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Elite Music Productions This Music Guide Represents the Most Requested Songs at Weddings and Parties
Elite Music Productions This Music Guide represents the most requested songs at Weddings and Parties. Please circle songs you like and cross out the ones you don’t. You can also write-in additional requests on the back page! WEDDING SONGS ALL TIME PARTY FAVORITES CEREMONY MUSIC CELEBRATION THE TWIST HERE COMES THE BRIDE WE’RE HAVIN’ A PARTY SHOUT GOOD FEELIN’ HOLIDAY THE WEDDING MARCH IN THE MOOD YMCA FATHER OF THE BRIDE OLD TIME ROCK N ROLL BACK IN TIME INTRODUCTION MUSIC IT TAKES TWO STAYIN ALIVE ST. ELMOS FIRE, A NIGHT TO REMEMBER, RUNAROUND SUE MEN IN BLACK WHAT I LIKE ABOUT YOU RAPPERS DELIGHT GET READY FOR THIS, HERE COMES THE BRIDE BROWN EYED GIRL MAMBO #5 (DISCO VERSION), ROCKY THEME, LOVE & GETTIN’ JIGGY WITH IT LIVIN, LA VIDA LOCA MARRIAGE, JEFFERSONS THEME, BANG BANG EVERYBODY DANCE NOW WE LIKE TO PARTY OH WHAT A NIGHT HOT IN HERE BRIDE WITH FATHER DADDY’S LITTLE GIRL, I LOVED HER FIRST, DADDY’S HANDS, FATHER’S EYES, BUTTERFLY GROUP DANCES KISSES, HAVE I TOLD YOU LATELY, HERO, I’LL ALWAYS LOVE YOU, IF I COULD WRITE A SONG, CHICKEN DANCE ALLEY CAT CONGA LINE ELECTRIC SLIDE MORE, ONE IN A MILLION, THROUGH THE HANDS UP HOKEY POKEY YEARS, TIME IN A BOTTLE, UNFORGETTABLE, NEW YORK NEW YORK WALTZ WIND BENEATH MY WINGS, YOU LIGHT UP MY TANGO YMCA LIFE, YOU’RE THE INSPIRATION LINDY MAMBO #5BAD GROOM WITH MOTHER CUPID SHUFFLE STROLL YOU RAISE ME UP, TIMES OF MY LIFE, SPECIAL DOLLAR WINE DANCE MACERENA ANGEL, HOLDING BACK THE YEARS, YOU AND CHA CHA SLIDE COTTON EYED JOE ME AGAINST THE WORLD, CLOSE TO YOU, MR. -
58 Bab Iii Analisis Cda Fairclough Korean Wave 3.1
BAB III ANALISIS CDA FAIRCLOUGH KOREAN WAVE 3.1. Kemunculan dan Perkembangan Hallyu Kemunculan Korea Selatan sebagai negara yang memproduksi budaya populer tidak langsung serta merta dalam kemunculannya. Sebagai negara yang terlibat perang dengan Korea Utara, Korea Selatan tentunya mengalami berbagai kehancuran akibat dampak perang. Peperangan yang dialami oleh Korea Selatan inilah yang membuka sedikit ruang dalam perkembangan industri hiburan Korea Selatan yang saat ini semakin mengokohkan dirinya. Sejarah mencatat Korea Selatan terlibat perang hingga melibatkan bantuan militer dari dunia Internasional. Korea Selatan mengalami masa kependudukan Jepang pada tahun 1910 -1945 dan perang Korea antara utara dan selatan yang berlangsung pada tahun 1950 – 1953. Adanya pasukan militer asing yang masuk ke Korea Selatan menyebabkan unsur-unsur asing yang memasuki Korea Selatan seperti masuknya agama baru hingga sampai jenis musik asing yang diadopsi. Sebelumnya, Korea yang masih bersifat tradisional penuh dengan pengaruh Buddha, Konfusius, dan pengaruh Tiongkok. Prajurit asing di Korea Selatan membawa masuk pengaruh jenis musik baru di Korea Selatan. Musik Korea Selatan mulai dipengaruhi oleh musik musik—American folk, lush ballads, rock, French chansons, Italian canzone; musik Latin, Cuban, dan Japanese enka1 Perjalanan Korean wave sebagai budaya populer yang menjadi komoditas global melalui perjalanan panjang. Seperti yang disinggung 1Korean Culture and Information Service. 2011. Contemporary Korea No.1; The Korean Wave: A New Pop Culture Phenomenon, hal 11 58 sebelumnya, Korea Selatan sendiri harus mengalami masa-masa kehancuran akibat perang yang dialaminya hingga masa krisis moneter International Monetary Fund (IMF) di tahun 1990-an. Namun, justru pasca krisis moneter itulah industri hiburan Korea Selatan dapat bangkit. Di awal berdirinya Korea Selatan sebagai negara, industri hiburan sama sekali tidak mendapat ruang gerak yang bebas, justru lebih dikendalikan oleh pemerintah. -
JYP Entertainment (035900 KQ ) Margin Recovery in 3Q19 Will Be Key
