The CBS Writers Mentoring Program

Total Page:16

File Type:pdf, Size:1020Kb

The CBS Writers Mentoring Program APEX Award for Publishing Excellence Vol. 15, No. 748, Wednesday, February 6, 2013 Dick Wien, Editor / 212-975-5607 / [email protected] SB XLVII SMASHES VIEWING RECORDS ... KEY RENEWALS ANNOUNCED... MORE CBS RENEWS “NCIS” “HOW I MET YOUR CBS COVERAGE OF SUPER BOWL XLVII MOTHER” AND THE ENTIRE SCORES MAJOR MEDIA WIN DAYTIME SCHEDULE CBS's Super Bowl Sunday CBS has announced key renewals for the 2013-14 package from 7:00-11:00 season: the renewal of NCIS along with a new con- PM -- featuring SUPER tract extension for star and executive producer Mark BOWL XLVII and SUPER Harmon, the return of HOW I MET YOUR MOTHER BOWL XLVII POST GAME for its final season, plus the pick-up of the Network’s SHOW -- dominated entire daytime schedule. Sunday night in HHs (46.2/68), viewers (108.48m) and all Adult and “As we receive the news about our his- Male demos. This was the toric Super Bowl largest viewers delivery for Sunday, I want to take a moment to recognize any network on any night and thank the remark- able people of CBS since the advent of people who did such a superb meters. (Source: NTI). job planning and cover- ing the biggest event of the year not only in The CBSSports.com television, but in America. I am proud of live stream of Super Bowl the people in this Company every day, XLVII on Sunday set multi- but that pride is at an ple viewership records for a all-time high today marveling at the job Currently in its 10th season, NCIS continues to single game sporting event we did on this mas- hit ratings milestones. This season, for the first time in the United States and sively complicated and important event. “ ever, it ranks as television's #1 program (ahead of also made history as the -- CBS President and Sunday Night Football). NCIS is averaging 21.48 most social telecast ever. CEO, Leslie Moonves million viewers, up +7% over last year and is the The live stream attracted a highest-rated drama among A 25-54 (5.9/15), record three million unique viewers to the Super Bowl (Continued on page 2) XLVII video player Viewers generated nearly 10 million (Continued on page 2) CBS TEAMS UP WITH THE NFL FOR A SUPER BOWL PSA Capitalizing on the Super Bowl’s huge viewing audience, CBS teamed up with the NFL to honor America’s military men and women and their families in a CBS Cares public service announcement that aired before and during Super Bowl XLVII. The PSA encouraged the more than 100 million viewers watching the game to show their appreciation by making a monetary contribution of $10 by texting Wounded Warrior Project via their cell phones (Text “WWP” to 50555). http://tinyurl.com/bk9tdfa (CBS RENEWALS, continued from page 1) (SUPER BOWL, continued from page 1) while averaging 4.2/12 in A18-49. The Jan. 15 episode, live video streams, up more than 100 percent from factoring in L+3 day lift, delivered 25.36 million viewers, last year, resulting in a record 114.4 million minutes marking the first NCIS broadcast to deliver more than 25 streamed. Sunday also marked the largest recorded million viewers with live plus 3-day lift or live plus 7-day audience in CBSSports.com's history and smashed lift. NCIS is also an international hit, licensed in more the record for the most-social event in the history of than 200 markets. It is the #1 series on M6 in France, television (Source: Omniture, BlueFin, SocialGuide the #1 U.S. series on Rai2 in Italy and the #2 U.S. series and Trendrr). overall, the #1 U.S. series on TV3 in Sweden, the #2 U.S. series on LaSexta in Spain, the #2 U.S. drama And... Despite the latest start time ever for a post- on Network Ten in Australia and the #3 U.S. Super Bowl broadcast, ELEMENTARY delivered series on Sat1 in Germany. In domestic syndication, 20.8m viewers, 7.8 rating A18-49 and 8.3 rating in NCIS is broadcast on USA Network and ranks as A 25-54. ELEMENTARY ranks as television’s highest cable's #1 off-network drama. rated entertainment broadcast of the year in these demos. ... THE LATE LATE SHOW WITH CRAIG (Conitnued on page 3) FERGUSON SUPER BOWL SPECIAL posted its second-largest audience ever and its second-highest deliveries in key demographics. (Source: NTI) 2 (CBS RENEWALS, continued from page 2) CBS CONTINUES TO FORGE NEW CONTENT CARRIAGE AGREEMENTS HOW I MET YOUR MOTH- On January 29, Charter ER will return Communications and CBS for its final sea- Corporation announced the son in 2013- renewal of their content carriage 2014 with all agreements covering retransmission consent for CBS series regulars Owned Stations as well as continued carriage of -- Josh Radnor, Showtime