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X Solefald Contents/Intro Solefald Norrøn livskunst Piano/voice/Chords I. Song til stormen (5 min) . 3 II. Norrøn Livskunst (4 min) . 6 III. Tittenattenseksti (4 min 10 s) . 13 IV. Blackabilly (6 min) . 18 V. Eukalyptustreet (9 min) . 25 . VI. Raudedauen (3 min 10 s) . 34 VII. Vitets vidd i verdi (5 min 30 s) . 39 VIII. Hugferdi (6 min) . .. 45 IX. Waves over Valhalla (6 min 30 s) . 53 X. Til heimen over havet (4 min 15 s) . 59 INTRODUCTION "Norrøn Livskunst" (Norse way of life), is Solefald's seventh studio album. Conceptually, it represents a profound research into Norwegian identity, specifically expressed through the texts that are written in "High Norwegian" or Høgnorsk, a purified synthesis of various dialects originating in the late 19th century. In Norway, the fight for the right to use dialects in writing, was traditionally connected to a fight for man's inner freedom against federal oppression. Musically, the ten songs represent a symbiosis of various styles, with their core in black metal, jazz and recitative poetry. They follow the underlying poetry with complex, sometimes progressive forms. At their best, Solefald's songs transform Norse aggressive ecstasy and man's alienation from civilization with profound, engaging textures. The massive use of choirs has been transcribed fully in to this edition. It is our belief that "Norrøn Livskunst" is an important research into an authenticity not necessarily meant to be found. Anyone with passion for the mysteries of the North, will not loose his time studying this music and its texts. France, September 20, 2016 NOTES 1) All additional and secondary voices, choirs and solistic instruments occurring on the main or secondary stems above the keyboard are written with small note-heads. They should, but must not imperatively, be preformed. 2) Original instruments are indicated in the beginning of each passage in italic. 3) Black metal vocals are characterized by the use of so-called “death growl”, which is an extreme combination of screaming with a deep pressurized rusty vocal noise, and singing. The exact pitch can only be notated approximately, and the singer typically slides between the notes, or rather timbre, for each syllable/word. CREDITS AND COPYRIGHTS Cover design based on the original cover, photo by Trine + Kim Design Studio, www.trineogkim.no All songs and material are published under license from Solefald (Cornelius Jakhelln/Lars Nedland), www.facebook.com/solefald Printed in France – IGO, Le Poiré-sur-Vie (Vendée) ____________________ www.ravenmusic.org 3 PROTECTED WORK I. Song Til Stormen PHOTOCOPY PROHIBITED Duration: 5 min. ca. The unauthorized copying of the whole or any part of this publication is illegal q = 98 Words by Olav H. Hauge B‹ Music by Jakhelln/Nedland # Male vocals *) # .4 3 j j 4 3 j j 4 3 Voice & .4 œ œ œ œ œ œ 4 œ œ œ œ œ 4 œ œ œœ œœ œ œœ 4 œœ œ œ œ œ 4 œ œ œ œ œ œ 4 œ œ œ œ œ œ œ œ œ œ J Jœ œ œ œ œ œ œ œ œ Jœ œ J œ 1. Kom, ster-ke storm frå æ - ver - ømd og stål min vil - je, løys min streng! Lyft ån-di mi på ør- 2. Sju - su -lar skjo - te, kom du att og blås i vil - le mor - gon - gry lang fa rar lu - ren un Dœistorœted electric guitars *) œ œ œ œ œ œ œ œ ? # 4 œ œ œ œ œ œ 3 œ œ œ œ œ 4 œ œ œ œ 3 œ œ œ œ 4 œ œ œ œ œ œ 3 # .4 4 œ 4 4 4 4 Keyboard (use bass-line from the next ? # 4 eight bars for the repetition) 3 4 3 4 3 ¢ # .4 w 4 ˙ . 