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University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ The Independence/Freedom and Justice Arch in Ghana: An Uncontested Embodiment of Disparate Sentiments—“National Identity” and “Freedom” A thesis submitted to Division of Research and Advanced Studies of the University of Cincinnati In partial Fulfillment of the requirement for the degree of MASTER OF SCIENCE In the School of Architecture and Interior Design of the College of Design, Architecture, Art and Planning 2008 by Aditei Puplampu Bachelor of Architecture, Drury University, 2005 Committee Chair: Nnamdi Elleh, PhD Committee Members: John E. Hancock Abstract The Independence/Freedom and Justice Arch in Ghana: An Uncontested Embodiment of Disparate Sentiments—“National Identity” and “Freedom” Among its numerous roles in the pre-independent era, social historians agree that imported architecture in colonial African landscapes “…provided forms for the specific purpose of subverting the cultures of colonized subjects, and created centers for domesticating colonial subjects…”1 Conversely, in the mid to late twentieth century (post-independent era), “…architecture was [also] conceptualized as a tool for formulating national identity and -
Petrie, Jennifer Accepted Dissertation 08-20-15 Fa15.Pdf
Music and Dance Education in Senior High Schools in Ghana: A Multiple Case Study A dissertation presented to the faculty of The Patton College of Education of Ohio University In partial fulfillment of the requirements for the degree Doctor of Education Jennifer L. Petrie December 2015 © 2015 Jennifer L. Petrie. All Rights Reserved. 2 This dissertation titled Music and Dance Education in Senior High Schools in Ghana: A Multiple Case Study by JENNIFER L. PETRIE has been approved for the Department of Educational Studies and The Patton College of Education by William K. Larson. Associate Professor of Educational Studies Renée A. Middleton Dean, The Patton College of Education 3 Abstract PETRIE, JENNIFER L., Ed.D., December 2015, Educational Administration Music and Dance Education in Senior High Schools in Ghana: A Multiple Case Study Director of Dissertation: William K. Larson This dissertation examined the state of senior high school (SHS) music and dance education in the context of a growing economy and current socio-cultural transitions in Ghana. The research analyzed the experience of educational administrators, teachers, and students. Educational administrators included professionals at educational organizations and institutions, government officials, and professors at universities in Ghana. Teachers and students were primarily from five SHSs, across varying socioeconomic strata in the Ashanti Region, the Central Region, and the Greater Accra Region. The study employed ethnographic and multiple case study approaches. The research incorporated the data collection techniques of archival document review, focus group, interview, observation, and participant observation. Four interrelated theoretical perspectives informed the research: interdisciplinary African arts theory, leadership and organizational theory, post- colonial theory, and qualitative educational methods’ perspectives. -
Ghana Presentation
A SHORT PRESENTATION ABOUT OUR MOTHERLAND, GHANA. Presented by; Benjamin,Rahmatu and Gabriel. Our National Anthem MAP OF AFRICA AND GHANA A NATURAL STONE IN A FORMATION OF AFRICA MAP IN BUNKPURUGU First President of Ghana Current president of Ghana • Osagyefo Dr. Kwame Nkrumah • His Excellency Nana Addo Danquah Akuffo-Addo This Photo by Unknown Author is licensed under CC BY-SA This Photo by Unknown Author is licensed under CC BY-NC Ghana flag MEANINING OF GHANA FLAG COLOURS RED: The red symbolizes the bloodshed and struggles for independence YELLOW/GOLD: It symbolizes the country’s minerals wealth GREEN: It symbolizes the country’s forest and natural wealth BLACK STAR: Symbolizes Africa Emancipation • Ghana was colonized by; • The British till 1957 BRIEF HISTORY OF GHANA MORE ABOUT GHANA • Gained independence on 6th March 1957 • Located in West Africa • Capital is Accra • Official language is English ( over 70 local languages) • Currency is cedi (¢) • Three Major Religion: Christianity, Islam and African traditional religion (ATR) • Population is 31,732,129 million ( 2020) • Current president is Nana Addo Dankwa Akoffu Addo • Ghana has sixteen regions and 216 districts • Motto of Ghana is freedom and justice • Over 70 tribes( largest Akan) • GHANA IS THE 1ST BLACK AFRICAN NATION TO GAIN INDEPENDENCE FROM COLONIAL RULE. PUBLIC HOLIDAYS IN GHANA • New year January 1 • Independence day March • Worker's day May 1 • African union day May 25 • Republic day July 1 • Founders' day September 21 • Farmer's day : first Friday of every December • -
Material: Ghana
