DOCSLIB.ORG

Judaic-Slavic Journal № 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Judaic-Slavic Journal № 1 Российская Академия наук Центр научных работников Институт славяноведения и преподавателей иудаики в вузах «Сэфер» ISSN: 2658-3364 DOI: 10.31168/2658-3364 DOI выпуска: 10.31168/2658-3364.2019.1 № 1 (2) Judaic-Slavic Journal 2019 При поддержке / Supported by Москва Редакционная коллегия Editorial Board Олег Будницкий (Национальный исследовательский Oleg Budnitskiy (National Research University Higher университет «Высшая школа экономики», Москва) School of Economics, Moscow) Джеффри Вайдлингер (Мичиганский университет, Mikhail Chlenov (Sefer, Moscow) Энн Арбор) Valery Dymshits (European University at St. Petersburg) Франсуа Гене (Университетский колледж Лондона) Gennady Estraikh (New York University) Цви Гительман (Мичиганский университет, Энн Zvi Gitelman (University of Michigan, Ann Arbor) Арбор) François Guesnet (University College London) Валерий Дымшиц (Европейский университет Brian Horowitz (Tulane University, New Orleans, LA) в Санкт-Петербурге) Alexander Ivanov (European University Аркадий Зельцер (Яд Вашем, Иерусалим) at St. Petersburg) Александр Иванов (Европейский университет Sabine Koller (University of Regensburg) в Санкт-Петербурге) Ber Kotlerman (Bar Ilan University, Ramat Gan) Аркадий Ковельман (Московский государственный Arkady Kovelman (Lomonosov Moscow State University) университет имени М.В. Ломоносова) Mark Kupovetsky (Russian State University for Сабине Колер (Университет Регенсбурга) the Humanities, Moscow) Бер Котлерман (Университет имени Бар-Илана, Vladimir Levin (Hebrew University of Jerusalem) Рамат Ган) Harriet Murav (University of Illinois at Марк Куповецкий (Российский государственный Urbana-Champaign) гуманитарный университет, Москва) Benjamin Nathans (University of Pennsylvania, Владимир Левин (Еврейский университет Philadelphia) Иерусалима) Antony Polonsky (Brandeis University) Харриет Мурав (Иллинойсский университет Szymon Rudnicki (University of Warsaw) в Урбана-Шампейн) David Shneer (University of Colorado Boulder) Бенджамен Натанс (Пенсильванский университет, Darius Staliūnas (Lithuanian Institute of History, Филадельфия) Vilnius) Энтони Полонский (Университет Брендайза) Anna Shternshis (University of Toronto) Шимон Рудницкий (Варшавский университет) Jeffrey Veidlinger (University of Michigan, Ann Arbor) Дарюс Сталюнас (Институт истории Литвы, Arkady Zeltser (Yad Vashem, Jerusalem) Вильнюс) Брайан Хоровиц (Тулейнский университет, Нью-Орлеан) Михаил Членов (Центр «Сэфер», Москва) Дэвид Шнир (Университет Колорадо, Боулдер) Анна Штерншис (Университет Торонто) Геннадий Эстрайх (Нью-Йоркский университет) Редакторы Editors Михаил Крутиков (Мичиганский университет, Mikhail Krutikov (University of Michigan, Ann Arbor, Энн Арбор, США) USA) Виктория Мочалова (Центр славяно-иудаики Victoria Mochalova (Institute of Slavic Studies, Russian Института славяноведения РАН; Центр «Сэфер») Academy of Sciences, and Sefer) Шауль Штампфер (Еврейский университет Shaul Stampfer (Hebrew University of Jerusalem, Israel) Иерусалима) Сотрудники редакции Managing editors Светлана Амосова (выпускающий редактор) Svetlana Amosova (editor) Эстер Зыскина (отдел рецензий) Ester Zyskina (review department) Литературный редактор Literary editor Светлана Николаева Svetlana Nikolaeva Корректор Proofreader Вера Комарова Vera Komarova Верстка Layout Александр Сильванович Alex Silvanovich Оформление Design Сергей Трофимов Sergey Trofimov От редакторов Мы посвящаем этот номер светлой памяти нашей коллеги и друга, ис- следовательницы культурного наследия восточноевропейского еврейства Ирины Анатольевны Сергеевой (18 июля 1958 – 26 октября 2019). Выпускница исторического факультета киевского университета имени Тараса Шевченко (по специальности «История и археология»), Ирина Ана- толь евна работала в Институте археологии АН УССР, а с 1986 года – в На- цио нальной библиотеке Украины имени В.