DOCSLIB.ORG

March 2015 4 from the President J.D

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

March 2015 4 From the President J.D. Scott Dear Friends: As spring begins to tease us with hopefully warmer weather, we look forward to two “big events” that are coming up on our calendar. On April 1 and 4 Yannick and the Orchestra perform Bach’s groundbreaking St. Matthew Passion in a beautifully minimalist staging by James Alexander first seen by our audiences in 2013. While the work calls for large-scale forces, a divided orchestra, and a double chorus, its intimacy is extraordinary. Even though it was written to be performed in a religious setting, it is inherently theatrical and full of drama. Then, from April 30 to May 3 Yannick leads Bernstein’s MASS, a “theater piece for singers, players, and dancers.” This is one of the most original, eclectic pieces in the repertory and was far ahead of its time. Our performances will be staged in Verizon Hall by Kevin Newbury in a very surprising way, using a very large Orchestra, 16 “street singers,” multiple soloists and choirs, rock musicians, and a marching band. Bernstein not only drew upon his own unique compositional style, but added elements of blues and rock, incorporating quotations of Beethoven and outbursts of tone rows. It’s a thrilling and vibrant piece. Both of these works exemplify what we call Theater of a Concert, adding theatrical elements to help bring the composer’s vision to life. These concert presentations, in collaboration with local and national cultural and community organizations, are an important part of the Orchestra’s artistic vision, and have succeeded in reinvigorating the experience many of our audiences have in the concert hall. These presentations continue in our 2015-16 season with stagings of Handel’s Messiah and Stravinsky’s The Soldier’s Tale. From March 2-7 the Orchestra presents a Collaborative Learning Week, with events that showcase collective music-making between Yannick, our musicians, and various community partners. This concentration of many of our educational activities includes participating in the All-City Music Festival, a side-by-side rehearsal with the Philadelphia Youth Orchestra, a School Partnership Program Bridge Session, and Musicians in the Schools events (a complete list of activities can be found on pg. 46 of this Playbill). Our good friends at PECO sponsor additional Musicians in the Schools programs from March 9-20, as well as a lunchtime pop-up concert at Reading Terminal on the 9th. We are so grateful to PECO for its continued and longtime support of the Orchestra. From March 5-8 we welcome over 100 volunteers from across the U.S. and Canada for the 40th Association of Major Symphony Orchestra Volunteers Conference. We are thrilled that our Collaborative Learning Week and the AMSOV Conference coincide, so that these wonderful volunteers can return to their home orchestras and spread the news of the great work we are doing here, and of which we are all so justly proud. Yours in Music, Allison Vulgamore President & CEO 6 Music Director Chris Lee Music Director Yannick Nézet-Séguin continues his inspired leadership of The Philadelphia Orchestra, which began in the fall of 2012. His highly collaborative style, deeply rooted musical curiosity, and boundless enthusiasm, paired with a fresh approach to orchestral programming, have been heralded by critics and audiences alike. The New York Times has called Nézet-Séguin “phenomenal,” adding that under his baton, “the ensemble, famous for its glowing strings and homogenous richness, has never sounded better.” He has taken the Orchestra to new musical heights. Highlights of his third season as music director include an Art of the Pipe Organ festival; the 40/40 Project, in which 40 great compositions that haven’t been heard on subscription concerts in at least 40 years will be performed; and Bernstein’s MASS, the pinnacle of the Orchestra’s five- season requiem cycle. Yannick has established himself as a musical leader of the highest caliber and one of the most exciting talents of his generation. He has been music director of the Rotterdam Philharmonic since 2008 and artistic director and principal conductor of Montreal’s Orchestre Métropolitain since 2000. He also continues to enjoy a close relationship with the London Philharmonic, of which he was principal guest conductor. He has made wildly successful appearances with the world’s most revered ensembles, and he has conducted critically acclaimed performances at many of the leading opera houses. Yannick Nézet-Séguin and Deutsche Grammophon (DG) enjoy a long-term collaboration. Under his leadership The Philadelphia Orchestra returned to recording with a CD on that label of Stravinsky’s The Rite of Spring and Leopold Stokowski transcriptions. He continues a fruitful recording relationship with the Rotterdam