Senator D. Rodriguez (A)(S)(E), Senator R
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fiction ISBN 978-1-55152-725-3 $17.95 Canada | $15.95 USA Arsenal Pulp Press
“You’re gonna need a rock and a whole lotta medicine” Whitehead is a mantra that Jonny Appleseed, a young Two-Spirit/Indigiqueer and NDN glitter princess, Joshua Joshua repeats to himself in this vivid and utterly compelling debut novel by Joshua Whitehead. Off the rez and trying to find ways to live, love, and survive in the big city, Jonny has one week before he must return to his home—and his former life—to attend the funeral of his stepfather. The seven days that follow are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and heartbreaking recollections of his beloved kokum (grandmother). Jonny’s life is a series of breakages, appendages, and linkages—and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. JONNY APPLESEED HIGHLIGHTS Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams. “Joshua Whitehead redefines what queer Indigenous writing can be in his powerful debut novel. Jonny Appleseed transcends genres of writing to blend the sacred and the sexual into a vital expression of Indigenous desire and love. Reading it is a coming home to bodies, stories, and experiences of queer Indigenous life that has never been so richly and honestly shown before. This book is an honour song to every queer NDN body who has ever lived and it will transform the universe with its beauty and magic.” FROM THE BACKLIST —Gwen Benaway, author of Passage “If we’re lucky, we’ll find one or two books in a lifetime that change the language of story, that manage to illuminate new curves in the flat vessels of old letters and words. -
Starting a Conversation: the Effort, Effect and Affect of Trans Poetics
Starting a Conversation: The Effort, Effect and Affect of Trans Poetics by Terrence Abrahams, BA University of Toronto, 2017 A Major Research Paper presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the English MA Program in Literatures of Modernity Toronto, Ontario, Canada, 2019 © Terrence Abrahams, 2019 2 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A MAJOR RESEARCH PAPER I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. 3 Introduction – In the introduction to Troubling the Line: Trans and Genderqueer Poetry and Poetics, editor TC Tolbert states that the cultural work of this anthology is, in part, “an attempt to expand the range of what is possible for trans and genderqueer poets and to acknowledge that there is no such thing as monolithic trans and genderqueer poetry” (10). Tolbert further notes that there are two dangers to producing an anthology that will, undoubtedly, shift literary culture: they are exclusion and isolation or confinement (11). Tolbert and fellow editor Trace Peterson are both aware, then, that as a burgeoning field of study and literary culture, transgender poetry and poetics simply cannot be defined, lest they perpetuate exclusion (a state with which trans writers are most familiar) and isolation (Tolbert here cites a “biographical frame [that] puts more emphasis on the author … than the actual poems” - but the editors are also rightly concerned that only other trans people will be interested in trans poetics, meaning cisgender readers will overlook these works [11]). -
From “Telling Transgender Stories” to “Transgender People Telling Stories”: Transgender Literature and the Lambda Literary Awards, 1997-2017
FROM “TELLING TRANSGENDER STORIES” TO “TRANSGENDER PEOPLE TELLING STORIES”: TRANSGENDER LITERATURE AND THE LAMBDA LITERARY AWARDS, 1997-2017 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Andrew J. Young May 2018 Examining Committee Members: Dr. Dustin Kidd, Advisory Chair, Sociology Dr. Judith A. Levine, Sociology Dr. Tom Waidzunas, Sociology Dr. Heath Fogg Davis, External Member, Political Science © Copyright 2018 by Andrew J. Yo u n g All Rights Res erved ii ABSTRACT Transgender lives and identities have gained considerable popular notoriety in the past decades. As part of this wider visibility, dominant narratives regarding the “transgender experience” have surfaced in both the community itself and the wider public. Perhaps the most prominent of these narratives define transgender people as those living in the “wrong body” for their true gender identity. While a popular and powerful story, the wrong body narrative has been criticized as limited, not representing the experience of all transgender people, and valorized as the only legitimate identifier of transgender status. The dominance of this narrative has been challenged through the proliferation of alternate narratives of transgender identity, largely through transgender people telling their own stories, which has the potential to complicate and expand the social understanding of what it means to be transgender for both trans- and cisgender communities. I focus on transgender literature as a point of entrance into the changing narratives of transgender identity and experience. This work addresses two main questions: What are the stories being told by trans lit? and What are the stories being told about trans literature? What follows is a series of separate, yet linked chapters exploring the contours of transgender literature, largely through the context of the Lambda Literary Awards over the past twenty years. -