И. Вернадского. С 1990 года и до конца своей жизни она возглавляла Отдел иудаики в Институте рукописей этой библиотеки, где хранится богатейшее собрание еврейских рукописей и книг. Работа с этой коллекцией легла в основу ее кандидатской диссерта- ции «Историко-книговедческий анализ и археографическое описание ев- рейских декорированных рукописей XVIII – первой половины ХХ в.» (1998). Ее перу принадлежат также монографии «Альбом еврейской художествен- ной старины Семена Ан-ского» (в соавторстве с А. Канцедикасом; М.: Мосты культуры, 2001) и «Архівна спадщина Семена Ан-ського у фондах Націо - нальної бібліотеки України імені В.І. Вернадського» (Киев: Дух і літера, 2006), а также многочисленные научные статьи и публикации. Трудно переоценить вклад Ирины Анатольевны в возрождение украин- ских еврейских исследований и в подготовку нового поколения ученых. Она преподавала в Международном Соломоновом университете в Киеве (1994–2000 гг.), в Киево-Могилянской академии (с 2003 г.), была членом Исполнительного комитета Украинской ассоциации иудаики, принимала участие в многочисленных этнографических экспедициях, читала курсы лекций на студенческих школах, выступала с докладами на международных конференциях, в том числе – организованных Центром «Сэфер». Мы готовили к печати публикуемую в настоящем номере журнала ста- тью Ирины Анатольевны, видимо, ставшую ее последней работой, когда пришла скорбная весть. С уходом Ирины Анатольевны иудаика понесла большую, невосполнимую потерю, но вклад этого замечательного ученого в ее развитие останется навсегда – в истории, в благодарной памяти коллег и учеников. Editorial: In Memoriam Irina Sergeeva (18.07.1958 – 26.10.2019) This issue is dedicated to our dear friend and colleague, a scholar of the cultural heritage of Eastern European Jewry, Irina Anatolyevna Sergeeva, who passed away on October 26, 2019. After graduating from the Kyiv Taras Shevchenko University with a degree in History and Archeology, Irina Sergeeva worked at the Institute of Archeology of the Ukrainian Academy of Sciences until 1986, when she joined the V.I. Vernadsky National Library of Ukraine. From 1990 until the very end of her life she was in charge of its impressively rich collection of Jewish manuscripts and codices as the Head of the Judaica section at the Library’s Institute of Manuscripts. Irina Sergeeva’s research on the collection became the foundation of her doctoral thesis, “A Historical and Codicological Analysis and Archeographic Description of Jewish Illustrated Manuscripts of the 18–20th Centuries” (1998). Among the works she published are the monograph The Album of Semyon An-sky’s Jewish Antiquities (coauthored with A. Kantsedikas (Moscow: Mosty Kultury, 2001) and The Archival Heritage of Semyon An-sky in the Collections of the Vernadsky National Library of Ukraine (Kyiv: Dukh i Litera, 2006), in addition to numerous scholarly articles. It is hard to exaggerate Irina Sergeeva’s contribution both to the revival of Ukrainian Jewish scholarship, and to the education of the new generation of scholars in the field. For many years she taught at the Kyiv International Solo- mon University (1994–2000) and the Kyiv-Mohylanska Academy (from 2003 on). Irina also served on the Executive Committee of the Ukrainian Association for Jewish Studies, took part in multiple ethnographic expeditions, gave lecture courses at summer schools and presented papers at international conferences, including those organized by the Center “Sefer”. When the tragic news reached us, we were preparing the current issue of our journal for print. It contains an article by Irina Sergeeva, possibly her last work. With Irina Sergeeva’s passing, the academic field of Jewish Studies has suf- fered an immense, irreplaceable loss, but