Networks, CBS Sports Network and Jason Segel, Smithsonian Channel on Charter's cable television plat- Cobie form. Smulders, Neil Patrick Harris and Alyson Hannigan, as well as series creators Carter Bays and Craig In the past year CBS has continued to sign content Thomas. In the final season audiences will finally learn carriage agreements covering retransmission consent the identity of the Mother. Since premiering in for CBS Owned Stations and ongoing carriage of September 2005, HOW I MET YOUR MOTHER has SHOWTIME, the Smithsonian Channel and CBS been a signature part of CBS's top-rated Monday come- Sports Network. Among the agreements were those dy block, ranking among television's top programs in with AT&T U-verse TV, Cablevision and DIRECTV A18-49 and A18-34. Last year, in its seventh season, (See UPDATE 1/3/13). HOW I MET YOUR MOTHER delivered its highest rat- ings ever in viewers and key demographics. affairs and non-fiction programming, across TV and dig- ital platforms. MLK: THE ASSASSINATION TAPES, which premiered during Black History Month in 2012, won for Best Historical Production and Best Use of Archive in a Historical Production. The documentyary is the story of the last days of Dr. Martin Luther King Jr., And... CBS, the top-rated network in Daytime, has told through rare television and radio news accounts, renewed its entire daytime schedule for the 2013-2014 much of which had not been seen or heard since 1968. season. Renewed for next season are THE BOLD AND THE BEAUTIFUL, the most-watched dramatic serial in KNX 1070 NEWSRADIO veteran sports anchor Joe the world which will celebrate its 26th anniversary on Cala has been inducted into the Southern California March 23; THE TALK, the fastest-growing daytime talk Sports Broadcasters Hall of Fame. Cala has spent the show; THE PRICE IS RIGHT, daytime television's most- past six years of his nearly four decade sportscasting watched program; and LET'S MAKE A DEAL, which is career at KNX 1070. He spent 32 years doing sports growing double-digit percentages in key demos. THE atKFWB prior to that. For the second straight year the YOUNG AND THE RESTLESS, the #1 daytime drama KNX 1070 sports team (Cala, Randy Kerdoon, Steve for more than 24 years, celebrating 40 years on the air Grad, Joe McDonnell, Chris Madsen and Geoff on Tuesday, March 26, previously received a pickup as Witcher) received the 2012 award for Best Anchor part of a multi-year deal. Staff. Northern California RTNDA Awards have gone out to KPIX-TV, CBS 5 San Francisco (Investigative AWARDS Reporting, Multi-Part Series, Feature Reporting-Serious and Weather -Segment/Story) and KCBS All News The Smithsonian Channel’s documentary MLK: Radio 740 AM/106.9 FM (Breaking News, Special THE ASSASSINATION TAPES has recently been recog- News Program, and Use of Sound). nized with two out of six 2012 Impact Media Summit Awards whch recognize the leaders in history, current (More Award news in upcoming editions) 3 CBS 401(K) PLAN – COMPANY MATCH FOR 2013 In recognition of the remarkable and continuing streak of excellent perfor- mance by CBS Corporation, for the third straight year the Company Match for 2013 will be paid at an “above target” level for all active plan participants. Specifically, effective February 1, 2013, all eligible participants in the CBS 401(k) Plan will receive a match of $0.70 for each $1.00 contributed to the plan on a before-tax and/or Roth 401(k) basis – up to 5% of eligible pay. This is nearly 17% higher than the $0.60 for each CBS Entertainment President Nina Tassler, (center) $1.00 Match that represents the plan’s long-established “tar- with members of the 10th Annual CBS Writers Mentoring Program. get” level. All matches will be made to the CBS Stock Fund. The CBS Writers Mentoring Program, a component of the The continuation of the level of the Match this year is one CBS Diversity Institute, held a reception for the tenth group important way the Company recognizes the dedication of of emerging writers of color on January 15 in the Executive employees to keeping CBS at the forefront of our industry. It Dining Room at CBS Broadcast Center in Studio City. “Year is a well-earned reward that further contributes toward after year, this program never ceases to amaze me. The employee saving and investment for retirement. For questions attention and support that our mentees receive is unparal- about the Company Match and the CBS 401(k) Plan, please leled and the reason why this program remains the gold stan- call the CBS & YOU Benefits Center at 1-800-581-4222. dard in this industry,” said CBS Entertainment President Nina Customer Service Representatives are available, Monday to Tassler.
