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U.S. House of Representatives Committee on Energy and Commerce
U.S. HOUSE OF REPRESENTATIVES COMMITTEE ON ENERGY AND COMMERCE December 8, 2016 TO: Members, Subcommittee on Commerce, Manufacturing, and Trade FROM: Committee Majority Staff RE: Hearing entitled “Mixed Martial Arts: Issues and Perspectives.” I. INTRODUCTION On December 8, 2016, at 10:00 a.m. in 2322 Rayburn House Office Building, the Subcommittee on Commerce, Manufacturing, and Trade will hold a hearing entitled “Mixed Martial Arts: Issues and Perspectives.” II. WITNESSES The Subcommittee will hear from the following witnesses: Randy Couture, President, Xtreme Couture; Lydia Robertson, Treasurer, Association of Boxing Commissions and Combative Sports; Jeff Novitzky, Vice President, Athlete Health and Performance, Ultimate Fighting Championship; and Dr. Ann McKee, Professor of Neurology & Pathology, Neuropathology Core, Alzheimer’s Disease Center, Boston University III. BACKGROUND A. Introduction Modern mixed martial arts (MMA) can be traced back to Greek fighting events known as pankration (meaning “all powers”), first introduced as part of the Olympic Games in the Seventh Century, B.C.1 However, pankration usually involved few rules, while modern MMA is generally governed by significant rules and regulations.2 As its name denotes, MMA owes its 1 JOSH GROSS, ALI VS.INOKI: THE FORGOTTEN FIGHT THAT INSPIRED MIXED MARTIAL ARTS AND LAUNCHED SPORTS ENTERTAINMENT 18-19 (2016). 2 Jad Semaan, Ancient Greek Pankration: The Origins of MMA, Part One, BLEACHERREPORT (Jun. 9, 2009), available at http://bleacherreport.com/articles/28473-ancient-greek-pankration-the-origins-of-mma-part-one. -
Brenda Zambrano, Manelyk Y Karime Inaugurarán “Candys” En PUEBLA
1924-2018 PUEBLA AÑOS 19 8 24-201 JUEVES 8 DE NOVIEMBRE DE 2018 AÑOS www.opinion.com.mx 1 12 92 18 4-20 Brenda Zambrano, Manelyk y Karime Alex Fernández presenta inaugurarán “Candys” en PUEBLA hoy “Te Amaré” Por: Carlos Linares LAS estaciones de radio lanzan hoy el primer sencillo de Alex Fernández cuya canción se titula “Te Amaré”, extraída de su próxima primera producción, bajo el sello discográfico de Sony Music México. El heredero de toda una dinastía musical, Álex Fernández hijo del cantante Alejandro Fernández y nieto de Don Vicente Fernández, Por: Carlos Linares Mendoza en tres ediciones del reality seguirá los pasos de su Papá y Abuelo, al lanzar su primer sencillo en corte vernáculo, con un más visto en Latinoamérica y parecido tanto vocal como LA espera terminó, Grand Europa. de esta manera su debut físico de su señor padre. Opening este 15, 16 y 17 El 17 de abril del 2018, se lanzó teatral, mientras en su canal La canción a partir de hoy estará sonando en todas de noviembre en “Candys” la quinta temporada, donde de YouTube, sube entrevistas (Bulevar Forjadores #1305), las tres bellezas fueron parte las estaciones de radio con artistas. en Puebla, el resto del con la presencia Karime, de la emisión, transmitiéndose Puebla le dará la bienvenida país y continente, siendo Brenda Zambrano y Manelyk, por MTV Latinoamérica, MTV a “Candys”, un lugar que así el lanzamiento más las estrellas del reality show Brasil, MTV España, MTV Italia, cuenta con todos los permisos prometedor de la disquera “Acapulco Shore”, visitarán la MTV Grecia, MTV Portugal y en conjunto con la dinastía y requisitos para brindar a los Fernández. -
Oscar-Winning 'Slumdog Millionaire:' a Boost for India's Global Image?