JYP Entertainment (035900 KQ ) Margin recovery in 3Q19 will be key Entertainment 2Q19 review: OP slightly misses expectations, at W9.4bn Results Comment For 2Q19, JYP Entertainment announced consolidated revenue of W39.2bn (+24.1% YoY; all growth figures hereafter are YoY) and operating profit of W9.4bn (+3.9%). Operating profit was August 16, 2019 slightly below our estimate (W10.3bn) and the consensus. Revenue growth continued to be driven by the content (+40% for album/digital music) and global digital (+52% to W1.3bn for YouTube revenue) segments , and the monetization of new artists also gained traction. That said, margins contracted due to increased artist royalties and management costs (gross margin fell 4.6%p to 43.7%). While the decline was modest, these costs are affected by a (Maintain) Buy number of factors, including the terms of individual artist contracts, leverage effects from album sales, and overseas schedules. We advise keeping a close eye on any structural changes Target Price (12M, W) ▼ 28,000 through 3Q19, when revenue from TWICE’s dome tour is likely to be recognized. Share Price (08/14/19, W) 18,800 Album/digital music revenue grew 40% to W14.7bn. Album sales included 400,000 copies of TWICE’s new album, 300,000 copies of GOT7’s mini album, and 160,000 copies of Stray Kids ’ special album. Global digital music revenue grew 54% to W2bn, which included sales from the Expected Return 49% distribution partnership with The Orchard (less than W0.3bn). Concert revenue dipped 34% to W4.7bn, as attendance declined as a result of the absence of TWICE and GOT7 concerts in Japan. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Showboxatcannes 2011
SHOWBOX AT CANNES 2011 CONTACT IN CANNES LERINS R3-S2 T +33 (0)4 92 99 33 26 EXECUTIVE ATTENDEES Judy AHN Head of Int’l Business • Sales & Acquisitions M +33 (0)6 76 22 89 41 E [email protected] SooJin JUNG General Manager • Sales M +33 (0)6 88 02 04 61 E [email protected] Sonya KIM Manager • Sales & Festival M +33 (0)6 08 50 72 51 E [email protected] June LEE Manager • Acquisitions M +33 (0)6 72 64 91 26 E [email protected] Eugene KIM Int’l Marketing M +33 (0)6 74 61 63 95 E [email protected] HIGHLIGHTS THE YELLOW SEA Genre Action, Thriller Running Time 140 min (International Version) Release Date Dec 23, 2010 Directed by NA Hong-jin (THE CHASER) Starring HA Jung-woo (THE CHASER / TAKE OFF) KIM Yun-seok ( T H E C H A S E R / W O O C H I ) Co-presented by Showbox / Mediaplex Fox International Productions On the Chinese side of Chinese-Russian-North Korean border, there is a region where North Korea, China and Russia meet is known as Yanbian Korean Autonomous Prefecture. The film tells a story of a man from here, who embarks on an assassination mission to South Korea in order to pay off his mounting debt. He is only given some money in advance and takes on the job without knowing much about his target. However, he is endangered by a FESTIVAL / MARKET SCREENINGS series of conspiracy and betrayal, and eventually realizes that he is TO BE ANNOUNCED tricked into a vicious trap. -
アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE
アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)（KOR） 1072528598 K-POP 2,290 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)（KOR） 1072528759 K-POP 2,290 https://tower.jp/item/4875653 100% (Korea) 28℃ ＜通常盤C＞ OKCK05028 K-POP 1,296 https://tower.jp/item/4825257 100% (Korea) 28℃ ＜通常盤B＞ OKCK05027 K-POP 1,296 https://tower.jp/item/4825256 100% (Korea) 28℃ ＜ユニット別ジャケット盤B＞ OKCK05030 K-POP 648 https://tower.jp/item/4825260 100% (Korea) 28℃ ＜ユニット別ジャケット盤A＞ OKCK05029 K-POP 648 https://tower.jp/item/4825259 100% (Korea) How to cry (Type-A) ＜通常盤＞ TS1P5002 K-POP 1,204 https://tower.jp/item/4415939 100% (Korea) How to cry (Type-B) ＜通常盤＞ TS1P5003 K-POP 1,204 https://tower.jp/item/4415954 100% (Korea) How to cry (ミヌ盤) ＜初回限定盤＞（LTD） TS1P5005 K-POP 602 https://tower.jp/item/4415958 100% (Korea) How to cry (ロクヒョン盤) ＜初回限定盤＞（LTD） TS1P5006 K-POP 602 https://tower.jp/item/4415970 100% (Korea) How to cry (ジョンファン盤) ＜初回限定盤＞（LTD） TS1P5007 K-POP 602 https://tower.jp/item/4415972 100% (Korea) How to cry (チャンヨン盤) ＜初回限定盤＞（LTD） TS1P5008 K-POP 602 https://tower.jp/item/4415974 100% (Korea) How to cry (ヒョクジン盤) ＜初回限定盤＞（LTD） TS1P5009 K-POP 602 https://tower.jp/item/4415976 100% (Korea) Song for you (A) OKCK5011 K-POP 1,204 https://tower.jp/item/4655024 100% (Korea) Song for you (B) OKCK5012 K-POP 1,204 https://tower.jp/item/4655026 100% (Korea) Song for you (C) OKCK5013 K-POP 1,204 https://tower.jp/item/4655027 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)（LTD） OKCK5015 K-POP 602 https://tower.jp/item/4655029 100% (Korea) -
