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The Complexities of Latina Sexuality on Ugly Betty Tanya González
IS UGLY THE NEW SEXY? The Complexities of Latina Sexuality on Ugly Betty Tanya González ABC’s Emmy and Golden Globe winning television show Ugly Betty stars America Ferrera as Betty Suarez, an intelligent Mexican American executive assistant who lives in Queens, New York, but works at Mode in Manhattan. An adaptation from the Colombian telenovela,Yo soy, Betty la fea, this television show works on a fairy tale premise: the ugly protagonist with a heart of gold will eventually obtain happiness by virtue of her goodness. However, Ugly Betty offers a protagonist with multiple love interests, constantly involving her in a variety of love triangles, begging the question, “Is ugly the new sexy?” The following analysis of Betty as a sexual subject demonstrates that Ugly Betty, within the limits of Hollywood representation, offers complex subjects instead of one-dimensional types. The show’s use of a Latino camp aesthetic continually introduces elements, like Betty’s sexuality, that push the limits of how we perceive Latinas/os on television and in everyday life. As a result, Ugly Betty surprisingly illustrates Chicana/o and Latina/o feminist theories about identity construction. ABC’s Emmy and Golden Globe winning television show Ugly Betty is a global iteration of the Colombian telenovela1 phenomenon Yo soy, Betty la fea (1999-2001). Ugly Betty, which premiered Fall 2006 and will end Spring 2010, stars America Ferrera as Betty Suarez, an intelligent, sweet, perky young Latina2 who lives in Queens, but works at Mode, a fictional representation of Vogue magazine. As the title suggests, people perceive Betty as ugly because she is not model-skinny; wears glasses, braces, and bangs; and has poor fashion sense. -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
Seabury 3E Sample-46417
1212 What Does Race Have to Do With Ugly Betty? An Analysis of Privilege and Postracial(?) Representations on a Television Sitcom Jennifer Esposito he term “postracial” has been utilized in increasing amounts in the media to denote Tsome people’s perceptions that the election of Barack Obama marks a new era in our society—one in which race no longer matters. This notion, while perhaps well-meaning, contradicts the very ways our society is structured. Race is an organizing principle (Henry 1995) in institutions such as government, schools, and popular culture. We cannot think or even act without racial categories becoming prominent. ... One place where racial discourse is especially powerful is within the institution of popu- lar culture. We must continually critique and examine representations of racialized bodies, especially those bodies already marginalized within the system of racial hierarchies. In the spirit of continuing the examination of racial discourse, this chapter examines ABC’s televi- sion comedy Ugly Betty, in particular one episode that explores race-based affirmative action decisions and quotas (“When Betty Met YETI”). This episode of Ugly Betty aired two weeks after the 2008 election of Barack Obama. ... Ugly Betty, Privilege, and Affirmative Action Betty Suarez, the fashion-challenged heroine of ABC’s sitcom Ugly Betty, works as an assis- tant to the editor of Mode, a high-fashion magazine. Part of her job entails meeting the mul- tiple personal and professional needs of her boss, Daniel Meade, an irresponsible sex addict. From Esposito, J. (2009). What does race have to do with Ugly Betty? An analysis of privilege and postracial(?) representations on a television sitcom. -
Manhattan Itinerary
1 Manhattan Information Booklet New York City Guide This booklet gives you information about Manhattan in general followed by information on most of the places that we visit 2 Manhattan Information Booklet A guide to New York Neighbourhoods Midtown Manhattan The current city centre is located from 42nd Street to Central Park, with the main corporate power centre southeast of Central Park. Although stocks and bonds continue to change hands on Wall Street, the true centre of corporate power in America has moved to Midtown East. In this area you'll find the Citibank's, the Madison Avenue advertising agencies, the multinational law firms, the Trump Towers, the Bloomingdales department stores and deluxe shops such as Gucci. You'll have a hard time finding truly budget restaurants and hotels in this area. Lower Manhattan What New Yorkers still call downtown or Lower Manhattan refers to the downtown of the 19th century in the Wall Street area at the southern tip of Manhattan Island. This area has been undergoing revitalization, especially with older commercial buildings being converted into deluxe condos. When the Dutch ruled Manhattan, Wall Street was indeed a wall used to protect the colonists from the indigenous peoples. South of Washington Square in Greenwich Village, you'll find the old downtown, the Wall Street area, the site of what remains of the World Trade Centre complex, a growing Chinatown due to robust immigration, Little Italy, the trendy SOHO (South of Houston), TriBeCa (Triangle Below Canal), and NOHO (North of Houston) areas, where many of the "in" clubs and restaurants are, and large areas of public housing and abandoned warehouses and factories. -
