Literary Evidence for Roman Arithmetic with Fractions
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Early Etruscan Inscriptions
ja trvw (λ^ J uu^aunA oWVtC OnXv ^^a^JV /yu* A^-vr^ EARLY ETRUSCAN INSCRIPTIONS FABRETTI 2343-2346 GEORGE HEMPL THIS PAPER IS REPRINTED FROM THE MATZKE MEMORIAL VOLUME PUBLISHED BY THE UNIVERSITY XTbe TUntpereitp prese STANFORD UNIVERSITY CALIFORNIA 1911 IN MEMORY OF JOHN ERNST MATZKE EARLY ETRUSCAN INSCRIPTIONS FABRETTI 2342-2346 How I, a Germanic scholar, came to be interested in Venetic and Etrus- can, I have told in my report on the results of my Italic studies. This report has been delayed, chiefly by the difficulties inherent in such an under- taking, but it will now be published in a very short time. The present paper is an abstract from it. A few weeks before his death, Professor Matzke urged me to hasten the publication of my report. He said that my silence was being misinterpreted, and that I owed it not only to myself but also to my friends to publish something at once—if only a fragment. I was touched by what he said and the way in which he said it. It was almost exactly what another friend, Otto Jespersen, had written me from Copenhagen not long before, and what still others, as if by concert, now began to urge upon me. I saw the force of their arguments and decided to drop everything else and complete my report. And now that Fate has sud- denly cut short the life of one of them, I can find no more appropriate tribute to lay on his grave than the fragment he so recently urged me to publish. -
Faraone Ancient Greek Love Magic.Pdf
Ancient Greek Love Magic Ancient Greek Love Magic Christopher A. Faraone Harvard University Press Cambridge, Massachusetts London, England Copyright © 1999 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Second printing, 2001 First Harvard University Press paperback edition, 2001 library of congress cataloging-in-publication data Faraone, Christopher A. Ancient Greek love magic / Christopher A. Faraone. p. cm. Includes bibliographical references and indexes. ISBN 0-674-03320-5 (cloth) ISBN 0-674-00696-8 (pbk.) 1. Magic, Greek. 2. Love—Miscellanea—History. I. Title. BF1591.F37 1999 133.4Ј42Ј0938—dc21 99-10676 For Susan sê gfir Ãn seautá tfi f©rmaka Æxeiv (Plutarch Moralia 141c) Contents Preface ix 1 Introduction 1 1.1 The Ubiquity of Love Magic 5 1.2 Definitions and a New Taxonomy 15 1.3 The Advantages of a Synchronic and Comparative Approach 30 2 Spells for Inducing Uncontrollable Passion (Ero%s) 41 2.1 If ErÃs Is a Disease, Then Erotic Magic Is a Curse 43 2.2 Jason’s Iunx and the Greek Tradition of Ago%ge% Spells 55 2.3 Apples for Atalanta and Pomegranates for Persephone 69 2.4 The Transitory Violence of Greek Weddings and Erotic Magic 78 3 Spells for Inducing Affection (Philia) 96 3.1 Aphrodite’s Kestos Himas and Other Amuletic Love Charms 97 3.2 Deianeira’s Mistake: The Confusion of Love Potions and Poisons 110 3.3 Narcotics and Knotted Cords: The Subversive Cast of Philia Magic 119 4 Some Final Thoughts on History, Gender, and Desire 132 4.1 From Aphrodite to the Restless -
0. Introduction L2/12-386
Doc Type: Working Group Document Title: Revised Proposal to Encode Additional Old Italic Characters Source: UC Berkeley Script Encoding Initiative (Universal Scripts Project) Author: Christopher C. Little ([email protected]) Status: Liaison Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Replaces: N4046 (L2/11-146R) Date: 2012-11-06 0. Introduction The existing Old Italic character repertoire includes 31 letters and 4 numerals. The Unicode Standard, following the recommendations in the proposal L2/00-140, states that Old Italic is to be used for the encoding of Etruscan, Faliscan, Oscan, Umbrian, North Picene, and South Picene. It also specifically states that Old Italic characters are inappropriate for encoding the languages of ancient Italy north of Etruria (Venetic, Raetic, Lepontic, and Gallic). It is true that the inscriptions of languages north of Etruria exhibit a