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Brennan Taylor [email protected] www.BRENNAN-TAYLOR.com REEL www.brennan-taylor.com/videos/ LEGIT COMMERCIAL Clear Talent Group Don Buchwald & Associates 325 W 38th St., Ste 1203 10 E 44th St. New York, NY 10018 New York, NY 10017 (212) 840-4100 (212) 634-8348 [email protected] TELEVISION Title Role Director Production Company The Mysteries of Laura Bartender Randy Zisk Berlanti Productions NBC recurring Flesh & Bone Nick Coleman Adam Davidson Starz Originals Starz co-star Law & Order: SVU Ofﬁcer Tom Haley Jean de Segonzac Universal Television NBC co-star Royal Pains Alex Jay Chandrasekhar Universal Cable USA co-star Manhattan Love Story Sam John Fortenberry Brillstein Ent. / ABC Studios ABC co-star Person of Interest Investment Manager Chris Fisher Warner Bros Television CBS co-star Broad City Hot Lawyer Michael Blieden 3 Arts Entertainment Comedy Central co-star Blue Bloods Reporter Alex Zakrzewski CBS Productions CBS co-star Hostages Agent Horn Jeffrey Nachmanoff Jerry Bruckheimer Television CBS co-star Veronica Mars RA Gerry Michael Fields Warner Bros Television CW co-star FILM Title Role Director Production Company / Studio The Amazing Spider-Man II Ravencroft Guard Marc Webb Columbia Pictures / Feature Supporting Marvel Entertainment Reunion 108 Allen James Suttles Carms Productions Feature Supporting Drama Queens Frank Levi Lieb Juxtaposed Productions Feature Lead Daddy Issues Dillon Carolina Roca-Smith Grizzly Bunny Productions Short Lead & co-writer The Statistical Analysis of Cliff Miles Jay B-Reel Films Your Failing Relationship Supporting Short *A PDF of this is online at: www.brennan-taylor.com/resume/.

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Latino Representation on Primetime Television in English and Spanish Media: a Framing Analysis
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Spring 2017 Latino Representation On Primetime Television In English and Spanish Media: A Framing Analysis Gabriela Arellano San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Arellano, Gabriela, "Latino Representation On Primetime Television In English and Spanish Media: A Framing Analysis" (2017). Master's Theses. 4785. DOI: https://doi.org/10.31979/etd.2wvs-3sd3 https://scholarworks.sjsu.edu/etd_theses/4785 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. LATINO REPRESENTATION ON PRIMETIME TELEVISION IN ENGLISH AND SPANISH MEDIA: A FRAMING ANALYSIS A Thesis Presented to The Faculty of the School of Journalism and Mass Communications San José State University In Partial Fulfillment of the Requirements for the Degree Master of Science by Gabriela Arellano May 2017 © 2017 Gabriela Arellano ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled LATINO REPRESENTATION ON PRIMETIME TELEVISION IN ENGLISH AND SPANISH MEDIA: A FRAMING ANALYSIS by Gabriela Arellano APPROVED FOR THE SCHOOL OF JOURNALISM AND MASS COMMUNICATIONS SAN JOSÉ STATE UNIVERSITY May 2017 Dr. Diana Stover School of Journalism and Mass Communications Dr. William Tillinghast School of Journalism and Mass Communications Professor John Delacruz School of Journalism and Mass Communications ABSTRACT LATINO REPRESENTATION ON PRIMETIME TELEVISION IN ENGLISH AND SPANISH MEDIA: A FRAMING ANALYSIS by Gabriela Arellano The purpose of this study was to provide updated data on the Latino portrayals on primetime English and Spanish-language television.
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A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION ..............................................................................................
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Moving on – Or at Least Trying To
Looking for a way to keep up with local news, school happenings, sports events and more? 2 x 2" ad 2 x 2" ad We’ve got you covered! September 8 - 14, 2017 waxahachietx.com A M S E C A B S E R J A V A H 2 x 3" ad C E K X R O P R F R A N K C U Your Key I J E E M L M E I H E M Q U A To Buying B A L F E C R P J A Z A U L H A S T R N I O K R S F E R L A and Selling! 2 x 3.5" ad K E O A A B F L E O P X C O W H P N L H S R I L H M K E D A B A C F O G Z I R S O I P E B X R U R P N Z F A R K V S N A D A I N E C N B N N A E A E R A T N M T O G E K U N H L A W T E N E M E I Z I H G A I R Z U D A C L M D A N U H K J A R M B E I A R E U E R O G E R E A A R J X P F H K M B E Z S S “Outlander” on Starz Moving on – (Words in parentheses not in puzzle) Claire (Randall Fraser) (Caitriona) Balfe (Battle of) Culloden Place your classified Solution on page 13 Jamie (Fraser) (Sam) Heughan Separated ad in the Waxahachie Daily 2 x 3" ad Frank (Randall) (Tobias) Menzies Haunted Light, Midlothian1 xMirror 4" ad and Brianna (Randall) (Sophie) Skelton Compromise or at least Ellis County Trading Post! Word Search Roger (Wakefield) (Richard) Rankin Hope Call (972) 937-3310 © Zap2it trying to Sam Heughan stars in “Outlander,” which 2 x 3.5" ad begins its third season Sunday on Starz.