Ugly Betty Gratis Epub, Ebook
UGLY BETTY GRATIS Auteur: A. Donahue Aantal pagina's: 175 pagina's Verschijningsdatum: 2008-05-23 Uitgever: Truth & Dare EAN: 9789049998851 Taal: nl Link: Download hier Lijst van afleveringen van Ugly Betty Series Top Nieuws Premium Forum. Registreer Inloggen. Inloggen met Facebook. Delen op social media. Ugly Betty 7. Volg deze serie. Bekijk trailer. We merken dat onze advertenties niet worden weergeven, waarschijnlijk omdat je AdBlock, Ghostery of andere software gebruikt. Dat vinden we jammer, hiermee ontneem je MijnSerie in essentie inkomsten die we hard nodig hebben. Help ons door MijnSerie te whitelisten of neem Premium! Beschrijving Te zien op. Looptijd: 44 min - Beëindigd. Genres: Drama , Komedie. Netwerk: ABC. De serie ging in première op 28 september Daniel is de hoofdredacteur van het populairste blad, Mode Magazine en Betty is zijn secretaresse. Wilhelmina Slater Vanessa Williams is de gemene creatieve directeur van het magazine die niets liever wil dan zelf het magazine in handen hebben. Nadat de voormalige hoofdredactrice in mysterieuze omstandigheden om het leven komt, had zij erop gerekend die positie te mogen innemen. Maar die functie gaat naar Daniel en ze probeert op allerlei manieren de leiding zelf in handen te krijgen. Ze wordt hierin bijgestaan door haar homoseksuele assistent Marc St. Maar er werken ook nog wat mensen met wie Betty het wel kan vinden: Henry Grubstick Christopher Gorham werkt op de boekhouding en is stiekem verliefd op Betty, Christina McKinney Ashley Jensen is verantwoordelijk voor de kleding bij Mode Magazine en goede vriendin van Betty en Giovanni "Gio" Rossi Freddy Rodriguez , een sandwichverkoper bij hen in het gebouw. -
UGLY BETTY AS the CASE Approved
THE INTERCULTURAL TRAVEL OF AN ARCHETYPAL CHARACTER ON MEDIA: UGLY BETTY AS THE CASE Approved: _____________________________ Date: __05/03/2016________________ Paper Advisor Suggested content descriptor keywords: Archetype Intercultural Communication Consumerism Feminism Last Updated: May 2nd, 2016 i THE INTERCULTURAL TRAVEL OF AN ARCHETYPAL CHARACTER ON MEDIA: UGLY BETTY AS THE CASE A Seminar Paper Presented to The Graduate Faculty University of Wisconsin-Platteville In Partial Fulfillment Of the Requirement for the Degree Master of Science in Education English Education By Lei Chen 2016 ii ACKNOWLEDGEMENTS The heartfelt thanks firstly go to my advisor, Dr. David Gillota, whose encouragement, guidance and supports enabled me to finish this paper. It is a great pity I have not met him face to face yet, but his helps are always there to push me forward. I believe I could talk to him one day and extend my thanks directly somewhere in China or America. Thanks to all the professors in the project. Two years are too short for me to learn more from them. Prof. Richard Garrett shared his insights in culture studies. Dr. Dennis Ciesielski and Prof. Madelon Kohler provided much fun in the courses of Grammar and Social Linguistic. Prof. Teresa Burns patiently and precisely taught us to write an academic paper. Dr. Yuanyuan Hu refreshed my understanding of college English teaching, and Dr. Kara Candito instructed practical skills in the online course. The classmates I met in this project are study partners more than friends. Even we are varied in age, background and living cities, the discussions to the common theme made the classes lively and impressive. -
A Focus Group Analysis of and Reaction to Ugly Betty