ISAS Brief No. 98 – Date: 27 February 2009 469A Bukit Timah Road #07-01, Tower Block, Singapore 259770 Tel: 6516 6179 / 6516 4239 Fax: 6776 7505 / 6314 5447 Email: [email protected] Website: www.isas.nus.edu.sg Oscar-winning ‘Slumdog Millionaire’: A Boost for India’s Global Image? Bibek Debroy∗ Culture is difficult to define. This is more so in a large and heterogeneous country like India, where there is no common language and religion. There are sub-cultures within the country. Joseph Nye’s ‘soft power’ expression draws on a country’s cross-border cultural influences and is one enunciated with the American context in mind. Almost tautologically, soft power implies the existence of a relatively large country and the term is, therefore, now also being used for China and India. In the Indian case, most instances of practice of soft power are linked to language and literature (including Indians writing in English), music, dance, cuisine, fashion, entertainment and even sport, and there is no denying that this kind of cross-border influence has been increasing over time, with some trigger provided by the diaspora. The film and television industry’s influence is no less important. In the last few years, India has produced the largest number of feature films in the world, with 1,164 films produced in 2007. The United States came second with 453, Japan third with 407 and China fourth with 402. Ticket sales are higher for Bollywood than for Hollywood, though revenue figures are much higher for the latter. Indian film production is usually equated with Hindi-language Bollywood, often described as the largest film-producing centre in the world. -
Turning the Page U C
s e r u t l Turning the Page u C l a Gendered Identities in Contemporary u s i V Literary and Visual Cultures d n a The essays in this volume are all selected papers from the y r a conference Gendered Identities in Contemporary Literary and r e t Visual Cultures, organized in June 2015 in Budapest, Hungary, i L by the Narratives of Culture and Identity Research Group. y r The authors deal with a wide array of gender issues in a r modern and postmodern English literature, contemporary o p popular culture, and postcolonial and Eastern European m e t studies. The essays are arranged into three larger chapters n based on their subject matter: “Dissecting Identities” o C n examines gendered identities in various literary contexts; i s “Creating Social Identities” looks at the function of society e i t i and culture in identity formation; and “Reinventing Gender t n Roles” deals with subversive uses of gender representation. e d I The collection displays several applications of gender d e studies as well as the authors’ enthusiastic engagement with r e the many directions in which gender studies can take us. d n e G e g a P e h t g n i n r u T ISBN 978-963-414-385-7 webshop.harmattan.hu Edited by Gyuris • Szép • Vecsernyés TURNING THE PAGE Gendered Identities in Contemporary Literary and Visual Cultures Judit Friedrich Series Editor ELTE PAPERS IN ENGLISH STUDIES Kata Gyuris, Eszter Szép, Dóra Vecsernyés Editors TURNING THE PAGE Gendered Identities in Contemporary Literary and Visual Cultures The publication was supported by Eötvös Loránd University Faculty of Humanities Student Union (BTK HÖK) Budapest, 2018 © Authors, 2018 © Editors, 2018 © L'Harmattan Kiadó, 2018 Series Editor: Judit Friedrich Editors: Kata Gyuris, Eszter Szép Technical Editor: Dóra Vecsernyés Layout Design: Bence Levente Bodó Cover Design: Gergely Oravecz ISSN Number: 2061-5655 ISBN Number: 978-963-414-385-7 Copies may be ordered from: L'Harmattan Könyvesbolt 1053 Budapest, Kossuth L. -