this wonderful scholar’s contribution to the development of the field will remain forever – in history and in the memory of her grateful colleagues and disciples. Содержание Еврейские музеи и коллекции после 1917 года 13 История Музея и Архива Еврейского историко- этнографического общества после октября 1917 г. Ирина Сергеева 44 К вопросу о концептуальном развитии еврейского музея и этнографии евреев на территории Украины в 1917–1941 гг. Марина Щербакова 80 Творческое наследие Ушера Хитера и Элюкима Мальца в контексте развития еврейской этнографии и музейной практики межвоенного времени Евгений Котляр 119 Этнограф И.М. Пульнер и его научное наследие: путешествие по страницам «Советиш Геймланд» Дебора Ялен 148 «Есть нечто, что не любит стен в природе…» (заметки о XVI венецианской архитектурной биеннале 2018 г.) Александр Иванов Литература 171 Vi in posek shteyt geshribn: проблема перевода на русский язык цитат из священных текстов в «Тевье-молочнике» Екатерина Кузнецова 198 «Древние тюрки» и Арминий Вамбери. В поисках прототипа главного героя псевдоавтобиографических рассказов Бабеля Валерий Дымшиц 6 • Содержание Переводы 215 Заключенные № 41 и 42. Судьбы Виктора Альтера и Генрика Эрлиха в советской тюрьме Шимон Рудницкий Публикации 237 «…Им быть под нашею царского величества высокою рукою»: документы о принятии присяги и вступлении в российское подданство гродненских евреев в 1656 г. Дмитрий Фельдман 250 От поэта к философу (Письмо Давида Гофштейна к Льву Шестову) Виктор Кельнер Рецензии Аннотации 259 Грищенко А.И. Правленое славяно-русское Пятикнижие XV века: предварительные итоги лингвотекстологического изучения. М.: Древлехранилище, 2018. 176 с. Константин Бондарь 263 Teller A. Money, Power and Influence in the Eighteenth-Century Lithuania: The Jews on the Radziwill Estates. Stanford: Stanford University Press, 2016. 310 p. Андрей Шпирт 272 Ritual Murder in Russia, Eastern Europe and Beyond: New Histories of an Old Accusation / Ed. by E.M.
Load more

Recommended publications
  • TEL AVIV PANTONE 425U Gris PANTONE 653C Bleu Bleu PANTONE 653 C
    ART MODERNE ET CONTEMPORAIN TRIPLEX PARIS - NEW YORK TEL AVIV Bleu PANTONE 653 C Gris PANTONE 425 U Bleu PANTONE 653 C Gris PANTONE 425 U ART MODERNE et CONTEMPORAIN Ecole de Paris Tableaux, dessins et sculptures Le Mardi 19 Juin 2012 à 19h. 5, Avenue d’Eylau 75116 Paris Expositions privées: Lundi 18 juin de 10 h. à 18h. Mardi 19 juin de 10h. à 15h. 5, Avenue d’ Eylau 75116 Paris Expert pour les tableaux: Cécile RITZENTHALER Tel: +33 (0) 6 85 07 00 36 [email protected] Assistée d’Alix PIGNON-HERIARD Tel: +33 (0) 1 47 27 76 72 Fax: 33 (0) 1 47 27 70 89 [email protected] EXPERTISES SUR RDV ESTIMATIONS CONDITIONS REPORTS ORDRES D’ACHAt RESERVATION DE PLACES Catalogue en ligne sur notre site www.millon-associes.com בס’’ד MODERN AND CONTEMPORARY FINE ART NEW YORK : Tuesday, June 19, 2012 1 pm TEL AV IV : Tuesday, 19 June 2012 20:00 PARIS : Mardi, 19 Juin 2012 19h AUCTION MATSART USA 444 W. 55th St. New York, NY 10019 PREVIEW IN NEW YORK 444 W. 55th St. New York, NY. 10019 tel. +1-347-705-9820 Thursday June 14 6-8 pm opening reception Friday June 15 11 am – 5 pm Saturday June 16 closed Sunday June 17 11 am – 5 pm Monday June 18 11 am – 5 pm Other times by appointment: 1 347 705 9820 PREVIEW AND SALES ROOM IN TEL AVIV 15 Frishman St., Tel Aviv +972-2-6251049 Thursday June 14 6-10 pm opening reception Friday June 15 11 am – 3 pm Saturday June 16 closed Sunday June 17 11 am – 6 pm Monday June 18 11 am – 6 pm tuesday June 19 (auction day) 11 am – 2 pm Bleu PREVIEW ANDPANTONE 653 C SALES ROOM IN PARIS Gris 5, avenuePANTONE d’Eylau, 425 U 75016 Paris Monday 18 June 10 am – 6 pm tuesday 19 June 10 am – 3 pm live Auction 123 will be held simultaneously bid worldwide and selected items will be exhibited www.artonline.com at each of three locations as noted in the catalog.
