Metro Parent

Total Page:16

File Type:pdf, Size:1020Kb

Metro Parent FREE NOVEMBER 2011 Could You Be a Foster Parent? Why You Need a Will Got (Breast) Holiday Milk? Gift Guide The 411 on Milk Banks Sisters Amber, Rose and Donna are currently in foster care. contents This Month in Metro Parent This Month on the Web: Serving the Families of the Portland Metropolitan Area Exclusively on Metro-Parent.com: Metro Parent Join our Holiday Giving Campaign! Metro Parent is P.O. Box 13660 again matching readers’ donations to JOIN – to enable a Portland, OR 97213-0660 local homeless family to get a new start – and to Mercy Phone: 503-460-2774; Fax: 503-331-3445 Corps – to help those suffering in the Horn of Africa. Publisher Read the details on page 8 – and then visit Metro- Martin Griffy, 503-460-2774 Parent.com to make a difference! [email protected] Enter to win a BIG basket of great baby items – Editor valued at over $400! Visit Metro-Parent.com/contest to Marie Sherlock, 503-460-2774 enter. Contest ends Nov. 30. [email protected] Read a Viewpoint column by Colleen Hermann-Fran- Managing Editor Emily Puro zen, of the American Lung Association of the Mountain [email protected] Pacific. Hermann-Franzen explains why and how to protect your children by creating a “smoke-free zone” in Calendar Editor your vehicle. Teresa Carson [email protected] Stay informed and connected all month long! Family Fun Editor • Sign up for our e-newsletter Sarah Pagliasotti • Follow “Metro_Parent” on TWITTER Contributing Writers • Become a fan of “Metro Parent (Portland, OR)” on Melissa Favara, Anne Laufe, Julia Silverman FACEBOOK Advertising Account Executives Amber (age 15), Rose (12) and Donna (11) are an amazing and resilient Westside/National/Outside Metro Area sibling group eager to find the security of a loving family. If you would like Debbie Dille, 503-997-4044; fax: 503-352-4373 more information on these children, contact Angela Dindia at 503-542- [email protected] 2349 or [email protected]. Departments Eastside/Vancouver/Washington Ali King, 503-331-8184; 360-695-0455 Editor’s Note .......................................................6 fax: 503-331-3445 Could You Be a Foster Parent? ................. 12 It’s Better to Give … [email protected] Becoming a foster parent could be the most challenging Design & Production Susan Bard Parent Postings .................................................8 and the most rewarding experience of your life. Find out For distribution issues, what makes a good foster parent, and how to determine Announcements, community events, e-mail us at [email protected] if you and your family are ready to change a child’s life – fundraisers and other useful information and your own. For calendar submissions, Family Fare .................................................... 32 e-mail us at [email protected] Old Wives’ Tales To subscribe to Metro Parent, e-mail us at: [email protected]. Why You Need a Will .................................. 23 Going Places with Ramona ...................... 34 A one-year subscription is $25. Are you among the 69 percent (!) of Americans with Becoming a School Parent Metro Parent is published monthly by children under age 18 who haven’t yet drawn up a will? Metro Parent Publishing, Inc. and is copyright Then you’ll want to read this article detailing the reasons Angels Among Us ......................................... 35 2011 Metro Parent Publishing, Inc. All rights why all parents of minor children need to take the time to reserved. Reproduction in whole or in part The Children’s Institute without written permission is prohibited. ensure that their wishes are carried out if the unthinkable Metro Parent is distributed free of charge happens. November Family Calendar throughout the Portland, Oregon metropolitan In the Spotlight ............................................... 36 area. Metro Parent reserves the right to refuse Got (Breast) Milk? ......................................... 26 Family Favorite .............................................. 36 advertising for any reason. Distribution of this Family Calendar ............................................ publication does not constitute an endorse- The 411 on Donating to Milk Banks 38 ment of the products or services advertised We all know “breast is best,” but what happens when herein. a mother can’t supply her infant – especially a medically Advertising Sections Metro Parent does not discriminate on the fragile or pre-term infant – with her own milk? For an Holiday Gift Guide .............................19-22 basis of race, color, national origin, religion, increasing number of local families, donated breastmilk is Classifieds ..........................................................47 sex or sexual orientation. Although every effort is taken to ensure the the answer, with at least eight drop sites in the Portland- Advertisers Index ...........................................47 Vancouver metro area and a regional milk bank in the accuracy of published material, Metro Parent Parties .................................................................47 Publishing Inc. and its agents and employees works. cannot be held responsible for the use or mis- use of any information contained herein. The contents of Metro Parent and its Web site are for informational purposes only and are not intended to be a substitute for professional advice or treatment. 