Philharmonic on DG, EMI Classics, and BIS Records; the London Philharmonic and Choir for the LPO label; and the Orchestre Métropolitain for ATMA Classique. A native of Montreal, Yannick Nézet-Séguin studied at that city’s Conservatory of Music and continued lessons with renowned conductor Carlo Maria Giulini and with Joseph Flummerfelt at Westminster Choir College. Among Yannick’s honors are an appointment as Companion of the Order of Canada, one of the country’s highest civilian honors; a Royal Philharmonic Society Award; Canada’s National Arts Centre Award; the Prix Denise-Pelletier, the highest distinction for the arts in Quebec; and honorary doctorates from the University of Quebec in Montreal and the Curtis Institute of Music in Philadelphia. To read Yannick’s full bio, please visit www.philorch.org/conductor. 8 The Philadelphia Orchestra 2014–2015 Season Yannick Nézet-Séguin Violas Flutes Music Director Choong-Jin Chang, Principal Jeffrey Khaner, Principal Walter and Leonore Annenberg Chair Ruth and A. Morris Williams Chair Paul and Barbara Henkels Chair Kirsten Johnson, Associate David Cramer, Associate Principal Stéphane Denève Principal Rachelle and Ronald Kaiserman Principal Guest Conductor Kerri Ryan, Assistant Principal Chair Cristian Ma˘celaru Judy Geist Loren N. Lind Conductor-in-Residence Renard Edwards Kazuo Tokito, Piccolo Liu Kuokman Anna Marie Ahn Petersen Assistant Conductor Piasecki Family Chair Oboes Charles Dutoit David Nicastro Richard Woodhams, Principal Conductor Laureate Burchard Tang Samuel S. Fels Chair Che-Hung Chen Peter Smith, Associate Principal First Violins Rachel Ku Jonathan Blumenfeld David Kim, Concertmaster Marvin Moon* Edwin Tuttle Chair Dr. Benjamin Rush Chair Elizabeth Starr Masoudnia, English Juliette Kang, First Associate Cellos Horn Concertmaster Hai-Ye Ni, Principal Joanne T. Greenspun Chair Joseph and Marie Field Chair Albert and Mildred Switky Chair Ying Fu, Associate Concertmaster Yumi Kendall, Acting Associate Clarinets Marc Rovetti, Assistant Principal Ricardo Morales, Principal Concertmaster Wendy and Derek Pew Leslie Miller and Richard Worley Herbert Light Foundation Chair Chair Larry A. Grika Chair John Koen, Acting Assistant Samuel Caviezel, Associate Barbara Govatos Principal Principal Wilson H. and Barbara B. Taylor Richard Harlow Sarah and Frank Coulson Chair Chair Gloria dePasquale Paul R. Demers, Bass Clarinet Jonathan Beiler Orton P. and Noël S. Jackson Peter M. Joseph and Susan Hirono Oka Chair Rittenhouse Joseph Chair Richard Amoroso Kathryn Picht Read Robert and Lynne Pollack Chair Winifred and Samuel Mayes Bassoons Yayoi Numazawa Chair Daniel Matsukawa, Principal Jason DePue Robert Cafaro Richard M. Klein Chair Lisa-Beth Lambert Volunteer Committees Chair Mark Gigliotti, Co-Principal Jennifer Haas Ohad Bar-David Angela Anderson Smith Miyo Curnow Catherine R. and Anthony A. Holly Blake, Contrabassoon Elina Kalendarova Clifton Chair Daniel Han Derek Barnes Horns Yiying Li Mollie and Frank Slattery Chair Jennifer Montone, Principal Alex Veltman Gray Charitable Trust Chair Second Violins Jeffrey Lang, Associate Principal Kimberly Fisher, Principal Basses Daniel Williams Peter A. Benoliel Chair Harold Robinson, Principal Jeffry Kirschen Paul Roby, Associate Principal Carole and Emilio Gravagno Denise Tryon Sandra and David Marshall Chair Chair Shelley Showers Dara Morales, Assistant Principal Michael Shahan, Associate Anne M. Buxton Chair Principal Trumpets Philip Kates Joseph Conyers, Assistant David Bilger, Principal Mitchell and Hilarie Morgan Principal Marguerite and Gerry Lenfest Family Foundation Chair John Hood Chair Booker Rowe Henry G. Scott Jeffrey Curnow, Associate Davyd Booth David Fay Principal Paul Arnold Duane Rosengard Gary and Ruthanne Schlarbaum Lorraine and David Popowich Chair Robert Kesselman Chair Yumi Ninomiya Scott Anthony Prisk Dmitri Levin Some members of the string Robert W. Earley Boris Balter sections voluntarily rotate William Polk seating on a periodic basis. Amy Oshiro-Morales ROSTER CONTINUES ON PG. 10 10 The Philadelphia Orchestra 2014–2015 Season Trombones Percussion Librarians Nitzan Haroz, Principal Christopher Deviney, Principal Robert M. Grossman, Principal Neubauer Family Foundation Mrs. Francis W. De Serio Chair Steven K. Glanzmann Chair Anthony Orlando, Associate Matthew Vaughn, Co-Principal Principal Stage Personnel Eric Carlson Ann R. and Harold A. Sorgenti Edward Barnes, Manager Blair Bollinger, Bass Trombone Chair James J. Sweeney, Jr. Drs. Bong and Mi Wha Lee Chair Angela Zator Nelson James P. Barnes Tuba Piano and Celesta Carol Jantsch, Principal Kiyoko Takeuti *On leave Lyn and George M. Ross Chair **Regularly engaged musician Keyboards Timpani Davyd Booth Don S. Liuzzi, Principal Michael Stairs, Organ** Dwight
Recommended publications
  • Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On

    Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On

    Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes.
  • Radio Airplay and the Record Industry: an Economic Analysis

    Radio Airplay and the Record Industry: an Economic Analysis

    Radio Airplay and the Record Industry: An Economic Analysis By James N. Dertouzos, Ph.D. For the National Association of Broadcasters Released June 2008 Table of Contents About the Author and Acknowledgements ................................................................... 3 Executive Summary....................................................................................................... 4 Introduction and Study Overview ................................................................................ 7 Overview of the Music, Radio and Related Media Industries....................................... 15 Previous Evidence on the Sales Impact of Radio Exposure .......................................... 31 An Econometric Analysis of Radio Airplay and Recording Sales ................................ 38 Summary and Policy Implications................................................................................. 71 Appendix A: Options in Dealing with Measurement Error........................................... 76 Appendix B: Supplemental Regression Results ............................................................ 84 © 2008 National Association of Broadcasters 2 About the Author and Acknowledgements About the Author Dr. James N. Dertouzos has more than 25 years of economic research and consulting experience. Over the course of his career, Dr. Dertouzos has conducted more than 100 major research projects. His Ph.D. is in economics from Stanford University. Dr. Dertouzos has served as a consultant to a wide variety of private and public
  • Fharmacy Opinion on Cross Motions for Summary Judgment

    Fharmacy Opinion on Cross Motions for Summary Judgment

    UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION FHARMACY RECORDS a/k/a, FHARMACY RECORDS PRODUCTION CO., FHARM I PUBLISHING COMPANY, SHELTON RIVERS, Plaintiffs, v. Case Number 05-72126 Honorable David M. Lawson SALAAM NASSAR,CURTIS JACKSON, DARRIN DEAN, DEF JAM RECORDING, RUFF RYDERS, JANICE COMBS PUBLISHING, UNIVERSAL MUSIC PUBLISHING, UNIVERSAL MUSIC & VIDEO DISTRIBUTION CORPORATION, EMI APRIL, INC., SOO SOOS SWEET SWISHER MUSIC, JOHN DOE, ET AL., Defendants. ______________________________________ / OPINION AND ORDER GRANTING DEFENDANTS’ MOTION FOR SUMMARY JUDGMENT, GRANTING DEFENDANTS’ MOTION TO DISMISS, DENYING PLAINTIFFS’ MOTIONS FOR SUMMARY JUDGMENT, AND ADJUDICATING OTHER PENDING MOTIONS This is a copyright infringement action in which plaintiff Shelton Rivers claims to be the original author of a rhythm line – or “beat” – that was duplicated – that is, “sampled” – by defendant Salaam Nassar and incorporated into a rap tune, which enjoyed commercial success. Both Rivers and Nassar claim to be the original creator of the beat. However, the plaintiff’s sole remaining theory of liability is based on a claim of unlawful sampling under 17 U.S.C. § 114(b), which has not been established by the evidence before the Court regardless of which of the two is the original author. The parties have filed several motions, some of which raise disturbing allegations of misconduct by the plaintiffs and their attorney, Gregory Reed, Esq. The Court finds that the cross motions for summary judgment must be decided in favor of the defendants because the plaintiffs have not come forward with evidence that establishes that the accused work, a rap tune called “Shot Down,” contains a direct or indirect “recapture [of] the actual sounds fixed in the recording” Rivers said he made or a rearrangement of “the actual sounds fixed in [Rivers’s] sound recording.” Ibid.
  • The Music of Relationality in the Cinema of Claire Denis