The Qualitative Report Volume 19 Number 10 Article 2 3-10-2014 Identifying Ugliness, Defining Beauty: A ocusF Group Analysis of and Reaction to Ugly Betty Adria Goldman Gordon State College Damion Waymer Texas A&M University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/tqr Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, and the Social Statistics Commons Recommended APA Citation Goldman, A., & Waymer, D. (2014). Identifying Ugliness, Defining Beauty: A ocusF Group Analysis of and Reaction to Ugly Betty. The Qualitative Report, 19(10), 1-19. https://doi.org/10.46743/2160-3715/ 2014.1263 This Article is brought to you for free and open access by the The Qualitative Report at NSUWorks. It has been accepted for inclusion in The Qualitative Report by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Identifying Ugliness, Defining Beauty: A ocusF Group Analysis of and Reaction to Ugly Betty Abstract This article discusses the ideological construct “beauty” that permeates our society by focusing specifically on socially constructed ideals of beauty and ugliness as they are represented in media text, specifically, in the TV sitcom Ugly Betty. For this study we conducted focus group interview sessions to explore the influence an alternative representation of beauty and ugliness, as portrayed in the show Ugly Betty, has on college aged females’ definition and interpretation of beauty—typically questions explored using traditional experimental and other quantitative methods. Moreover, this study provides insights into tensions surrounding how beauty and ugliness are defined and the implications of these definitions for women. -
Ugly Betty’ Depicts Fashion Magazine Journalists
The Good, The Bad and The Ugly: How the Television Show ‘Ugly Betty’ Depicts Fashion Magazine Journalists By Dawn Temples Appendix Ugly Betty Episodes- Primary Research 1) Pilot aired September 28, 2006. Betty Suarez lands her first job as a journalist with Meade Publications at MODE magazine. She is hired as the assistant to the editor-in-chief. It is an adjustment for Suarez to join the team at MODE because she is not fashion savvy and does even wear makeup or style her hair. This story is a basic fish-out-of-water tale that throws a young hopeful into the world of a fast-paced fashion magazine. 2) “The Box and the Bunny” aired October 5, 2006. Suarez loses “the book,” a mockup of the latest issue of the magazine that contains untouched-up pictures of an actress. She has to find “the book” before the pictures can be leaked to other media. Wilhelmina Slater plots to steal the job of editor-in-chief and Bradford Meade investigates the murder of Fey Sommers, former editor-in-chief. 3) “Queens for a Day” aired October 12, 2006. Suarez has a connection with a famous photographer, Vincent Bianchi, because the two are from Queens. He has vowed never to work with Meade Publications again after a bad incident in the past. Suarez gets a makeover to try to fit in at MODE, but realizes that she is really appreciated for being the person that she is. Bianchi does the shoot for MODE. Bradford Meade still investigating Sommers’ murder. 4) “Fey’s Sleigh Ride” aired October 19, 2006. -
GEOGRAFIA DEI TEEN DRAMA Offerta, Modelli Valoriali E Consumo
GEOGRAFIA DEI TEEN DRAMA Offerta, modelli valoriali e consumo Rapporto a cura di Giuseppe Milazzo Ricerca a cura dell'Osservatorio di Pavia - CARES scrl. I contributi sono di Monia Azzalini, Andrea Caretta, Susanna De Luca, Giovanna Maiola, Manuela Malchiodi e Giuseppe Milazzo. Tutti i diritti di copyright relativi al presente lavoro appartengono a RTI - Reti Televisive Italiane s.p.a.. I diritti di elaborazione, memorizzazione, riproduzione e traduzione sono riservati per tutti i paesi. SOMMARIO INTRODUZIONE..................................................................................................................................................... 1 PARTE I: PROPOSTE, TEMATICHE, VALORI, PERSONAGGI. ANALISI DEL CONTENUTO.................................................. 4 1. L'offerta di teen drama nella televisione italiana................................................................................... 4 2. Le tematiche e gli interessi adolescenziali ......................................................................................... 16 3. I valori promossi nei teen drama ........................................................................................................ 22 4. I personaggi dei teen drama............................................................................................................... 30 5. Elenco delle tabelle............................................................................................................................. 37 PARTE II: IDENTITÀ, GENERE, TRASGRESSIONE, SESSUALITÀ, -
^ \ the Students Voice Concerns, Security Listens