4 METRO PARENT • metro-parent.com • NOVEMBER 2011 Specializing in conservative & surgical management G of urinary incontinence & childbirth pelvic floor injury. METRO PARENT • metro-parent.com • NOVEMBER 2011 5 editor’s note It’s Better to Give … As I edited this month’s issue, it occurred to me and southwest Washington topped one million as that, although the winter holiday season is upon growing levels of long-term unemployment forced us, we haven’t included an article with a holiday more and more people to fall into poverty and to theme. Then I took a closer look and thought, “Or seek emergency food.” And a recent article in The have we?” Oregonian described a dramatic increase in student After all, when most of us think of the holi- homelessness in the Portland metro area (data days, we think at least in part about charitable giv- included Oregon cities only), from 8,143 in 2004 ing. We take time from our busy festive schedules to 20,545 in 2011, including over 1,500 students in to consider our neighbors in need and do what Beaverton and over 1,200 in Portland alone! we can to make the world a better place. When I These numbers are daunting, but it’s important thought about it that way, I realized two of our to remember that the numbers represent people – features this month explore the theme of giving, people we see every day in our schools and in our albeit from two very different vantage points. neighborhoods — and to remember that there are In Could You Be a Foster Parent? (beginning countless ways we can make a difference in their on page 12), we explore what it takes to open your lives every day. Check with your child’s school home and your heart to a foster child, one of the to find out about programs directly benefiting grandest gestures of giving one can imagine. In students in your own community, or visit hand- Got (Breast) Milk? (beginning on page 26), we sonportland.org to find volunteer opportunities offer a glimpse into the increasing popularity of around the area. And if you want to get involved donating breastmilk, typically for medically fragile in something larger, many organizations – includ- infants whose mothers can’t provide the breastmilk ing Children First for Oregon (cffo.org), Family their babies need, a simpler but still remarkably Forward Oregon (familyforwardoregon.org), and generous and valuable way to give. So while we The Mother PAC (motherpac.org) – are working haven’t specifically covered the winter holidays in to enact systemic change, including more family- this issue, I think we’ve provided an apt introduc- friendly legislation, in Oregon and beyond. Metro tion to a season focused on giving. Parent’s Holiday Giving Campaign (see page 8) is This year in particular, there’s much we can another way to make a difference. do to help, especially when it comes to alleviat- The focus on helping others is most prominent ing poverty and homelessness in our community. during the winter holidays, but there’s work to be According to Map the Meal Gap: Child Food done year round. What does your family do to help Insecurity 2011, a report by Feeding America, a others in your community? network of over 200 food banks and the largest How are you working to make hunger-relief charity in the U.S., Oregon has the the world a better place? second highest rate of child food insecurity (a.k.a. hunger) in the nation. At 29.2 percent, we’re sur- passed only by Washington, DC. The Oregon Food Bank recently reported, “For the first time ever, Emily Puro, Managing Editor [email protected] distribution of emergency food boxes in Oregon PHOTO BY STUDIO ESS 6 METRO PARENT • metro-parent.com • NOVEMBER 2011 parent postings Celebrate National LGBTQ Families, Financing an Adoption Month Adoption and more. Free. Nov. 6, 11:30 am to 4 pm. Legacy At least two local events will Meridian Park Medical Center, celebrate adoption this month, 19300 SW 65th Ave., Tualatin. both providing a wealth of re- adoptionmosaic.org. sources for adoptive families and those interested in learning more • Oregon Celebrates Adoption – about adoption: Nov. 19. Many of Oregon’s fos- • Coalition of Oregon Adoption ter care adoption agencies and Agencies Adoption Fair – advocates are gathering for this Nov. 6. Meet representatives fun, free and informative fam- from local adoption agencies ily event to celebrate the joys of adoption. Whether you’ve and find out what it takes to SYSTEM RTESY OF LEGACY HEALTH U become an adoptive parent in already adopted a child from foster care or you’re exploring Oregon and southwest Washing- PHOTO CO ton at the area’s largest adop- adoption for the first time, join the fun – including face paint- foster care adoption.
