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Transgender Representation on American Narrative Television from 2004-2014
TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project. -
'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion. -
The Complexities of Latina Sexuality on Ugly Betty Tanya González
IS UGLY THE NEW SEXY? The Complexities of Latina Sexuality on Ugly Betty Tanya González ABC’s Emmy and Golden Globe winning television show Ugly Betty stars America Ferrera as Betty Suarez, an intelligent Mexican American executive assistant who lives in Queens, New York, but works at Mode in Manhattan. An adaptation from the Colombian telenovela,Yo soy, Betty la fea, this television show works on a fairy tale premise: the ugly protagonist with a heart of gold will eventually obtain happiness by virtue of her goodness. However, Ugly Betty offers a protagonist with multiple love interests, constantly involving her in a variety of love triangles, begging the question, “Is ugly the new sexy?” The following analysis of Betty as a sexual subject demonstrates that Ugly Betty, within the limits of Hollywood representation, offers complex subjects instead of one-dimensional types. The show’s use of a Latino camp aesthetic continually introduces elements, like Betty’s sexuality, that push the limits of how we perceive Latinas/os on television and in everyday life. As a result, Ugly Betty surprisingly illustrates Chicana/o and Latina/o feminist theories about identity construction. ABC’s Emmy and Golden Globe winning television show Ugly Betty is a global iteration of the Colombian telenovela1 phenomenon Yo soy, Betty la fea (1999-2001). Ugly Betty, which premiered Fall 2006 and will end Spring 2010, stars America Ferrera as Betty Suarez, an intelligent, sweet, perky young Latina2 who lives in Queens, but works at Mode, a fictional representation of Vogue magazine. As the title suggests, people perceive Betty as ugly because she is not model-skinny; wears glasses, braces, and bangs; and has poor fashion sense. -
NILES HERALD-SPECTATOR M Hoii& M Locii NEWS SINCE 1951
NILES HERALD-SPECTATOR M Hoii& M Locii NEWS SINCE 1951. Thursda. iul3!. 2014 niles.suntimes.com - WRAPPOfTS cornan ACHICAGO SUNTiMES.anpubhca'ion Schools count on scares Fear City giving more cash to D219 l2 GO Devil gets his due at Ravinia 34 Waterplan trickles forward FOOD Phyllo makes for healthy cherry pie Evanston could help pay for pipe to bring cheaper water to village I PAGE 6 PAGE 38 Nues Herald-Spectator ©2014 Sun-Times Media I All rights reserved Bance Transfer RàIeS For One Futi VearAs Low As jI APR* VISA 9OeTLO9-11 -Ls NOi)bJO, 095g isla-id30 ß ': ç 5C0O00000005r0o °-°ü-- nwccu1com:ç&II t)d 847.647.1030 2 ThURSDAY, JULY 31, 2014 A PIONEER PRESS PUBLICATION NIL THANK YOU, POLK FAMILY, FOR YOUR GENEROUS LEGACY GIFT. it is with profound gratitude that the Board of Directors of Navy Pier, Inc. thanks the Polk Familylegendary Chicago retailers and longstanding benefactors to our city and its neighborhoodsfor their generous and transformative philanthropic gift. t ,014 GIFT ANNOUNCEMENT AT NAVY tP. o t ìIA\Pf PT JL I A WHOLE NEW EXPIERIENCE NAVYPIERCOMO O NIL A PIONEER PRESS PUBLICATION THURSDAY JULY 31 2014 3 Storewide savings & values now-Sun. Aug. 3 during our Red Hot Sale; plus, fashion clearance 0/ /0 ALREADY offREDUCED PRICES when you take an extra 50% OffOrig.' selections for her: selections for kids shorts . teestanks topsplaywear more Plus, don't miss these great savings 65% TO 65%-75% OFF SALE 9.99 CLEARANCE JUNIORS' CHOICES 75% OFF Orig.' $35-$115. Reg 17.50 Only at CLEARANCE Now 8.75-40.25. -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
Seabury 3E Sample-46417
1212 What Does Race Have to Do With Ugly Betty? An Analysis of Privilege and Postracial(?) Representations on a Television Sitcom Jennifer Esposito he term “postracial” has been utilized in increasing amounts in the media to denote Tsome people’s perceptions that the election of Barack Obama marks a new era in our society—one in which race no longer matters. This notion, while perhaps well-meaning, contradicts the very ways our society is structured. Race is an organizing principle (Henry 1995) in institutions such as government, schools, and popular culture. We cannot think or even act without racial categories becoming prominent. ... One place where racial discourse is especially powerful is within the institution of popu- lar culture. We must continually critique and examine representations of racialized bodies, especially those bodies already marginalized within the system of racial hierarchies. In the spirit of continuing the examination of racial discourse, this chapter examines ABC’s televi- sion comedy Ugly Betty, in particular one episode that explores race-based affirmative action decisions and quotas (“When Betty Met YETI”). This episode of Ugly Betty aired two weeks after the 2008 election of Barack Obama. ... Ugly Betty, Privilege, and Affirmative Action Betty Suarez, the fashion-challenged heroine of ABC’s sitcom Ugly Betty, works as an assis- tant to the editor of Mode, a high-fashion magazine. Part of her job entails meeting the mul- tiple personal and professional needs of her boss, Daniel Meade, an irresponsible sex addict. From Esposito, J. (2009). What does race have to do with Ugly Betty? An analysis of privilege and postracial(?) representations on a television sitcom. -