number of common features, but those features are often exhibited by the other scripts of Italy. Only one of these northern languages, Raetic, requires the addition of any additional characters in order to be fully supported by the Old Italic block. Accordingly, following the addition of this one character, the Unicode Standard should be amended to recommend the encoding of Venetic, Raetic, Lepontic, and Gallic using Old Italic characters. In addition, one additional character is necessary to encode South Picene inscriptions. This proposal is divided into five parts: The first part (§1) identifies the two unencoded characters (Raetic Ɯ and South Picene Ũ) and demonstrates their use in inscriptions. The second part (§2) examines the use of each Old Italic character, as it appears in Etruscan, Faliscan, Oscan, Umbrian, South Picene, Venetic, Raetic, Lepontic, Gallic, and archaic Latin, to demonstrate the unifiability of the northern Italic languages' scripts with Old Italic. -
Beauty on Display Plato and the Concept of the Kalon
BEAUTY ON DISPLAY PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Jonathan Fine All rights reserved ABSTRACT BEAUTY ON DISPLAY: PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE A central concept for Plato is the kalon – often translated as the beautiful, fine, admirable, or noble. This dissertation shows that only by prioritizing dimensions of beauty in the concept can we understand the nature, use, and insights of the kalon in Plato. The concept of the kalon organizes aspirations to appear and be admired as beautiful for one’s virtue. We may consider beauty superficial and concern for it vain – but what if it were also indispensable to living well? By analyzing how Plato uses the concept of the kalon to contest cultural practices of shame and honour regulated by ideals of beauty, we come to see not only the tensions within the concept but also how attractions to beauty steer, but can subvert, our attempts to live well. TABLE OF CONTENTS Acknowledgements ii 1 Coordinating the Kalon: A Critical Introduction 1 1 The Kalon and the Dominant Approach 2 2 A Conceptual Problem 10 3 Overview 24 2 Beauty, Shame, and the Appearance of Virtue 29 1 Our Ancient Contemporaries 29 2 The Cultural Imagination 34 3 Spirit and the Social Dimension of the Kalon 55 4 Before the Eyes of Others 82 3 Glory, Grief, and the Problem of Achilles 100 1 A Tragic Worldview 103 2 The Heroic Ideal 110 3 Disgracing Achilles 125 4 Putting Poikilia in its Place 135 1 Some Ambivalences 135 2 The Aesthetics of Poikilia 138 3 The Taste of Democracy 148 4 Lovers of Sights and Sounds 173 5 The Possibility of Wonder 182 5 The Guise of the Beautiful 188 1 A Psychological Distinction 190 2 From Disinterested Admiration to Agency 202 3 The Opacity of Love 212 4 Looking Good? 218 Bibliography 234 i ACKNOWLEDGEMENTS “To do philosophy is to explore one’s own temperament,” Iris Murdoch suggested at the outset of “Of ‘God’ and ‘Good’”. -
Transantiquity
TransAntiquity TransAntiquity explores transgender practices, in particular cross-dressing, and their literary and figurative representations in antiquity. It offers a ground-breaking study of cross-dressing, both the social practice and its conceptualization, and its interaction with normative prescriptions on gender and sexuality in the ancient Mediterranean world. Special attention is paid to the reactions of the societies of the time, the impact transgender practices had on individuals’ symbolic and social capital, as well as the reactions of institutionalized power and the juridical systems. The variety of subjects and approaches demonstrates just how complex and widespread “transgender dynamics” were in antiquity. Domitilla Campanile (PhD 1992) is Associate Professor of Roman History at the University of Pisa, Italy. Filippo Carlà-Uhink is Lecturer in Classics and Ancient History at the University of Exeter, UK. After studying in Turin and Udine, he worked as a lecturer at the University of Heidelberg, Germany, and as Assistant Professor for Cultural History of Antiquity at the University of Mainz, Germany. Margherita Facella is Associate Professor of Greek History at the University of Pisa, Italy. She was Visiting Associate Professor at Northwestern University, USA, and a Research Fellow of the Alexander von Humboldt Foundation at the University of Münster, Germany. Routledge monographs in classical studies Menander in Contexts Athens Transformed, 404–262 BC Edited by Alan H. Sommerstein From popular sovereignty to the dominion -