Whitney Houston 1963—2012
The Legend Lives On Whitney Houston 1963—2012 Photo courtesy Resilient Media Entertainment via Creative Commons P A G E 24 F L O W S P R I N G 2 0 2 0 Whitney Houston’s undeniable talent, beauty and good works made her America’s sweetheart By Vanessa Gyamfi Houston was not only a talented artist, she was Standing on the stage shy and nervous with also a humanitarian she established the Whitney Hou- clenched hands, wearing a purple off-the-shoulder dress ston Foundation for Children, a nonprofit organization was a 20-year-old Whitney Houston making her first ever that funds projects to help needy children all over the national television debut on “The Merv Griffin Show.” world. Her undeniable talent, beauty, voice, charity work She sang her version of the song “Home” from the mov- and good girl image made her America’s sweetheart. ie, “The Wiz.” Her voice and performance were so beau- That's why it came as surprise to people when she mar- tiful and refreshing. This was the day the world wit- ried the overly provocative and bad boy of R&B, Bobby nessed a star in the making. Brown, in 1992. Houston received a lot of criticism, espe- The Queen of R&B was born August 9,1963, in cially from family members on her decision. But she Newark, N. J. She was blessed to be born into a musical loved Brown and refused to listen to her family members family, with her mother being Cissy Houston a gospel and the naysayers. -
IJAE.2019.9457249.Pdf (3.248Mb)
Research Article Comparative Study on Steady and Unsteady Flow in a Centrifugal Compressor Stage Changhee Kim 1 and Changmin Son 2 1School of Mechanical Engineering, Pusan National University, Busan, Republic of Korea 2Department of Mechanical Engineering, Virginia Polytechnic Institute and State University, Blacksburg, VA 24061, USA Correspondence should be addressed to Changmin Son; [email protected] Received 25 January 2019; Accepted 1 April 2019; Published 2 June 2019 Academic Editor: Giovanni Delibra Copyright © 2019 Changhee Kim and Changmin Son. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Steady Reynolds-averaged Navier-Stokes (RANS) simulation with the mixing-plane approach is the most common procedure to obtain the performance of a centrifugal compressor in an industrial development process. However, the accurate prediction of complicated flow fields in centrifugal compressors is the most significant challenge. Some phenomena such as the impeller- diffuser flow interaction generates the unsteadiness which can affect the steady assumption. The goal of this study is to investigate the differences between the RANS and URANS simulation results in a centrifugal compressor stage. Simulations are performed at three operating points: near surge (NS), design point (DP), and near choke (NC). The results show that the RANS simulation can predict the overall performance with reasonable accuracy. However, the differences between the RANS and URANS simulation are quite significant especially in the region that the flows are highly unsteady or nearly separated. The RANS simulation is still not very accurate to predict the time-dependent quantities of the flow structure. -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
URL 100% (Korea)
アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価（税抜） URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)（KOR） 1072528598 CD K-POP 1,603 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)（KOR） 1072528759 CD K-POP 1,603 https://tower.jp/item/4875653 100% (Korea) 28℃ ＜通常盤C＞ OKCK05028 Single K-POP 907 https://tower.jp/item/4825257 100% (Korea) 28℃ ＜通常盤B＞ OKCK05027 Single K-POP 907 https://tower.jp/item/4825256 100% (Korea) Summer Night ＜通常盤C＞ OKCK5022 Single K-POP 602 https://tower.jp/item/4732096 100% (Korea) Summer Night ＜通常盤B＞ OKCK5021 Single K-POP 602 https://tower.jp/item/4732095 100% (Korea) Song for you メンバー別ジャケット盤 (チャンヨン)（LTD） OKCK5017 Single K-POP 301 https://tower.jp/item/4655033 100% (Korea) Summer Night ＜通常盤A＞ OKCK5020 Single K-POP 602 https://tower.jp/item/4732093 100% (Korea) 