Scheme of the Research
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112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
Blackkklansman and Postcolonial Studies in the EFL Classroom
Independent Project, 15 credits “Dis joint is based upon some fo’ real, fo’ real sh*t” Challenging perspectives on race and ethnicity by incorporating Spike Lee’s movie BlacKkKlansman and postcolonial studies in the EFL classroom Author: Sofija Stanic Supervisor: Anna Greek Examiner: Anne Holm Term: HT19 Subject: English Level: Bachelor Course code: 2ENÄ2E Abstract This essay argues for the benefits of incorporating Spike Lee’s film BlacKkKlansman and discussions of postcolonialism in the Swedish upper secondary EFL classroom in order to challenge students’ perspectives on race and ethnicity. The film BlacKkKlansman by Spike Lee is a work that challenges not only American history but also the perspectives of black and white people in contemporary society. Discussing the white and black characters and the social criticism in the movie with students in the English classroom may encourage them to be more open-minded and aware of global political and social issues. Key words Postcolonial criticism; BlacKkKlansman; racial issues; racism; EFL classroom; fundamental values; stereotypes Thanks To my supervisor Anna Greek, thank you for all your kind support and help during the writing of this essay, you helped spark my interest for the subject. Table of contents Abstract 2 1 Introduction 1 2 Postcolonialism 4 2.1 Overview 4 2.2 Postcolonial Criticism and Literature Didactical Theory 9 3 Spike Lee’s BlacKkKlansman 13 3.1 The Depiction of Blackness and Whiteness 13 3.2 Connections to the Trump-Era 18 3.3 Postcolonial criticism and BlacKkKlansman in the EFL Classroom 21 4 Conclusion 25 Works Cited 1 1 Introduction The movie BlacKkKlansman from 2018, directed by Spike Lee, is a story set in the early 1970s which revolves around the protagonist Ron Stallworth who becomes the first African American police officer in the Colorado Springs police force. -
SAFETY at a PUSH of a BUTTON ISU Police Introduce New Safety Measures on Campus Through Technology
Iowa State Daily, January 2019 Iowa State Daily, 2019 1-24-2019 Iowa State Daily (January 24, 2019) Iowa State Daily Follow this and additional works at: https://lib.dr.iastate.edu/iowastatedaily_2019-01 Recommended Citation Iowa State Daily, "Iowa State Daily (January 24, 2019)" (2019). Iowa State Daily, January 2019. 7. https://lib.dr.iastate.edu/iowastatedaily_2019-01/7 This Book is brought to you for free and open access by the Iowa State Daily, 2019 at Iowa State University Digital Repository. It has been accepted for inclusion in Iowa State Daily, January 2019 by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An independent student newspaper serving Iowa State since 1890 01.24.2019 Vol. 219 No. 084 THURSDAY Defensive loss Kansas exposed Iowa State’s weaknesses in latest game. SPORTS PG6 SAFETY AT A PUSH OF A BUTTON ISU Police introduce new safety measures on campus through technology BY JAILENE.RIVAS the university. @iowastatedaily.com Existing safety services available to students, sta and e Iowa State Police Department will add Ames community members a new app to the safety programs o ered for include blue emergency posts Iowa State students. around campus, SafeRide and Iowa State Police Chief Michael Newton CyRide’s night routes. told the Ames Tribune in December the new BLUE EMERGENCY POSTS ISU Guardian app is expected to be available this spring. There are blue emergency posts around The app will provide several services to campus with a button and a speaker. In to need or use the emergency posts because of university or sorority or fraternity properties. -
Blackkklansman
BlacKkKlansman The movie is called BlacKkKlansman, it was directed by Spike Lee and released in France in August 22, 2018. The movie is based on a true story from the book Black Klansman, written by Ron Stallworth. Starring John David Washington, Adam Driver, Laura Harrier, Topher Grace as the main actors. The movie is set in the 70s where it follows the story of a young black man named Ron Stallworth, who just joined the police department of Colorado Springs, Colorado. After being subjected to the racist and tense environment of the department and a somewhat successful infiltration mission. Ron Stallworth is transferred to the intelligence division where he finds an advertisement for the local Ku Klux