2014) ADVANCED)DIVISION) ) Page)1) ROUND)I
MASSACHUSETTS)CERTAMEN),)2014) ADVANCED)DIVISION) ) Page)1) ROUND)I 1:! TU:!!! What!pair!of!Babylonian!lovers!planned!to!meet!at!the!tomb!of!Ninus,!but!were!thwarted!by!a!lioness?) PYRAMUS)AND)THISBE! B1:!!! What!did!Pyramus!do!when!he!found!Thisbe’s!bloody!veil!and!thought!she!was!dead?! ! ! ! ! KILLED)HIMSELF! B2:!!! What!plant!forever!changed!color!when!it!was!splattered!with!Pyramus’!and!Thisbe’s!blood?! ! ! ! ! MULBERRY) ) ) 2:! TU:! For!the!verb!fallō,)give!the!3rd!person!singular,!perfect,!active!subjunctive.! ) FEFELLERIT! B1:! Give!the!corresponding!form!of!disco.! ) DIDICERIT! B2:! Give!the!corresponding!form!of!fio.! ) FACTUS)(A,UM))SIT) ) ) 3:! TU:! Who!was!the!victorious!general!at!the!battle!of!Pydna!in!168!BC?! ) AEMELIUS)PAULUS! B1:! Who!was!the!son!of!Aemelius!Paulus!that!sacked!Corinth!in!146!BC?! ! ! ! ! SCIPIO)AEMELIANUS) ! B2:! Scipio!Aemelianus!was!adopted!by!which!flamen-dialis,-thus!making!him!part!of!a!more!aristocratic!family?! ) (PUBLIUS)CORNELIUS))SCIPIO)AFRICANUS) ) ) 4:! TU:!! According!to!its!derivation,!an!irascible!person!is!easy!to!put!into!what!kind!of!mood?! ) ANGER/ANGRY! B1:!! Give!the!Latin!verb!and!its!meaning!from!which!the!English!word!“sample”!is!derived.) EMŌ)–)TO)BUY! B2:!! Give!the!Latin!noun!and!its!meaning!from!which!the!English!word!“rush”!is!derived.! ) CAUSA)–)REASON,)CAUSE) ) [SCORE)CHECK]) ) 5:! TU:!!! What!Paduan!prose!author!of!the!Augustan!age!wrote!a!history!of!Rome!in!142!books?) TITUS)LIVIUS/LIVY! B1:!!! What!was!the!Latin!title!of!Livy’s!history?! ) AB)URBE)CONDITA! B2:!!! Which!of!the!following!topics!is!not!covered!in!one!of!the!35!extant!books!of!Ab-Urbe-Condita:!!! -
AVRIGA Zprávy Jednoty Klasických Filologů
AVRIGA Zprávy Jednoty klasických filologů XLVI (2004) 1-2 JEDNOTA KLASICKÝCH FILOLOGU Praha FECE QUOD POTUE FACIANT MELIORA POTENTES» Ignotus © Jednota klasických filologů, 2004 ISSN 1211-3379 ISBN 80-86791-14-9 ČLÁNKY - COMMENTATIONES ETRUSKE číslovky {status quaestionis^ Vladimír SLUNEČKO (Praha) Přejděme nyní k ne zcela jednoduché otázce etruské číslovky „10“. S. P. CoRTSEN (1932^: 59), navrhl etruský výraz jar jako číslovku „10“. Za její doklad považoval uvedené spojení v textu plátěné knihy cis saris (LL VIII. 1), které interpretoval jako další kalendářní datum.^ S tímto názorem se však nejednou polemizovalo (např. E. Goldmann 1934'**: 200 n., M. Durante 1965^: 315 n.). Neutěšený stav v otázce etruské číslovky „10“ lze ostatně dobře demonstrovat na diskusích z nedávné doby věnované tomuto tématu. Důkaz pro rovnost výrazu jar s číslovkou „10“ se pokusil mj. nabídnout H. Rix <1969®: 853 nn.), který chtěl podobu římské číslice X „10“ odvodit na základě akrofonního principu. Je totiž prokázáno,’ že na několika archaic kých nápisech jižní Etrurie bylo použito (místo zde obvyklé sigmy) západo- řecké chí - X - pro transkripci etruského sibilantu „s“. Dříve než však tato nezdařená inovace jihoetruské písařské školy ve Vejích opět vyšla z běžného užívání, tj. nejpozději v 6. stol. př. n. 1., muselo být podle Rixe toto písmeno po vzoru akrofonního principu při tvorbě řeckých číslic použito pro označe ní etruské číslovky jar „10“, takže vznikla římská číslice X. Tento výklad (a zároveň důkaz pro jar „10“) se však nezdá být příliš přesvědčivý.^ ‘ Tento článek je pokračováním článku uveřejněného pod týmž názvem v ZJKF (Auriga) 45, 2003, s. 25-34. ’ Zur etruskischen Sprachkunde, in: Symbolae Philologicae O. -