    [Show full text]
  • Jiddistik Heute
    לקט ייִ דישע שטודיעס הנט Jiddistik heute Yiddish Studies Today לקט Der vorliegende Sammelband eröffnet eine neue Reihe wissenschaftli- cher Studien zur Jiddistik sowie philolo- gischer Editionen und Studienausgaben jiddischer Literatur. Jiddisch, Englisch und Deutsch stehen als Publikationsspra- chen gleichberechtigt nebeneinander. Leket erscheint anlässlich des xv. Sym posiums für Jiddische Studien in Deutschland, ein im Jahre 1998 von Erika Timm und Marion Aptroot als für das in Deutschland noch junge Fach Jiddistik und dessen interdisziplinären אָ רשונג אויסגאַבעס און ייִדיש אויסגאַבעס און אָ רשונג Umfeld ins Leben gerufenes Forum. Die im Band versammelten 32 Essays zur jiddischen Literatur-, Sprach- und Kul- turwissenschaft von Autoren aus Europa, den usa, Kanada und Israel vermitteln ein Bild von der Lebendigkeit und Viel- falt jiddistischer Forschung heute. Yiddish & Research Editions ISBN 978-3-943460-09-4 Jiddistik Jiddistik & Forschung Edition 9 783943 460094 ִיידיש ַאויסגאבעס און ָ ארשונג Jiddistik Edition & Forschung Yiddish Editions & Research Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Band 1 לקט ִיידישע שטודיעס ַהנט Jiddistik heute Yiddish Studies Today Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Yidish : oysgabes un forshung Jiddistik : Edition & Forschung Yiddish : Editions & Research Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Band 1 Leket : yidishe shtudyes haynt Leket : Jiddistik heute Leket : Yiddish Studies Today Bibliografijische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deut- schen Nationalbibliografijie ; detaillierte bibliografijische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © düsseldorf university press, Düsseldorf 2012 Alle Rechte vorbehalten. Das Werk einschließlich aller seiner Teile ist urhe- berrechtlich geschützt.
    [Show full text]
  • Henryk Berlewi
    HENRYK BERLEWI HENRYK © 2019 Merrill C. Berman Collection © 2019 AGES IM CO U N R T IO E T S Y C E O L L F T HENRYK © O H C E M N 2019 A E R M R R I E L L B . C BERLEWI (1894-1967) HENRYK BERLEWI (1894-1967) Henryk Berlewi, Self-portrait,1922. Gouache on paper. Henryk Berlewi, Self-portrait, 1946. Pencil on paper. Muzeum Narodowe, Warsaw Published by the Merrill C. Berman Collection Concept and essay by Alla Rosenfeld, Ph.D. Design and production by Jolie Simpson Edited by Dr. Karen Kettering, Independent Scholar, Seattle, USA Copy edited by Lisa Berman Photography by Joelle Jensen and Jolie Simpson Printed and bound by www.blurb.com Plates © 2019 the Merrill C. Berman Collection Images courtesy of the Merrill C. Berman Collection unless otherwise noted. © 2019 The Merrill C. Berman Collection, Rye, New York Cover image: Élément de la Mécano- Facture, 1923. Gouache on paper, 21 1/2 x 17 3/4” (55 x 45 cm) Acknowledgements: We are grateful to the staf of the Frick Collection Library and of the New York Public Library (Art and Architecture Division) for assisting with research for this publication. We would like to thank Sabina Potaczek-Jasionowicz and Julia Gutsch for assisting in editing the titles in Polish, French, and German languages, as well as Gershom Tzipris for transliteration of titles in Yiddish. We would also like to acknowledge Dr. Marek Bartelik, author of Early Polish Modern Art (Manchester: Manchester University Press, 2005) and Adrian Sudhalter, Research Curator of the Merrill C.
