The Michigan Revie

Total Page:16

File Type:pdf, Size:1020Kb

The Michigan Revie ~~~~;."-I~~~~~~""""'.:m",·~; .<,,,,~"~\oU(""""~'_~ ""'! ~f""'-" THE MICHIGAN REVIE Volume 9, Number 2 October 1990 Exploring Academic Ghettos by Athena Foley "Afro-American studies are new diversity requirement for stu­ only to fulfill requirements. They don't which ostenSibly evolved out of a de­ needed to crush the white idea that dents in the College of Literature, Sci­ see it as taking an elective." sire to respect diversity of thought, Africans are subhuman. White society, ence, and the Arts (LSA). Some students do not take CAAS have developed their own orthodoxies in its lack of understanding and its As the most likely beneficiaries of and Women's Studies as seriously as often explicitly hostile toward dissent. arrogance, thinks Afro-Americans are the new requirement, these depart­ traditional departments, and employ­ Former Michigan Student Assembly less than human," says Teron Jones, an ments have yet to address many of the ers have been known to take a similarly President Aaron Williams said that East Quad Minority Peer Advisor problems associated with defining dim view of concentrations in these people in Afro-American or Women's (MPA). entire fields of study on the basis of fields. The chair of the Women's Stud­ Studies classes may think a "generic Controversial comments like race or gender. ies department, Abby Smith, said she white male knows little about the sub­ these raise questions as to the educa­ Among some students - espe­ encourages double concentrations so ject and stifle his ideas when he's just in tional orientation of academic pro­ cially white males - there seems to be that people applying for a job "don't there to learn about it." grams such as the University of a stigma about taking classes in even have to mention they're a Jones, who has taken many Afro­ Michigan's Center for Afro-American CAAS and Women's Studies. Bill Fos­ women's studies major if they don't American classes, confirms William's Studies (CAAS) and Women's Studies ter, an LSA sophomore, said, ''White think it would be to their advantage." department, especially in light of the men are most inclined to take them Ironically, these departments, Please See Page 11 Van Valey's Conflict of Interest: the MSA-PSC Connection by Adam DeVore the Ann Arbor Art Fair this summer. The PSC received $1,000 this summer analysis of an MSA member's duty; The Review recently acquired a This raises an interesting ques­ for a "fact finding" mission to Israel's thinking the question irrelevant, how­ photograph of Michigan Student As­ tion: Should members of MSA di­ West Bank and Gaza Strip ever, is clearly not. sembly (MSA) President Jennifer Van rectly involve themselves with stu­ According to Van Valey, "It is ri­ Is Van Valey as confused as she Valey working at the Palestine Solidar­ dent organizations that will come be­ diculous to expect that the students seems? While this is possible, it is per­ ity Committee's promotional booth at fore the Assembly asking for money? who sit on MSA are totally objective and haps more likely that she was trying to that they somehow know what's going handle a sensitive, highly charged is­ on around campus without becoming sue with as much delicacy as circumlo- involved. I believe in activism, so, absolutely, I think MSA members Please See Page 11 should be involved." Such logic would not have seemed strange, had not a moment earlier, Inside when asked if she had any affiliation with the PSC, she responded, "I think Essays: Diversity that is irrelevant." and Education 6 One would have expected Van Va ley to have said either, "Unfortu­ nately, no, but then again I can't be eve­ Interview with rywhere at once," or, "Why, yes, I am af­ Bill Schuette 8 filiated with the PSC! I selfl essly spend my time getting involved in many campus organizations so I may better "Confessions of serve U-M students." Either answer would have been consistent with her a White Male" 9 MSA President Jennifer Van Valey gave PSC a helping hand last summer. ,'W ,,1· .,,,,, ,,,,' ' ,,< ,l..a I,b ,; & . .. , ;$. f l" '"' .... ' ~ , ;;.. ';'.' ,:.f . .. .. ~ , ' e, ,to ' '. " ';, .,-':' 't . 