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“10 All Access” Launches in Australia
“10 All Access” Launches in Australia December 3, 2018 CBS and Network 10’s Subscription Video On-Demand Service Offers More Than 7,000 Commercial-Free Episodes, Exclusive Original Series and the Ability to Watch Hit CBS Series Before They Air in Australia Dec. 3, 2018 – CBS and Network 10’s direct-to-consumer subscription video on-demand service, 10 All Access, debuts today, with more than 7,000 episodes of binge-worthy, commercial-free entertainment from CBS and 10. For $9.99 AUD a month plus a month free for new subscribers, 10 All Access will offer exclusive original series, current and previous seasons of select CBS and 10 shows, classic TV series, as well as the ability to live stream CBSN, CBS News’ 24/7 streaming news service. Network 10’s chief executive officer Paul Anderson said: “ 10 All Access gives us a fantastic new avenue to engage audiences with premium entertainment any way they want it. It fits perfectly into the 10 family alongside our broadcast channels, 10, 10 Boss and 10 Peach, our catch-up service 10 Play, and our news and entertainment site 10 Daily. We’ll continue to evolve 10 All Access with more great content to binge on and more product features to enhance the viewing experience. We are just getting started.” 10 All Access will be available on iOS and Android mobile and tablet devices, Apple TV, Android TV, Chromecast, and online via 10allaccess.com.au. Subscribers will be able to watch on three screens simultaneously, and the service will be launching on additional platforms in the coming months.
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Fall 2018 Network Primetime Preview
FALL 2018 PRIMETIME PREVIEW Brought to you by KATZ TV CONTENT STRATEGY CONTENT IS EVERYWHERE TELEVISION MAKES UP THE LION’S SHARE OF VIDEO MEDIA Television 80% Share of Time Spent with Video Media 4:46 Time Spent 5:57 H:MM/day All other with TV Video 20% All Other Video includes TV-Connected Devices (DVD, Game Console, Internet Connected Device); Video on Computer, Video Focused App/Web on Smartphone, Video Focused App/Web on Tablet Source: Nielsen Total Audience Report Q1 2018. Chart based on Total U.S. Population 18+ THE NEW FACES OF BROADCAST…FALL 2018 AND SOME RETURNING ONES TOO! SOME OF BROADCAST’S TOP CONTENT COMPETITORS NOTABLE NEW & RETURNING OTT SERIES NOTABLE NEW & RETURNING CABLE SERIES CONTENT – OTT & CABLE Every day more and more content Broadcast Network content creators defecting Quantity of content does not mean quality Critical, nomination-worthy successes Alternative Programming THE BIG PICTURE A Look at the Performance of All Viewing Sources in Primetime THE BIG PICTURE – PRIMETIME LANDSCAPE 2017/2018 Broadcast Other Pay Cable 7% Broadcast Networks 3% 20% Diginets 2% All Viewing PBS 3% Sources Total HH Share of Audience All Advertiser Supported DVR, VOD, Cable Ent. Vid. Games, 40% 13% News 20% 77% 10% Sports AOT 5% Note: BroadCast Networks=ABC, CBS, NBC, FOX, CW. BroadCast other = Azteca, Estrella, Ion, Telemundo, Univision, Unimas, Independent Broadcast. Diginets=Bounce TV, Cozi TV, EsCape, Grit, Heroes & Icons, LAFF, Me TV and PBS Source: Nielsen NNTV, 09/25/2017 - 05/23/2018, HH Shares, L+SD data. THE BIG PICTURE – PRIMETIME HH LANDSCAPE 2007/2008 2012/2013 2017/2018 58 56 53 -17% 49 48 48 in past 5 years 45 42 40 26 17 3 4 4 4 2012/2013 2017/2018 2007/2008 6 6 7 5 5 5 5 5 7 Broadcast DVR, Video AOT Pay Cable Ad-Supported Cable Ent.
