Fiscal Year 2020 Annual Report on Form 10-K
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Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Oscar-Winning 'Slumdog Millionaire:' a Boost for India's Global Image?
ISAS Brief No. 98 – Date: 27 February 2009 469A Bukit Timah Road #07-01, Tower Block, Singapore 259770 Tel: 6516 6179 / 6516 4239 Fax: 6776 7505 / 6314 5447 Email: [email protected] Website: www.isas.nus.edu.sg Oscar-winning ‘Slumdog Millionaire’: A Boost for India’s Global Image? Bibek Debroy∗ Culture is difficult to define. This is more so in a large and heterogeneous country like India, where there is no common language and religion. There are sub-cultures within the country. Joseph Nye’s ‘soft power’ expression draws on a country’s cross-border cultural influences and is one enunciated with the American context in mind. Almost tautologically, soft power implies the existence of a relatively large country and the term is, therefore, now also being used for China and India. In the Indian case, most instances of practice of soft power are linked to language and literature (including Indians writing in English), music, dance, cuisine, fashion, entertainment and even sport, and there is no denying that this kind of cross-border influence has been increasing over time, with some trigger provided by the diaspora. The film and television industry’s influence is no less important. In the last few years, India has produced the largest number of feature films in the world, with 1,164 films produced in 2007. The United States came second with 453, Japan third with 407 and China fourth with 402. Ticket sales are higher for Bollywood than for Hollywood, though revenue figures are much higher for the latter. Indian film production is usually equated with Hindi-language Bollywood, often described as the largest film-producing centre in the world. -
Shares Week 40
Shares Week 40 Cable channels' audience shares on different target groups Channel Cool Film+ RTL II RTL+ Sorozat + RTL GOLD Muzsika TV Target 18-49TSV 18-49TSV 18-49TSV 18-49TSV 18-49TSV 18-49TSV 18-49TSV Daypart 02:00-25:59 02:00-25:59 02:00-25:59 02:00-25:59 02:00-25:59 02:00-25:59 02:00-25:59 Jan 2016 5.1 5.4 2.0 1.3 0.6 0.3 0.5 Past Feb 2016 5.7 4.6 1.9 1.2 0.5 0.4 0.6 Mar 2016 4.8 4.9 1.9 1.6 0.4 0.3 0.6 Apr 2016 4.9 5.2 2.2 1.3 0.4 0.4 0.5 DATEGROUP May 2016 4.9 5.2 2.3 1.3 0.5 0.3 0.5 DATEGROUP Jun 2016 4.4 4.1 2.0 0.9 0.7 0.3 0.5 DATEGROUP Jul 2016 4.6 4.4 2.1 1.2 0.8 0.3 0.5 DATEGROUP Aug 2016 4.1 3.7 2.5 1.1 0.7 0.3 0.5 DATEGROUP Sep 2016 4.4 4.2 4.2 1.1 0.8 0.3 0.5 DATEGROUP Oct 2016 4.3 4.0 3.5 1.1 0.8 0.7 0.5 DATEGROUP Nov 2016 4.4 4.5 3.9 1.1 0.7 0.5 0.5 DATEGROUP Dec 2016 4.2 4.8 3.1 1.2 0.6 0.6 0.6 DATEGROUP Jan 2017 4.3 4.3 3.0 1.2 0.5 0.5 0.6 DATEGROUP Feb 2017 3.9 4.4 2.9 1.1 0.6 0.4 0.6 DATEGROUP Mar 2017 4.3 4.7 3.0 1.2 0.7 0.5 0.6 DATEGROUP Apr 2017 3.5 3.9 2.9 1.1 0.8 0.5 0.5 DATEGROUP May 2017 3.4 4.2 2.6 1.3 0.7 0.6 0.5 DATEGROUP Jun 2017 3.6 4.6 2.6 1.2 0.9 0.7 0.5 DATEGROUP Jul 2017 3.4 4.6 2.8 0.9 0.8 1.1 0.6 DATEGROUP Aug 2017 3.7 4.2 2.5 0.8 1.0 1.1 0.6 DATEGROUP Sep 2017 3.4 4.6 2.5 0.8 1.2 0.9 0.5 DATEGROUP Week 36 3.8 4.5 2.4 0.9 1.3 1.1 0.6 DATEGROUP Week 37 3.4 4.3 2.6 0.8 1.2 0.7 0.6 Present DATEGROUP Week 38 3.5 4.7 2.6 0.9 1.2 0.9 0.4 Week 39 3.0 4.6 2.5 0.9 1.2 0.8 0.4 DATEGROUP Week 40 3.0 5.0 2.6 1.1 1.1 0.8 0.5 DATEGROUP DATEGROUP DATEGROUP Source: Nielsen/M-RTL, Consolidated TSV figures, except last week Page 1 of 8 R-Time Sales & Marketing Shares Week 40 Cable channels' audience shares on different target groups Channel Comedy C. -
