Channel 5, Playground and MASTERPIECE on PBS Announce Cast for All Creatures Great and Small
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PSB Report Definitions
Definitions: Channel groups (1) Channel group Output & Spend definition TV Viewing Audience Opinion Legal Definition BBC One, BBC Two, BBC Three, BBC All BBC channels (BBC Four, BBC News, BBC Parliament, CBBC, One, BBC Two, BBC CBeebies, BBC streaming channels, BBC Three, BBC Four, BBC BBC One, BBC Two, BBC HD (to March 2013) and BBC Olympics News , BBC Parliament Three, BBC Four, BBC News, channels (2012 only). ITV Network* (inc ,CBeebies, CBBC, BBC PSB Channels BBC Parliament, ITV/ITV ITV Breakfast), Channel 4, Channel 5 and Alba, all BBC HD Breakfast, Channel 4, Channel S4C (S4C is added to C4 2008-2009 and channels), the Channel 3 5,, BBC CBBC, CBeebies excluded from 2010 onwards post-DSO in services (provided by ITV, Wales). HD variants are included where STV and UTV), Channel 4, applicable (but not +1s). Channel 5, and S4C. BBC One, BBC Two, ITV Network (inc ITV BBC One, BBC Two, ITV/ITV Main five PSB Breakfast), Channel 4, Channel 5. HD BBC One, BBC Two, Breakfast, Channel 4, Channel channels variants are included where applicable ITV/STV/UTV, Channel 4, 5 (but not +1s). Channel 5 BBC One, BBC Two, BBC Three, BBC Four , BBC Main PSB channels News, ITV/STV/UTV, combined Channel 4, Channel 5, S4C Commercial PSB ITV/ITV Breakfast, Channel 4, Channels Channel 5 ITV+1 Network (inc ITV Breakfast) , ITV2, ITV2+1, ITV3, ITV3+1, ITV4, ITV4+1, CITV, Channel 4+1, E4, E4 +1, More4, CITV, ITV2, ITV3, ITV4, Commercial PSB More4 +1, Film4, Film4+1, 4Music, 4Seven, E4, Film4, More4, 5*, Portfolio Channels 4seven, Channel 4 Paralympics channels 5USA (2012 only), Channel 5+1, 5*, 5*+1, 5USA, 5USA+1. -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
HBO and the HOLOCAUST: CONSPIRACY, the HISTORICAL FILM, and PUBLIC HISTORY at WANNSEE Nicholas K. Johnson Submitted to the Facul
HBO AND THE HOLOCAUST: CONSPIRACY, THE HISTORICAL FILM, AND PUBLIC HISTORY AT WANNSEE Nicholas K. Johnson Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University December 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee __________________________________ Raymond J. Haberski, Ph.D., Chair __________________________________ Thorsten Carstensen, Ph.D. __________________________________ Kevin Cramer, Ph.D. ii Acknowledgements First, I would like to thank the members of my committee for supporting this project and offering indispensable feedback and criticism. I would especially like to thank my chair, Ray Haberski, for being one of the most encouraging advisers I have ever had the pleasure of working with and for sharing his passion for film and history with me. Thorsten Carstensen provided his fantastic editorial skills and for all the times we met for lunch during my last year at IUPUI. I would like to thank Kevin Cramer for awakening my interest in German history and for all of his support throughout my academic career. Furthermore, I would like to thank Jason M. Kelly, Claudia Grossmann, Anita Morgan, Rebecca K. Shrum, Stephanie Rowe, Modupe Labode, Nancy Robertson, and Philip V. Scarpino for all the ways in which they helped me during my graduate career at IUPUI. I also thank the IUPUI Public History Program for admitting a Germanist into the Program and seeing what would happen. I think the experiment paid off. -
TV Universe—UK, Germany, Sweden: HOW PEOPLE WATCH TELEVISION TODAY Author: Colin Dixon, Founder and Chief Analyst, Nscreenmedia | 2019