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2018 Television Report
2018 Television Report PHOTO: HBO / Insecure 6255 W. Sunset Blvd. CREDITS: 12th Floor Contributors: Hollywood, CA 90028 Adrian McDonald Corina Sandru Philip Sokoloski filmla.com Graphic Design: Shane Hirschman @FilmLA FilmLA Photography: Shutterstock FilmLAinc HBO ABC FOX TABLE OF CONTENTS INTRODUCTION 2 PRODUCTION OF LIVE-ACTION SCRIPTED SERIES 3 THE INFLUENCE OF DIGITAL STREAMING SERVICES 4 THE IMPACT OF CORD-CUTTING CONSUMERS 4 THE REALITY OF RISING PRODUCTION COSTS 5 NEW PROJECTS: PILOTS VS. STRAIGHT-TO-SERIES ORDERS 6 REMAKES, REBOOTS, REVIVALS—THE RIP VAN WINKLE EFFECT 8 SERIES PRODUCTION BY LOCATION 10 SERIES PRODUCTION BY EPISODE COUNT 10 FOCUS ON CALIFORNIA 11 NEW PROJECTS BY LOCATION 13 NEW PROJECTS BY DURATION 14 CONCLUSION 14 ABOUT THIS REPORT 15 INTRODUCTION It is rare to find someone who does not claim to have a favorite TV show. Whether one is a devotee of a long-running, time-tested procedural on basic cable, or a binge-watching cord-cutter glued to Hulu© on Sunday afternoons, for many of us, our television viewing habits are a part of who we are. But outside the industry where new television content is conceived and created, it is rare to pause and consider how television series are made, much less where this work is performed, and why, and by whom, and how much money is spent along the way. In this study we explore notable developments impacting the television industry and how those changes affect production levels in California and competing jurisdictions. Some of the trends we consider are: growth in the number of live-action scripted series in production, the influence of digital streaming services on this number, increasing production costs and a turn toward remakes and reboots and away from traditional pilot production.
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Shane Geraghty
Shane Geraghty Gender: Male Service: 818-774-3889 Height: 5 ft. 3 in. Mobile: 646-489-0240 Weight: 145 pounds E-mail: [email protected] Eyes: Brown Web Site: http://www.stunted.c... Hair Length: Short Waist: 30 Inseam: 29 Shoe Size: 8 Physique: Athletic Coat/Dress Size: 40S Ethnicity: Caucasian / White Photos Film Credits The Amazing Spider-Man Utility Stunts I Hate You, Dad Stunts Premium Rush Stunts Zookeeper Utility Stunts Mr. Popper's Penguins Stunt Rigger Battle Los Angeles stunts The Green Hornet Stunts Salt Stunts Prince of Persia: The Sands of Utility Stunts Time The Bounty Hunter Stunts When in Rome Stunts Chance pe Dance Stunt Double The Happening Stunts Indiana Jones 4 Stunts I Am Legend Utility Stunts Enchanted Stunts Generated on 10/06/2021 02:23:54 pm Page 1 of 4 Across the Universe Stunts Across the Universe Acrobat / Stunt Actor Beer League Softball Player / Stunt Performer Late Watch Security Guard Amazing SpiderMan 2 Stunts Noah stunts Non-Stop stunts Jack Ryan: Shadow One stunts The Secret Life of Walter Mitty Stunts The Wolf of Wall Street stunts Now You See Me Stunts Premium Rush Stunts The Dark Knight Rises Stunts Television The Victoria's Secret Fashion Gymnastics Coodinator Show Boardwalk Empire (1 Episode) Stunt Double Blue Bloods (1 Episode) Stunts The View (1 Episode) Stunts Rescue Me (1 Episode) Stunts 30 Rock (1 Episode) Stunts Saturday Night Live (1 Episode) Stunts New Amsterdam Stunt Driver The Black Donnelley's (1 Stunts Episodes) Make Me a Supermodel (1 Stunt Rigger Episode) 2005 Billboard Latin Music
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February 26, 2021 Amazon Warehouse Workers in Bessemer
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; BLACKISH)
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Partisan Sorting in US Entertainment
POLITICAL SORTING IN U.S. ENTERTAINMENT MEDIA… 1 Political Sorting in U.S. Entertainment Media Selection Sarah Bachleda Fiorinia, Amanda Lotzb, Stuart Sorokaa and Dan Hiaeshutter-Ricea a University of Michigan b Queensland University of Technology July 2020 Draft. A preliminary version of this paper was presented at the 70th Annual Conference of the International Communication Association. Abstract: Analysis of public opinion, news consumption, and social media has examined increasing political polarization and/or partisan sorting; however, few have explored the potential connection between entertainment programming and political sorting. This paper examines viewership of U.S. television entertainment from 2001 to 2016 and finds increasing differentiation in the shows watched in primarily Democratic versus primarily Republican markets. Notably, these years coincide with partisan sorting in news consumption and enhanced fracturing of the U.S. television landscape. Thus, the article confirms growing differences in the most-watched shows in heavily Democratic versus Republican regions, a finding that provides uncommon evidence of suspected fragmentation by political view and of the need to adapt theories of the perceived ‘society-making’ (Turow, 1997) of entertainment television. Keywords: entertainment media, political polarization, television, public opinion, partisan sorting Discussion of ‘polarized politics’ is an increasingly regular feature of both academic research and popular commentary. There is widespread concern that both political elites and citizens are becoming increasingly attached to, or defined by, their partisan identities. Moreover, there are worries that these attachments produce a more divisive and unproductive political climate and diminish a common reality about the world. Media are frequently perceived as being central to the problem.