Latino Representation on Primetime Television in English and Spanish Media: a Framing Analysis
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Spring 2017 Latino Representation On Primetime Television In English and Spanish Media: A Framing Analysis Gabriela Arellano San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Arellano, Gabriela, "Latino Representation On Primetime Television In English and Spanish Media: A Framing Analysis" (2017). Master's Theses. 4785. DOI: https://doi.org/10.31979/etd.2wvs-3sd3 https://scholarworks.sjsu.edu/etd_theses/4785 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. LATINO REPRESENTATION ON PRIMETIME TELEVISION IN ENGLISH AND SPANISH MEDIA: A FRAMING ANALYSIS A Thesis Presented to The Faculty of the School of Journalism and Mass Communications San José State University In Partial Fulfillment of the Requirements for the Degree Master of Science by Gabriela Arellano May 2017 © 2017 Gabriela Arellano ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled LATINO REPRESENTATION ON PRIMETIME TELEVISION IN ENGLISH AND SPANISH MEDIA: A FRAMING ANALYSIS by Gabriela Arellano APPROVED FOR THE SCHOOL OF JOURNALISM AND MASS COMMUNICATIONS SAN JOSÉ STATE UNIVERSITY May 2017 Dr. Diana Stover School of Journalism and Mass Communications Dr. William Tillinghast School of Journalism and Mass Communications Professor John Delacruz School of Journalism and Mass Communications ABSTRACT LATINO REPRESENTATION ON PRIMETIME TELEVISION IN ENGLISH AND SPANISH MEDIA: A FRAMING ANALYSIS by Gabriela Arellano The purpose of this study was to provide updated data on the Latino portrayals on primetime English and Spanish-language television. -
OAKS BRISBANE WOOLLOONGABBA SUITES RECEPTION – DIAL ‘9’ RECREATIONAL FACILITIES Upon Departure
GUEST SERVICES DIRECTORY OAKS BRISBANE WOOLLOONGABBA SUITES RECEPTION – DIAL ‘9’ RECREATIONAL FACILITIES upon departure. If keys are not returned, a replacement fee of International Calls: Dial 8 + 0011 + country code, area code (if Welcome to Oaks Brisbane Woolloongabba Suites. Our friendly The swimming pool, spas, BBQ facilities and steam room are $300 will be imposed. Outside of reception hours please place applicable), then the telephone number. reception team is here to help make your stay more memorable. located on the rooftop (Level R). Open from 6am to 10pm daily. your keys in the Express Check-Out box at reception. Strictly no glass is to be taken into the pool area. Children must be supervised by an adult at all times. Please ensure that you clean the MOVIES / TELEVISION RESTAURANTS HOTEL SERVICES BBQ plate and facilities after use. Additional towels are available A selection of local free-to-air and Foxtel channels is available. We recommend the following restaurants where you can charge from reception (charges apply). Please see reception for gym Please use the ‘Source’ button on your television remote to navigate back to your room. Please contact reception for a menu or further ACCOUNT SETTLEMENT facilities, just a short walk from the property. between Foxtel, free-to-air channels and the DVD player. information; a 10% surcharge applies to all meal charge-backs. Payment can be made by cash, credit card or EFTPOS upon or prior to departure. Company charges or cheque payments will 100 CH 9 500/501 Fox Sports News TRANSPORTATION COFFEE NATURE only be accepted by prior arrangement. -