Sunday Morning Grid 4/1/18 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/1/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program JB Show History Astro. Basketball 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) Hockey Boston Bruins at Philadelphia Flyers. (N) PGA Golf 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News News Paid NBA Basketball 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX In Touch Paid Fox News Sunday News Paid Program I Love Lucy I Love Lucy 13 MyNet Paid Matter Fred Jordan Paid Program 18 KSCI Paid Program Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Martha Jazzy Real Food Chefs Life 28 KCET 1001 Nights 1001 Nights Mixed Nutz Edisons Biz Kid$ Biz Kid$ Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 34 KMEX Misa de Pascua: Papa Francisco desde el Vaticano Fútbol Fútbol Mexicano Primera División (N) República Deportiva 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress K. -
Agpasa, Brendon
29 January 2021 The Hon Paul Fletcher MP PO Box 6022 House of Representatives Parliament House Canberra ACT 2600 CHRIS (BRENDON) AGPASA SUBMISSION TO THE 2021-22 PRE-BUDGET SUBMISSIONS Dear Minister Fletcher, I write to request assistance had appropriate for media diversity to support digital radio and TV rollouts will continue in the federal funding, Brendon Agpasa was a student, radio listener and TV viewer. Paul Fletcher MP and the Morrison Government is supporting the media diversity including digital radio rollout, transition of community television to an online operating model, digital TV rollout, radio and TV services through regional media and subscription TV rollout we’re rolled out for new media landscape and it’s yours to towards a digital future of radio and TV broadcasting. We looking up for an expansion of digital radio rollout has been given consideration, the new digital spectrum to test a trial DRM30 and DRM+ with existing analogue (AM/FM) radio services, shortwave radio and end of spectrum (VHF NAS licences) will be adopted Digital Radio Mondiale services in Australia for the future plans. The radio stations Sydney’s 2GB, Melbourne’s 3AW, Brisbane’s Nova 106.9, Adelaide’s Mix 102.3, Perth’s Nova 93.7, Hit FM and Triple M ranks number 1 at ratings survey 8 in December 2020. Recently in December 2020, Nova Entertainment had launched it’s new DAB+ stations in each market, such as Nova Throwbacks, Nova 90s, Nova Noughties, Nova 10s, Smooth 80s and Smooth 90s to bring you the freshest hits, throwbacks and old classics all day everyday at Nova and Smooth FM. -
Latino Representation on Primetime Television in English and Spanish Media: a Framing Analysis
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Spring 2017 Latino Representation On Primetime Television In English and Spanish Media: A Framing Analysis Gabriela Arellano San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Arellano, Gabriela, "Latino Representation On Primetime Television In English and Spanish Media: A Framing Analysis" (2017). Master's Theses. 4785. DOI: https://doi.org/10.31979/etd.2wvs-3sd3 https://scholarworks.sjsu.edu/etd_theses/4785 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. LATINO REPRESENTATION ON PRIMETIME TELEVISION IN ENGLISH AND SPANISH MEDIA: A FRAMING ANALYSIS A Thesis Presented to The Faculty of the School of Journalism and Mass Communications San José State University In Partial Fulfillment of the Requirements for the Degree Master of Science by Gabriela Arellano May 2017 © 2017 Gabriela Arellano ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled LATINO REPRESENTATION ON PRIMETIME TELEVISION IN ENGLISH AND SPANISH MEDIA: A FRAMING ANALYSIS by Gabriela Arellano APPROVED FOR THE SCHOOL OF JOURNALISM AND MASS COMMUNICATIONS SAN JOSÉ STATE UNIVERSITY May 2017 Dr. Diana Stover School of Journalism and Mass Communications Dr. William Tillinghast School of Journalism and Mass Communications Professor John Delacruz School of Journalism and Mass Communications ABSTRACT LATINO REPRESENTATION ON PRIMETIME TELEVISION IN ENGLISH AND SPANISH MEDIA: A FRAMING ANALYSIS by Gabriela Arellano The purpose of this study was to provide updated data on the Latino portrayals on primetime English and Spanish-language television. -