Pride Collection Brochure
2SLGBTQ+ BOOKS & DVDs PICTURE BOOKS Diversity: Gay: All Families Are Special by Norma Simon From Archie to Zak by Vincent Kirsch A Church for All by Gayle E. Pitman Ghost’s Journey by Robin Stevenson Families, Families, Families by Suzanne Lang Harriet Gets Carried Away by Jessie Sima The Family Book by Todd Parr Jerome by Heart by Thomas Scotto A Family Is a Family Is a Family by Sara O’Leary Old Macdonald Had a Baby by Emily Snape Over the Shop by JonArno Lawson A Plan for Pops by Heather Smith Pride Puppy by Robin Stevenson Prince and Knight by Daniel Haack This Day in June by Gayle E. Pitman Stella Brings the Family by Miriam B. Schiffer A Tale of Two Daddies by Vanita Oelschlager And Tango Makes Three by Justin Richardson Uncle Bobby’s Wedding by Sarah S. Brannen Lesbian: Asha’s Mums by Rosamund Elwin Donovan’s Big Day by Lesléa Newman Happy Birthday, Alice Babette by Monica Culling Heather Has Two Mommies by Lesléa Newman In Our Mothers’ House by Patricia Polacco Plenty of Hugs by Fran Manushkin Gender Nonconforming & Nonbinary: Angus All Aglow by Heather Smith From the Stars In the Sky to the Fish in the Sea by Kai Cheng Thom I Love My Purse by Belle DeMont Introducing Teddy by Jessica Walton Julián is a Mermaid by Jessica Love Morris Micklewhite and the Tangerine Dress by Christine Baldacchino Red: A Crayon’s Story by Michael Hall William’s Doll by Charlotte Zolotow Worm Loves Worm by J.J. Austrian BOARD BOOKS Daddy, Papa and Me by Lesléa Newman Mommy, Mama and Me by Lesléa Newman Pride Colors by Robin Stevenson JUVENILE GRAPHIC NOVELS The Breakaways by Cathy G. -
Seattle Queer Film Festival
10-20 OCTOBER 2019 seattlequeerfilm.org Isn’t it time you planned your financial future? Photo Credit: Sabel Roizen We are excited to welcome you to the 24th annual Translations: Seattle Transgender Film Festival, Reel Seattle Queer Film Festival! The latest in queer cinema Queer Youth, Three Dollar Bill Outdoor Cinema; special from across the globe is being celebrated right here membership screenings; and, of course, the Seattle in our neighborhood, with 157 films from 28 countries Queer Film Festival. We are able to do this vital work in screening over 11 days. the community thanks to the generous support of our This year, the festival showcases many new voices and members, donors, and patrons. experiences, with films from around the world and right SQFF24 carries through it a message of resistance and here in Seattle, including the Northwest premiere of representation, and reflects the LGBTQ2+ community on Argentina’s Brief Story from the Green Planet, winner of the screen. We are thrilled to share these stories with you. Berlin Film Festival’s Teddy Award; and the world premiere We hope you’ll feel a sense of connection and strength in of No Dominion: The Ian Horvath Story by local filmmaker numbers throughout your viewing experience. Plot your course with someone who understands your needs. and Pacific Northwest Ballet principal soloist Margaret We’ll see you at the movies! Mullin. We also feature programs that give you a chance Financial Advisor Steve Gunn, who has earned the Accredited Domestic to reflect on the last 50 years since the Stonewall Riots, SM SM Partnership Advisor and Chartered Retirement Planning Counselor with films like State of Pride by renowned filmmakers Rob designations, can help you develop a strategy for making informed Epstein and Jeffrey Friedman, a 30th anniversary screening decisions about your financial future. -
Of Disability
http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Disability as an Entanglement: A New Materialist Reimagination of Disability A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Faculty of Education at The University of Waikato by Ingrid Rose-anne Jones 2019 Abstract: Research and contemporary practice indicate that people labelled as learning disabled remain positioned on the margins of humanity, despite decades of hard work from the disability rights movement, support workers, and families and whānau, among many others (Goodley, 2017). In this thesis, I seek to find some answers as to why this situation persists. I seek further to investigate if this ongoing marginalisation can be challenged through using new materialist theory to reimagine disability. The thesis begins by outlining the big picture of disability oppression in Aotearoa New Zealand and across the globe. -
Sunday, September 22, 2019 10Am-5Pm | Harbourfront Centre