Klan. He decides to call and poses as a racist, anti-Semite, anti-Latino and homophobic white man looking to join the Klan, only to discover that he used his real name. He gains the accord of his chief to commence an infiltration of the KKK with the help of Flip Zimmerman a non-practicing Jewish officer. The pair create the two-man Ron Stallworth; the real Ron Stallworth handles the phone conversations while Zimmerman while meet the Klan's members in person. The duo begins to infiltrate the KKK to discover what the Klan is up to while making Ron Stallworth the first black man in the Klan. While I liked the movie, I believe that it struggles with its balance of drama and comedy. While trying to deliver the message that the Klan is a serious threat (especially during the last part), the movie depicts the Klan more as a good-for-nothing group with stereotypical characters that are more made to be laugh at than feared. -
WBS Bluesletter Or Online at Www
In This Issue... Tony Fredericison and BB Award Nominee Billy Stoops at the March Blues Bash Sammy Eubanks at the March Blues Bash Mary McPage (Photo by Paul Brown) (Photo by Paul Brown) (Photo by Paul Brown) Letter from the President 2 SJB 2016 European Tour 6 Flat 5 Blues Cartoon 13 On the Cover: Little Bill 2 Photo/Art of Dan Hill 8 Membership Opportunities 14 Letter from the Editor 3 2017 IBC Guidelines 10 What is Victory Music 14 Officers and Directors 4 2017 IBC Application Form 11 Jam Preview: Razzal’s Jam 15 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, there and at the after party down at Hector’s!! Joe Seamons, Billy Stoops & the Dirt Angels, More music and more fun, great food and tasty Trevalyan Blue, and tons of others! 31 bands total: What a whirlwind the first four months of libations! Don’t forget Sunday, April 3rd at the the weekend promises to be a jam-packed three 2016 have been! From the International Blues Kirkland Performance Center, doors open at 2:30! days of fun! This event may sell out, so get online Challenge and the exciting win by Ben Hunter and Check our Facebook page or your members-only and get your tickets and pop down to the charming Joe Seamons the Solo/Duo winners, the Best in e-mail for additional details! little town of Walla Walla! Great wine, cold beers the Blues nomination and voting process, finding and good food plus excellent music make for a a new home for our Second Tuesday Blues Bash Did I mention that this year’s Washington Blues memory filled weekend! See the ad in this issue at the Sound Check Bar & Grill in Lynnwood; Society Best of the Blues Show has no additional for more information. -
Brecht, Emotion, and the Reflective Spectator: the Case of ‘Blackkklansman’
Repositorium für die Medienwissenschaft Carl Plantinga Brecht, emotion, and the reflective spectator: The case of BLACKKKLANSMAN 2019 https://doi.org/10.25969/mediarep/4192 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Plantinga, Carl: Brecht, emotion, and the reflective spectator: The case of BLACKKKLANSMAN. In: NECSUS. European Journal of Media Studies, Jg. 8 (2019), Nr. 1, S. 151–169. DOI: https://doi.org/10.25969/mediarep/4192. Erstmalig hier erschienen / Initial publication here: https://necsus-ejms.org/brecht-emotion-and-the-reflective-spectator-the-case-of-blackkklansman/ Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Brecht, emotion, and the reflective spectator: The case of ‘BlacKkKlansman’ Carl Plantinga NECSUS 8 (1), Spring 2019: 151–169 URL: https://necsus-ejms.org/brecht-emotion-and-the-reflective- spectator-the-case-of-blackkklansman/ Keywords: Brecht, emotional engagement, emotional estrangement, Emotions, reflective spectatorship One enduring concern of film theory has been the question of what film structures and styles encourage critical, reflective, and active spectatorship. Neo-Brechtian theory has been influential in this regard, as many of Brecht’s theories regarding the epic theatre were incorporated into film theory in the 1970s, just as the field was being formalised as an academic discipline. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
The Hate Issue