    The Music of Relationality in the Cinema of Claire Denis

    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections.
  • Minari-Screenplay.Pdf

    Minari-Screenplay.Pdf

    MINARI Written by Lee Isaac Chung **All dialogue in [brackets] indicates Korean language. “MINARI” by Lee Isaac Chung FADE IN: INT. STATION WAGON - DAY (TRAVELING)(YEAR 1983 - SPRING) An Arkansas dirt road. In the car is the Yi family, Korean American. DAVID (age 7-8) is in the back. He watches his mother, MONICA (age 35) at the wheel; she follows a 1980s U-HAUL up ahead. MONICA [Where is daddy taking us?] David looks to his older sister, ANNE (age 10-11), for an answer, but she’s busy reading a book. EXT. THE FARM - MEADOW - DAY The U-Haul and the station wagon turn into a vast meadow. On the land is a SINGLE-WIDE TRAILER HOME. The vehicles park. From the U-Haul emerges the dad, JACOB YI (age 37-40). MONICA [What is this place?] JACOB [What is this? This is home.] David runs to the house and looks underneath. There, he sees: DAVID Wheels? Wheels? Whoa. Mobile homes don’t come with stairs. There’s a three foot climb to the front door. Jacob reaches up to open the door. MONICA [Really, what is this?] Jacob laughs as he hoists Anne and David to climb: INT. MOBILE HOME - DAY It’s decked out in early-80’s brown and yellow. 2. DAVID WHOA. WHOA. MONICA (O.S.) [You said you’d find a house in a big town.] David and Anne explore the empty house. EXT. THE FARM - MEADOW - DAY (LATER) Cicadas sing. David walks, staring in wonder at the meadow. Jacob and Anne follow.
  • Inroads to Student Motivation in the Language Classroom: J-Pop

    Inroads to Student Motivation in the Language Classroom: J-Pop

    Verla Uchida, A. (2018). Inroads to student motivation. Accents Asia, 10(2), 20-29. Inroads to Student Motivation in the Language Classroom: J-Pop Adrianne Verla Uchida1 Nihon University, Japan ABSTRACT As English is taught as a foreign language in Japan, the issue of whose English should be taught, how it should be taught and by whom are just a few of the questions that educators must decide when implementing a foreign language program. The answers to those questions then often have a direct influence on the learner and how their identity is shaped through learning English. Additionally, integrating pop culture materials that students are familiar with into the EFL classroom is useful as a means of addressing the concept of “cool” and globalization. This paper will review and draw on the ideas of globalization, identity, code switching and performativity-the way in which we perform acts of identity through cultural and social interactions or performance (Pennycook, 2003, p. 528), previously used to research about hip-hop culture in Japanese language and culture while broadening the focus to include Japanese pop (J-pop) and rock music. It will also examine the recent increase of English used in popular Japanese music and attempt to draw conclusions about the reasons why that is, the effects that it has on Japanese culture, especially in determining what is cool, and how it can be utilized in the EFL classroom. INTRODUCTION For better or worse, popular culture across the world has changed concurrently with the spread of English and globalization. The issues of whose English should be taught, how it should be taught and by whom are just a few components connected to the complexity of shaping one’s identity through the usage of English in modern day Japanese culture.
  • Louisiana Children's Summer Reading Supplemental Manual