But, Can He Act? See If Ashton Kutcher Gets Debunk’D in Our Review of the Guardian by Peter Sobczynski
MOVIE TIMES | INTERVIEWS | REVIEWS | CROSSWORD & GAMES We talk to Christian Volckman, Ugly whose new film just like you: Renaissance America Ferrera isn’t nearly stars in the as animated new TV show as you might Ugly Betty have heard… produced by none other than Ms. Salma Hayek But, can he act? See if Ashton Kutcher gets Debunk’d in our review of The Guardian by Peter Sobczynski We Are Scientists experiment with new sounds, new tours, new albums, and… Gila monsters?! See what frontman Keith Murray has to say about all this nonsense || SEPTEMBER 29-OCTOBER 5, 2006 ENTERTAINMENT TODAY a “Sensational!” WMK Productions, Inc. Presents —Chicago Tribune “A joyous celebration Three Mo’ Tenors that blows the roof off the house!” Fri.–Sat., Oct. 6–7, 8 pm —Boston Herald Three Mo’ Tenors, the highly acclaimed music sensation, returns to the Cerritos Center for the Performing Arts. This talented trio of African-American opera singers belts out Broadway’s best, and performs heaven-sent Gospel music in a concert event for the entire family. Tickets: $63/$50/$42 Friday $67/$55/$45 Saturday Conceived and Directed by Marion J. Caffey Call (562) 467-8804 today to reserve your seats or go on-line to www.cerritoscenter.com. The Center is located directly off the 91 freeway, 20 minutes east of downtown Long Beach, 15 minutes west of Anaheim, and 30 minutes southeast of downtown Los Angeles. Parking is free. Your Favorite Entertainers, Your Favorite Theater . || ENTERTAINMENT TODAY SEPTEMBER 29-OCTOBER 5, 2006 ENTERTAINMENTVOL. 38|NO. 51|SEPTEMBER 29-OCTOBER 5, 2006 TODAYINCE S 1967 PUBLISHER KRIS CHIN MANAGING EDITOR CECILIA TSAI EDITOR MATHEW KLICKSTEIN PRODUCTION DAVID TAGARDA GRAPHICS CONSULTANT AMAZING GRAPHICS TECHNICAL SUPERVISOR KATSUYUKI UENO WRITERS JESSE ALBA JOHN BARILONE FRANK BARRON KATE E. -
Image of PR Practitioner in Movies and Television 1901-‐2011 1 The
Image of PR Practitioner in Movies and Television 1901-2011 1 The Image of the Public Relations Practitioner in Movies and Television 1901-2011 Joe Saltzman1 Professor of Journalism Director, The Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Introduction In this article, we examine images of public relations practitioners in film and television appearing in more than 327 English-speaking films and television programs from 1901 to 2011.2 This is the largest study of its kind ever attempted and one of the first to include the image of the public relations practitioner in television programs. Many public relations practitioners believe the image of the publicist and the PR professional is one of the most negative in history. But this analysis indicates that the images of the PR practitioner are far more varied and even more positive than previously thought. Literature Review There have been previous studies on the image of the PR practitioner in film. They include Karen Miller’s landmark study in 1999 (which included film and print images),3 Larry Tavcar’s 1993 look at 17 films depicting public relations in the movies,4 Donn James Tilson’s brief look at public relations and Hollywood in 2003,5 and Carol Ames’ comprehensive follow-up to Miller’s study in 2010.6 In addition, Mordecai Lee studied images of the public relations practitioner in government and public administration, sampling 20 films from 1944 to 2000 in a 2001 study,7 and in a 2009 update8 added seven more films from 1996 to 2008. -
Manhattan Itinerary