    [Show full text]
  • Dossier Pédagogique
    Un regard sur nos collections Dossier pédagogique < 19.10.2018 Musée Juif de Belgique Rue des Minimes 21 Miniemenstraat 1000 Brussels Joods Museum van België www.mjb-jmb.org Jewish Museum of Belgium Introduction à l’exposition 5 Objectifs de la visite 5 Objectifs du dossier pédagogique 5 1 Le judaïsme 7 Généralités 7 Les grands courants du judaïsme 7 2 Les Juifs de Molenbeek 10 3 La famille Kilimnik : un parcours d’immigration 11 4 La petite synagogue de Molenbeek 12 5 Les synagogues de Belgique 14 6 Le culte 17 Le Temple 17 La synagogue 18 La prière 19 Les textes 19 Les objets de la synagogue 20 Les symboles du judaïsme 22 7 Les rites 23 Naissance 23 Bar et Bat mitzvah 24 Mariage 26 Décès 28 8 Les Fêtes 30 Le Shabbat 30 Fêtes de pèlerinage 31 Hanoukkah 33 Pourim 34 Rosh Hashana et Yom Kippour 35 9 La musique juive 36 Musique religieuse 36 Musique traditionnelle 36 10 L’usage des langues 38 Le yiddish 38 L’hébreu 38 Autres langues juives 39 En Belgique 39 11 Bibliographie 40 Introduction à l’exposition Du berceau à la tombe, la vie religieuse est régie par des lois et coutumes. Ces traditions sont présentes tant dans la vie quotidienne que lors des temps forts de l’année juive et des grandes étapes de la vie. À la fois particuliers et universels, ces rites permettent d’établir des liens avec le sacré, mais aussi entre les individus. L’exposition débute avec l’histoire d’une modeste synagogue inaugurée en 1946 à Molenbeek, éclairant le parcours d’une famille et d’une communauté au sortir de la Seconde Guerre mondiale.
    [Show full text]
  • Checklist of the Exhibition Checklist of the Exhibition Note: All Objects Are
    Checklist of the exhibition Note: All objects are from the collections of the Getty Research Institute, unless otherwise noted. When “photograph” is listed as the medium, the item is a documentary photograph of an original design or artwork. Futurist Beginnings 1. El Lissitzky Cover of Solntse na izlete (Spent sun) Poems by Konstantin Bolshakov Moscow: Tsentrifuga, 1916 88-B24323 2. Natalia Goncharova Cover of Vtoroi sbornik Tsentrifugi (Second Centrifuge collection) Poems by eleven authors Moscow: Tsentrifuga, 1916 90-B4642 3. Natalia Goncharova Cover of Serdtse v perchatke (Heart in a glove) Poems by Konstantin Bolshakov Moscow: Mezonin poezii, 1913 88-B24316 4. Natalia Goncharova Cover of Vetrogradari nad lozami (Gardeners on the vines) Poems by Sergei Bobrov Moscow: Lirika, 1913 88-B24275 1 4a. Natalia Goncharova Pages from Vetrogradari nad lozami (Gardeners on the vines) Poems by Sergei Bobrov Moscow: Lirika, 1913 88-B24275 Yiddish Book Design 5. El Lissitzky Dust jacket from Had gadya (One goat) Children’s illustrated book based on the Jewish Passover song Kiev: Kultur Lige, 1919 1392-150 6a. El Lissitzky Cover of Had gadya (One goat) Children’s illustrated book based on the Jewish Passover song Kiev: Kultur Lige, 1919 1392-150 6b. El Lissitzky Page from Had gadya (One goat) Children’s illustrated book based on the Jewish Passover song Kiev: Kultur Lige, 1919 1392-150 7. El Lissitzky Cover of Sihas hulin: Eyne fun di geshikhten (An everyday conversation: A story) Tale by Moses Broderson Moscow: Ferlag Chaver, 1917 93-B15342 8. El Lissitzky Frontispiece from deluxe edition of Sihas hulin: Eyne fun di geshikhten (An everyday conversation: A story) Tale by Moses Broderson Moscow: Shamir, 1917 93-B15342 2 9.
    [Show full text]
  • Marina Dmitrieva* Traces of Transit Jewish Artists from Eastern Europe in Berlin
    Marina Dmitrieva* Traces of Transit Jewish Artists from Eastern Europe in Berlin In the 1920s, Berlin was a hub for the transfer of culture between East- ern Europe, Paris, and New York. The German capital hosted Jewish art- ists from Poland, Russia, and Ukraine, where the Kultur-Liga was found- ed in 1918, but forced into line by Soviet authorities in 1924. Among these artists were figures such as Nathan Altman, Henryk Berlewi, El Lissitzky, Marc Chagall, and Issachar Ber Ryback. Once here, they be- came representatives of Modernism. At the same time, they made origi- nal contributions to the Jewish renaissance. Their creations left indelible traces on Europe’s artistic landscape. But the idea of tracing the curiously subtle interaction that exists between the concepts “Jewish” and “mod- ern”... does not seem to me completely unappealing and pointless, especially since the Jews are usually consid- ered adherents of tradition, rigid views, and convention. Arthur Silbergleit1 The work of East European Jewish artists in Germany is closely linked to the question of modernity. The search for new possibilities of expression was especially relevant just before the First World War and throughout the Weimar Republic. Many Jewish artists from Eastern Europe passed through Berlin or took up residence there. One distinguish- ing characteristic of these artists was that on the one hand they were familiar with tradi- tional Jewish forms of life due to their origins; on the other hand, however, they had often made a radical break with this tradition. Contemporary observers such as Kurt Hiller characterised “a modern Jew” at that time as “intellectual, future-oriented, and torn”.2 It was precisely this quality of being “torn” that made East European artists and intellectuals from Jewish backgrounds representative figures of modernity.