/ ^ \ THE bserver OThe Independent Newspaper Serving Notre Dame and Saint Marys OLUME 42 : ISSUE 127 THURSDAY, APRIL 24, 2008 NDSMCOBSERVER.COM Students voice concerns, Security listens Prof to speak body president Mickey Stan Klimczak shortly after win the positive things that he had to W hite By LIZ HARTER and Gruscinski and vice president ning the election to express their done including [creating] the lost MANDI STIRONE Sarah Falvey campaigned for concerns about the reliability of and found.” News Writers office, they saw a need to work the escort policy, but Gariepy With the questions surround with Security to make the cam and Klimczak brought up other ing the trespasser who escaped House, Bush This is the second article in a pus safer and increase student’s issues as well. custody after making his way two-part series exploring the faith in the department. “[They talked about] sexual onto the roof of Regina Hall policies of Saint Mary’s Security. They met with Director of assault and informing students April 5, and seemingly slow ACE founder to talk Security and Assistant director how to stay safe,” Falvey said. response to the incident from When Saint Mary’s student of Security Dave Gariepy and “Dave also highlighted some of Saint Mary’s Security detailed in about faith-based schools the first part of this series, many College students have concerns about the effectiveness of Saint By CLAIRE REISING Mary’s Security. News Writer Falvey, however, does not think Security is ineffective. “I think they take [our safety! Political science professor Father very seriously,” she said. -
Ugly Betty: Nego- Tiating Race in a Culturally-Mixed Text Paula Barreiro Th E University of Arizona
Understanding Ugly Betty: Nego- tiating Race in a Culturally-Mixed Text Paula Barreiro Th e University of Arizona ith its edgy look and comic plots, ABC’s series Ugly Betty is now on its fourth season. When watching the story of the unglamorous Betty Suárez, Wthe lead character, and her struggles at her upscale job at Mode, a fashion magazine in Manhattan, it is easy to draw negative conclusions about the show’s intention with Betty and her race. Th e idea of choosing a Latina character to mock for being not fashionable and ugly is complex. However, a deeper analysis of the series and the response of the audience to this culturally-mixed text allows for a better understanding of the real context and function of this series. Although Ugly Betty includes African American and British characters, this study focuses only on Betty Suárez and her Latin American background. Betty’s character provides an empowered Latina representation by claiming the right to be herself and be welcomed in places where being physically attractive, white and wealthy are implicit prerequisites. However, this does not mean that the show intends to present all Latinas as unattractive or deprived. Hilda, Betty’s sister, represents the attractive Latina that is confi dent and fashionable. Furthermore, Salma Hayek, producer of the series, cameos on the show performing as Sofi a Reyes, a powerful and sexy magazine editor. Th us, we could say that Betty’s character is not the embodiment of the Hispanic race. Nonetheless, the fact that she is the protagonist makes her physical features stand out and possibly make us connect her peculiarity with her ethnicity. -
825 La Suerte De La Fea, Muchas La Desean. De Yo Soy Betty La
PREVIOUSLY ON La suerte de la fea, muchas la desean. De Yo soy Betty la fea a Ugly Betty Jerónimo Rivera-Betancur y Enrique Uribe-Jongbloed Una breve fundamentación de la telenovela latinoamericana Es de vieja data la discusión sobre si el melodrama es un recurso, un género o, inclusive, un discurso recurrente en la narrativa audiovisual. Lo que sí admite pocas discusiones es una asociación entre la narrativa hispanoamericana y el melodrama, cuyas características tienen mucho en común con la idiosincrasia de nuestros países, caracterizada por la lucha diaria por la supervivencia, los fuertes lazos familiares y sentimentales y cierto toque de dramatismo y solemnidad que se imprime a algunos de los momentos más importantes de la vida. Durante varias décadas, países como Venezuela, México, Colombia y Brasil han tenido a las telenovelas, género eminentemente latinoamericano, como uno de sus productos de exportación privilegiados en el mercado audiovisual. Los relatos presentados por cada canal de televisión se han visto forzados poco a poco a encontrar marcas de identidad frente a un medio competitivo en donde durante mucho tiempo México y Venezuela dominaron. El discurso del melodrama clásico, sin embargo, llega en algún momento a ser insuficiente frente a las expectativas de un sector de la audiencia que demanda historias diferentes con componentes tradicionalmente esquivos en esta corriente, como el humor, la cultura popular, los conflictos sociales y la violencia. La frontera entre la telenovela y la serie se hace más difusa aun cuando los dramatizados latinoamericanos empiezan a contar historias que mezclan elementos puramente melodramáticos con tramas policíacas, crítica social, ficción histórica, altas dosis de sexualidad o ingredientes cómicos.