Ancient Roman Measures Page 1 of 6
Ancient Roman Measures Page 1 of 6 Ancient Rome Table of Measures of Length/Distance Name of Unit (Greek) Digitus Meters 01-Digitus (Daktylos) 1 0.0185 02-Uncia - Polex 1.33 0.0246 03-Duorum Digitorum (Condylos) 2 0.037 04-Palmus (Pala(i)ste) 4 0.074 05-Pes Dimidius (Dihas) 8 0.148 06-Palma Porrecta (Orthodoron) 11 0.2035 07-Palmus Major (Spithame) 12 0.222 08-Pes (Pous) 16 0.296 09-Pugnus (Pygme) 18 0.333 10-Palmipes (Pygon) 20 0.370 11-Cubitus - Ulna (pechus) 24 0.444 12-Gradus – Pes Sestertius (bema aploun) 40 0.74 13-Passus (bema diploun) 80 1.48 14-Ulna Extenda (Orguia) 96 1.776 15-Acnua -Dekempeda - Pertica (Akaina) 160 2.96 16-Actus 1920 35.52 17-Actus Stadium 10000 185 18-Stadium (Stadion Attic) 10000 185 19-Milliarium - Mille passuum 80000 1480 20-Leuka - Leuga 120000 2220 http://www.anistor.gr/history/diophant.html Ancient Roman Measures Page 2 of 6 Table of Measures of Area Name of Unit Pes Quadratus Meters2 01-Pes Quadratus 1 0.0876 02-Dimidium scrupulum 50 4.38 03-Scripulum - scrupulum 100 8.76 04-Actus minimus 480 42.048 05-Uncia 2400 210.24 06-Clima 3600 315.36 07-Sextans 4800 420.48 08-Actus quadratus 14400 1261.44 09-Arvum - Arura 22500 1971 10-Jugerum 28800 2522.88 11-Heredium 57600 5045.76 12-Centuria 5760000 504576 13-Saltus 23040000 2018304 http://www.anistor.gr/history/diophant.html Ancient Roman Measures Page 3 of 6 Table of Measures of Liquids Name of Unit Ligula Liters 01-Ligula 1 0.0114 02-Uncia (metric) 2 0.0228 03-Cyathus 4 0.0456 04-Acetabulum 6 0.0684 05-Sextans 8 0.0912 06-Quartarius – Quadrans 12 0.1368 -
A Handbook of Greek and Roman Coins
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library CJ 237.H64 A handbook of Greek and Roman coins. 3 1924 021 438 399 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021438399 f^antilioofcs of glrcfjaeologj) anU Antiquities A HANDBOOK OF GREEK AND ROMAN COINS A HANDBOOK OF GREEK AND ROMAN COINS G. F. HILL, M.A. OF THE DEPARTMENT OF COINS AND MEDALS IN' THE bRITISH MUSEUM WITH FIFTEEN COLLOTYPE PLATES Hon&on MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY l8 99 \_All rights reserved'] ©jcforb HORACE HART, PRINTER TO THE UNIVERSITY PREFACE The attempt has often been made to condense into a small volume all that is necessary for a beginner in numismatics or a young collector of coins. But success has been less frequent, because the knowledge of coins is essentially a knowledge of details, and small treatises are apt to be un- readable when they contain too many references to particular coins, and unprofltably vague when such references are avoided. I cannot hope that I have passed safely between these two dangers ; indeed, my desire has been to avoid the second at all risk of encountering the former. At the same time it may be said that this book is not meant for the collector who desires only to identify the coins which he happens to possess, while caring little for the wider problems of history, art, mythology, and religion, to which coins sometimes furnish the only key. -
Cretan Hieroglyphs Numerals: a Brief Information
Research & Reviews: Journal of Social Sciences www.rroij.com Cretan Hieroglyphs Numerals: A Brief Information Eka Ratna Acharya* Central Department of Education, Tribhuvan University, Kirtipur, Kathmandu, Nepal *For Correspondence: Eka Ratna Acharya, Central Department of Education, Tribhuvan University, Kirtipur, Kathmandu, Nepal, Tel: +97714331076; E-mail: [email protected] Received Date: Jan 02, 2018; Accepted Date: Feb 01, 2018; Published Date: Feb 09, 2018 Copyright: © 2018 Acharya ER et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Review Article ABSTRACT The term ‘hieroglyphs’ is mostly used in numeral notations. It is also related to languages, even though mathematics itself is a language. The Cretan Hieroglyphs script is one of the writing systems used on the Island of Crete between 2000-1650 BC. The symbols used in Cretan Hieroglyphs are found in many sources among them Phaistos disk is most popular. Cretan