Recommended publications
  • ESG Report Viacomcbs 2019
    ACTIONEnvironmental, Social, and Governance Report ViacomCBS 2019 Introduction Governance On-screen Workforce Sustainable Reporting content and and culture production indices social impact and operations Contents Introduction 3 CEO letter 4 Our approach to ESG 6 About ViacomCBS 9 About this report 10 Our material topics 11 Case study: Responding to a global pandemic 12 Aligning with the UN Sustainable Development Goals 15 Governance 17 ESG governance 19 Corporate governance 20 Data privacy and security 22 Public policy engagement 23 On-screen content and social impact 24 Diverse and inclusive content 26 Responsible content and advertising 31 Using our content platforms for good 33 Expanding our social impact through community projects 35 Workforce and culture 38 A culture of diversity and inclusion 40 Preventing harassment and discrimination 45 Employee attraction, retention, and training 46 Health, safety, and security 48 Labor relations 50 Sustainable production, and operations 51 Climate change 53 Sustainable production 58 Environmental impacts of our operations and facilities 60 Supply chain responsibility 63 Consumer products 66 Reporting indices 68 GRI Index 69 SASB Index 81 COVER IMAGES (FROM LEFT TO RIGHT): CBS, NCIS; CBS Sports; CBS, Super Bowl LIII; CBS News, CBS This Morning ViacomCBS ESG Report 2019 Introduction Governance On-screen Workforce Sustainable Reporting content and and culture production indices social impact and operations Introduction Welcome to our first ESG Report, Action: ESG at ViacomCBS. As we unleash the
    [Show full text]
  • CBS National Agreement
    (510) AGREEMENT BETWEEN CBS BROADCASTING INC. AND INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS February 1, 2018 – April 30, 2021 CBS/IBEW National Agreement INDEX Page PREAMBLE ..........................................................................................................................1 BASIC PRINCIPLES ............................................................................................................1 ARTICLE I ............................................................................................................................2 Section 1.01 – Term ...............................................................................................................2 Section 1.02 – Recognition and Scope ..................................................................................2 Section 1.03 – Work Jurisdiction ...........................................................................................2 Section 1.04 – Territorial Jurisdiction ...................................................................................14 Section 1.05 – Subcontracting & Contracting Out ................................................................16 Section 1.06 – Employment & Union Membership ...............................................................16 Section 1.07 – No Strike or Lockout .....................................................................................18 Section 1.08 – No Discrimination ..........................................................................................19 ARTICLE II
    [Show full text]
  • TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
    ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report -­ ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A.
    [Show full text]
  • Your Guide to Ebu Services
    YOUR GUIDE TO EBU SERVICES 1 The European Broadcasting Union (EBU) is the world’s foremost alliance of public service media (PSM). Our mission is to make PSM indispensable. We have 115 Member organizations in 56 countries in Europe, and an additional 31 Associates in Asia, Australasia, Africa and the Americas. Our Members operate almost 2,000 television, radio and online channels and services and offer a wealth of content across other platforms. Together, they reach audiences of more than one billion people around the world, broadcasting in almost 160 languages. We are one EBU with two distinct fields of activity: Member Services and Business Services. Our Member Services strive to secure a sustainable future for public service media, provide our Members with a centre for learning and sharing, and build on our founding ethos of solidarity and cooperation to provide an exchange of world-class news, sports news, and music. Our Business Services, operating as Eurovision Services, are the media industry’s premier distributor and producer of high-quality live news, sport and entertainment with over 70,000 transmissions and 100,000 hours of news and sport every year. We return the profits of Business Services to the organization for the benefit of Members. 2 2 WELCOME TO THE EBU! As a Member, you are part of a unique community of media organizations from 56 countries that together provide a powerful voice championing and upholding the values of PSM. We are a network of like-minded people that not only share the same ideals but come together to share knowledge, ideas and inspiration.