SI Allocations
Free TV Australia DTTB SI Register Transport Stream Service Information for Television Market Area All values are hexadecimal Issue 15 Date: October 2020 Western Australia Tasmania Northern Territory Remote Remote Queensland, Mandurah (Turner NSW, Vic, SA, Tas Perth Bunbury Albany Remote Hobart Launceston Darwin Alice Springs Northern Territory Hill) (See Note 3) (See Notes 1 and 2) (See notes 1 and 2) LCN Broadcaster Service Name SID SID SID SID SID SID SID SID SID SID SID NID NID NID NID NID NID NID NID NID NID NID TSID TSID TSID TSID TSID TSID TSID TSID TSID TSID TSID ONID ONID ONID ONID ONID ONID ONID ONID ONID ONID (dec) ONID 3201 3239 0261 1010 3256 0263 1010 3256 0263 1010 3256 0263 1010 3256 0263 1010 325B 0271 1010 3257 0273 1010 325C 0281 1010 325B 0283 ABC1 2 02E1 02E1 02E1 02E1 02E1 0271 0291 0281 02F1 ABC News 24 24 02E0 02E0 02E0 02E0 02E0 0270 0290 0280 02F0 ABC ABC1 21 02E3 02E3 02E3 02E3 02E3 0273 0293 0283 02F3 ABC2 / ABC4 22 02E2 02E2 02E2 02E2 02E2 0272 0292 0282 02F2 ABC3 23 02E4 02E4 02E4 02E4 02E4 0274 0294 0284 02F4 ABC Dig Music 200 02E6 02E6 02E6 02E6 02E6 0276 0296 0286 02F6 ABC Jazz 201 02E7 02E7 02E7 02E7 02E7 0277 0297 0287 02F7 3202 3202 0320 3202 3202 03A0 3202 3202 03A0 3202 3202 03A0 3202 3202 03A0 3202 3202 0380 3202 3202 0380 3202 3202 0360 SBS ONE 3 0321 03A1 03A1 03A1 03A1 0381 0381 0361 SBS ONE HD 30 0325 03A5 03A5 03A5 03A5 0385 0385 0365 SBS VICELAND HD 31 0326 03A6 03A6 03A6 03A6 0386 0386 0366 SBS World Movies 32 0327 03A7 03A7 03A7 03A7 0387 0387 0367 SBS Food 33 0323 03A3 03A3 03A3 03A3 0383 -
Network 10 Digital Ad Specs
Network 10 A ViacomCBS Company Digital Advertising Guidelines Network 10 A ViacomCBS Company Ad Format Dimensions desktop mobile connected tv app Ad Format Dimensions desktop mobile Pre-roll & Mid-roll Video 16:9 ✔ ✔ ✔ ✔ Pre-roll & Mid-roll Video 16:9 ✔ ✔ Leaderboard 728x90 ✔ ✘ ✘ ✘ Leaderboard 728x90 ✔ ✘ Medium Rectangle 300x250 ✔ ✔ ✘ ✘ Medium Rectangle 300x250 ✔ ✔ Mobile Banner 320x50 ✘ ✔ ✘ ✘ Mobile Banner 320x50 ✘ ✔ Skins see the specs ✔ ✘ ✘ ✘ Skins see the specs ✔ ✘ Billboard 970x250 ✘ ✘ ✘ ✘ Billboard 970x250 ✔ ✘ Streaming Medium Rectangle 300x250 ✘ ✘ ✘ ✘ Streaming Medium Rectangle 300x250 ✔ ✔ Celtra Interscroller see the specs ✘ ✘ ✘ ✘ Celtra Interscroller see the specs ✘ ✔ Celtra Miniscroller see the specs ✘ ✘ ✘ ✘ Celtra Miniscroller see the specs ✘ ✔ Click to get the full specs Click to get the full specs 2 Pre-roll & Mid-roll Video 1/3 NETWORK 10 HOSTED VIDEO IN STREAM AD IV. IMPORTANT NOTES GENERAL TO NETWORK 10 HOSTED ASSETS Dimensions Slates Minimum resolution of 1280x720 Video must be submitted without leaders • "Fourth-party" wrapping of any billing pixel is to form a :30 second commercial. Each No Black bars (i.e leaders, slates, countdowns). not allowed. brand’s advertisement should stand alone and represent one commercial. Frame Rate Duration • All tags must be SSL compliant. Frame Rate: 25 Network 10 Accepts a variety of length Client must provide https tags and assets • Metrics provided to advertisers: Impressions, creatives, standards include :15, :30, (instead of http) Clicks, Completion Rate, Time Spent Viewing Color Space: 4:2:2 and CTR. :60*,:90*. • Max creatives: 10 Constant frame rate only Any odd length creative, please contact your • Network 10 cannot accept two :15 second Remove any pull-down added for broadcast Network 10 Sales Representative. -
Ellie Smith 1St Assistant Director