hieroglyphs were indigenous mathematical developments as the local writing systems. There may be the interrelationship among such notations or symbols of different civilizations. It was developed in the basis of culture, rituals, and indigenous practices distinctively. Similarly other local indigenous or antique phase’s hieroglyphs were found in different communities. We should care on such indigenous developments would be around in our surroundings too. Here the aim of this paper is to explore the development of Cretan Hieroglyphs numerals as the historical development in mathematical concern. The document analysis and historical approach is used here to conclude the theme of this paper. -
3927 25.90 Brass 6 Obols / Sestertius 3928 24.91
91 / 140 THE COINAGE SYSTEM OF CLEOPATRA VII, MARC ANTONY AND AUGUSTUS IN CYPRUS 3927 25.90 brass 6 obols / sestertius 3928 24.91 brass 6 obols / sestertius 3929 14.15 brass 3 obols / dupondius 3930 16.23 brass same (2 examples weighed) 3931 6.72 obol / 2/3 as (3 examples weighed) 3932 9.78 3/2 obol / as *Not struck at a Cypriot mint. 92 / 140 THE COINAGE SYSTEM OF CLEOPATRA VII, MARC ANTONY AND AUGUSTUS IN CYPRUS Cypriot Coinage under Tiberius and Later, After 14 AD To the people of Cyprus, far from the frontiers of the Empire, the centuries of the Pax Romana formed an uneventful although contented period. Mattingly notes, “Cyprus . lay just outside of the main currents of life.” A population unused to political independence or democratic institutions did not find Roman rule oppressive. Radiate Divus Augustus and laureate Tiberius on c. 15.6g Cypriot dupondius - triobol. In c. 15-16 AD the laureate head of Tiberius was paired with Livia seated right (RPC 3919, as) and paired with that of Divus Augustus (RPC 3917 and 3918 dupondii). Both types are copied from Roman Imperial types of the early reign of Tiberius. For his son Drusus, hemiobols were struck with the reverse designs begun by late in the reign of Cleopatra: Zeus Salaminios and the Temple of Aphrodite at Paphos. In addition, a reverse with both of these symbols was struck. Drusus obverse was paired with either Zeus Salaminios, or Temple of Aphrodite reverses, as well as this reverse that shows both. (4.19g) Conical black stone found in 1888 near the ruins of the temple of Aphrodite at Paphos, now in the Museum of Kouklia. -
Introduction
Southern Ontario Model United Nations Assembly XLIV Crisis: Second Punic War Introduction: Delegates, Welcome to the Southern Ontario Model United Nations Assembly’s Second Punic War Historical Crisis. The Second Punic War, also known as the Hannibalic War, was a conflict that occurred from 218 – 201 BCE in the Western Mediterranean. The war was fought between Carthage, a dominant commercial empire, and the emerging power of Rome. This conflict marked the second time that the two powers had fought, and with Rome having been victorious in the first Punic War thirty years prior, Carthage was eager for revenge. It also featured the rise to the annals of history a variety of great men, such as legendary Carthaginian general Hannibal Barca and Publius Cornelius Scipio Africanus. The rise of Rome in the Western Mediterranean would lead to an epic showdown that would change the course of history. In this particular committee, the SOMA Crisis Staff and Heads will create a simulation of these historical events, hopefully making them as enjoyable and interesting as possible, while maintaining historical fidelity. This background guide will give you a basic Page |1 Southern Ontario Model United Nations Assembly XLIV Crisis: Second Punic War knowledge of both the situation and how you, as a delegate, can influence the Crisis, but further research, as well as inquiry into the process of Crisis is welcome and encouraged. With all this in mind, we are excited to welcome you to SOMA XLIV Crisis Committee and we hope you enjoy your time with us. Margaret Fei Clarke VandenHoven Alec Sampaleanu Helen Kwong Director of Crisis Head of Crisis Jr.