    [Show full text]
  • Issachar Ber Ryback
    H&H_2019_Meidler-Waks_final.qxp__ 12.03.19 23:48 Seite 3 Sigalit Meidler=Waks ISSACHAR BER RYBACK Leben und Werk H&H_2019_Meidler-Waks_final.qxp__ 12.03.19 23:48 Seite 4 Issachar Ber Ryback 1897–1935 H&H_2019_Meidler-Waks_final.qxp__ 12.03.19 23:48 Seite 5 Inhalt 1. Einleitung 9 2. Stand der Forschung 11 3. Die jüdische Renaissance in Russland 16 3.1. Die politische und gesellschaftliche Situation der Juden in Russland 16 im 19. und 20. Jahrhundert 3.2. Die erste Generation jüdischer Künstler 19 3.3. Die zweite Generation jüdischer Künstler 25 4. Die politische Situation in der Ukraine 30 Anfang des 20. Jahrhunderts bis 1921 5. Ryback in Kiew 42 5.1. Ryback an der Kunstakademie 42 5.2. Rybacks Expeditionen und die Synagoge von Mohilew 46 5.3. Die Kultur-Lige 54 5.4. In Kiew entstandene Ölgemälde und Zeichnungen 73 5.4.1. Frühwerk 73 5.4.2. Ölgemälde und Zeichnungen der Jahre 1916–1921 79 5.4.2.1. Arbeiten zum Schtetl 83 5.4.2.2. Portraits 97 5.5. In Kiew entstandene Bühnendekorationen 104 5.6. In Kiew entstandene Buchillustrationen und Signets 111 5.7 „Wege der jüdischen Malerei“ – zum kunsttheoretischen Manifest 116 von Issachar Ryback und Boris Aronson 5.8. Zur Rezeption Rybacks in Kiew 127 5.9. Ryback in Moskau 128 6. Russen in Berlin 144 7. Ryback in Berlin 155 7.1. In Berlin entstandene Ölgemälde und Zeichnungen 157 7.2. In Berlin entstandene Buchillustrationen 173 7.3. In Berlin veröffentlichte Graphikmappen 178 5 H&H_2019_Meidler-Waks_final.qxp__ 12.03.19 23:48 Seite 6 Inhalt 7.3.1.
    [Show full text]
  • El Lissitzky – Jewish As Universal: from Jewish Style to Pangeometry Style Jewish from As Universal: – Jewish El Lissitzky Fig
    El Lissitzky – Jewish as Universal: From Jewish Style to Pangeometry Igor Dukhan “Avant-garde oeuvre” implies certain dualities. On the one metaphorical textures are constructed and designed. To hand, it attempts to present a new vision of the totality put it differently, the strongest rationalistic will towards of the world, a rational proposal for the “reconstruction synthesis moves Lissitzky beyond rationality, just as the of the world.” On the other hand, it might imply refined Jewishness of his “Jewish-style” works contains formative symbolist play, full of direct, and especially hidden, impulses of universality. From yet another viewpoint, his references and quotations. Furthermore, the avant-garde abstract suprematist and post-suprematist creations and oeuvre is intended to speak universally; yet, it contains theories imply a hidden, genuine Jewishness. diverse national, nationalistic, and even chauvinistic Despite the artist’s own theories about his works, traits (the latter flourished during and immediately after despite a perfect intellectual biography of Lissitzky written World War I), which internally contradict its universalism by his wife and the recollections of his contemporaries,3 from within. Lissitzky’s ecstatic evolution and balance between With regard to formative avant-garde dualities, El artistic trends and national traditions create problems for Lissitzky is a characteristic case. The “enigmatic artist” of researchers. The artist’s passage from Darmstadt, where he the avant-garde epoch,1 he was both Jewish and universal, was trained in late Art Nouveau perspective to pre- and rationally-constructive and symbolically-enigmatic. He post-revolutionary Russia, where he discovered Jewish attempted to be universal while playing with sophisticated tradition and searched for Jewish style, followed by the and hidden Jewish metaphors.