1/ ' Ii, ~. .. ~, ,,~ ;1'1,'\', ,! ,11 ', It. ' ~.. ,T. ,j,' .,t ' . ~, :,l" ,I. ,f" 'i .;. i', ,1/. ,¥", "i-, ~ \. \" ' ,1; 'if:. ,,t, ~ .ll' \ ~ ,~'I ,'.' .., ,,' .J ,1' ;" ,<'/.'1'. "." The Michigan Review, October 1990, p. 2 THE Serpent's Tooth MICHIGAN Apparently ACf-UP didn't like the month about its editorial freedom, the mud of socioeconomic and psychosex­ REVIEW article we printed about them last editors wrote, ''We believe policies on ual complacency." Please, Forrest, month. At one of their innumerable. deadlines, style, and content should be lighten up just a teensy-weensy little protests, the group burned a Septem­ created, implemented, and maintained bit. You read far too much into bad The Campus Affairs ber issue of the Review. The moment by the editors." This confirms our long­ music. Besides, rumor has it you se­ was nicely captured in a Daily photo­ standing suspicions that the Daily edi­ cretly desire to be fondled by David Journal of the graph. Unfortunately, ACf-UP must tors feel "content should be created." Duke. University of Michigan not have been aware of our printing And, instead of boldly striking the procedures, which involve noxious paper's" A Century of Editorial Free­ Editor-in-Chief chemicals and radioactive waste. The dom" slogan, we believe they should We were the proud recipients of the John J. Miller Review is safe-to read, but burning it have simply substituted it with a new Daily's ''Best (worst?) piece of pub­ releases harmful, carcinogenic sub­ one: "All the Bullshit that's Fit to lished ignorance" award last year for Publisher stances into the air-things even more Print." our editorial "Oppose Gay Lounge." Carey Brian Meadors dangerous than our loathsome, hate­ Folks, we have been vindicated. The ful opinions. If anybody would like " . Daily editorial page's wonderful little Executive Editors further information, meet us next Campus conservatives recently had elegy lamenting the fall of East Ger­ Adam DeVore week on the Diag. We will be burning the outrageous misfortune of being man socialism wins hands down. In it, Brian Jendryka copies of Huckleberry Finn and will mentioned in one of Phil Cohen's the authors whined about the West Mark Tulkki happily discuss health concerns after blatherings in the Daily Weekend Maga­ German government not providing the bonfire. zine. In the process of writing an entire the "free legal aid" East Germans so Assistant Editors column about an interview that never enjoyed. Yes, we at the Review have Rahul Banta, Oifton Gault, Bob happened, Phil decided to define the always thought that if the secret police Juneja, Joseph Klein From Sodom and Gomorrah to burn­ word "conservative" with his pocket honored you with one of their infa­ ing issues of the Michigan Review - dictionary. This act left us simply mous midnight visits to take you to a French Correspondent gay rights activists sure have come a aghast. After all, dictionaries are writ­ labor camp, at least you wouldn't have Karen Brinkman long way, haven't they? ten by racists, just like UCAR ~ys. to pay the court costs. Please Phil, diversify yourself. Production Manager Ruth Armstrong Is it ok if we call them flamers now? From Adam Smith's Wetllth of Nations: About a week after the last issue of the ''The greater part of universities have Personnel Manager Review was printed, we received a not even been very forward to adopt VinceWilk ''If we privatize, then I lose my ability terrifyingly homophobic message on these improvements (in philosophy), to control how we handle our waste," our answering machine, in which after they were made; and several of Editor Emeritus said Ann Arbor city council member members of our staff were called very those learned societies have chosen to Marc Selinger Thais Anne Peterson (D-5th Ward)in a nasty things. Any information leading remain, for a long time, the sanctuaries Daily article on the city's recent move to the sensitization of the responsible in which exploded systems and obso­ Staff to privatize waste disposal. This, we individual will be greatly appreci­ lete prejudices found shelter and pro­ Mike Beidler, Thomas Binkow, believe, is a textbook case of anal reten­ ated. tection, after they had been hurled out David Boettger, Jim Borninski, tive behavior. of every corner of the world." The more Brian Cook, Pete Daugavietis, things change, the more they remain the Vincent DeSantis, Gregg Donnen­ Head-line of the Year: "Alden same? You tell us. feld, Mark Dundon, Mary Beth In a recent discussion about UCAR's Whibnan, 76,aReporterfor the Obi tu­ Dziedzic, Athena Foley, Adam thought-provoking ,shanties, a ques­ aries in the Times, Dies." We found Garagiola, Reg Goeke, Jon tion came up: ''1)0 sequestering ani­ this beauty in the Sept. 5 issue of the The editorial board of the Review has Hoekstra, Nicholas Hoffman, mals have property rights?" We have New York Times. Guess which section. decided to wholeheartedly endorse the Heather Johnston, Matt Latimer, often scoffed at the notion of "animal inclusion of women authors in litera­ Shannon Luttermoser, Jeff Muir, rights," but a re-evaluation of Locke ture classes. Begin with Ayn Rand's Chris Peters, Dave Powell, caught us off guard. If a beaver builds Forrest Green ill used to bea half-way Atlas Shrugged. Michael Skinner, John Stanfield, a dam, are we not violating his prop­ decent record reviewer for the Daily's Mark Stern, Chris Terry, John erty rights by allowing lumber compa­ Arts section.
