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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Natasha Gjurokovic EDITOR
Natasha Gjurokovic EDITOR FEATURE FILMS AND TV SERIES CSI: VEGAS Dramatic TV Series; Executive Producers: Johnathan Littman, SEASON 1 Jason Tracey, Anthony Zuiker; Directors: Nathan Hope, Kenneth Fink; Jerry Bruckheimer/CBS THE INBETWEEN Dramatic TV Series; Executive Producers: Moira Kirland, David SEASON 1 Heyman and Matt Gross; Directors: Alex Zakrzewski, David Grossman, Romeo Tirone; Universal Television/ NBC VALOR Dramatic TV Series; Executive Producers: Kyle Jarrow, SEASON 1 Anna Fricke, Bill Haber; Directors: Steve Robin, Mark Haber, David McWhirter, Gregory Prange; CBS Productions /WB/CW SHADOWHUNTERS Dramatic TV Series; Executive Producers: Matt Hastings, Todd SEASON 2 Slavkin and Darren Swimmer; Directors: Joe Lazarov, Ben Bray, Joshua Butler; Constantin Film / Freeform Productions CSI SERIES FINALE Dramatic TV Series; Executive Producers: Jerry Bruckheimer, IMMORTALITY Anthony Zuiker, Jonathan Littman, Cindy Chvatal; EP/Director: Louis Milito; Jerry Bruckheimer / CBS Productions COLD CASE Dramatic TV Series; Executive Producers: Jerry Bruckheimer SEASONS 2 AND 3 and Meredith Stiehm; Directors: Kevin Bray, Emilio Estevez, Alex Zakrzewski, Paul Holohan, James Whitmore Jr. Roxann Dawson; WB / CBS Productions POSTMORTEM Feature Film; Director: Albert Pyun Cast: Charlie Sheen, Michael Halsey, Producers: Paul Rosenblum, Tom Karnowski, Chris Bates Gary Lewis Filmwerks / Imperial Enteertainment CRAZY SIX Feature Film; Director: Albert Pyun Cast: Rob Lowe, Burt Reynolds, Ice T, Producers: Tom Karnowski, Paul Rosenblum, Gary Schmoeler -
ESG Report Viacomcbs 2019
ACTIONEnvironmental, Social, and Governance Report ViacomCBS 2019 Introduction Governance On-screen Workforce Sustainable Reporting content and and culture production indices social impact and operations Contents Introduction 3 CEO letter 4 Our approach to ESG 6 About ViacomCBS 9 About this report 10 Our material topics 11 Case study: Responding to a global pandemic 12 Aligning with the UN Sustainable Development Goals 15 Governance 17 ESG governance 19 Corporate governance 20 Data privacy and security 22 Public policy engagement 23 On-screen content and social impact 24 Diverse and inclusive content 26 Responsible content and advertising 31 Using our content platforms for good 33 Expanding our social impact through community projects 35 Workforce and culture 38 A culture of diversity and inclusion 40 Preventing harassment and discrimination 45 Employee attraction, retention, and training 46 Health, safety, and security 48 Labor relations 50 Sustainable production, and operations 51 Climate change 53 Sustainable production 58 Environmental impacts of our operations and facilities 60 Supply chain responsibility 63 Consumer products 66 Reporting indices 68 GRI Index 69 SASB Index 81 COVER IMAGES (FROM LEFT TO RIGHT): CBS, NCIS; CBS Sports; CBS, Super Bowl LIII; CBS News, CBS This Morning ViacomCBS ESG Report 2019 Introduction Governance On-screen Workforce Sustainable Reporting content and and culture production indices social impact and operations Introduction Welcome to our first ESG Report, Action: ESG at ViacomCBS. As we unleash the -
Off the Record
About the Center for Public Integrity The CENTER FOR PUBLIC INTEGRITY, founded in 1989 by a group of concerned Americans, is a nonprofit, nonpartisan, tax-exempt educational organization created so that important national issues can be investigated and analyzed over a period of months without the normal time or space limitations. Since its inception, the Center has investigated and disseminated a wide array of information in more than sixty Center reports. The Center's books and studies are resources for journalists, academics, and the general public, with databases, backup files, government documents, and other information available as well. The Center is funded by foundations, individuals, revenue from the sale of publications and editorial consulting with news organizations. The Joyce Foundation and the Town Creek Foundation provided financial support for this project. The Center gratefully acknowledges the support provided by: Carnegie Corporation of New York The Florence & John Schumann Foundation The John D. & Catherine T. MacArthur Foundation The New York Community Trust This report, and the views expressed herein, do not necessarily reflect the views of the individual members of the Center for Public Integrity's Board of Directors or Advisory Board. THE CENTER FOR PUBLIC INTEGRITY 910 17th Street, N.W. Seventh Floor Washington, D.C. 20006 Telephone: (202) 466-1300 Facsimile: (202)466-1101 E-mail: [email protected] Copyright © 2000 The Center for Public Integrity All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information and retrieval system, without permission in writing from The Center for Public Integrity. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