    [Show full text]
  • Shabbat Program Shabbat Program
    SHABBAT PROGRAM SHABBAT PROGRAM Shabbat, August 10 and 11, 2018 / 30 Av 5778 Parashat Re’eh—Rosh Chodesh Elul Night of the Murdered Yiddish Poets �אֵה אָֽנֹכִי נֹתֵן לִפְנֵיכֶם הַיּוֹם בְּ�כָה וּקְלָלָֽה “See this day I set before you blessing and curse.” (Deuteronomy 12:26) 1 Welcome to CBST! ברוכים וברוכות הבאים לקהילת בית שמחת תורה! קהילת בית שמחת תורה מקיימת קשר רב שנים ועמוק עם ישראל, עם הבית הפתוח בירושלים לגאווה ולסובלנות ועם הקהילה הגאה בישראל. אנחנו מזמינים אתכם\ן לגלוּת יהדוּת ליבראלית גם בישראל! מצאו את המידע על קהילות רפורמיות המזמינות אתכם\ן לחגוג את סיפור החיים שלכן\ם בפלאיירים בכניסה. לפרטים נוספים ניתן לפנות לרב נועה סתת [email protected] ©ESTO 2 AUGUST 10, 2018 / 30 AV 5778 PARASHAT RE’EH / ROSH CHODESH ELUL COMMEMORATING THE NIGHT OF THE MURDERED YIDDISH POETS הֲכָנַת הַלֵּב OPENING PRAYERS AND MEDITATIONS *Shabbes Zol Zayn Folk Song שאבעס זאל זיין 36 *(Candle Blessings Abraham Wolf Binder (1895-1967 הַ דְ לָקַת נֵרוֹת שׁ�ל שׁ�בָּת 38 *(Shalom Aleichem Israel Goldfarb (1879-1956 שׁ�לוֹם עֲלֵיכֶם 40 קַבָּלַת שׁ�בָּת KABBALAT SHABBAT / WELCOMING SHABBAT *(L’chu N’ran’nah (Psalm 95) Reuben Sirotkin (Born 1933 לְכוּ נְ�נְּנָה (תהלים צה) 52 *Or Zarua (Psalm 97) Chassidic אוֹר זָ�ֽעַ (תהלים צז) 56 *(Mizmor L’David (Psalm 29) Yiddish Melody (Shnirele Perele מִזְמוֹר לְדָו�ד (תהלים כט) 62 *L'chah Dodi (Shlomo Abie Rotenberg לְכָה דוֹדִ י 66 Alkabetz) Chassidic* *(Tsadik Katamar (Psalm 92) Louis Lewandowski (1821-1894 צַדִּיק כַּתָּמָר (תהלים צב) 72 מַ עֲ �יב MA’ARIV / THE EVENING SERVICE Bar’chu Nusach בָּ�כוּ 78 Hama’ariv Aravim
    [Show full text]
  • HFA Fine Art 09Fev2020 Combine All 3.Indd
    FINE ART, JEWELLERY & MANUSCRIPTS 26 FEBRUARY 2021 MONACO HERMITAGE FINE ART TEAM AUCTIONEER & EXPERTS PAR LE MINISTERE DE MAITRE CLAIRE NOTARI HUISSIER DE JUSTICE A MONACO FINE ART, JEWELLERY & MANUSCRIPTS Elena Efremova Anna Chouamier Stephen Cristea Evgenia Lapshina Sergey Podstanitsky Director Deputy Director Auctioneer Expert Specially Invited Manuscripts & Expert Russian rare Books (Moscow) paintings RUSSIAN ART & HISTORY FEBRUARY 25, 2021 - 10.00 FINE ART & JEWELLERY MANUSCRIPTS Yolanda Lopez Maria Lorena Elisa Passaretti Hélène Foutermann Stéphane Pepe Administrator Franchi Auction assistant Jewellery Expert Furniture and Work Public Relations of art, XXVII - XIX FEBRUARY 26, 2021 - 10.00 Manager Lots: 611, 612, 613, 614, 615, 616, 619 PREVIEW BY APPOINTMENT Hermitage Fine Art would like to express its Catalogue Design: Contact : gratitude to Igor Kouznetsov for his support Camille Maréchaux Tel: +377 97773980 with IT. Fax: +377 97971205 Photography: All lots marked with the symbol + are under François Fernandez info@hermitagefi neart.com temporary importation and are subject to import Eric Teisseire tax (EU) Sun Offi ce Business Center - 5 bis Avenue Saint-Roman, Monaco Maxime Melnikov Cataloguing notes: Yolanda Lopez Elisa Passaretti Scan QR for online catalogue Enquiries - tel: +377 97773980 - Email: info@hermitagefi neart.com TRANSPORTATION LIVE AUCTION WITH 25, Avenue de la Costa - 98000 Monaco Tel: +377 97773980 www.hermitagefi neart.com Between the 16th and 17th centuries, Italy witnessed the flourishing painting art of the Bolognese School or the School of Bologna, rival to Florence and Rome. Pioneered by the Carracci family, this school merged together the solidity of High Renaissance painting and the rich colours of the Venetian school.