Recommended publications
  • Joséphine Magnard Tim Burton's Charlie and the Chocolate Factory
    Joséphine Magnard Tim Burton’s Charlie and the Chocolate Factory: A Fairy Tale between Tradition and Subversion ---------------------------------------------------------------------------------------------------------------------------------------------- MAGNARD Joséphine. Tim Burton’s Charlie and the Chocolate Factory: A Fairy Tale between Tradition and Subversion, sous la direction de Mehdi Achouche. - Lyon : Université Jean Moulin (Lyon 3), 2018. Mémoire soutenu le 18/06/2019. ---------------------------------------------------------------------------------------------------------------------------------------------- Document diffusé sous le contrat Creative Commons « Paternité – pas d’utilisation commerciale - pas de modification » : vous êtes libre de le reproduire, de le distribuer et de le communiquer au public à condition d’en mentionner le nom de l’auteur et de ne pas le modifier, le transformer, l’adapter ni l’utiliser à des fins commerciales. Master 2 Recherche Etudes Anglophones Tim Burton’s Charlie and the Chocolate Factory: A Fairy Tale between Tradition and Subversion A dissertation presented by Joséphine Magnard Year 2017-2018 Under the supervision of Mehdi Achouche, Senior Lecturer ABSTRACT The aim of this Master’s dissertation is to study to what extent Tim Burton plays with the codes of the fairy tale genre in his adaptation of Roald Dahl’s children’s book Charlie and the Chocolate Factory (1964). To that purpose, the characteristics of the fairy tale genre will be treated with a specific focus on morality. The analysis of specific themes that are part and parcel of the genre such as childhood, family and home will show that Tim Burton’s take on the tale challenges the fairy tale codes, providing its viewers with a more Tim Burtonesque, subversive approach where things are not as definable as they might seem.
    [Show full text]
  • Deconstructing Willy Wonka's Chocolate Factory: Race, Labor
    Chryl Corbin Deconstructing the Oompa-Loompas Deconstructing Willy Wonka’s Chocolate Factory: Race, Labor, and the Changing Depictions of the Oompa-Loompas Chryl Corbin Mentor: Leigh Raiford, Ph.D. Department of African American Studies Abstract In his 1964 book Charlie and the Chocolate Factory Roald Dahl de- picts the iconic Oompa-Loompas as A!ican Pygmy people. Yet, in 1971 Mel Stuart’s "lm Willy Wonka and the Chocolate Factory the Oompa- Loompas are portrayed as little people with orange skin and green hair. In Dahl’s 1973 revision of this text he depicts the Oompa-Loompas as white. Finally, in the "lm Charlie and the Chocolate Factory (2005) Tim Burton portrays the Oompa-Loompas as little brown skin people. #is research traces the changing depictions of the Oompa-Loompas throughout the written and "lm text of the Charlie and the Chocolate Factory narra- tive while questioning the power dynamics between Willy Wonka and the Oompa-Loompas characters. #is study mo$es beyond a traditional "lm analysis by comparing and cross analyzing the narratives !om the "lms to the original written texts and places them within their political and his- torical context. What is revealed is that the political and historical context in which these texts were produced not only a%ects the narrative but also the visual depictions of the Oompa-Loompas. !e Berkeley McNair Research Journal 47 Chryl Corbin Deconstructing the Oompa-Loompas Introduction In 1964 British author, Roald Dahl, published the !rst Charlie and the Chocolate Factory book in which the Oompa-Loompas are depicted as black Pygmy people from Africa.
    [Show full text]
  • Concert Introductions
    CINEMA IN THE PARK DOLLAR BANK CINEMA IN THE PARK Schenley Park, Flagstaff Hill Sundays and Wednesdays, June 8 – August 31 dusk June 8 ......................................................... Here Comes the Boom (PG) June 11 ....................................................... Man of Steel (PG-13) June 15 ........................................................ The Little Mermaid (G) June 18 ........................................................ Iron Man 3 (PG-13) June 22 ....................................................... Monsters University (G) June 25 ........................................................ Gravity (PG-13) June 29 ........................................................ E.T. the Extra-Terrestrial (PG) July 2 ........................................................... Last Vegas (PG-13) July 6 ........................................................... Space Jam (PG) July 9 ........................................................... Thor: The Dark World (PG-13) July 13 ........................................................ Despicable Me 2 (PG) July 16 ......................................................... Saving Mr. Banks (PG-13) July 20 ........................................................ Mary Poppins (not rated) July 23 ......................................................... The Hunger Games: Catching Fire (PG-13) July 27 ......................................................... Big Miracle (PG) July 30 ......................................................... 42 (PG-13) August 3......................................................
