The Seminar of Jacques Lacan Book Ix Identification 1961
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What Shall We Do Now? Pdf Free Download
WHAT SHALL WE DO NOW? PDF, EPUB, EBOOK Dorothy Canfield Fisher | 304 pages | 02 Sep 2017 | Createspace Independent Publishing Platform | 9781975854263 | English | none What Shall We Do Now? PDF Book Contributed by T. What shall we do for wives for those who are left, since we have sworn by the LORD that we will not give them any of our daughters for wives? David Gagne. Shall we get into fights? Related 0. From the election to the pandemic, all atop systemic injustice continuing to manifest itself in many areas of our society. Message calling all believers to action; to move forward in servitude and stop delaying. It's not something that we need to take it without we taking likely you may have lost your finances. Don't Leave Me Now 6. Sixteenth, A man of God said, do not be afraid and that is what I'm coming to share with us this afternoon. The World's Greatest Pi…. That's a great promise. Vera SmartHumanism: it's all about making sure your tense matches what you are trying to say. Leave a Reply Want to join the discussion? We shall never still any of your glory will give them completely back to you for you deserve them all in the name of Jesus Christ, our Lord, Amen and Amen and Amen. Fathers Against Irrational Reasoning. Yes No. Hey You Two flowers — one phallic, the other yonic — timidly dance around each other before copulating for lack of a more discrete word , morphing from humanistic figures to animalistic creatures. Speak out, speak louder. -
The-Clown.Pdf
The Clown 1 It was dark by the time I reached Bonn, and I forced myself not to succumb to the series of mechanical actions which had taken hold of me in five years of traveling back and forth: down the station steps, up the station steps, put down my suitcase, take my ticket out of my coat pocket, pick up my suitcase, hand in my ticket, cross over to the newsstand, buy the evening papers, go outside, and signal for a taxi. Almost every day for five years I had left for somewhere and arrived somwhere; in the morning I had gone up station steps and down again, in the afternoon down the steps and up again, signaled for a taxi, felt in my pockets for money to pay for my ticket, bought evening papers at kiosks, and savored in a corner of my mind the studied casualness of these mechanical actions. Ever since Marie left me to marry Züpfner, that Catholic, these actions have become more mechanical than ever, but without losing any of their casualness. There is a way of calculating the distance from station to hotel, from hotel to station—by the taxi meter. Two marks, three marks, four marks fifty from the station. Since Marie has been gone I have sometimes slipped out of the rhythm and confused the hotel with the station, I would start looking for my ticket as I approached the hotel porter or ask the ticket collector at the station for my room number, something—fate perhaps—must have made me remember my profession and my situation. -
Scarfe the Wall Live Tour Group.Pages
THE ART OF FROM PINK FLOYD THE WALL PRESENTED BY ROGER WATERS THE WALL LIVE TOUR ARTWORK CATALOGUE THE ART OF GERALD SCARFE - FROM PINK FLOYD THE WALL SAN FRANCISCO ART EXCHANGE LLC Image © Gerald Scarfe Image © Gerald Scarfe Roger Waters, c.2010 The Mother, c.2010 Pen, Ink & Watercolour on Paper Pen, Ink & Watercolour on Paper 33” x 23 ¼” sheet size 32” x 22 ¾” sheet size This illustration of Roger Waters on his The Wall Live A recent concept design, done for Roger Water’s tour (2010-2013) appeared on the front cover of The Wall Live tour (2010-2013) that was based on a Billboard Magazine 24 July, 2012. similar scene in the flm shown during the song The Trial where The Mother morphs into a giant protective wall surrounding a baby Pink. 458 GEARY STREET • SAN FRANCISCO CA 94102 • sfae.com • 415.441.8840 main THE ART OF GERALD SCARFE - FROM PINK FLOYD THE WALL SAN FRANCISCO ART EXCHANGE LLC Image © Gerald Scarfe Crazy Toys in the Attic, c.2010 Watercolor, Pen & Ink Collage on Paper 23 ¼” x 33” sheet size Image © Gerald Scarfe Go On Judge, Shit on Him! c.2010 This drawing is based on a segment of the animated scene of The Trial in The Wall flm. As the line “Crazy…Toys in the Pen, Ink & Watercolour on Paper Attic, I am crazy” is sung, the viewer sees a terrifed Pink 32 ½” x 22 ½” sheet size fade to grey as the camera zooms in on his eye until the scene fades into the next animation sequence. -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