Recommended publications
  • What Shall We Do Now? Pdf Free Download
    WHAT SHALL WE DO NOW? PDF, EPUB, EBOOK Dorothy Canfield Fisher | 304 pages | 02 Sep 2017 | Createspace Independent Publishing Platform | 9781975854263 | English | none What Shall We Do Now? PDF Book Contributed by T. What shall we do for wives for those who are left, since we have sworn by the LORD that we will not give them any of our daughters for wives? David Gagne. Shall we get into fights? Related 0. From the election to the pandemic, all atop systemic injustice continuing to manifest itself in many areas of our society. Message calling all believers to action; to move forward in servitude and stop delaying. It's not something that we need to take it without we taking likely you may have lost your finances. Don't Leave Me Now 6. Sixteenth, A man of God said, do not be afraid and that is what I'm coming to share with us this afternoon. The World's Greatest Pi…. That's a great promise. Vera SmartHumanism: it's all about making sure your tense matches what you are trying to say. Leave a Reply Want to join the discussion? We shall never still any of your glory will give them completely back to you for you deserve them all in the name of Jesus Christ, our Lord, Amen and Amen and Amen. Fathers Against Irrational Reasoning. Yes No. Hey You Two flowers — one phallic, the other yonic — timidly dance around each other before copulating for lack of a more discrete word , morphing from humanistic figures to animalistic creatures. Speak out, speak louder.
    [Show full text]
  • The-Clown.Pdf
    The Clown 1 It was dark by the time I reached Bonn, and I forced myself not to succumb to the series of mechanical actions which had taken hold of me in five years of traveling back and forth: down the station steps, up the station steps, put down my suitcase, take my ticket out of my coat pocket, pick up my suitcase, hand in my ticket, cross over to the newsstand, buy the evening papers, go outside, and signal for a taxi. Almost every day for five years I had left for somewhere and arrived somwhere; in the morning I had gone up station steps and down again, in the afternoon down the steps and up again, signaled for a taxi, felt in my pockets for money to pay for my ticket, bought evening papers at kiosks, and savored in a corner of my mind the studied casualness of these mechanical actions. Ever since Marie left me to marry Züpfner, that Catholic, these actions have become more mechanical than ever, but without losing any of their casualness. There is a way of calculating the distance from station to hotel, from hotel to station—by the taxi meter. Two marks, three marks, four marks fifty from the station. Since Marie has been gone I have sometimes slipped out of the rhythm and confused the hotel with the station, I would start looking for my ticket as I approached the hotel porter or ask the ticket collector at the station for my room number, something—fate perhaps—must have made me remember my profession and my situation.