    Louisiana Children's Summer Reading Supplemental Manual

    2013 Louisiana Children’s Supplemental Summer Reading Manual TABLE OF CONTENTS PAGE SETTING THE SCENE DISPLAY IDEAS……………… ........................................................................................... 3 ANIMAL BOOK INSERTS………………………………………………………………….. ........................... 5 WORM PANTYHOSE……………………………………………. ...................................................... 9 STATE LIBRARY LAGNIAPPE DIE CUTS ................................................................................................................. 9 JUST DIG IT THE ROOT CHILDREN …………………………………………………………………………………… ........... 13 GNOME HAT AND BEARD…………………… ...................................................................... 13 GNOME KISSES…………………. ..................................................................................... 15 EGG CARTON CATERPILLAR……………………….. ............................................................... 16 GARDEN HEADBANDS……………………. ......................................................................... 17 JACK AND THE BEANSTALK COLLAGE……………………… ..................................................... 18 HINGED DUMP TRUCK & BULLDOZER…………………….. .................................................... 19 PUFFY PARROT…………………… ................................................................................... 20 PIRATE NAME GENERATOR……….. ............................................................................... 20 READERS’ THEATER FOR HOW I BECAME A PIRATE………. ................................................. 20 NAME THAT VEGGIE…………… ...................................................................................
  • REPRESENTATIONS of MARIE- ANTOINETTE in 19Th

    REPRESENTATIONS of MARIE- ANTOINETTE in 19Th

    L’AUGUSTE AUTRICHIENNE: REPRESENTATIONS OF MARIE- ANTOINETTE IN 19th CENTURY FRENCH LITERATURE AND HISTORY --------------------------------------------------------------------------------------------------------------------- A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia --------------------------------------------------------------------------------------------------------------------- In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy --------------------------------------------------------------------------------------------------------------------- by KALYN ROCHELLE BALDRIDGE Dr. Carol Lazzaro-Weis, Dissertation Superviser MAY 2016 APPROVAL PAGE The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled L’AUGUSTE AUTRICHIENNE: REPRESENTATIONS OF MARIE-ANTOINETTE IN 19th CENTURY FRENCH LITERATURE AND HISTORY presented by Kalyn Rochelle Baldridge, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Carol Lazzaro-Weis Professor Ilyana Karthas Professor Valerie Kaussen Professor Megan Moore Professor Daniel Sipe ACKNOWLEDGEMENTS I would first of all like to acknowledge the Department of Romance Languages at the University of Missouri for having supported me throughout my dissertation writing process, allowing me to spend time in France, and welcoming me back to the campus for my final year of study. Secondly, I would like to thank the members of my committee, Dr. Valerie Kaussen, Dr. Megan Moore and Dr. Daniel Sipe, for taking the time to read my research and offer their welcome suggestions and insight. I would especially like to thank Dr. Ilyana Karthas, from the Department of History, for having spent many hours reading earlier drafts of my chapters and providing me with valuable feedback which spurred me on to new discoveries. I am most grateful to my dissertation superviser, Dr. Carol Lazzaro-Weis.
  • Happy Holidays from Mission & Mr

    Happy Holidays from Mission & Mr

    Happy Holidays from Mission & Mr. Stinky Feet 58th & Nall Monday - Friday: 5pm - 8pm Monday - Friday: 9am - 5pm Saturday: 9am - 2pm By appointment. Sunday: 10am - 2pm Just walk-in, no appointment needed. We specialize in primary care and can also take care of your urgent care needs. We excel in building long-term medical relationships. Introducing Dr. Charissa Richard - Now Accepting Patients Dr. Richard is a Board-Certified Family Physician who enjoys caring for patients of all ages. She is committed to preventative health maintenance, and has a particular interest in mental health and women’s care. Dr. Richard grew up in East Tennessee, attended the University of Tennessee at Martin, where she studied biology and art, and went on to earn a Master of Science degree at Murray State University in Kentucky. Dr. Richard obtained her medical degree from Kansas City University of Medicine and Biosciences and com- pleted her residency at Truman Lakewood. She will be accepting patients for wellness visits, acute care, and chronic disease management at the Mission, KS location. Internal Medicine Family Practice Urgent Care 5555 W. 58th. St., Mission, KS | (913) 432-2080 | SunflowerMed.com Give the Contents 6 Mr. Stinky Feet makes a name as ‘kid rocker’ gift of Love 12 Creative sparks fly at Bonfire I love my small paring knife. I love a for the holidays, taking them N17 Newsletter good bowl of vegetable soup in the bountiful meals for Thanksgiving and winter and a cool glass of mint iced Christmas. Fast forward to 2016. tea in the summer. I love a beautiful We provided Thanksgiving dinner to 22 Bulletin Board sunset over a body of water.
  • Sing! 1975 – 2014 Song Index