SUNDAY, SEPTEMBER 22, 2019 10AM-5PM | HARBOURFRONT CENTRE Celebrating Reading. Advocating Literacy. @torontoWOTS • #WOTS30 • thewordonthestreet.ca/toronto WANT TO WRITE? THE HUMBER SCHOOL FOR WRITERS’ CORRESPONDENCE PROGRAM Creative Writing – Fiction, Creative Non-Fiction, Poetry Looking for personalized feedback on your new manuscript? The Humber School for Writers’ Correspondence Program can help! Our 30-week distance studio program is customized to address the needs of your book-length project. Work from the comfort of home under guidance of our exceptional mentors. Apply as soon as possible in order to improve your chance of being paired with your preferred mentor: · David Bergen · Ashley Little · Giles Blunt · Colin McAdam · Karen Connelly · Pamela Mordecai · Elisabeth de Mariaffi · Tim Wynne-Jones · Elizabeth Duncan · Alissa York · Camilla Gibb APPLY NOW FOR JAN 2020! humberschoolforwriters.ca TABLE OF CONTENTS 3 WANT TO WRITE? HOW TO USE THIS PROGRAM Review the Festival at a Glance on pages 8–12, or go directly to the venue THE HUMBER SCHOOL FOR descriptions. Want to see our kids programming? Pick up a TD Kidstreet guide at WOTS! WRITERS’ CORRESPONDENCE PROGRAM Creative Writing – Fiction, Creative Non-Fiction, Poetry WELCOME TO WOTS 2 MEET THE TEAM 3 LETTERS OF GREETING 4-5 Looking for personalized feedback on your new manuscript? FESTIVAL PARTNERS 6-7 FESTIVAL AT A GLANCE 8-12 The Humber School for Writers’ Correspondence Program can ASL PROGRAMMING 13-14 help! Our 30-week distance studio program is customized to #WOTS30 ANNIVERSARY SERIES 15 OFFICIAL BOOKSELLERS 16 address the needs of your book-length project. Work from the AMAZON.CA BESTSELLERS 18-24 comfort of home under guidance of our exceptional mentors. -
Condorcet and I - a Fictional Conversation Between Condorcet and Me: on the Outlines of an Historical View of the Progress of the Human Mind Michael S
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Spring 2015 Condorcet and I - A Fictional Conversation between Condorcet and Me: on the Outlines of an Historical View of the Progress of the Human Mind Michael S. Christopher Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the Fiction Commons Recommended Citation Christopher, Michael S., "Condorcet and I - A Fictional Conversation between Condorcet and Me: on the Outlines of an Historical View of the Progress of the Human Mind" (2015). Master of Liberal Studies Theses. 63. http://scholarship.rollins.edu/mls/63 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Condorcet and I A Fictional Conversation between Condorcet and Me on the Outlines of an Historical View of the Progress of the Human Mind A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Michael S. Christopher May, 2015 Mentor: Dean, Patrick Powers Reader: Dr. Eric Smaw Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida 2 Condorcet and I A Fictional Debate between Condorcet and Me on the Outlines of an Historical View of the Progress of the Human Mind ________________________________________________________________ -
SLW Title List 2020-11-06
Short Literary Works Title List (2020-11-06) ID ISBN Name Author Publisher Pub. Year 15953 9781551526416 even this page is white Vivek Shraya Arsenal Pulp Press 2016 16224 9781551527536 Double Melancholy C.E. Gatchalian Arsenal Pulp Press 2019 16290 9781551527550 Shut Up You're Pretty Téa Mutonji Arsenal Pulp Press 2019 16387 9781551527819 Hustling Verse Amber Dawn, Justin DucharmeArsenal Pulp Press 2019 16691 9781551527758 I Hope We Choose Love Kai Cheng Thom Arsenal Pulp Press 2019 16718 9781551527598 Disintegrate/Dissociate Arielle Twist Arsenal Pulp Press 2019 16750 9781551527574 Tonguebreaker Leah Lakshmi Piepzna-SamarasinhaArsenal Pulp Press 2019 16791 9781988168111 At Bay Press Fiction Annual Sabrina Lightstone At Bay Press 2017 16868 9780991761081 At Bay Press Fiction Annual Alana Brooker At Bay Press 2016 16905 9780991761005 At Bay Press Fiction Annual Alana Brooker At Bay Press 2013 My Conversations with 19288 9781771663601 Canadians Lee Maracle Book*hug Press 2017 Before I Was a Critic I Was a 19360 9781771665070 Human Being Amy Fung Book*hug Press 2019 19591 9781771662581 Notes from a Feminist Killjoy Erin Wunker Book*hug Press 2017 19623 9781771663069 Blank M. NoubeSe Philip Book*hug Press 2017 19740 9781771663731 The Unpublished City Dionne Brand Book*hug Press 2017 19857 9781771663922 Dear Current Occupant Chelene Knight Book*hug Press 2018 19904 9781771665438 Re-Origin of Species Alessandra Naccarato Book*hug Press 2019 20063 9781771666039 Write Across Canada Geoffrey Taylor, Joseph KertesBook*hug Press 2019 20115 -
Naked Heart Festival