QuickLinks -- Click here to rapidly navigate through this document UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2006 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. -
King World Productions
SECURITIES AND EXCHANGE COMMISSION FORM 8-K Current report filing Filing Date: 1999-09-10 | Period of Report: 1999-09-07 SEC Accession No. 0000950142-99-000699 (HTML Version on secdatabase.com) FILER KING WORLD PRODUCTIONS INC Business Address 1700 BROADWAY CIK:756764| IRS No.: 132565808 | State of Incorp.:DE | Fiscal Year End: 0831 NEW YORK NY 10019 Type: 8-K | Act: 34 | File No.: 001-09244 | Film No.: 99709224 2123154000 SIC: 7822 Motion picture & video tape distribution Copyright © 2012 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): September 7, 1999 King World Productions, Inc. ---------------------------- (Exact name of registrant as specified in its charter) Delaware 1-9244 13-2565808 -------- ------ ---------- (State or other (Commission (IRS Employer jurisdiction File Number) Identification No.) of incorporation) 12400 Wilshire Boulevard Suite 1200 Los Angeles, California 90025 ----------------------- ----- (Address of principal executive offices) (Zip Code) Registrant's telephone number, including area code: (310) 826-1108 -------------- Not applicable -------------- (Former name or former address, if changed since last report) Page 1 This document consists of 4 pages. The exhibit index is contained on page 5 of this document. Item 5. Other Events On September 7, 1999, the Special Meeting of the King World Productions, Inc. Stockholders (the "Meeting"), which was scheduled in order for stockholders to vote on the approval and adoption of the Agreement and Plan of Merger, dated March 31, 1999 (the "Agreement"), by and among CBS Corporation ("CBS"), King World Productions, Inc. -
CBS National Agreement
(510) AGREEMENT BETWEEN CBS BROADCASTING INC. AND INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS February 1, 2018 – April 30, 2021 CBS/IBEW National Agreement INDEX Page PREAMBLE ..........................................................................................................................1 BASIC PRINCIPLES ............................................................................................................1 ARTICLE I ............................................................................................................................2 Section 1.01 – Term ...............................................................................................................2 Section 1.02 – Recognition and Scope ..................................................................................2 Section 1.03 – Work Jurisdiction ...........................................................................................2 Section 1.04 – Territorial Jurisdiction ...................................................................................14 Section 1.05 – Subcontracting & Contracting Out ................................................................16 Section 1.06 – Employment & Union Membership ...............................................................16 Section 1.07 – No Strike or Lockout .....................................................................................18 Section 1.08 – No Discrimination ..........................................................................................19 ARTICLE II -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A. -
THE TALENT BIOGRAPHY Final
TELEVISION CREDITS / BIO 1 The Talent is an independent, boutique agency comprised of deeply committed talent bookers who provide individual guidance, knowledgeable strategy and a highly engaged service to the entertainment industry for over 15 years. Our mission is to become our clients’ most trusted partner by leveraging our vast experience and strong contacts to book each project we take on, including talk shows, celebrity castings, award show presenters and performers, magazine covers, charity events, photo shoots, ads or advertorials and non-profits. We tackle projects with integrity, passion, strategy, grace, humor, and a collaborative approach to bring you confidence and clarity in the booking process. We are your full house, out of house, getting you the talent your project needs. CONTENTS TELEVISION 1 ONLINE + RADIO 6 PUBLISHING 7 EVENT OUTREACH 8 NON PROFIT OUTREACH 9 THE TALENT TEAM 10 CONTACT INFO 18 CONTENTS TELEVISION The Talk: CBS, CBS Productions, Talent Producers. Pilot Casting and Seasons 1-11. Ongoing. Macy’s Thanksgiving Day Parade: NBC, Brad Lachman Productions, Talent Producers. 