    [Show full text]
  • United Technologies / Viacom Letter Re
    233503 April 21,2005 via Federal Express Mr. Brad W. Bradley EPA Project Coordinator U.S. Environmental Protection Agency Region V, Mailcode SR-6J 77 W. Jackson Boulevard Chicago, IL 60604 W Re: In the Matter of Little Mississinewa Site CERCLA Docket No. V-W-'05-C-812 Dear Mr. Bradley: I. Introduction On or about April 4, 2005, the United States Environmental Protection Agency, Region V ("EPA"), issued an Administrative Order for Remedial Action (Docket No. V-W-'05-C-812) (the "Order" or "Unilateral Order") to Viacom Inc. ("Viacom") and United Technologies Corporation on behalf of Lear Corporation Automotive Systems ("UTC") (collectively, "Respondents"), directing those parties to implement the approved remedial design for the Little Mississinewa Site in Union , City, Indiana (the "Site"). The purposes of this letter are: (1) to advise EPA, pursuant to Section XXIV of the Order, of Respondents' intention to comply with the terms of the Order to the extent such compliance is required under the Comprehensive Environmental Response, Compensation and Liability Act ("CERCLA"), 42 U.S.C. §§9601, et seq., and its implementing regulations, namely the National Oil and Hazardous Substances Pollution Contingency Plan ("NCP"), 40 C.F.R. Part 300; and (2) to outline several objections and defenses that Respondents have to the Order, as issued. II. General Objections and Reservation of Rights As an initial matter, it should be noted that by setting forth any objections or defenses in this letter, or by submitting this letter at all, Respondents do not waive, and hereby specifically reserve their rights to raise additional or different objections and defenses to the Order at some later time, or to provide additional information and evidence in support of any position that they may respectively or collectively take in Mr.
    [Show full text]
  • Report: Empire State Film Production Tax Credit Report
    Appendix I: New York State Qualified Production Facilities Appendix I: New York State Qualified Production Facilities Page I-1 05/17/10 Qualified Production Facilities Note: this list is does not claim to be comprehensive or final. If you have a question about a facility that is not on this list, contact the state and/or city film offices. NEW YORK CITY QUALIFIED FACILITIES: These facilities qualify for both New York State and New York City tax credits. All Mobile Video Chelsea (26th Street) – Nova, Mike Green, Joann (212) 727-1234 AMV Unitel (57th & 53rd) – Ron Ranieri 212-265-3600 (57th st. AMV) 212-246-5040 (53rd street AMV) 221 W 26th Street (main office) New York, NY 10001 [email protected] www.allmobilevideo.com 221 W. 26th Street Studio A 98’x89’x40’ (19’ to grid) Studio B 80’x65’x27’ (19’ to grid) Studio C 40’x52’x20’ (14.5’ to grid) Studio D 21’x30’x20’ (14.5’ to grid) 515 W 57th Street Studio A 101’6’ x 47’6’ x 23’ (19’ to grid) (flexible) 53rd Street Studio 53 (5,370 SF) Mickey Broadway Stages Dawn Dianda (718) 349-9146 203 Meserole Ave (main office) Brooklyn, NY 11222 www.broadway-stages.com 775 Humboldt St Brooklyn, NY Stage 3: 50 x 150 x 16 (10,000 SF) 280 Calyer Street Greenpoint Brooklyn, NY Stage 4: 75 x 100 (7,500 SF) Stage 5: 50 x 100 (5,000 SF) Stage 6: 75 x 100 (7,500 SF) Stage 7: 100 x 100 (10,000 SF) Stage 8: 100 x 100 (10,000 SF) Stage 10:100 x 175 x 30 (17,500 SF) Page 1 of 13 05/17/10 259 Green Street Greenpoint, Brooklyn, NY Stage D: 160 x 50 (8,000 SF) 370 Green Point Avenue Greenpoint, Brooklyn, NY Stage