The Hate Issue JewKkKlansman Zimmerman comes to terms with his Jewishness only when Brett Ashley Kaplan forced to by … antisemites. Spike Lee arrived at the 2019 Oscars in an awesome (John David Washington), who, upon seeing an royal purple suit (a tribute to his late friend Prince) with inconspicuous ad in the local newspaper enticing white matching cool, chunky glasses, sporting giant knuckle supremacists to join the KKK, decides to infiltrate the rings with HATE and LOVE in large block letters; the rings local chapter. In the process, he befriends David Duke via had been featured in his 1989 film Do the Right Thing. telephone, and ends up thwarting the Klan’s murderous The gesture provoked multiple resonances. For one, intentions against the Black Power movement. Two of the the Oscars failed to do the right thing by not nominating four screenwriters, Charlie Wachtel and David Rabinowitz, his 1989 film for best picture. Moreover, the rings served changed the historical white, non-Jewish police officer as a memorial to the actor who so memorably portrayed whom Stallworth describes as his “undercover alter ego Radio Raheem, Bill Nunn, who died at sixty-two in 2016 Chuck” into the Jewish “Flip” Zimmerman. (The other of leukemia, and whose character was murdered by two screenwriters are Lee and Kevin Willmott.)ii white cops. The rings also struck an evocative chord by reminding us of the rise of hate speech under Trump. BlacKkKlansman received accolades for offering a In Do the Right Thing, Radio Raheem explains to Mooki corrective to some of the negative images of Jews (Lee) that LOVE and HATE represent an ever-present viewers had railed against in earlier Lee productions “static,” always drawing together like our fingers inter- and for disrupting a racialized hierarchy that places twined in a kissing fist. -
Downbeat.Com July 2010 U.K. £3.50
.K. £3.50 .K. u downbeat.com July 2010 2010 July DownBeat Victor Wooten // clauDio RoDiti // Frank Vignola // Duke RoBillarD // John Pizzarelli // henry ThreaDgill July 2010 JULY 2010 Volume 77 – Number 7 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette, -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of Sept 5 - 11, 2021 The Adventures of Robin Hood (1938) TCM Mon. 9 a.m. Alien (1979) AMC Tues. 9:30 a.m. AMC Tues. 12:26 p.m. Aliens (1986) AMC Tues. Noon AMC Wed. 9 a.m. Butch Cassidy and the Sundance Kid (1969) EPIX Sun. 4:15 p.m. Chinatown (1974) Showtime Tues. 7:45 a.m. Cinema Paradiso (1988) TCM Mon. 5 p.m. The Crying Game (1992) TMC Tues. 3:35 a.m. The Dark Knight (2008) Paramount Sat. 3:30 p.m. Paramount Sat. 10:30 p.m. East of Eden (1955) TCM Tues. 5:30 a.m. Forrest Gump (1994) AMC Thur. 8 p.m. AMC Fri. 5 p.m. The Good, the Bad and the Ugly: Restored Version (1967) TCM Mon. 7:15 p.m. Goodfellas (1990) AMC Tues. 8 p.m. AMC Wed. 5 p.m. The Graduate (1967) TCM Wed. 5 p.m. The Hustler (1961) TCM Sat. 7:30 p.m. The Last Picture Show (1971) TCM Sat. 11:45 p.m. The Little Mermaid (1989) Freeform Thur. 7 p.m. Modern Times (1936) TCM Thur. 5 p.m. Oliver! (1968) TCM Tues. 8:45 p.m. Rear Window (1954) Showtime Fri. 6:30 a.m. The Road Warrior (1981) BBC America Mon. 4 a.m. BBC America Fri. 10:15 a.m. Saving Private Ryan (1998) Showtime Wed. -
Blackkklansman
BLACKkKLANSMAN Written By CHARLIE WACHTEL & DAVID RABINOWITZ and KEVIN WILLMOTT & SPIKE LEE FADE IN: SCENE FROM "GONE WITH THE WIND" Scarlett O'Hara, played by Vivian Leigh, walks through the Thousands of injured Confederate Soldiers pulling back to reveal the Famous Shot of the tattered Confederate Flag in “Gone with the Wind” as The Max Stein Music Score swells from Dixie to Taps. BEAUREGARD- KLAN NARRATOR (O.S.) They say they may have lost the Battle but they didn't lose The War. Yes, Friends, We are under attack. CUT TO: A 1960'S EDUCATIONAL STYLE FILM Shot on Grainy COLOR 16MM EKTACHROME Film, The NARRATOR BEAUREGARD, a Middle Aged but handsome, White Male, sits at a desk, a Confederate Flag on a stand beside him. Very Official. He is not a Southerner and speaks with articulation and intelligence. BEAUREGARD- KLAN NARRATOR You've read about it in your Local Newspapers or seen it on The Evening News. That's right. We're living in an Era marked by the spread of Integration and Miscegenation. CUT TO: FOOTAGE OF THE LITTLE ROCK NINE being escorted into CENTRAL HIGH SCHOOL, Little Rock, Arkansas by The National Guard. BEAUREGARD- KLAN NARRATOR (V.O.)(CONT'D) The Brown Decision forced upon us by The Jewish controlled Puppets on the U.S. Supreme Court compelling White children to go to School with an Inferior Race is The Final Nail in a Black Coffin towards America becoming a Mongrel Nation. A QUICK SERIES OF IMAGES Segregation Signs. Antebellum Photos. Happy Slaves in Old Movies. Masters inspecting their Cotton and Tobacco with their Slaves in The Fields.