2017-2020. Ongoing Macy’s July 4th Celebration: NBC, Brad Lachman Productions, Talent Producers. 2018-2021. Ongoing. American Idol: Fremantle Media, ABC, Season 4, 2021. Ongoing. ACM Awards: Dick Clark Productions, CBS, 2018-2021. Ongoing. The Billboard Music Awards 2015- 2021: NBC, Dick Clark Productions, Talent Producers. Ongoing. The American Music Awards 2014-2021: ABC, Dick Clark Productions, Talent Producers. Ongoing. CMAs: ABC, Presenter Talent Producers, 2016-2019. $100,000 Pyramid: ABC, Sony Television, Talent Producers, Seasons 1-5, 2016-2020. Ongoing. Match Game: ABC, FremantleMedia, Talent Producers, Seasons 1-6: 2016 - 2021. -
As Filed with the Securities and Exchange Commission on January 24, 2006 Registration No
As filed with the Securities and Exchange Commission on January 24, 2006 Registration No. 333-______ - -------------------------------------------------------------------------------- SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ------------------------- FORM S-8 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 ---------------------------- CBS CORPORATION (Exact name of registrant as specified in its charter) Delaware 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 51 West 52nd Street, New York, New York 10019 (212) 975-4321 (Address and phone number of principal executive offices, including zip code) ----------------------------- CBS Corporation 1993 Long-Term Incentive Plan CBS Corporation 1991 Long-Term Incentive Plan Infinity Broadcasting Corporation Stock Plan for Directors Infinity Broadcasting Corporation 1999 Long-Term Incentive Plan Infinity Broadcasting Corporation 1998 Long-Term Incentive Plan Infinity Broadcasting Corporation Stock Option Plan Outdoor Systems, Inc. 1996 Omnibus Plan King World Salesforce Bonus Plan King World Productions, Inc. and its Subsidiaries 1998 Stock Option and Restricted Stock Purchase Plan King World Productions, Inc. 1996 Amended and Restated Stock Option and Restricted Stock Purchase Plan King World Productions, Inc. Stock Option Agreement with Oprah Winfrey dated as of March 17, 1994 King World Productions, Inc. Stock Option Agreement with Jeffrey D. Jacobs dated as of March 17, 1994 King World Productions, Inc. Stock Option Agreement with Oprah Winfrey dated as of October 6, 1995 King World Productions, Inc. Stock Option Agreement with Jeffrey D. Jacobs dated as of October 6, 1995 King World Productions, Inc. Stock Option Agreement with Oprah Winfrey dated as of September 15, 1997 King World Productions, Inc. Stock Option Agreement with Jeffrey D. -
High Cost, Prime Time, Syndicated Programming" As a Condition of the Video Program Marketplace Requiring Correction
high cost, prime time, syndicated programming" as a condition of the video program marketplace requiring correction. The market circumstances that the Commission identified as "propelling [it] to action" in 1970 have now been entirely reversed. From 1975 to 1990 the number of independent commercial stations in the United states more than tripled, reaching a total of 380. 83 / This growth reflected a new vitality for the UHF band. As UHF independent stations became serious competitors in market after market, the number of UHF stations nearly tripled also, reaching a total of 546. 84 / Today, roughly 35 percent of all commercial television stations are independents. As a result, by 1990, 93.9 percent of television households received five or more television stations over the air, and more than half were able to receive ten or more stations. Television homes in the top 50 markets are almost always served by at least one, and often by several, independent stations. 85/ 83/ opp Working Paper at 15. 84/ La. at 15-16. 85/ Id. at 16. 0593i - 70 - The proliferation of independent stations, combined with the non-network time traditionally available on network-affiliated stations, has resulted in an exponential growth in the amount or air time open to all syndicated programming. The contribution of the PTAR rule has been modest. In 1980, ten years into the rule's existence, annual revenues for the syndication market totalled only $50 million. During the 1980's, as the number of independent stations mushroomed, a corresponding growth occurred In syndication revenues, reaching $1.2 billion annually by 1990.