    [Show full text]
  • Shabbat Program Shabbat Program
    SHABBAT PROGRAM SHABBAT PROGRAM August 16 and 17, 2019 / 16 Av 5779 Parashat Vaetchanan Shabbat Nachamu Honoring the Soviet Yiddish Poets נַֽחֲמוּ נַֽחֲמוּ עַמִּי י�אמַר אֱ -הֵיכֶֽם: דַּבְּרוּ עַל־לֵב י�רֽוּשׁ�לַם ו�קִ�אוּ אֵלֶיהָ כִּי מָֽלְאָה צְבָאָהּ כִּי נִ�צָה עֲו�נָהּ כִּי לָֽקְחָה מִיּ�ד ה' כִּפְלַי�ם בְּכָל־חַטֹּאתֶֽיהָ: "Comfort my people, comfort them!" says your God. "Speak tenderly to Jerusalem: say to her that she has served her term, that her sin is pardoned, for she has received from the hand of the Eternal more than enough punishment for her sins.” - (Isaiah 40:1-2) Haftarah for Shabbat Nachamu Welcome to CBST! ברוכים וברוכות הבאים לקהילת בית שמחת תורה! קהילת בית שמחת תורה מקיימת קשר רב שנים ועמוק עם ישראל, עם הבית הפתוח בירושלים לגאווה ולסובלנות ועם הקהילה הגאה בישראל. אנחנו מזמינים אתכם\ן לגלות יהדוּת ליבראלית גם בישראל! מצאו את המידע על קהילות רפורמיות המזמינות אתכם\ן לחגוג את סיפור החיים שלכן\ם בפלאיירים בכניסה. לפרטים נוספים ניתן לפנות לרב נועה סתת: [email protected] 2 AUGUST 16, 2019 / 16 AV 5779 PARASHAT VAETCHANAN – SHABBAT NACHAMU COMMEMORATING THE NIGHT OF THE MURDERED YIDDISH POETS הֲכָנַת הַלֵּב OPENING PRAYERS AND MEDITATIONS *Shabbes Zol Zayn Folk Song שבת זאל זיין 36 (Viglid (Lullaby) Leyb Yampolsky (1889-1972 וויגליד Program with text by Izi Kharik (1898-1937) Candle Lighting Abraham Wolf Binder הַדְלָקַת נֵרוֹת שׁ�ל שׁ�בָּת 38 (1895-1967)* *(Shalom Aleichem Israel Goldfarb (1879-1956 שׁ�לוֹם עֲלֵיכֶם 40 קַבָּלַת שׁ�בָּת KABBALAT SHABBAT / WELCOMING SHABBAT *L’chu N’ran’nah (Psalm 95) Western Sephardic לְכוּ
    [Show full text]
  • Archives of the Center for Studies in History and Culture of East European Jewry
    Archives of the Center for Studies in History and Culture of East European Jewry LIST OF CONTENTS Foreword. Leonid Finberg ......................................................................................................5 І. Archives of the Writers .....................................................................................................13 1. Matvii Talalaievsky .............................................................................................16 2. Natan Zabara ...................................................................................................... 24 3. Oleksandr Lizen ..................................................................................................29 4. Borys Khandros .................................................................................................. 35 5. Ikhil Falikman .................................................................................................... 38 6. Dora Khaikina..................................................................................................... 42 7. Ryva Baliasna ......................................................................................................46 8. Isaak Kipnis .........................................................................................................49 9. Mykhailo Pinchevsky ......................................................................................... 53 10. Yosyp Bukhbinder............................................................................................. 58
    [Show full text]