    Sing! 1975 – 2014 Song Index

    Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo ..
  • THEODORE JONES, Alias TED JOANS

    THEODORE JONES, Alias TED JOANS

    THEODORE JONES, alias TED JOANS JAZZ POET, MUSICIAN, PAINTER and CARTOONIST 4th July 1928 – 25 th April 2003 The phrase Jazz is my religion and surrealism is my point of view written by Ted Joans resumes him well, but we shall see that these are not his only artistic dimensions. Passing away two months before his 75 th birthday Ted Joans had lived several lives: • He was born in 1928 on American Independence Day, on a boat where his father was an entertainer, and had lived in several towns, notably New York during 10 years, between 1951 and 1960. • He exiled himself to Europe , particularly to Paris where he resided for quite some time. • In parallel he travelled in Africa , his point of attachement being Mali where he kept a house at Timbuktu , more or less up to his death. • He also travelled punctually in Central America , and Mexico was not unknown to him. • He died in Canada . Teenager his first emotions as a young reader were surrealist , then upon his arrival in France he wrote to André Breton , who opened wide the doors to his movement. Previously Ted Joans had also invested in the Beat movement: amongst others he knew Jack Kerouac in New York and he frequented the famous Beat Hotel , situated at 9, rue Gît-le Cœur in Paris with William Burroughs and Allen Ginsberg . In music Ted Joans was rarely mistaken, he admired and knew (some very closely) all the greatest jazzmen, from Louis Armstrong to Albert Ayler , Duke Ellington to John Coltrane , Charlie Parker to Archie Shepp , in passing Charlie Mingus .
  • Songbook 2018

    Songbook 2018

    Songbook 2018 Songbook 2018 10,000 Reasons All Creatures of Our God and King All Glory Be To Christ Amazing Grace Be Thou My Vision Beautiful Things Behold a Broken World Bless His Holy Name Blessed Be the Lord Blest Are They By Thy Mercy Canticle of Turning Christ is Risen Church of God, Elect and Glorious Come People of the Risen King Crown Him With Many Crowns Fairest Lord Jesus Forever (We Sing Hallelujah) Friend of God God of Creation, All-Powerful God’s Holy Ways Are Just and True Good To Me Great is Thy Faithfulness Hear All Creation Here is Love (Vast as an Ocean) Holy, Holy, Holy! Lord God Almighty! How Great Is Our God I Shall Not Want I Sing the Almighty Power of God I Want to Be Where You Are I Will Follow In Christ Alone It Is Not Death to Die Jesus Shall Reign Jesus, Victor at the Cross Joyful, Joyful, We Adore Thee Kyrie Eleison Let Every Tongue Sing Let The Glory of the Lord Love Divine, All Loves Excelling My Worth is Not in What I Own No Other Name O For a Thousand O Worship the King Our God Saves Peace to This City Perfume a Tus Pies Praise to the Lord, the Almighty Rescuer Sing Praise to God Who Reigns Above Song of Zachariah Speak O Lord Thank You, Lord The Church’s One Foundation The Kingdom of God is Justice and Joy The Lord Is My Light and My Salvation There’s a Wideness in God’s Mercy This is Our God Wait for the Lord (Psalm 27) We Come O Christ to You Worship the Lord (Come Gather My Friends) You Are Good Your Love Oh Lord 10,000 Reasons (Bless The Lord) Bless the Lord O my soul O my soul Worship His holy name