TV Universe—UK, Germany, Sweden: HOW PEOPLE WATCH TELEVISION TODAY Author: Colin Dixon, Founder and Chief Analyst, nScreenMedia | 2019 I NTRODUCTION Technology has become such a part of our daily lives that sometimes it seems that it is an end unto itself. However, in the world of the consumer, it has a particular role to play. Tim O’Reilly, who coined the term “open source,” put Online TV is now the second it this way: most popular source of “What technology does is create new opportunities to do a job that customers want done.”1 Home entertainment is most certainly a job that people “want done.” Ninety years ago, broadcast television television content in the UK, technology was the new opportunity to deliver it in an entirely new way.2 Based on the data from our most recent survey in Europe, the internet has become the next new opportunity to provide television entertainment to the home. Germany, and Sweden. Today, there are three primary sources of TV entertainment available to consumers: free-to-air (FTA), pay TV, and online TV. Free-to-air TV channels are typically received via an antenna but can also arrive over satellite and cable. Examples include BBC1, SVT1, and Das Erste. Pay TV services distribute linear TV over cable, satellite, and telco TV systems. Examples include Virgin Media, Sky Deutschland, and Com Hem. Online TV allows viewers to stream or download shows and movies over mobile and broadband data networks. Examples of services include Netflix, Now TV, and Amazon Prime Video. Just twelve years after Netflix first introduced streaming services, online TV has become the second most popular TV source in the UK, Germany, and Sweden. -
Summer Virtual #Presstourpbs July 28, 29 and 30
Summer Virtual #PressTourPBS July 28, 29 and 30 (Final) Three half days, 1:00 – 5:00 pm ET (10:00 am – 2:00 pm PT) All times Eastern below PBS Registration: To all TCA members and PBS-confirmed press, please register in advance for this virtual event using this link to start: https://zoom.us/webinar/register/WN_2uRcyS-fRN68-kMCgGor2w After registering, you will receive a confirmation email with your unique access link and other details. The same, single link works for all of the PBS sessions. See the email from Phil Piga ([email protected]) for more details or send an email with any questions. Thank you! Tuesday, July 28 1:00–1:55 pm PBS Executive Session & 50TH ANNIVERSARY PANEL As PBS marks its 50th Anniversary – amid a global pandemic, polarized nation and strained economy – the mission of public media has never been more important. • Paula Kerger, PBS President & CEO • Ken Burns • Judy Woodruff • Dr. Henry Louis Gates, Jr. PR contact: Eleanor Hawkins, 205-276-5252; [email protected]; Jeremy Gaines, 703-739-5135; [email protected] 2:15–2:45 pm PBS NEWSHOUR • Judy Woodruff, anchor and managing editor • Amna Nawaz, senior national correspondent and primary substitute anchor • Yamiche Alcindor, White House correspondent • Lisa Desjardins, Capitol Hill correspondent • Sara Just, executive producer PR contact: Sydney Cameron, [email protected]; 954-478-0703 3:00–3:30 pm PBS Election & News Coverage • Robert Costa, WASHINGTON WEEK • Margaret Hoover, FIRING LINE WITH MARGARET HOOVER • Bernardo Ruiz, VOCES “Latino Vote: Dispatches from the -
Oklahoma City Channel Lineup
Name Call Letters Number Name Call Letters Number Name Call Letters Number Fox College Sports - Central ** FCSC 648 Nicktoons NKTN 316 ActionMAX ACTMAX 835 Oklahoma City Fox College Sports - Pacific ** FCSP 649 Noggin NOG 320 Cinemax MAX 832 Fox Movie Channel FMC 792 Oxygen OXGN 368 Cinemax - West MAX-W 833 Fox News Channel FNC 210 PBS KIDS Sprout SPROUT 337 Encore ENC 932 Fox Reality Channel REAL 130 qubo qubo 328 Encore - West ENC-W 933 Channel Directory Fox Soccer Channel ** FSC 654 QVC QVC 197 Encore Action ENCACT 936 BY CHANNEL NAME Fox Sports en Español ** FSE 655 QVC QVC 420 Encore Drama ENCDRA 938 FSN Arizona ** FSAZ 762 Recorded TV Channel