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Title # of Eps. # Episodes Male Caucasian % Episodes Male
2020 DGA Episodic TV Director Inclusion Report (BY SHOW TITLE) # Episodes % Episodes # Episodes % Episodes # Episodes # Episodes # Episodes # Episodes # of % Episodes % Episodes % Episodes % Episodes Male Male Female Female Title Male Males of Female Females of Network Studio / Production Co. Eps. Male Caucasian Males of Color Female Caucasian Females of Color Unknown/ Unknown/ Unknown/ Unknown/ Caucasian Color Caucasian Color Unreported Unreported Unreported Unreported 100, The 12 6.0 50.0% 2.0 16.7% 3.0 25.0% 1.0 8.3% 0.0 0.0% 0.0 0.0% CW Warner Bros Companies Paramount Pictures 13 Reasons Why 10 6.0 60.0% 2.0 20.0% 2.0 20.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% Netflix Corporation Paramount 68 Whiskey 10 7.0 70.0% 0.0 0.0% 3.0 30.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% Network CBS Companies 9-1-1 18 4.0 22.2% 6.0 33.3% 5.0 27.8% 3.0 16.7% 0.0 0.0% 0.0 0.0% FOX Disney/ABC Companies 9-1-1: Lone Star 10 5.0 50.0% 2.0 20.0% 3.0 30.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% FOX Disney/ABC Companies Absentia 6 0.0 0.0% 0.0 0.0% 6.0 100.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% Amazon Sony Companies Alexa & Katie 16 3.0 18.8% 3.0 18.8% 5.0 31.3% 5.0 31.3% 0.0 0.0% 0.0 0.0% Netflix Netflix Alienist: Angel of Darkness, Paramount Pictures The 8 5.0 62.5% 0.0 0.0% 3.0 37.5% 0.0 0.0% 0.0 0.0% 0.0 0.0% TNT Corporation All American 16 4.0 25.0% 8.0 50.0% 2.0 12.5% 2.0 12.5% 0.0 0.0% 0.0 0.0% CW Warner Bros Companies All Rise 20 10.0 50.0% 2.0 10.0% 5.0 25.0% 3.0 15.0% 0.0 0.0% 0.0 0.0% CBS Warner Bros Companies Almost Family 12 6.0 50.0% 0.0 0.0% 3.0 25.0% 3.0 25.0% 0.0 0.0% 0.0 0.0% FOX NBC Universal Electric Global Almost Paradise 3 3.0 100.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% 0.0 0.0% WGN America Holdings, Inc.
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2021 Primetime Emmy® Awards Ballot
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Debra Markowitz on the Long Island International Film Expo, Movies
Illumina Direct 3 Light Inverted... $167.99 Wayfair May 31 Dera Markowitz on the Long Iland International Film xpo, movie made in Naau Count and more Festivals (/?category=Festivals), Nassau County (/?category=Nassau+County), Film (/?category=Film), Celebrities (/?category=Celebrities) As a member of the NYWIFT, AFCI, LIFTF, LaGuardia Arts CTE Advisory Board and the Nassau County Film Commission (https://www.nassaucountyny.gov/394/FilmCommission) festival alongside Anne and Henry Stampfel of the Malverne Cinema. This year's LIIFE runs from July 13 through 21, taking place at the Bellmore Movies. Debra answered some questions for No Place Like Long Island about what's ahead for both her and the festival. Let's just say that there's a lot of excitement out there, and beyond what's written below, more info can be found at How would you describe the Long Island International Film Expo to someone who's never attended it? DM: Eight days of nonstop independent movies, informative and entertaining panels, celebrity sightings, and networking with filmmakers all over the world. Who are some of the people appearing this year? Films exhibiting? DM: So far we have TV icon Ed Asner accepting a Lifetime Achievement Award, Robert Clohessy [Blue Bloods] accepting an Creative Achievement Award, Angela Anton of Anton News receiving a Humanitarian Award, and actor Sal Rendino [Netflix's Brown [30 Rock]. So many great films. Yvonne Jung (http://www.imdb.com/name/nm1490320), Phyllis Somerville and Kevin Brown are all in our official opening night feature, Stuff, from Long Island filmmaker Suzanne Guacci. Immunity starring Rena Sofer (http://www.imdb.com/name/nm0812133).
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