ELLIE SMITH 1ST ASSISTANT DIRECTOR TELEVISION A LEAGUE OF THEIR OWN (Pilot) Sony/Amazon Prod: Abbi Jacobson, Will Graham, Michael Cedar Dir: Jamie Babbit THE STRANGER (Limited series) Fox 21 TV/Quibi Prod: Veena Sud, Jeffrey Katzenberg Dir: Veena Sud LIGHT AS A FEATHER (Season 2) Hulu/Awesomeness TV Prod: Brin Lukens, Dylan Vox Dir: Alexis Ostrander PEARSON (Season 1) UCP/USA Prod: Daniel Arkin, David Bartis, Aaron Korsh, Dir: Anton Cropper Doug Liman, Gina Torres LESS THAN ZERO (Pilot) Fox 21/Hulu Prod: Craig Wright, Rebecca Sinclair, Bob Williams Dir: Brett Morgen FOURSOME (Season 4) Awesomeness TV/ Prod: Lance Lanfear, Dan Suhart Dir: Various YouTube Red THE CHI (Season 1) Fox 21 TV/Showtime Prod: Elwood Reid, Lena Waithe, Common, Aaron Kaplan Dir: Various *Nominated – Television – Peabody Awards, 2019 IDIOTSITTER (Season 2) Comedy Central Prod: Jillian Bell, Charlotte Newhouse, Dan Kuba Dir: Various GRAVES (Promo) Lionsgate TV/EPIX Prod: Joshua Michael Stern Dir: Larry Charles THE CATCH (Season 1) (2nd Unit) ABC Studios/ABC Prod: Shonda Rhimes, Kevin Dowling Dir: Various DOPE GIRLS (Pilot) MTV Prod: Harry Elfont, Deborah Kaplan, Ken Ornstein Dir: Michael Blieden SIRENS (Seasons 1 & 2) Fox 21 TV/USA Prod: Denis Leary, Jim Serpico, Tom Sellitti Dir: Various CHICAGO FIRE (Season 1) (2nd AD) Universal TV/NBC Prod: Dick Wolf, Joe Chappelle, John L. Roman Dir: Various NCIS-LA (Seasons 1 & 2) CBS TV/CBS Prod: Shane Brennan Dir: Various HEROES (Seasons 1 & 2) (2nd AD) Universal TV/NBC Prod: Tim Kring Dir: Various LAST MYSTERIES OF TITANIC -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score. -
BILLY GREENFIELD Unit Production Manager DGA UPM Socal QL
BILLY GREENFIELD Unit Production Manager DGA UPM SoCal QL Feature Films & Television (select) PROJECT DIRECTOR STUDIO/PRODUCTION CO. OUR KIND OF PEOPLE Various Fox / Lee Daniels Entertainment season 1 LP: Michael Gray / EP: Lee Daniels, Montrel McKay NEVER HAVE I EVER Various Netflix / Universal Television season 2 LP: Barbara Stoll / EP: Mindy Kaling, Lang Fisher FATAL AFFAIR Peter Sullivan Netflix / Hybrid LP: Brian Nolan GET SHORTY Various Epix / MGM Television season 3 – L.A. Unit Prod: Brian Leslie Parker DOLLFACE Various Hulu / ABC Studios season 1 LP: Melanie Elin, Michael Gray WARNINGS Demetrius Navarro Three Branches Entertainment ZEROVILLE* James Franco Rabbit Bandini Productions GUIDANCE** Various YouTube / Awesomeness TV season 3 LP: Melanie Kirk BEYOND THE TREK Ian Truitner Screen Media Films SISTER CODE*** Corey Grant AIR Media * Associate Producer ** UPM + 1st AD *** Line Producer DGA 1st Assistant Director DGA: 2007 – Present | Non-Union: 1998 - 2007 DGA 1st Assistant Director working in Features, Episodic Television, Commercials, Music Videos, Industrials and New Media. Responsible for scheduling, planning and execution of the shooting schedule. Skilled at solving complex scheduling problems and maximizing shooting time for Directors as well as efficient budgeting of background actors, additional labor and special equipment. Priorities: Safety, Teamwork, Flexibility, Grace Under Pressure and a Positive Work Environment. Non-Union 2nd Assistant Director, Production Coordinator & Production Assistant 1995 - 2007 Worked on a variety of projects, in multiple formats (film/digital) and budget levels from low-budget features to large scale Episodic Shows and Features as an Office and Set Production Assistant. At the same time, worked as a non-union 2nd Assistant Director on Low-Budget features and commercials.