FREEVIEW DTT Multiplexes (UK Inc NI) Incorporating Planned Local TV and Temporary HD Muxes
As at 07 December 2020 FREEVIEW DTT Multiplexes (UK inc NI) incorporating planned Local TV and Temporary HD muxes 3PSB: Available from all transmitters (*primary and relay) 3 COM: From *80 primary transmitters only Temp HD - 25 Transmiters BBC A (PSB1) BBC A (PSB1) continued BBC B (PSB3) HD SDN (COM4) ARQIVA A (COM5) ARQIVA B (COM6) ARQIVA C (COM7) HD ARQIVA D (COM8) HD LCN LCN LCN LCN LCN LCN LCN 1 BBC ONE 65 TBN UK 12 QUEST 11 Sky Arts 22 Ideal World 64 Free Sports BBC RADIO: 1 BBC ONE NI Cambridge, Lincolnshire, 74 Shopping Quarter 13 E4 (Wales only) 17 Really 23 Dave ja vu 70 Quest Red+1 722 Merseyside, Oxford, 1 BBC ONE Scot Solent, Somerset, Surrey, 101 BBC 1 Scot HD 16 QVC 19 Dave 26 Yesterday 83 NOW XMAS Tyne Tees, WM 1 BBC ONE Wales 101 BBC 1 Wales HD 20 Drama 30 4Music 33 Sony Movies 86 More4+1 2 BBC TWO 101 BBC ONE HD 21 5 USA 35 Pick 36 QVC Beauty 88 TogetherTV+1 (00:00-21:00) 2 BBC TWO NI BBC RADIO: 101 BBC ONE NI HD 27 ITVBe 39 Quest Red 37 QVC Style 93 PBS America+1 726 BBC Solent Dorset 2 BBC TWO Wales BBC Stoke 102 BBC 2 Wales HD 28 ITV2 +1 42 Food Network 38 DMAX 96 Forces TV 7 BBC ALBA (Scot only) 102 BBC TWO HD 31 5 STAR 44 Gems TV 40 CBS Justice 106 BBC FOUR HD 9 BBC FOUR 102 BBC TWO NI HD 32 Paramount Network 46 Film4+1 43 HGTV 107 BBC NEWS HD Sony Movies Action 9 BBC SCOTLAND (Scot only) BBC RADIO: 103 ITV HD 41 47 Challenge 67 CBS Drama 111 QVC HD (exc Wales) 734 Essex, Northampton, CLOSED 24 BBC FOUR (Scot only) Sheffield, 103 ITV Wales HD 45 Channel 5+1 48 4Seven 71 Jewellery Maker 112 QVC Beauty HD 201 CBBC -
Ellie Smith 1St Assistant Director
ELLIE SMITH 1ST ASSISTANT DIRECTOR TELEVISION A LEAGUE OF THEIR OWN (Pilot) Sony/Amazon Prod: Abbi Jacobson, Will Graham, Michael Cedar Dir: Jamie Babbit THE STRANGER (Limited series) Fox 21 TV/Quibi Prod: Veena Sud, Jeffrey Katzenberg Dir: Veena Sud LIGHT AS A FEATHER (Season 2) Hulu/Awesomeness TV Prod: Brin Lukens, Dylan Vox Dir: Alexis Ostrander PEARSON (Season 1) UCP/USA Prod: Daniel Arkin, David Bartis, Aaron Korsh, Dir: Anton Cropper Doug Liman, Gina Torres LESS THAN ZERO (Pilot) Fox 21/Hulu Prod: Craig Wright, Rebecca Sinclair, Bob Williams Dir: Brett Morgen FOURSOME (Season 4) Awesomeness TV/ Prod: Lance Lanfear, Dan Suhart Dir: Various YouTube Red THE CHI (Season 1) Fox 21 TV/Showtime Prod: Elwood Reid, Lena Waithe, Common, Aaron Kaplan Dir: Various *Nominated – Television – Peabody Awards, 2019 IDIOTSITTER (Season 2) Comedy Central Prod: Jillian Bell, Charlotte Newhouse, Dan Kuba Dir: Various GRAVES (Promo) Lionsgate TV/EPIX Prod: Joshua Michael Stern Dir: Larry Charles THE CATCH (Season 1) (2nd Unit) ABC Studios/ABC Prod: Shonda Rhimes, Kevin Dowling Dir: Various DOPE GIRLS (Pilot) MTV Prod: Harry Elfont, Deborah Kaplan, Ken Ornstein Dir: Michael Blieden SIRENS (Seasons 1 & 2) Fox 21 TV/USA Prod: Denis Leary, Jim Serpico, Tom Sellitti Dir: Various CHICAGO FIRE (Season 1) (2nd AD) Universal TV/NBC Prod: Dick Wolf, Joe Chappelle, John L. Roman Dir: Various NCIS-LA (Seasons 1 & 2) CBS TV/CBS Prod: Shane Brennan Dir: Various HEROES (Seasons 1 & 2) (2nd AD) Universal TV/NBC Prod: Tim Kring Dir: Various LAST MYSTERIES OF TITANIC -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score. -