    [Show full text]
  • Scarfe the Wall Live Tour Group.Pages
    THE ART OF FROM PINK FLOYD THE WALL PRESENTED BY ROGER WATERS THE WALL LIVE TOUR ARTWORK CATALOGUE THE ART OF GERALD SCARFE - FROM PINK FLOYD THE WALL SAN FRANCISCO ART EXCHANGE LLC Image © Gerald Scarfe Image © Gerald Scarfe Roger Waters, c.2010 The Mother, c.2010 Pen, Ink & Watercolour on Paper Pen, Ink & Watercolour on Paper 33” x 23 ¼” sheet size 32” x 22 ¾” sheet size This illustration of Roger Waters on his The Wall Live A recent concept design, done for Roger Water’s tour (2010-2013) appeared on the front cover of The Wall Live tour (2010-2013) that was based on a Billboard Magazine 24 July, 2012. similar scene in the flm shown during the song The Trial where The Mother morphs into a giant protective wall surrounding a baby Pink. 458 GEARY STREET • SAN FRANCISCO CA 94102 • sfae.com • 415.441.8840 main THE ART OF GERALD SCARFE - FROM PINK FLOYD THE WALL SAN FRANCISCO ART EXCHANGE LLC Image © Gerald Scarfe Crazy Toys in the Attic, c.2010 Watercolor, Pen & Ink Collage on Paper 23 ¼” x 33” sheet size Image © Gerald Scarfe Go On Judge, Shit on Him! c.2010 This drawing is based on a segment of the animated scene of The Trial in The Wall flm. As the line “Crazy…Toys in the Pen, Ink & Watercolour on Paper Attic, I am crazy” is sung, the viewer sees a terrifed Pink 32 ½” x 22 ½” sheet size fade to grey as the camera zooms in on his eye until the scene fades into the next animation sequence.
    [Show full text]
  • Uma Análise Do Álbum the Wall, Da Banda Pink Floyd, Como Mediação Da Sociedade
    CENTRO UNIVERSITÁRIO UNIVATES CURSO DE COMUNICAÇÃO SOCIAL HABILITAÇÃO EM PUBLICIDADE E PROPAGANDA SOMOS MAIS UM TIJOLO NO MURO: UMA ANÁLISE DO ÁLBUM THE WALL, DA BANDA PINK FLOYD, COMO MEDIAÇÃO DA SOCIEDADE Cecília Regina Marcolin Lajeado, junho de 2017 Cecília Regina Marcolin SOMOS MAIS UM TIJOLO NO MURO: UMA ANÁLISE DO ÁLBUM THE WALL, DA BANDA PINK FLOYD, COMO MEDIAÇÃO DA SOCIEDADE Monografia apresentada na disciplina Trabalho de Conclusão de Curso II, do curso de Comunicação Social com Habilitação em Publicidade e Propaganda, do Centro Universitário UNIVATES, para obtenção do título de bacharela em Comunicação Social. Orientador: Prof. Dr. Flávio Roberto Meurer Lajeado, junho de 2017 AGRADECIMENTO Agradeço e dedico este trabalho para todas as pessoas que de certa forma me incentivaram e colaboraram para que essa pesquisa se realizasse. À minha família por apoiar e acreditar na minha escolha. Por todos os auxílios, amor e carinho. Por respeitar meu tempo e compreender minha ausência em alguns momentos no decorrer desses cinco anos de faculdade, principalmente na reta final. Eu não teria conseguido sem vocês. Ao meu orientador, Flávio Roberto Meurer, por todo suporte e dedicação neste um ano de pesquisa. Por fazer eu me apaixonar cada dia mais com o tema escolhido, pela assistência nos dias bons e ruins, pela tranquilidade para encarar todas as orientações e desafios desta pesquisa, por sempre me incentivar e me ensinar a caminhar com minhas próprias pernas. À professora Jane Mazzarino, por apoiar a escolha do meu tema quando elaboramos o projeto de pesquisa na disciplina “Projetos de Pesquisa em Comunicação”. Pelo suporte e bom humor no decorrer das aulas, aliviando a tensão para encarar a próxima etapa, o TCC, nos preparando para isso e fazendo com que eu escolhesse um tema que me desse prazer, mesmo que para isso eu tivesse que encarar um grande desafio.
    [Show full text]
  • ATINER's Conference Paper Series HUM2015-1404
    ATINER CONFERENCE PAPER SERIES No: LNG2014-1333 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series HUM2015-1404 The Change in the Political Message of Pink Floyd’s / Roger Waters’ The Wall from the Album to the Film to the Live Shows in the Dawn of the 80’s via the Wall in Berlin in 1990 to the Live Shows of 2010-2013 Vesa-Matti Sarenius Lecturer University of Oulu Finland 1 ATINER CONFERENCE PAPER SERIES No: HUM2015-1404 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. This paper has been peer reviewed by at least two academic members of ATINER. Dr. Gregory T. Papanikos President Athens Institute for Education and Research This paper should be cited as follows: Sarenius, V.-M., (2015) "The Change in the Political Message of Pink Floy’s/Roger Waters’ The Wall from the Album to the Film to the Live Shows in the Dawn of the 80’s via The Wall in Berlin in 1990 to the Live Shows of 2010-2013”, Athens: ATINER'S Conference Paper Series, No: HUM2015-1404. Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research.