Radio Airplay and the Record Industry: an Economic Analysis
Radio Airplay and the Record Industry: An Economic Analysis By James N. Dertouzos, Ph.D. For the National Association of Broadcasters Released June 2008 Table of Contents About the Author and Acknowledgements ................................................................... 3 Executive Summary....................................................................................................... 4 Introduction and Study Overview ................................................................................ 7 Overview of the Music, Radio and Related Media Industries....................................... 15 Previous Evidence on the Sales Impact of Radio Exposure .......................................... 31 An Econometric Analysis of Radio Airplay and Recording Sales ................................ 38 Summary and Policy Implications................................................................................. 71 Appendix A: Options in Dealing with Measurement Error........................................... 76 Appendix B: Supplemental Regression Results ............................................................ 84 © 2008 National Association of Broadcasters 2 About the Author and Acknowledgements About the Author Dr. James N. Dertouzos has more than 25 years of economic research and consulting experience. Over the course of his career, Dr. Dertouzos has conducted more than 100 major research projects. His Ph.D. is in economics from Stanford University. Dr. Dertouzos has served as a consultant to a wide variety of private and public -
Fharmacy Opinion on Cross Motions for Summary Judgment
UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION FHARMACY RECORDS a/k/a, FHARMACY RECORDS PRODUCTION CO., FHARM I PUBLISHING COMPANY, SHELTON RIVERS, Plaintiffs, v. Case Number 05-72126 Honorable David M. Lawson SALAAM NASSAR,CURTIS JACKSON, DARRIN DEAN, DEF JAM RECORDING, RUFF RYDERS, JANICE COMBS PUBLISHING, UNIVERSAL MUSIC PUBLISHING, UNIVERSAL MUSIC & VIDEO DISTRIBUTION CORPORATION, EMI APRIL, INC., SOO SOOS SWEET SWISHER MUSIC, JOHN DOE, ET AL., Defendants. ______________________________________ / OPINION AND ORDER GRANTING DEFENDANTS’ MOTION FOR SUMMARY JUDGMENT, GRANTING DEFENDANTS’ MOTION TO DISMISS, DENYING PLAINTIFFS’ MOTIONS FOR SUMMARY JUDGMENT, AND ADJUDICATING OTHER PENDING MOTIONS This is a copyright infringement action in which plaintiff Shelton Rivers claims to be the original author of a rhythm line – or “beat” – that was duplicated – that is, “sampled” – by defendant Salaam Nassar and incorporated into a rap tune, which enjoyed commercial success. Both Rivers and Nassar claim to be the original creator of the beat. However, the plaintiff’s sole remaining theory of liability is based on a claim of unlawful sampling under 17 U.S.C. § 114(b), which has not been established by the evidence before the Court regardless of which of the two is the original author. The parties have filed several motions, some of which raise disturbing allegations of misconduct by the plaintiffs and their attorney, Gregory Reed, Esq. The Court finds that the cross motions for summary judgment must be decided in favor of the defendants because the plaintiffs have not come forward with evidence that establishes that the accused work, a rap tune called “Shot Down,” contains a direct or indirect “recapture [of] the actual sounds fixed in the recording” Rivers said he made or a rearrangement of “the actual sounds fixed in [Rivers’s] sound recording.” Ibid. -