Online-Bildarchiv: Afrikanische Unabhängigkeitsfeiern Institut für Ethnologie and Afrikastudien Johannes Gutenberg-Universität Mainz MATERIAL: GHANA PHOTOGRAPHS The events listed below were documented photographically. The photographs may be accessed in the online archive “African Independence-Day Celebrations”. To search for the images, enter the country name and the name of the event. The number of photographs on a particular theme, event or object is indicated in parentheses. PHOTOGRAPHS Ghana Date Event Location 1957 26.1.1957 Festival of the Arts (Arts Council) (2) Accra 2.3.1957 Ceremonial Welcome (2) Accra 2.3.1957 Independence Celebration (3) Accra 2.3.1957 Wreath-laying Ceremony (2) Accra 5.3.1957 Declaration of Independence (4) Accra 5.3.1957 Independence Celebration/ Float Parade (3) Accra 6.3.1957 Lowering of the Union Jack/ Keta Fort (3) Accra 6.3.1957 State Reception (2) Accra 6.3.1957 Independence Celebration (6) Accra 6.3.1957 Independence Celebration/ Float Parade (4) Accra 9.3.1957 Independence Celebration/ Durbar (1) Accra 1958 13.1.1958 Independence Celebration/ Committee at the opening meeting Accra (1) 6.3.1958 Independence Celebration (2) Accra 6.3.1958 Independence Celebration / March Past (12) Accra 1961 6.3.1961 Independence Celebration (2) Accra 1966 6.3.1966 Parliament House/ Statue (4) Accra 1971 1.10.1971 2nd Anniversary of the 2nd Republic at Black Star Square (2) Accra 1975 6.3.1975 Independence Day Celebration (5) Accra 1982 6.3.1982 Independence Day Celebration (8) Accra 1983 6.3.1983 Independence Day -
Civitatis Ghaniensis Conditor: Kwame Nkrumah, Symbolic Nationalism And
Nations and Nationalism 14 (3), 2008, 520–541. Civitatis Ghaniensis Conditor:Kwame Nkrumah, symbolic nationalism and the iconography of Ghanaian money 1957 – the Golden Jubilee HARCOURT FULLER International History Department, The London School of Economics and Political Science, London, UK ABSTRACT. During his tenure as premier from independence in 1957 until he was ousted by a military and police coup in 1966, Kwame Nkrumah was the living personification of the Ghanaian nation-state. As the self-proclaimed Civitatis Gha- niensis Conditor – Founder of the State of Ghana – his image was minted on the new national money and printed on postage stamps. He erected a monument of himself in Accra, changed the national anthem to make references to himself, customised the national flag to match the colors of his CPP party, made his birthday a national day of celebration (National Founder’s Day), named streets and universities after himself, and amended the constitution whereby he became Life President. Since the coup, many of the symbols of nationhood that Nkrumah constructed have been debated, demolished, reconsidered and reengineered by successive governments to rewrite the Ghanaian historical narrative. This article analyses the contentions of one of Nkrumah’s first expressions of symbolic nationalism – that of the national coinage. KEYWORDS: Civitatis Ghaniensis Conditor; Ghana Cedi; Ghana money; icono- graphy and money; Kwame Nkrumah; nationalism; symbolic nationalism. The act of coining or producing currency has been synonymous with an expression of independence since the earliest years of coinage in Ancient Greece (Mudd 2005). r The author 2008. Journal compilation r ASEN/Blackwell Publishing Ltd 2008 Iconography of Ghanaian money 521 I want the Queen and the people of Britain to know . -
Ghanaian “Monument Wars” the Contested History of the Nkrumah Statues
Cahiers d’études africaines 227 | 2017 Renouveau monumental Ghanaian “Monument Wars” The Contested History of the Nkrumah Statues Carola Lentz Electronic version URL: http://journals.openedition.org/etudesafricaines/20822 DOI: 10.4000/etudesafricaines.20822 ISSN: 1777-5353 Publisher Éditions de l’EHESS Printed version Date of publication: 1 September 2017 Number of pages: 551-582 ISBN: 978-2-7132-2686-1 ISSN: 0008-0055 Electronic reference Carola Lentz, « Ghanaian “Monument Wars” », Cahiers d’études africaines [Online], 227 | 2017, Online since 01 September 2019, connection on 10 December 2020. URL : http://journals.openedition.org/ etudesafricaines/20822 ; DOI : https://doi.org/10.4000/etudesafricaines.20822 © Cahiers d’Études africaines Carola Lentz Ghanaian “Monument Wars” The Contested History of the Nkrumah Statues In January 2012, Ghana’s President John Evans Atta Mills unveiled an imposing statue of “Osagyefo (‘The Redeemer’) Kwame Nkrumah,” as the inscription reads, at the forecourt of the new African Union building in Addis Ababa. The three-and-a-half meter high bronze statue was cast in Ghana,1 but modelled on the very first Nkrumah statue, which had been created by the Italian sculptor Nicola Cataudella and inaugurated in front of the Old Parliament House in Accra at the eve of the first independence anniversary in 1958. The statue shows Nkrumah dressed in his famous fugu, the popular Northern Ghanaian smock, which he was wearing when he declared independence, his right hand lifted in greeting, his left hand holding a walking -
