s Short Fiction Marine Paquereau Will they, won’t they? Dream sequences and virtual consummation in the series Moonlighting Shannon Wells-Lassagne « Find your way from darkness to light » : la nuit et l’héritage de la tradition romantique dans Knight of Cups de Terrence Malick Guilain Chaussard Les nuits américaines de Mihail Malaimare Jocelyn Dupont La nuit érotique : entre ciel et chair dans les sonnets votifs de Tomás Segovia Judite Rodrigues La nuit de la langue. -
2015 Washington, D.C
of Out Many, August 13–16, 2015 Washington, D.C. !,, 9/5.%%$ 4/+./7 !"/54 &,54%).352!.#% WWWFLUTEINSURANCECOM ,AKEVIEW$RIVE 3UITE! 3EBRING &,53! SERVICE ANDERSON GROUPCOM &,,ICENSE,s),,ICENSEs#!,ICENSE) 43RD ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, WASHINGTON D.C., 2015 3 nfaonline.org LET’S PLAY FLUTE! AN INNOVATIVE METHOD FOR STUDENTS OF ANY AGE by Elizabeth Weinzierl & Edmund Waechter Let’s Play Flute! is a new English adaptation of a successful method by noted *HUPDQÀXWLVWVDQGSHGDJRJXHV WITH PLAY-ALONG ONLINE AUDIO: 50600096 • Method Book 1 • 50600097 • Method Book 2 • 50600098 • Repertoire Book 1 • 50600099 • Repertoire Book 2 • 50600124 • Piano accompaniments for Method Books 1 & 2 • SPECIAL CONFERENCE OFFER FOR FLUTE TEACHERS Get a FREE copy of Method Book 1 at the Hal Leonard exhibit booth #417 while supplies last. 4 43RD ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, WASHINGTON D.C., 2015 nfaonline.org rself Indulge you Choose your Powell and never look back. connect with us at booth #131. Follow us at #PowellFlutesDC. ® VERNE Q. POWELL® FLUTES INC. One Clock Tower Place, Maynard, MA 01754 USA 978.461.6111 www.PowellFlutes.com Table of Contents Letter from the President ................................................................................9 Officers, Directors, Staff, Convention Volunteers, and Competition Coordinators............................................................................14 Welcome Letter from the Mayor of Washington, D.C.............................18 From the Convention Program Chair..........................................................20