Uma Análise Do Álbum the Wall, Da Banda Pink Floyd, Como Mediação Da Sociedade
CENTRO UNIVERSITÁRIO UNIVATES CURSO DE COMUNICAÇÃO SOCIAL HABILITAÇÃO EM PUBLICIDADE E PROPAGANDA SOMOS MAIS UM TIJOLO NO MURO: UMA ANÁLISE DO ÁLBUM THE WALL, DA BANDA PINK FLOYD, COMO MEDIAÇÃO DA SOCIEDADE Cecília Regina Marcolin Lajeado, junho de 2017 Cecília Regina Marcolin SOMOS MAIS UM TIJOLO NO MURO: UMA ANÁLISE DO ÁLBUM THE WALL, DA BANDA PINK FLOYD, COMO MEDIAÇÃO DA SOCIEDADE Monografia apresentada na disciplina Trabalho de Conclusão de Curso II, do curso de Comunicação Social com Habilitação em Publicidade e Propaganda, do Centro Universitário UNIVATES, para obtenção do título de bacharela em Comunicação Social. Orientador: Prof. Dr. Flávio Roberto Meurer Lajeado, junho de 2017 AGRADECIMENTO Agradeço e dedico este trabalho para todas as pessoas que de certa forma me incentivaram e colaboraram para que essa pesquisa se realizasse. À minha família por apoiar e acreditar na minha escolha. Por todos os auxílios, amor e carinho. Por respeitar meu tempo e compreender minha ausência em alguns momentos no decorrer desses cinco anos de faculdade, principalmente na reta final. Eu não teria conseguido sem vocês. Ao meu orientador, Flávio Roberto Meurer, por todo suporte e dedicação neste um ano de pesquisa. Por fazer eu me apaixonar cada dia mais com o tema escolhido, pela assistência nos dias bons e ruins, pela tranquilidade para encarar todas as orientações e desafios desta pesquisa, por sempre me incentivar e me ensinar a caminhar com minhas próprias pernas. À professora Jane Mazzarino, por apoiar a escolha do meu tema quando elaboramos o projeto de pesquisa na disciplina “Projetos de Pesquisa em Comunicação”. Pelo suporte e bom humor no decorrer das aulas, aliviando a tensão para encarar a próxima etapa, o TCC, nos preparando para isso e fazendo com que eu escolhesse um tema que me desse prazer, mesmo que para isso eu tivesse que encarar um grande desafio. -
The Music of Relationality in the Cinema of Claire Denis
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections. -
Minari-Screenplay.Pdf
MINARI Written by Lee Isaac Chung **All dialogue in [brackets] indicates Korean language. “MINARI” by Lee Isaac Chung FADE IN: INT. STATION WAGON - DAY (TRAVELING)(YEAR 1983 - SPRING) An Arkansas dirt road. In the car is the Yi family, Korean American. DAVID (age 7-8) is in the back. He watches his mother, MONICA (age 35) at the wheel; she follows a 1980s U-HAUL up ahead. MONICA [Where is daddy taking us?] David looks to his older sister, ANNE (age 10-11), for an answer, but she’s busy reading a book. EXT. THE FARM - MEADOW - DAY The U-Haul and the station wagon turn into a vast meadow. On the land is a SINGLE-WIDE TRAILER HOME. The vehicles park. From the U-Haul emerges the dad, JACOB YI (age 37-40). MONICA [What is this place?] JACOB [What is this? This is home.] David runs to the house and looks underneath. There, he sees: DAVID Wheels? Wheels? Whoa. Mobile homes don’t come with stairs. There’s a three foot climb to the front door. Jacob reaches up to open the door. MONICA [Really, what is this?] Jacob laughs as he hoists Anne and David to climb: INT. MOBILE HOME - DAY It’s decked out in early-80’s brown and yellow. 2. DAVID WHOA. WHOA. MONICA (O.S.) [You said you’d find a house in a big town.] David and Anne explore the empty house. EXT. THE FARM - MEADOW - DAY (LATER) Cicadas sing. David walks, staring in wonder at the meadow. Jacob and Anne follow. -
ATINER's Conference Paper Series HUM2015-1404
ATINER CONFERENCE PAPER SERIES No: LNG2014-1333 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series HUM2015-1404 The Change in the Political Message of Pink Floyd’s / Roger Waters’ The Wall from the Album to the Film to the Live Shows in the Dawn of the 80’s via the Wall in Berlin in 1990 to the Live Shows of 2010-2013 Vesa-Matti Sarenius Lecturer University of Oulu Finland 1 ATINER CONFERENCE PAPER SERIES No: HUM2015-1404 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. This paper has been peer reviewed by at least two academic members of ATINER. Dr. Gregory T. Papanikos President Athens Institute for Education and Research This paper should be cited as follows: Sarenius, V.-M., (2015) "The Change in the Political Message of Pink Floy’s/Roger Waters’ The Wall from the Album to the Film to the Live Shows in the Dawn of the 80’s via The Wall in Berlin in 1990 to the Live Shows of 2010-2013”, Athens: ATINER'S Conference Paper Series, No: HUM2015-1404. Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. -