4 w 4 ˙ . 4 w 4 w ˙ . w ˙ . w *) See "notes" on the intruduction page ® 6 B‹ B5/A GŒ„Š7 F©5 # 3 4 3 j 4 3 4 & #4 j j 4 œ 4 j œ œ œ œ 4 4 j j 4 œ œ œ œ œ œ œœ œ œœ œJœ J œ œ œ œ œ œ œ œ œ œ œ œ Jœ œ J œ Jœ œ J - ne - veng og syn meg leid og dag i kjømd Kom storm, og alt det rot - ne riv! Kom, - der sky so kal - lan - de som her ei natt Vekk meg or dva - le talm og trong, med œ œ œ œ œ œ œ œ œ œ œ œ ? # 3 œ œ œ œ 4 œ œ œ œ 3 œ œ œ 4 œ œ œ œ œ 3 œ œ œ œ 4 #4 œ 4 4 4 4 œ 4 ? # 3 4 3 4 3 4 ¢ #4 ˙ . 4 w 4 ˙ . 4 ˙ . œ 4 j 4 œ œ . œ œ œ ˙ . w ˙ . ˙ . œ œ œ . œ œ œ ® 11 # GŒ„Š7 F©7(“4) E‹11 B‹/D B‹ B‹9 B5/A GŒ„Š7 F©5 GŒ„Š7 F©7(“4) #4 3 j j 4 3 j j 4 3 & 4 œ œ œœ œ œœ 4 œœ œ œ œ œ 4 œ œ œ œ œ œ 4 œ œ œ œ œ 4 œ œ œœ œ œœ 4 œ œ J Jœ œ œ œ œ œ œ œ œ œ œ œ œ œ Jœ œ J laus - mòd - ra - kar if - rå aust, i bleik og her - ja ut - glødd haust og skil alt daudt frå gro hel - sin - gar frå di - ne hav. Lys leng-sla ut, ber sor - gi av, og stem meg med din ster œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? # 4 œ œ œ œ 3 œ œ œ œ 4 œ œ œ œ œ 3 œ œ œ œ 4 œ œ œ œ 3 #4 4 4 4 œ 4 4 ? # 4 3 4 3 4 3 ¢ #4 4 j 4 ˙ . œ 4 j 4 4 ˙ . œ œ œ . œ œ œ œ . œ œ œ ˙ . œ œ œ ˙ . œ œ œ . ˙ . œ œ œ . œ œ œ œ œ œ ˙ . œ œ ALL RIGHTS RESERVED. This publication contains material protected under © 2016 RAVEN MUSIC EDITIONS International and Federal Copyright Laws and Treaties. Any unauthorized reprint or use of this material is prohibited. No part of this publication may be reproduced or Transcription: Mark Deeks transmitted in any form or by any means, electronic or mechanical, including R 1604 photocopying, recording, or by any information storage and retrieval system without Editor: Martin Romberg e xpress written permission from the author/publisher. 4 16 E‹11 B‹ # 3 j 4 3 4 3 4 & #4 j œ œ œ œ 4 ww 4 ∑ 4 ∑ 4 ∑ 4 œJœ J œ - ført liv - ke song 3 4 Spoken (free rythm) 3 Œ 4 Œ 3 4 ÷ 4 ∑ 4 V V V V 4 V V 4 V V V 4 V V V 4 1. Kom storm, og alt det rot - ne riv! Kom, laus-mòd ra - kar i-frå aust, 2. Fjor - ga - malt strå so skrintog bleikt i vin - glen haust - blåst er eg, kved œ œ œ Clean electric guitar ? # 3 œ œ œ 4 3 4 3 j j 4 #4 & 4 œ œ 4 j j 4 œ œ œ œ 4 œ œ œ œ 4 œ œ œ œ œ œ œ œ œ œ ? # 3 4 3 4 3 4 ¢ #4 . j 4 w 4 ˙ . 4 w 4 ˙ . 4 œ œ œ œ w ˙ . w ˙ . œ . œ œ œ ® Female lead vocal (improvise when repeated) 21 B‹/F© F©‹ B‹/F© ##4 ∑ 3 ∑ 4 ∑ 3 ∑ 4 3 4 & 4 4 4 4 & 4 œ ˙ . 4 ˙ . 4 4 Œ 3 Œ 4 Œ 3 4Duh å 3 4 ÷ 4 V V V 4 V V 4 V V V 4 V V V 4 ∑ 4 ∑ 4 i bleik og her ja ut - glødd haust og skil alt daudt frå gro -ført liv ##4 um alt som var og er3 kje med, 4 mitt liv er skøyrt, 3 mjitt mælje veikt.4 3 4 & 4 œ œ 4 j j 4 œ œ œ œ 4 œ œ œ œ œ 4 œ œ 4 j j 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? # 4 3 4 3 4 3 4 ¢ #4 w 4 ˙ . 4 w 4 ˙ . 4 4 4 œ œ w ˙ . w ˙ . œ œ œ œ œ œ œ œ œ œ œ œ ® 27 F©7(“4) B‹/F© B‹/F© F©‹ B‹/F© F©7(“4) # 4 3 4 3 3 4 3 & #4 4 Œ 4 j 4 4 4 œ œ œ ˙ ˙ œ œ œ œ œ œ œ ˙ . w i da da da da i e ##4 3 j j 4 3 4 3 & 4 œ œ œ œ 4 œ œ œ œ 4 œ œ 4 j j 4 œ œ œ œ 4 œ œ œ œ œ œ œ œ œ œ œ ? # 4 3 4 3 4 3 ¢ #4 4 4 4 4 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ® 32 B‹9 B‹ A/B # 3 4 Male vocals 3 j j 4 3 & #4 Œ . 4 ‰ j œ 4 œ œœ œ œ 4 ‰ j 4 œ œ œ œ œ œ œ Jœ Jœ œ œ œ œ œ œ œ œ ˙ Jœ œ œ Jœ œ œ œ Stem meg til ar- beid, stem meg til dåd fyll meg med kraft og ål - # j Distorted electric guitars & # 3 j œ œ .
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