GLAD DAY LIT PRESENTS The LGBTQ Festival of Words Financial support is absolutely crucial to build this tradition of bringing people together from across the North America. The organizations and people below have made it possible OUR VISION TO OUR COMMUNITIES to spread the word about Naked Heart, and more importantly, compensate our authors To establish a yearly Canadian LGBTQ How do we join a community we and speakers for sharing their gifts with us. We thank you for your generosty. literary festival that amplifies love, are not born into? How do we nuture language & freedom. our desires? How do we turn pain FESTIVAL FAIRY GODPARENT FESTIVAL SUPPORTER into love? How do we find each other? $2000+ Donation $75+ Donation OUR GOALS How do we build a better future? Glad Day Bookshop Sweets From The Earth • Strengthen literacies and the literary The answer for many of us is story. Amber Dawn community of LGBTQ people. FESTIVAL SUPERSTAR Anil Kamal What’s missing in our lesbian, gay, $1000+ Donation Billeh Nickerson • Create spaces for people to find new work, new opportunities, bi, trans, two-spirit and queer Buddies In Bad Times Carol Rosenfeld new friends and new lovers. communities? How do we create Brad Pyne Design Casey Oraa Michael Erickson Cherie Dimaline • Increase supports for under- space for possibility? Where do we Penguin Random House Christopher Gudgeon represented identities, experiences listen to each other when we don’t Faye Chisholm Guenther and forms of language. feel heard? How do we circulate Henderson Brewing Company FESTIVAL CATALYST • Build bridges between people of our own stories outside of industries Jessica L. -
Rainbows and Riots Pride Month @ Your Library
RAINBOWS AND RIOTS PRIDE MONTH @ YOUR LIBRARY Elisabeth Hegerat Manager: Community & Economic Advancement Lethbridge Public Library Photo credit :Derrick Antson ABOUT ME LETHBRIDGE PRIDE FEST ABOUT THE PHOTOS – MY COMMUNITY All photos of people are: • From Lethbridge, • Photos of library staff during work hours or, • Photos of Pride Fest board members or, • Performers, presenters, or others in an official capacity or, • Photos of individuals I know personally and have cleared it with them or, • Crowd scenes at public events. ABOUT THE LGBTQ+ COMMUNITY Lethbridge Flag Raising 2018 GENDER IDENTITY AND SEXUAL ORIENTATION “Sexual orientation is who you go to bed with. Gender identity is who you go to bed as.” - Tif Semach, OUTreach Southern Alberta, Queer 101 TERMINOLOGY – ALPHABET SOUP GLBT/LGBT • QUILTBAG • QUeer LGBTPQQ2SIAA • Intersex Lesbian • Lesbian Gay • Trans Bisexual • Bisexual Trans(gender) • Asexual/Allies Pansexual • Gay Queer Questioning • SOGI minorities • Sexual Orientation & Gender Identity 2 Spirit Intersex • Queer Asexual/Aromantic/Agender Allies • LGBTQ+ ETIQUETTE Don't out anyone/etiquette of coming out Just get rid of the word preference/preferred Straight pride: not a thing No-one likes to be the token Don't assume all gay people know each other Use the terms the individual person uses Ditto for pronouns Just be normal about it If you screw up, it's not about you I was reading a book (about interjections, oddly enough) yesterday which included the phrase “In these days of political correctness…” talking about no longer making jokes that denigrated people for their culture or for the colour of their skin. And I thought, “That’s not actually anything to do with ‘political correctness’. -
Garcia Zarranz (298.4Kb)
Forthcoming Peer-Reviewed Journal Article University of Toronto Quarterly 88 (Forthcoming Fall 2019) 27pp. Accepted on 17/12/2018 Feeling Sideways: Shani Mootoo and Kai Cheng Thom’s Sustainable Affects History grows itself from the side, from what is to the side of it—often in fictions—before it takes this sideways growth…to itself. —Kathryn Bond Stockton (2009) There’s something very, very powerful about feeling through art, being made to feel through art. —Shani Mootoo in Tara-Michelle Ziniuk (2015) love me for my anger…love me for my need. love me for my jealousy, my weakness, my greed, my cruelty, my viciousness, my shame. —Kai Cheng Thom, “inside voice” (2017) Affects are unruly: like adventurous children, they play hide and seek, always moving in multidirectional ways; like fleshy ghosts, we feel their presence and their absence, but they escape mapping, so any attempt to theorize affect necesarily entails pauses, delays, and breaks. Following transgender theorist Lucas Crawford (2015), I do not seek to locate affect inside the subject. Instead, I propose to read affects as dislocated transtemporal assemblages of intensities and forces caught in endless circuits of power and thus, of political, cultural, and ethical relevance. As Eve K. Sedgwick, Sara Ahmed, and many other queer and anti-racist theorists have taught us, affects such as happiness, love, and joy can become normative when they are imposed to sustain official narratives of whiteness, compulsory heterosexuality, national affiliation, or belonging. In The Cultural Politics of Emotion, Ahmed contends that “[l]oves that depart from the scripts of normative existence can be seen as a ‘source’ of shame.