    [Show full text]
  • “A Word from Our Sponsor…” Measuring the Value of Commercial Audiences
    “A Word From Our Sponsor…” Measuring The Value Of Commercial Audiences Jeff Boehme Chief Research Officer Kantar Media Audiences, North America Kantar Snapshot Corporate Overview World Leader In Consumer Research… …TV Measurement in 65 Countries © 2013 Kantar Media 2 Kantar Media Audiences Measurement Technology PeopleMeter Who is watching? Return Path data Personal Meters Delivered via Infosys+ Internet Audience Measurement 3 © 2013 Kantar Media Kantar Media Audiences What Is Return Path Data? Return Path Data (RPD) is any user activity collected from a digital device defined by a start time and a duration returned to the platform provider • Second/second precision • Passive collection • PI-compliant • Device-specific • Larger samples • Cross-device 4 © 2013 Kantar Media Kantar Media RPD Benefits Anonymous Respondent Level Audience Metrics – Commercial & Promo Measurement • Ratings, retention & tune-away • By network/program • Category/brand – Product Placement/Contextual Advertising • Track on-screen tuning to content – Precision Metrics • Respondent-level second/second tuning • Competitive performance • Content analyses • Live/Time-shifted • Consumer Segments – Advanced Audience Measurement • Interactive/Addressable/T-commerce advertising – TV Effectiveness & Engagement • Behavior segmentation - matching tuning to purchase behavior 5 5 © 2013 Kantar Media Where Is Media Measurement Going? Requirement Traditional Advanced (Meters) (RPD) Broadcast & established networks √ √ Emerging channels/regional/ X √ sub-channels/platform measurement
    [Show full text]
  • Books for You: an Annotated Booklist for Senior High. NCTE Bibliography
    DOCUMENT RESUME ED 454 525 CS 217 591 AUTHOR Beers, Kylene, Ed.; Lesesne, Teri S., Ed. TITLE Books for You: An Annotated Booklist for Senior High. Fourteenth Edition. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-0372-3 ISSN ISSN-1051-4740 PUB DATE 2001-00-00 NOTE 439p.; Produced with the Committee on the Senior High School Booklist, NCTE. Foreword by Michael Cart. For the 13th edition, see ED 415 506. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 03723: $24.95 members; $34.95 nonmembers). Tel: 800-369-6283 (Toll Free); Web site http://www.ncte.org. PUB TYPE Books (010)-- Reference Materials Bibliographies (131) EDRS PRICE MF01/PC18 Plus Postage. DESCRIPTORS *Adolescent Literature; Annotated Bibliographies; *Fiction; High School Students; High Schools; Independent Reading; Mass Media; *Nonfiction; Reading Interests; *Reading Material Selection; Recreational Reading IDENTIFIERS Information Books; Multicultural Materials; *Trade Books ABSTRACT Beginning with a history of young adult literature and ending with a history of the National Council of Teachers of English (NCTE) "Books for You" booklist project, this fourteenth edition collection offers high school students, teachers, and librarians a comprehensive annotated list of more than a thousand books published between 1997 and 1999. Whether adventure, detailed how-to, helpful study guide for the SAT, historical account, biography, or fantasy, readers will find much to engage with and think about in the collection. In thematically arranged chapters, readers can explore through brief entries that include bibliographic information and informative summaries.