Canadian Curriculum Guide 2016
Once known as the “Gold Coast,” today Ghana is hailed as the golden country of West Africa. It is located in West Africa and uniquely positioned on the globe. The Greenwich Meridian at zero degrees longitude passes through the city of Tema, and the equator cuts just few degrees south of Ghana. Therefore, if you step on the intersection of the Longitude and the Latitude, and in whichever direction you move, Ghana is the first landmass you would step on. That is why it is often said that, Ghana is closer to the center of the earth than any other country. Truly one of Africa's great success stories, Ghana is reaping the benefits of a stable democracy, a strong economy and a rapidly exploding tourism industry fueled by forts and castles, beautiful landscapes, many teeming with exotic wildlife, national parks, unique art and music communities, and exciting experiences among many indigenous cultural groups. Ghana is also suffused with the most incredible energy. When you visit the Republic of Ghana, you might come face to face with caracals (wild cats) and cusimanses, bongos (deer) and bushbacks. Learn from and celebrate with such ethic groups as the Fante, the Ashanti, the Mole-Dagbon or the Ewe. Shop the markets of Kejetia in Kumasi or Makola in Accra. Take time to visit the Wechiau Hippo Sanctuary, the Tafi Atome Monkey Sancuary, or even stop by Paga and feed the crocodiles. Visit the Larabanga Mosque which dates to 1421, the Nzulezu village on stilts, the Colonial lighthouse of Jamestown, or the National Theatre in Accra. -
Copyright © 2005 James Gbadzine Aluong All Rights Reserved. The
Copyright © 2005 James Gbadzine Aluong All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation or instruction. AN ANALYSIS OF THE CHURCH PLANTING STRATEGIES AND METHODS OF THE GHANA BAPTIST CONVENTION AND MISSION FROM 1960-2000 A Dissertation Presented to the Faculty of The Southern Baptist Theological Seminary In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by James Gbadzine Akrong May 2005 UMI Number: 3173104 Copyright 2005 by Akrong, James Gbadzine All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3173104 Copyright 2005 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, M148106-1346 APPROV AL SHEET AN ANALYSIS OF THE CHURCH PLANTING STRATEGIES AND METHODS OF THE GHANA BAPTIST CONVENTION AND MISSION FROM 1960-2000 James Gbadzine Akrong Read and THESES Ph.D. .Ak73a 0199701934903 To Gladys, my dear lovely wife and best friend and to our children, Edem (Edwin), Efakomam (Michael) and Eyram (Abigail) TABLE OF CONTENTS Page PREFACE.......................................................... -
Canadian Curriculum Guide 2016
Once known as the “Gold Coast,” today Ghana is hailed as the golden country of West Africa. It is located in West Africa and uniquely positioned on the globe. The Greenwich Meridian at zero degrees longitude passes through the city of Tema, and the equator cuts just few degrees south of Ghana. Therefore, if you step on the intersection of the Longitude and the Latitude, and in whichever direction you move, Ghana is the first landmass you would step on. That is why it is often said that, Ghana is closer to the center of the earth than any other country. Truly one of Africa's great success stories, Ghana is reaping the benefits of a stable democracy, a strong economy and a rapidly exploding tourism industry fueled by forts and castles, beautiful landscapes, many teeming with exotic wildlife, national parks, unique art and music communities, and exciting experiences among many indigenous cultural groups. Ghana is also suffused with the most incredible energy. When you visit the Republic of Ghana, you might come face to face with caracals (wild cats) and cusimanses, bongos (deer) and bushbacks. Learn from and celebrate with such ethic groups as the Fante, the Ashanti, the Mole-Dagbon or the Ewe. Shop the markets of Kejetia in Kumasi or Makola in Accra. Take time to visit the Wechiau Hippo Sanctuary, the Tafi Atome Monkey Sancuary, or even stop by Paga and feed the crocodiles. Visit the Larabanga Mosque which dates to 1421, the Nzulezu village on stilts, the Colonial lighthouse of Jamestown, or the National Theatre in Accra. -
Building the Ghanaian Nation-State AFRICAN HISTORIES and MODERNITIES