DVR 9999 Encore Love ENCLOV 934 FSN Detroit ** FSD 737 Sci Fi Channel SCIFI 151 Encore Mystery ENCMYS 935 Name Call Letters Number FSN Florida ** FSFL 720 Science Channel SCI 258 Encore Wam WAM 939 FSN Midwest ** FSMW 748 ShopNBC SHPNBC 424 Encore Westerns ENCWES 937 FSN North ** FSN 744 SiTV SiTV 194 FLIX FLIX 890 LOCAL LISTINGS FSN Northwest ** FSNW 764 Sleuth SLEUTH 161 HBO HBO 802 FSN Ohio-Cincinnati ** FSOHCI 732 Smile of a Child SMILE 340 HBO - West HBO-W 803 HSN HSN 8 FSN Ohio-Cleveland ** FSOHCL 734 SOAPnet SOAP 365 HBO Comedy HBOCOM 808 KAUT-43 (MY NETWORK TV) KAUT 43 FSN Pittsburgh ** FSP 730 SOAPnet - West SOAP-W 366 HBO Family HBOFAM 806 KETA-13 (PBS) KETA 13 FSN Prime Ticket ** FSPT 774 Speed Channel ** SPEED 652 HBO Latino HBOLAT 810 KFOR-4 (NBC) KFOR 4 FSN Rocky Mountain ** FSRM 760 Spike TV SPKE 145 HBO Signature HBOSIG 807 KOCB-34 (THE CW) KOCB 34 FSN South ** FSS 724 Spike -
FREEVIEW DTT Multiplexes (UK Inc NI) Incorporating Planned Local TV and Temporary HD Muxes
As at 07 December 2020 FREEVIEW DTT Multiplexes (UK inc NI) incorporating planned Local TV and Temporary HD muxes 3PSB: Available from all transmitters (*primary and relay) 3 COM: From *80 primary transmitters only Temp HD - 25 Transmiters BBC A (PSB1) BBC A (PSB1) continued BBC B (PSB3) HD SDN (COM4) ARQIVA A (COM5) ARQIVA B (COM6) ARQIVA C (COM7) HD ARQIVA D (COM8) HD LCN LCN LCN LCN LCN LCN LCN 1 BBC ONE 65 TBN UK 12 QUEST 11 Sky Arts 22 Ideal World 64 Free Sports BBC RADIO: 1 BBC ONE NI Cambridge, Lincolnshire, 74 Shopping Quarter 13 E4 (Wales only) 17 Really 23 Dave ja vu 70 Quest Red+1 722 Merseyside, Oxford, 1 BBC ONE Scot Solent, Somerset, Surrey, 101 BBC 1 Scot HD 16 QVC 19 Dave 26 Yesterday 83 NOW XMAS Tyne Tees, WM 1 BBC ONE Wales 101 BBC 1 Wales HD 20 Drama 30 4Music 33 Sony Movies 86 More4+1 2 BBC TWO 101 BBC ONE HD 21 5 USA 35 Pick 36 QVC Beauty 88 TogetherTV+1 (00:00-21:00) 2 BBC TWO NI BBC RADIO: 101 BBC ONE NI HD 27 ITVBe 39 Quest Red 37 QVC Style 93 PBS America+1 726 BBC Solent Dorset 2 BBC TWO Wales BBC Stoke 102 BBC 2 Wales HD 28 ITV2 +1 42 Food Network 38 DMAX 96 Forces TV 7 BBC ALBA (Scot only) 102 BBC TWO HD 31 5 STAR 44 Gems TV 40 CBS Justice 106 BBC FOUR HD 9 BBC FOUR 102 BBC TWO NI HD 32 Paramount Network 46 Film4+1 43 HGTV 107 BBC NEWS HD Sony Movies Action 9 BBC SCOTLAND (Scot only) BBC RADIO: 103 ITV HD 41 47 Challenge 67 CBS Drama 111 QVC HD (exc Wales) 734 Essex, Northampton, CLOSED 24 BBC FOUR (Scot only) Sheffield, 103 ITV Wales HD 45 Channel 5+1 48 4Seven 71 Jewellery Maker 112 QVC Beauty HD 201 CBBC -
SUBMISSION by CHANNEL 5 BROADCASTING LTD to OFCOM CALL for INPUTS on MANAGING the EFFECTS of 700 Mhz CLEARANCE
SUBMISSION BY CHANNEL 5 BROADCASTING LTD TO OFCOM CALL FOR INPUTS ON MANAGING THE EFFECTS OF 700 MHz CLEARANCE Channel 5 welcomes the opportunity to respond to this call for inputs. As we are not a multiplex operator we do not have access to technical data that would enable us to answer all of Ofcom’s questions. But we do have strong views on the importance of the DTT platform and how the clearance programme should be managed. We are confident the 700 MHz clearance programme can be sensibly managed, especially in light of the experience gained during digital switchover (DSO) and the 800 MHz clearance programme. In planning the clearance programme, the greatest priority should be maintenance of confidence in the platform for the tens of millions of viewers who depend on it for viewing on both primary and secondary television sets. The DTT platform is of critical importance for public service broadcasting. For example, Channel 5 has eight channels1 broadcasting on DTT; it is the platform on which our channels are watched most and which is of greatest commercial benefit to us. We