1 Manhattan Information Booklet New York City Guide This booklet gives you information about Manhattan in general followed by information on most of the places that we visit 2 Manhattan Information Booklet A guide to New York Neighbourhoods Midtown Manhattan The current city centre is located from 42nd Street to Central Park, with the main corporate power centre southeast of Central Park. Although stocks and bonds continue to change hands on Wall Street, the true centre of corporate power in America has moved to Midtown East. In this area you'll find the Citibank's, the Madison Avenue advertising agencies, the multinational law firms, the Trump Towers, the Bloomingdales department stores and deluxe shops such as Gucci. You'll have a hard time finding truly budget restaurants and hotels in this area. Lower Manhattan What New Yorkers still call downtown or Lower Manhattan refers to the downtown of the 19th century in the Wall Street area at the southern tip of Manhattan Island. This area has been undergoing revitalization, especially with older commercial buildings being converted into deluxe condos. When the Dutch ruled Manhattan, Wall Street was indeed a wall used to protect the colonists from the indigenous peoples. South of Washington Square in Greenwich Village, you'll find the old downtown, the Wall Street area, the site of what remains of the World Trade Centre complex, a growing Chinatown due to robust immigration, Little Italy, the trendy SOHO (South of Houston), TriBeCa (Triangle Below Canal), and NOHO (North of Houston) areas, where many of the "in" clubs and restaurants are, and large areas of public housing and abandoned warehouses and factories. -
Ugly Betty's BECKI NEWTON Returns to NYC
www.resident.com • January 29-February 4, 2008 • Vol. 20, No. 33 • $2.95 www.resident.com • December 2-15, 2008 • Vol. 20, N0. 61 • $2.95 WHO'S WHO in New York The Year's Winners and Losers PLUS KITCHEN KINGS AND QUEENS and REAL ESTATE RULERS EXCLUSIVE ON LOCATION Ugly Betty's BECKI NEWTON returns to NYC Holiday Window Guide • Offi ce Party Dos and Don'ts • Luxe Vegas Escape 20 • Resident The Week Of December 2, 2008 COVER returns to New York On LocationBecki Newton Ugly Betty’s By Rachel Bowie ecki Newton is thrilled to be home again. Back in New York to shoot on Broadway. As Newton says, the rest is history. the third season of the hit TV series Ugly Betty, Newton is in the midst “Part of the reason why I’m in love with New York of redecorating her new dressing room at Silvercup Studios in Queens. is because so many things have happened here,” The personal touches are obvious — freshly painted plum walls, the she says. “I met my husband here, I had my fi rst sleek white leather couch, a framed photo of her with husband Chris apartment here and, now, this job — there are just Diamantopoulos — she has made the room her own, a well-designed so many great associations with this city.” Breminder that she is back on the East coast. Newton, 30, grew up in Connecticut and moved On Ugly Betty, Newton plays Amanda, the receptionist and resident mean girl at to New York fresh out of college after earning a the Vogue-esque fashion magazine Mode. -
Family Album
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Family Album Mary Elizabeth Bowen University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Bowen, Mary Elizabeth, "Family Album" (2009). University of New Orleans Theses and Dissertations. 909. https://scholarworks.uno.edu/td/909 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Family Album A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Mary Elizabeth (Missy) Bowen B.A., Grinnell College, 1981 May, 2009 © 2009, Mary Elizabeth (Missy) Bowen ii Table of Contents Abstract ......................................................................................................................................... -
Manchester Police Report Ning and Lee May in the Eighth, Im- Bucky Dent Contributed a Two-Run Those Who Are Hurt
r ■ ■ ■ PAGE TWENTY-EIGHT - MANCHESTER EVENING HERALD, Manchester. Conn., Thurs.. May 25. 1978 Gardening : ■ . ' ■ ’ I ■ The weather By Frank Atwood Sunny with highs 75 to 80 today, around 26 C. lianrhpHtf r fEuTiiing Hrralb Fair tonight' with lows in the 50s. Mostly sunny Saturday with highs in the 80s. Probability of rain 10 percent through Saturday. Extended outlook: Mostly sunny Sunday and ■ A Family NEWSpaper Since 1881 . Monday. Chance of showers Tuesday. This story started with a plant sale and I have wanted for years, old- counted tracks, not leading in any Vol. XCVII, No. 201 — Manchester, Conn., Friday, May 26,1978 Single Copy 20 Cents National weather map: Page 20. ^ )and it took me to the giant dinosaurs fashioned tiger lilies. They came one direction as they would be on a that roamed what is now the Connec from Marie Panikoff’s garden in path, but entirely at random. ticut Valley 185 million years ago. Glastonbury and when I asked her The state decided they should be The State Dinosaur Park is across how many I needed to start a good preserved. The building project was the river in Rocky Hill, but a citizen clump she said “take six.” I took the moved to another location, and the organization, the Friends of six, transplanted them the same day land turned over to the Department Inside today Dinosaur Park, has its nucleus in and they have made a fine start. of Environmental Protection, as it is Manchester and an enthusiastic and During the last hour, prices on all now known.