    [Show full text]
  • Viacomcbs Inc. (Exact Name of Registrant As Specified in Its Charter)
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For fiscal year ended December 31, 2019 OR TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 ViacomCBS Inc. (Exact name of registrant as specified in its charter) Delaware 04-2949533 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) 1515 Broadway New York, New York 10036 (212) 258-6000 (Address, including zip code, and telephone numbers, including area code, of registrant’s principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Trading Name of Each Exchange on Title of Each Class Symbols Which Registered Class A Common Stock, $0.001 par value VIACA The Nasdaq Stock Market LLC Class B Common Stock, $0.001 par value VIAC The Nasdaq Stock Market LLC Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Fiscal Year 2020 Annual Report on Form 10-K
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE ☒ SECURITIES EXCHANGE ACT OF 1934 For fiscal year ended December 31, 2020 OR TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE ☐ SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 ViacomCBS Inc. (Exact name of registrant as specified in its charter) Delaware 04-2949533 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) 1515 Broadway New York, New York 10036 (212) 258-6000 (Address, including zip code, and telephone numbers, including area code, of registrant’s principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Trading Name of Each Exchange on Title of Each Class Symbols Which Registered Class A Common Stock, $0.001 par value VIACA The Nasdaq Stock Market LLC Class B Common Stock, $0.001 par value VIAC The Nasdaq Stock Market LLC Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. Yes ☐ No ☒ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Television Advertising and Online Word-Of-Mouth: an Empirical Investigation of Social TV Activity
    Marketing Science Institute Working Paper Series 2015 Report No. 15-106 Television Advertising and Online Word-of-Mouth: An Empirical Investigation of Social TV Activity Beth L. Fossen and David A. Schweidel Report Summary As multi-screen media consumption rises, marketers need to understand the relationship between television advertising and online WOM in order to assess the extent to which they can leverage social TV activity. In this report, Beth Fossen and David Schweidel explore how primetime television advertising contributes to online WOM about the brand featured in the advertisement and the television program in which the advertisement airs. They also examine how specific brand, advertisement, and program characteristics impact online brand and program chatter and assess the potential value of social TV activity. Their data set includes television advertising instances on network broadcasts, minute-by-minute social media data of Twitter conversations mentioning brands and programs, and data on brand, advertisement, and program characteristics. Their data include over 9,000 ad instances for 264 brands across 15 categories that aired on 84 primetime network programs during the fall 2013 television season. They employ a hierarchical Bayesian model to conduct their investigation. Overall, they find evidence that television advertising has the potential to increase online WOM about the advertised brand and the program in which the ad airs. This result reveals the potential benefit of social TV for advertisers and also challenges the industry perspective that television viewers are less likely to engage in online program chatter during commercials. Among their findings: The program in which the advertisement airs affects the extent of online WOM for both the brand and program following television advertising.
    [Show full text]
  • Bice C. Wilson, Aia
    BICE C. WILSON, AIA Office: 914-288-5431 Mobile: 917-319-3512 [email protected] AREAS OF EXPERTISE: Project Management | Architecture | Pre-design Services | Architectural Programming | Real Estate Search, Due Diligence & Related Negotiations | Interior Design | Codes & Zoning | Urban Design PROJECT TYPES: Workplace design | Broadcast Workplaces | Adaptive Reuse | Community Revitalization | Single and Multi-Family Housing CHARACTERISTICS: o Both practical & visionary o A strong leader & mentor o Able to find the most elegant design & management solutions for a given challenge ARCHITECTURAL LICENSES: New York Massachusetts New Jersey Maryland Connecticut Michigan Pennsylvania NCARB EDUCATION: Bachelor of Architecture – Pratt Institute EMPLOYMENT: § Principal at Studio Bice Architecture PLLC 2012 to Present o Corporate Interiors project design and project management services Bice C. Wilson, AIA CV & Representative Projects [email protected] 917.319.3512 o Pre-design and project management services for various mixed use development projects. § Principal at Syndicate Architecture PLLC 2014 to 2017 o Assisted clients with several complex real estate transactions for landmark and mixed use developments. o Design and Project Management for several workplace interiors projects. § A Founding Principal of Meridian Design Associates, Architects, PC – 1981 thru 2014 o Managing Partner, led the firm to $3,000,000 in revenues and 25 employees. o Led the Urban Design and Residential Development Practice. o 1996 AIA Urban Design Award of Excellence for Mianus Bioregional Planning Project, which was also exhibited at the Cooper Hewitt Museum o Internationally known expert in the Media & Communications / Creative Workplace o Design and project management experience in mission critical projects on fast track schedules o Pre-design & due diligence services credited with saving clients millions of dollars in making real estate deals.
    [Show full text]