Inroads to Student Motivation in the Language Classroom: J-Pop
Verla Uchida, A. (2018). Inroads to student motivation. Accents Asia, 10(2), 20-29. Inroads to Student Motivation in the Language Classroom: J-Pop Adrianne Verla Uchida1 Nihon University, Japan ABSTRACT As English is taught as a foreign language in Japan, the issue of whose English should be taught, how it should be taught and by whom are just a few of the questions that educators must decide when implementing a foreign language program. The answers to those questions then often have a direct influence on the learner and how their identity is shaped through learning English. Additionally, integrating pop culture materials that students are familiar with into the EFL classroom is useful as a means of addressing the concept of “cool” and globalization. This paper will review and draw on the ideas of globalization, identity, code switching and performativity-the way in which we perform acts of identity through cultural and social interactions or performance (Pennycook, 2003, p. 528), previously used to research about hip-hop culture in Japanese language and culture while broadening the focus to include Japanese pop (J-pop) and rock music. It will also examine the recent increase of English used in popular Japanese music and attempt to draw conclusions about the reasons why that is, the effects that it has on Japanese culture, especially in determining what is cool, and how it can be utilized in the EFL classroom. INTRODUCTION For better or worse, popular culture across the world has changed concurrently with the spread of English and globalization. The issues of whose English should be taught, how it should be taught and by whom are just a few components connected to the complexity of shaping one’s identity through the usage of English in modern day Japanese culture. -
Louisiana Children's Summer Reading Supplemental Manual
2013 Louisiana Children’s Supplemental Summer Reading Manual TABLE OF CONTENTS PAGE SETTING THE SCENE DISPLAY IDEAS……………… ........................................................................................... 3 ANIMAL BOOK INSERTS………………………………………………………………….. ........................... 5 WORM PANTYHOSE……………………………………………. ...................................................... 9 STATE LIBRARY LAGNIAPPE DIE CUTS ................................................................................................................. 9 JUST DIG IT THE ROOT CHILDREN …………………………………………………………………………………… ........... 13 GNOME HAT AND BEARD…………………… ...................................................................... 13 GNOME KISSES…………………. ..................................................................................... 15 EGG CARTON CATERPILLAR……………………….. ............................................................... 16 GARDEN HEADBANDS……………………. ......................................................................... 17 JACK AND THE BEANSTALK COLLAGE……………………… ..................................................... 18 HINGED DUMP TRUCK & BULLDOZER…………………….. .................................................... 19 PUFFY PARROT…………………… ................................................................................... 20 PIRATE NAME GENERATOR……….. ............................................................................... 20 READERS’ THEATER FOR HOW I BECAME A PIRATE………. ................................................. 20 NAME THAT VEGGIE…………… ...................................................................................