28℃ ＜ユニット別ジャケット盤A＞ OKCK05029 Single K-POP 454 https://tower.jp/item/4825259 100% (Korea) 28℃ ＜ユニット別ジャケット盤B＞ OKCK05030 Single K-POP 454 https://tower.jp/item/4825260 100% (Korea) Song for you メンバー別ジャケット盤 (ジョンファン)（LTD） OKCK5016 Single K-POP 301 https://tower.jp/item/4655032 100% (Korea) Song for you メンバー別ジャケット盤 (ヒョクジン)（LTD） OKCK5018 Single K-POP 301 https://tower.jp/item/4655034 100% (Korea) How to cry (Type-A) ＜通常盤＞ TS1P5002 Single K-POP 843 https://tower.jp/item/4415939 100% (Korea) How to cry (ヒョクジン盤) ＜初回限定盤＞（LTD） TS1P5009 Single K-POP 421 https://tower.jp/item/4415976 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)（LTD） OKCK5015 Single K-POP 301 https://tower.jp/item/4655029 100% (Korea) How to cry (Type-B) ＜通常盤＞ TS1P5003 Single K-POP 843 https://tower.jp/item/4415954 -
Conference Program July 26-29, 2021 | Pacific Daylight Time 2021 Asee Virtual Conference President’S Welcome
CONFERENCE PROGRAM JULY 26-29, 2021 | PACIFIC DAYLIGHT TIME 2021 ASEE VIRTUAL CONFERENCE PRESIDENT’S WELCOME SMALL SCREEN, SAME BOLD IDEAS It is my honor, as ASEE President, to welcome you to the 128th ASEE Annual Conference. This will be our second and, almost certainly, final virtual conference. While we know there are limits to a virtual platform, by now we’ve learned to navigate online events to make the most of our experience. Last year’s ASEE Annual Conference was a success by almost any measure, and all of us—ASEE staff, leaders, volunteers, and you, our attendees—contributed to a great meeting. We are confident that this year’s event will be even better. Whether attending in person or on a computer, one thing remains the same, and that’s the tremendous amount of great content that ASEE’s Annual Conference unfailingly delivers. From our fantastic plenary speakers, paper presentations, and technical sessions to our inspiring lineup of Distinguished Lectures and panel discussions, you will have many learning opportunities and take-aways. I hope you enjoy this week’s events and please feel free to “find” me and reach out with any questions or comments! Sincerely, SHERYL SORBY ASEE President 2020-2021 2 Schedule subject to change. Please go to https://2021asee.pathable.co/ for up-to-date information. 2021 ASEE VIRTUAL CONFERENCE TABLE OF CONTENTS 2021 ASEE VIRTUAL CONFERENCE AND EXPOSITION PROGRAM ASEE BOARD OF DIRECTORS ................................................................................4 CONFERENCE-AT-A-GLANCE ................................................................................6 -
Who Is Stephanie Leveene?
In Sports In Sution2 An Associated Collegiate Press Four-Star All-American Newspaper Men thunder Straight up: to twelfth the particulars straight win of posture page 85 page B1 TUESDAY Police net Steady ... -~r--..,. Recruiter resigns, $22,000 takes national post ~l?r1r~g~,.:,v~or gets someone who cares about social and ;~~s!f/oncerns of students [in RISE).; in raid Fran.k A. Wells Jr. officially resigned as the director of the Resources to Insure An elected delegation of RISE studenti Successful Engineers (RISE) program was formed last semester to act as a liaisod Police from six Delaware Friday. between students and administration to Wells, who became director of the express concern about the future of thct departments conclude College of Engineering's minority program. recruitment program in 1987, announced his With the resignation of Wells members of two-month investigation resignation in early January and will begin the delegation said they want to be included his new job at the New York-based National in the search committee. By Sara H. Weiss Action Council for Minorities in President David P. Roselle said the Ciry News Edilor Engineering this month. university will miss Wells' leadership. Officers from six police departments "It's hard to be happy about the new job," "One of the beuer representations of across the state seized $22,000 worth of Wells said. "I'm still very concerned about African American students is in the College crack cocaine Thursday at the College who will come in and take over RISE." of Engineering and that's due to the Square Shopping Center which police Currently Ronald F.