Building the Ghanaian Nation-State AFRICAN HISTORIES AND MODERNITIES Series Editors Toyin Falola, University of Texas at Austin Matthew M. Heaton, Virginia Tech Editorial Board Aderonke Adesanya, Art History, James Madison University Kwabena Akurang-Parry, History, Shippensburg University Nana Amponsah, History, University of North Carolina, Wilmington Tyler Fleming, History, University of Louisville Barbara Harlow, English and Comparative Literature, University of Texas at Austin Emmanuel Mbah, History, College of Staten Island Akin Ogundiran, Africana Studies, University of North Carolina, Charlotte This book series serves as a scholarly forum on African contributions to and nego- tiations of diverse modernities over time and space, with a particular emphasis on historical developments. Specifically, it aims to refute the hegemonic conception of a singular modernity, Western in origin, spreading out to encompass the globe over the last several decades. Indeed, rather than reinforcing conceptual boundaries or parameters, the series instead looks to receive and respond to changing perspectives on an important but inherently nebulous idea, deliberately creating a space in which multiple modernities can interact, overlap, and conflict. While privileging works that emphasize historical change over time, the series will also feature scholarship that blurs the lines between the historical and the contemporary, recognizing the ways in which our changing understandings of modernity in the present have the capacity to affect the way we think about African and global histories. Published in the series Contemporary Africa: Challenges and Opportunities (2014) Edited by Toyin Falola and Emmanuel M. Mbah African Postcolonial Modernity: Informal Subjectivities and the Democratic Consensus (2014) By Sanya Osha Building the Ghanaian Nation-State: Kwame Nkrumah’s Symbolic Nationalism (2014) By Harcourt Fuller Prisoners of Rhodesia: Inmates and Detainees in the Struggle for Zimbabwean Liberation, 1960–1980 (2014) By Munyaradzi B. -
February 2020 GHANA PILGRIMAGE SANKOFA
February 2020 GHANA SIGN UP FOR PILGRIMAGE SANKOFA 8 DAYS EDUCATIONAL JOURNEY TO CELEBRATE BLACK HISTORY MONTH ON THE MOTHERLAND www.aauone.org 8 DAYS EDUCATIONAL JOURNEY TO OUR MOTHERLAND WHAT? The journey of Sankofa allows people of the diaspora a place to claim their African heritage. A spiritual awakening of their connection to the motherland will allow Africans from the diaspora to reconnect and learn about their ancestral roots. HOW? After commemoration of the First Boat of enslaved Africans to arrive in Jamestown, VA from the Gold Coast currently known as Ghana. This year 2020, 401 years later (1619 – 2020) we are WELCOMED, Africa’s children in the diaspora returning to the Motherland. The Government and the people of Ghana have welcomed us, with the Establishment of the PILGRIMAGE of SANKOFA (back to your ROOTS) for her children in the diaspora to come back home. WHO? All the People of the African Diaspora WHEN? February 1, 2020 - February 9, 2020 WHY? “Know for certain that for four hundred years your descendants will be strangers in a country not their own and that they will be enslaved and mistreated there. But I will punish the nation they serve as slaves, and afterward they will come out with great possessions. In the fourth generation, your descendants will come back here (home)”. - African Proverb (in Genesis 15:13-14) THE 8 DAYS OF RETURN The Educational Experience Day 0 – February 1: Arrival Day by Participants Lodging: Hotel In Accra All Participants will arrive in Kotoka International Airport, Accra Ghana and will travel to a hotel in Accra. -
Restaurant Awards Proposal Who Are We?
Restaurant Awards Proposal Who are we? Time Out is of the worlds most famous and respected publishing brands - a global superbrand - and a proven success in every single continent in the world. From London & New York to Shanghai & Mumbai, from Cape Town & Tel Aviv to Moscow, Buenos Aries and now Accra. Time Out is the iconic, independent bible of arts, entertainment & culture around the world with a presence in over 70 cities, presented in over 10 languages and patronised by over 33 million users. We specialize in delivering the latest authoritative reviews and experiences for those wanting to be in the know and who typically influence their friends’ entertainment, travel and consumption habits. Winner of the 2010, 2011, 2013 & 2014 PPA Awards for International Consumer Media Brand of the Year. Kwame Nkrumah is an essential s 1960 Sightseeing Critics’choice part of Ghana’s history and a good A tour through Nkrumah becomes president half-hour here will fill you in on most Prime Minister Kwame Nkrumah is Sights of the details. Events are held on on elected president as Ghana 6 March for Independence Ghana’s history becomes a republic. His legacy is Arts Centre An intense anniversary celebrations, and on 1 almost impossible to avoid in 1introduction to market life, but a August to mark Emancipation Day. Accra – there’s an Nkrumah fun one nevertheless. Pick up the High Street (0302 671 610). Open Many of the most important events in Ghana’s past Avenue, an Nkrumah Circle and an perfect souvenir in this large covered 10am-6pm daily.