BILLY GREENFIELD Unit Production Manager DGA UPM Socal QL
BILLY GREENFIELD Unit Production Manager DGA UPM SoCal QL Feature Films & Television (select) PROJECT DIRECTOR STUDIO/PRODUCTION CO. OUR KIND OF PEOPLE Various Fox / Lee Daniels Entertainment season 1 LP: Michael Gray / EP: Lee Daniels, Montrel McKay NEVER HAVE I EVER Various Netflix / Universal Television season 2 LP: Barbara Stoll / EP: Mindy Kaling, Lang Fisher FATAL AFFAIR Peter Sullivan Netflix / Hybrid LP: Brian Nolan GET SHORTY Various Epix / MGM Television season 3 – L.A. Unit Prod: Brian Leslie Parker DOLLFACE Various Hulu / ABC Studios season 1 LP: Melanie Elin, Michael Gray WARNINGS Demetrius Navarro Three Branches Entertainment ZEROVILLE* James Franco Rabbit Bandini Productions GUIDANCE** Various YouTube / Awesomeness TV season 3 LP: Melanie Kirk BEYOND THE TREK Ian Truitner Screen Media Films SISTER CODE*** Corey Grant AIR Media * Associate Producer ** UPM + 1st AD *** Line Producer DGA 1st Assistant Director DGA: 2007 – Present | Non-Union: 1998 - 2007 DGA 1st Assistant Director working in Features, Episodic Television, Commercials, Music Videos, Industrials and New Media. Responsible for scheduling, planning and execution of the shooting schedule. Skilled at solving complex scheduling problems and maximizing shooting time for Directors as well as efficient budgeting of background actors, additional labor and special equipment. Priorities: Safety, Teamwork, Flexibility, Grace Under Pressure and a Positive Work Environment. Non-Union 2nd Assistant Director, Production Coordinator & Production Assistant 1995 - 2007 Worked on a variety of projects, in multiple formats (film/digital) and budget levels from low-budget features to large scale Episodic Shows and Features as an Office and Set Production Assistant. At the same time, worked as a non-union 2nd Assistant Director on Low-Budget features and commercials. -
Brennan Taylor [email protected] REEL
Brennan Taylor [email protected] www.BRENNAN-TAYLOR.com REEL www.brennan-taylor.com/videos/ LEGIT COMMERCIAL Clear Talent Group Don Buchwald & Associates 325 W 38th St., Ste 1203 10 E 44th St. New York, NY 10018 New York, NY 10017 (212) 840-4100 (212) 634-8348 [email protected] TELEVISION Title Role Director Production Company The Mysteries of Laura Bartender Randy Zisk Berlanti Productions NBC recurring Flesh & Bone Nick Coleman Adam Davidson Starz Originals Starz co-star Law & Order: SVU Officer Tom Haley Jean de Segonzac Universal Television NBC co-star Royal Pains Alex Jay Chandrasekhar Universal Cable USA co-star Manhattan Love Story Sam John Fortenberry Brillstein Ent. / ABC Studios ABC co-star Person of Interest Investment Manager Chris Fisher Warner Bros Television CBS co-star Broad City Hot Lawyer Michael Blieden 3 Arts Entertainment Comedy Central co-star Blue Bloods Reporter Alex Zakrzewski CBS Productions CBS co-star Hostages Agent Horn Jeffrey Nachmanoff Jerry Bruckheimer Television CBS co-star Veronica Mars RA Gerry Michael Fields Warner Bros Television CW co-star FILM Title Role Director Production Company / Studio The Amazing Spider-Man II Ravencroft Guard Marc Webb Columbia Pictures / Feature Supporting Marvel Entertainment Reunion 108 Allen James Suttles Carms Productions Feature Supporting Drama Queens Frank Levi Lieb Juxtaposed Productions Feature Lead Daddy Issues Dillon Carolina Roca-Smith Grizzly Bunny Productions Short Lead & co-writer The Statistical Analysis of Cliff Miles Jay B-Reel Films Your Failing Relationship Supporting Short *A PDF of this is online at: www.brennan-taylor.com/resume/.