    [Show full text]
  • Four Quarters Volume 10 Article 1 Number 4 Four Quarters: May 1961 Vol
    Four Quarters Volume 10 Article 1 Number 4 Four Quarters: May 1961 Vol. X, No. 4 5-1961 Four Quarters: May 1961 Vol. X, No. 4 Follow this and additional works at: http://digitalcommons.lasalle.edu/fourquarters Recommended Citation (1961) "Four Quarters: May 1961 Vol. X, No. 4," Four Quarters: Vol. 10 : No. 4 , Article 1. Available at: http://digitalcommons.lasalle.edu/fourquarters/vol10/iss4/1 This Complete Issue is brought to you for free and open access by the University Publications at La Salle University Digital Commons. It has been accepted for inclusion in Four Quarters by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. four Quarters Art: Forms Symbolic of Import • Page 1 An Article by Michael Sikorski When It Is Dark • Page 11 A Poem by James H. McCormick Three Times and Out • Page 12 A Short Story by Emilie Glen Champing at the Bit * Page 17 A Poem by Charles Edward Eaton The Injustice of It • Page 18 A Short Story by Ruth Chessman 15 An Unaccustomed Street • Page 27 A Poem by Katherine Gorman In the Rose's Season Captive and Golden * Page 28 Poems by Frances DeVlieger Anderson The Poetry of Raymond Roseliep • Page 29 An Article by Thomas P. McDonnell Lord Lovett's Lament on Losing His Livelihood * Page 34 A Short Story by Terry Johnson King Airplane Seeding Trout • Page 40 A Poem by E. H. Templin In Memory of a Father • Page 40 A Poem by C. J. McGrath, Jr. May, 1961 vol.
    [Show full text]
  • Track List: All Songs Written by Syd Barrett, Except Where Noted. ”UK Release” Side One 1
    Track List: All songs written by Syd Barrett, except where noted. ”UK release” Side one 1. "Astronomy Domine" – 4:12 2. "Lucifer Sam" – 3:07 3. "Matilda Mother" – 3:08 4. "Flaming" – 2:46 5. "Pow R. Toc H." (Syd Barrett, Roger Waters, Rick Wright, Nick Mason) – 4:26 6. "Take Up Thy Stethoscope and Walk" (Roger Waters) – 3:05 Side two 1. "Interstellar Overdrive" (Syd Barrett, Roger Waters, Rick Wright, Nick Mason) – 9:41 2. "The Gnome" – 2:13 The Piper at the Gates of Dawn – August 5, 1967 3. "Chapter 24" – 3:42 Syd Barrett – guitar, lead vocals, back cover design 4. "The Scarecrow" – 2:11 5. "Bike" – 3:21 Roger Waters – bass guitar, vocals Rick Wright – Farfisa Compact Duo, Hammond organ, Certifications: piano, vocals TBR Nick Mason – drums, percussion "Astronomy Domine" Lime and limpid green, a second scene A fight between the blue you once knew. Floating down, the sound resounds Around the icy waters underground. Jupiter and Saturn, Oberon, Miranda and Titania. Neptune, Titan, Stars can frighten. Lime and limpid green, a second scene A fight between the blue you once knew. Floating down, the sound resounds Around the icy waters underground. Jupiter and Saturn, Oberon, Miranda and Titania. Neptune, Titan, Stars can frighten. Blinding signs flap, Flicker, flicker, flicker blam. Pow, pow. Stairway scare, Dan Dare, who's there? Lime and limpid green, the sounds around The icy waters under Lime and limpid green, the sounds around The icy waters underground. "Lucifer Sam" Lucifer Sam, siam cat. Always sitting by your side Always by your side.