believe it is important for there to be a coherent and well resourced support and communications plan. Digital UK has proved itself an effective platform management body, as well as having past experience of DSO and 800 MHz clearance, so we would expect it to have the lead role in managing the programme. The programme itself needs to be properly resourced by government; the clearance programme is taking place to facilitate long-term economic benefits that will accrue to the mobile operators and the wider economy, not to DTT viewers, so the costs of it should be met from the public purse. -
Lesleywalker
(3/10/21) LESLEY WALKER Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “MILITARY WIVES” Peter Cattaneo 42 Rory Aitken Tempo Productions Ltd. Ben Pugh “THE MAN WHO KILLED DON Terry Gilliam Amazon Studios Mariela Besuievsky QUIXOTE” Recorded Picture Co. Amy Gilliam Gerardo Herrero Gabriele Oricchio “THE DRESSER” Richard Eyre BBC Suzan Harrison Playground Ent. Colin Callender “MOLLY MOON: THE Christopher N. Rowley Amber Ent. Lawrence Elman INCREDIBLE HYPNOTIST” Lipsync Prods. Ileen Maisel “HOLLOW CROWN: HENRY IV”Richard Eyre BBC Rupert Ryle-Hodges Neal Street Prods. Sam Mendes “I AM NASRINE” Tina Gharavi Bridge and Tunnel Prods James Richard Baille (Supervising Editor) David Raedeker “WILL” Ellen Perry Strangelove Films Mark Cooper Ellen Perry Taha Altayli “MAMMA MIA” Phyllida Lloyd Playtone Gary Goetzman Nomination: American Cinema Editors (ACE) Award Universal Pictures Tom Hanks Rita Wilson “CLOSING THE RING” Richard Attenborough Closing the Ring Ltd. Jo Gilbert “BROTHERS GRIMM” Terry Gilliam Miramax Daniel Bobker Charles Roven “TIDELAND” Terry Gilliam Capri Films Gabriella Martinelli Recorded Picture Co. Jeremy Thomas “NICHOLAS NICKLEBY” Douglas McGrath Cloud Nine Ent. S. Channing Williams Hart Sharp Entertainment John Hart MGM/United Artists Jeffery Sharp “ALL OR NOTHING” Mike Leigh Cloud Nine Entertainment Simon Channing Williams Le Studio Canal “SLEEPING DICTIONARY” Guy Jenkin Fine Line Simon Bosanquet "FEAR AND LOATHING IN Terry Gilliam Rhino Patrick Cassavetti LAS VEGAS" Stephen Nemeth "ACT WITHOUT WORDS I" Karel Reisz Parallel -
Diamond Technical Account and Methodology
Diamond Technical Account and Methodology What is Diamond? Diamond is designed to answer two questions: - Does the workforce on UK productions, both on and off-screen, reflect the diversity of the UK population? - Are audiences seeing themselves reflected on-screen. With the support of production companies, Diamond collects diversity data directly from cast and crew working on TV programmes (actual data), as well as information about how those on-screen might be perceived by viewing audiences (perceived data). Diamond data collection Scope Diamond is collecting data from: UK original productions commissioned by BBC, ITV, Channel 4, C5/ViacomCBS and Sky. All genres (although we do not currently report on film, sport and news) A large number of on and off-screen TV production roles (see Appendix 2) Programmes broadcast across the following channels BBC One, BBC Two, BBC Scotland, CBBC, CBEEBIES, CITV, GMTV1, GMTV2, ITV Encore, ITV1, ITV2, ITV3, ITV4, ITVBe, 4seven, Channel4, E4, Film Four, More 4, 5 Star, Channel5, Challenge TV, Paramount Network, Pick TV, Real Lives, Sky Arts, Sky Atlantic, Sky One, Sky Two, Sky Witness1 Data about 6 diversity characteristics: gender, gender identity, age, ethnicity, disability and sexual orientation. Diamond is not collecting data about: Programmes which have not been commissioned by the five Diamond broadcasters People working across broadcasting more generally, outside of production (our data are not overall workforce statistics). People who are not making a significant contribution to a programme (for example part of a crowd scene) More information about what is and isn’t collected can be found in the guidance notes issued to producers. -