    [Show full text]
  • The Wall Immersion Box Set / Experience Edition / 2Lp Vinyl: Full Track Listings
    Media Information im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 [email protected] THE WALL IMMERSION BOX SET / EXPERIENCE EDITION / 2LP VINYL: FULL TRACK LISTINGS PINK FLOYD THE WALL IMMERSION BOXSET TRACKLIST DISCS 1&2 (CDs ) The Wall digitally remastered by James Guthrie, 2011 Disc 1 1. In The Flesh? 2. The Thin Ice 3. Another Brick In The Wall, Part 1 4. The Happiest Days Of Our Lives 5. Another Brick In The Wall, Part 2 6. Mother 7. Goodbye Blue Sky 8. Empty Spaces 9. Young Lust 10. One Of My Turns 11. Don’t Leave Me Now 12. Another Brick In The Wall, Part 3 13. Goodbye Cruel World Disc 2 1. Hey You 2. Is There Anybody Out There? 3. Nobody Home 4. Vera 5. Bring The Boys Back Home 6. Comfortably Numb 7. The Show Must Go On 8. In The Flesh 9. Run Like Hell 10. Waiting For The Worms 11. Stop 12. The Trial 13. Outside The Wall DISCS 3&4 (CDs) Is There Anybody Out There: The Wall Live 1980-81 - digitally remastered in 2011 by James Guthrie Disc 3 Is There Anybody Out There? - The Wall Live 1980-81 Part 1 MC: ATMOS 2. In The Flesh? 3. The Thin Ice 4. Another Brick In The Wall, Part 1 5. The Happiest Days Of Our Lives 6. Another Brick In The Wall, Part 2 7. Mother 8. Goodbye Blue Sky 9. Empty Spaces 10. What Shall We Do Now? 11. Young Lust 12. One Of My Turns 13.
    [Show full text]
  • Montford Donates to ACS Nutrition Program
    Montford THE NEWSLETTER OF ASHEVILLE'S MOST HISTORIC NEIGHBORHOOD Vol. 25 No. 4 April ‘20 Montford Donates to ACS Nutrition program Your Dollars at Work On March 26, the Montford Neighborhood Association donated $1,500 to Asheville City Schools’ Nutrition program to provide food to individuals and families in need. With the recent school closures and numerous job losses due to COVID-19, many students and their families are struggling to find resources for even the necessities. In partnership with United Way, Buncombe County, and Manna Food Bank, ACS has been helping fill the gap by providing food for families through drive-thru Community Engagement Markets at area schools. Isaac Dickson School was a recent location for the Market where 2,000 pounds of food were given away. continued on page 2... How to Avoid Coronavirus Riverside Cemetery Malware & Misinformation Update by Christina Edwards on March 26, By Zoe Schumaker 2020, AVG Technologies Now that the final Environmental Impact Assessment Phishing scams have multiple ways of selecting their (FEIS) for the I-26 Connector Project has been victims. Quite often they prey on the victim’s fear issued, NCDOT, the Federal Highway Administration by using real and current threats. Other times they (FHWA), and the North Carolina State Historic jump on the opportunity bandwagon with stories Preservation Office (SHPO) have begun the Section that are highly topical in the news. And every so often 106 Process to address the impacts on one comes along that packs the double punch. Yes, Riverside Cemetery. coronavirus (COVID-19) malware has joined the Section 106 is a federal statute designed to protect conversation.
    [Show full text]
  • Long-Form Analytical Techniques and the Music of Pink Floyd Christopher Everett Onesj
    Graduate Theses, Dissertations, and Problem Reports 2017 Tear Down the Wall: Long-Form Analytical Techniques and the Music of Pink Floyd Christopher Everett onesJ Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Jones, Christopher Everett, "Tear Down the Wall: Long-Form Analytical Techniques and the Music of Pink Floyd" (2017). Graduate Theses, Dissertations, and Problem Reports. 7098. https://researchrepository.wvu.edu/etd/7098 This Dissertation is brought to you for free and open access by The Research Repository @ WVU. It has been accepted for inclusion in Graduate Theses, Dissertations, and Problem Reports by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Tear Down the Wall: Long-Form Analytical Techniques and the Music of Pink Floyd Christopher Everett Jones Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts David Taddie, Ph.D., Chair Evan MacCarthy, Ph.D. Matthew Heap, Ph.D. Andrea Houde, M.M. Beth Royall, M.L.I.S., M.M. School of Music Morgantown, West Virginia 2017 Keywords: Music, Pink Floyd, Analysis, Rock music, Progressive Rock, Progressive Rock Analysis Copyright 2017 Abstract Tear Down the Wall: Long-Form Analytical Techniques and the Music of Pink Floyd Christopher Everett Jones This document examines the harmonic and melodic content of four albums by English Progressive Rock band Pink Floyd: Meddle (1971), The Dark Side of the Moon (1973), Wish You Were Here (1975), and The Wall (1979). Each of these albums presents a coherent discourse that is typical of the art music tradition.
    [Show full text]
  • [Note: the Songs Appearing in Brackets Were Played on the Radio at This Point in the Interview.]
    [Note: the songs appearing in brackets were played on the radio at this point in the interview.] (TV=Tommy Vance / RW=Roger Waters) TV: Where did the idea come from? RW: Well, the idea for 'The Wall' came from ten years of touring, rock shows, I think, particularly the last few years in '75 and in '77 we were playing to very large audiences, some of whom were our old audience who'd come to see us play, but most of whom were only there for the beer, in big stadiums, and, er, consequently it became rather an alienating experience doing the shows. I became very conscious of a wall between us and our audience and so this record started out as being an expression of those feelings. TV: But it goes I think a little deeper than that, because the record actually seems to start at the beginning of the character's life. RW: The story has been developed considerably since then, this was two years ago [1977], I started to write it, and now it's partly about a live show situation--in fact the album starts off in a live show, and then it flashes back and traces a story of a character, if you like, of Pink himself, whoever he may be. But initially it just stemmed from shows being horrible. TV: When you say "horrible" do you mean that really you didn't want to be there? RW: Yeah, it's all, er, particularly because the people who you're most aware of at a rock show on stage are the front 20 or 30 rows of bodies.
    [Show full text]
  • First Amended Complaint for Federal Copyright
    Arista Records LLC et al v. Lime Wire LLC et al Doc. 45 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ARISTA RECORDS LLC; ATLANTIC RECORDING CORPORATION; BMG MUSIC; CAPITOL RECORDS, INC.; ELEKTRA ENTERTAINMENT GROUP INC.; INTERSCOPE RECORDS; LAFACE RECORDS LLC; ECF CASE MOTOWN RECORD COMPANY, L.P.; PRIORITY RECORDS LLC; SONY BMG MUSIC FIRST AMENDED COMPLAINT FOR ENTERTAINMENT; UMG RECORDINGS, INC.; FEDERAL COPYRIGHT VIRGIN RECORDS AMERICA, INC.; and INFRINGEMENT, COMMON LAW WARNER BROS. RECORDS INC., COPYRIGHT INFRINGEMENT, Plaintiffs, UNFAIR COMPETITION, CONVEYANCE MADE WITH v. INTENT TO DEFRAUD AND UNJUST ENRICHMENT LIME WIRE LLC; LIME GROUP LLC; MARK GORTON; GREG BILDSON, and M.J.G. LIME 06 Civ. 05936 (GEL) WIRE FAMILY LIMITED PARTNERSHIP, Defendants. Plaintiffs hereby allege on personal knowledge as to allegations concerning themselves, and on information and belief as to all other allegations, as follows: NATURE OF THE ACTION 1. Plaintiffs are record companies that produce, manufacture, distribute, sell, and license the vast majority of commercial sound recordings in this country. Defendants' business, operated under the trade name "LimeWire" and variations thereof, is devoted essentially to the Internet piracy of Plaintiffs' sound recordings. Defendants designed, promote, distribute, support and maintain the LimeWire software, system/network, and related services to consumers for the well-known and overarching purpose of making and distributing unlimited copies of Plaintiffs' sound recordings REDACTED VERSION - COMPLETE VERSION FILED UNDER SEAL Dockets.Justia.com without paying Plaintiffs anything. Plaintiffs bring this action to stop Defendants' massive and daily infringement of Plaintiffs' copyrights. 2. The scope of infringement caused by Defendants is staggering. Millions of infringing copies of Plaintiff s sound recordings have been made and distributed through LimeWire — copies that can be and are permanently stored, played, and further distributed by Lime Wire's users.
    [Show full text]