Program Guide | January 2021 | Vol
PROGRAM GUIDE | JANUARY 2021 | VOL. 40 NO. 1 All Creatures Great and Small and other new series celebrate five decades of award-winning television CEO MESSAGE Leslie Wilcox PBS Hawai‘i STATEWIDE President and CEO Welcoming a BOARD OF DIRECTORS Chair Joanne Lo Grimes Familiar Face Vice Chair Jason Haruki This is my final CEO message “We value Ron’s Hawai‘i Secretary before signing off at PBS Hawai‘i sensibilities, experience and his Joy Miura Koerte after the best 14 years of a Hawai‘i global perspectives,” said PBS Hawai‘i multimedia career spanning 48 Board Chair Joanne Lo Grimes. Treasurer years. I have the privilege of Says Ron: “I truly believe it is our Kent Tsukamoto welcoming the new leader chosen responsibility to make a difference in Muriel Anderson by our Board of Directors after a people’s lives, open minds and Susan Bendon national search. strengthen our diverse communities.” Jodi Endo Chai And he’s none other than the I know that he will hit the ground James E. Duffy Jr. man who sat beside me for literally running, because I’ve seen the way Matthew Emerson Jake Fergus thousands of hours, anchoring he works. Jason Fujimoto news coverage on KHON2. As an example and a metaphor, Ian Kitajima not all news anchors enjoy field Noelani Kalipi reporting, but it was the best part of Kamani Kuala‘au the work day for both of us. It was Theresia McMurdo Bettina Mehnert important to us to get out and get Ryan Kaipo Nobriga to know the people, places and Aaron Salā processes of the Islands. -
ALL CREATURES GREAT and SMALL the Bestselling Classic Common Core by James Herriot Aligned
ALL CREATURES GREAT AND SMALL The Bestselling Classic Common Core by James Herriot aligned An American Library Association Best Book For Young Adults Teacher’s Guide Reviewed by: The New York Times, The New York Times Book Review, Los Angeles Times, The Washington Post, San Francisco Chronicle, Chicago Tribune, Chicago Tribune Book World, Houston Chronicle, The Atlantic Monthly, Time magazine, Kirkus Reviews, Library Journal, Publishers Weekly Lexile Measure®: 990 Accelerated Reader: Book Level 6.8; Points 26.0 A MACMILLAN PUBLISHERS NONFICTION TEACHER’S GUIDE TO THE TEACHER COMMON CORE ALIGNED A bestselling memoir that has entertained and spoken to generations of readers for more than four decades, This is an ideal nonfiction book for middle school All Creatures Great and Small, James Herriot’s timeless and high school readers. We’ve included the relevant account of becoming a veterinarian in the English coun- Common Core State Standards for grades 9-10 as a guide to use as you develop a curriculum for your tryside, is the sort of book that routinely tops “my favorite” students. lists everywhere. We have also included some multi-modal extension And it’s easy to see why: Herriot’s stories of humor, pain, activities linked to the Standards as examples of how service, kindness, grace, respect, tradition, diligence, medi- the audiobook and other tools can be integrated into cal development, the bonds between mankind and ani- classroom instruction. mals, and appreciation for life itself are as irresistible as they aphre accessible, as moving and charming as they are Teacher’s readable and fun. Thus his collection of vignettes makes an PRAISE FOR Guide ideal text for today’s classrooms; brimming with anecdote JAMES HERRIOT and adventure, with observation and wonder, Herriot’s heartfelt account has long appealed to lovers of great sto- “This warm, joyous and often hilarious first-person rytelling (and animals) and reluctant readers alike.