    [Show full text]
  • Booking the Trend! Champions
    NEWSLETTER INSIDE THIS ISSUE: I S S U E 3 7 EASTER 2018 Year 7 Girls Football Booking The Trend! Champions BBC School News Report Adswood Primary Students’ Science Visit S tudents and staff at Mr Clarke organised a student costume category Stockport Academy went all golden ticket competition for his Mad Hatter fancy Principals’ 2 with students having the dress. Both winners Message out for World Book Day this year—and were determined chance to win a new book received new Kindles! Hegarty 3 following a frantic search of not to let the bad weather Head of English Mrs Upton Maths Visit his bookshelves! spoil the fun! said: “The atmosphere Students also received book around school has been World Book 4 In what is now a time- tokens, while teachers absolutely brilliant and it Day Photos honoured tradition, everyone could dress up as shared what their favourite has been great to see the Sport Relief titles are during assemblies. effort that everyone has 5 their favourite literary gone to in celebrating World Performing character, with some At lunch, the judging of the 7 Book Day. Arts excellent efforts making student and staff costume Showcase their way into school. Have competition took place, “What is really encouraging a look through the photo with Ms Keough winning is that students are now Young Carers 8 gallery on Page 4 to see first place among the staff borrowing more books from Day some of the costumes. for her Willy Wonka the library than ever before Steel Band 10 costume (she managed to and they clearly can’t get As you might expect, the convince her entire GCSE enough of reading.
    [Show full text]
  • Junior Claus
    Scene 1: Santa’s Workshop Scene 8: Back to the Workshop, In the Sky *Overture/Dawn in the Workshop/The Great North Pole *Saving Christmas *All Thanks to Me *Humbug ----------INTERMISSION--------------------------- Scene 2: The Snow-Covered Plains *A Different Point of View *Making Make Believe *Making Make Believe Reprise Scene 9: A Child’s Bedroom *Taylor’s Song Scene 3: The Workshop *Won’t Be a Christmas This Year Scene 10: Back to the Rooftop Scene 4: Back to Junior and Pengy Scene 11: Back to the Workshop *Grumpo’s Commercial Scene 5: The Workshop *The New North Pole Scene 12: The Workshop *Finale Scene 6: Back to the Snow-Covered Plains *Curtain Call Scene 7: Back to Chipper and Pengy Director: Evan Hamlin Production Board: Barbara Bohley, Jenny Bennett Artistic Director: Robin Byouk Actor Coordinator: Lucy Smith Choreographer: Lily Smith Sound Board Operator: Ron Barredo Music Director: Lexi Howard Mic Monitors: Ron Barredo, Jenny Bennett Stage Manager: Jessie Vinkemulder Music & Cues: Lexi Howard Asst. Director: Lauren Bennett Master Electrician: Greg Trykowski Set Design: Grace Restine & Emily Clegg Lighting Designer: Greg Trykowski Set Construction/Paint: a lot of dedicated parents Asst. Lighting Designer: Erin Poinsette Prop Artists: Lauren and Jenny Bennett Light Board Operator: Erin Poinsette Costume Design: Jenny Bennett Run Crew: Jessie Vinkemulder, Lauren Bennett, Emma McDonald Costume Crew: Eena Pettaway, Cassie Yarborough, Linda Kerr Volunteer Coordinator: Michele Turner And to all the parents, siblings, and friends not
    [Show full text]
  • Download a PDF of Volume 3
    UR FORBES & FIFTH The University of Pittsburgh Dietrich School of Arts and Sciences Undergraduate Magazine Vol. 3 Spring 2013 H SCHOOL OF A RIC RTS ET A DI ND E S H C T IE N C E S . R . .U O - OF CH FI AR CE SE OF RE FUNDERGRADUATE F Forbes & Fifth Offce of Undergraduate Research, Scholarship, and Creative Activity 209 Thackeray Hall 139 University Place Pittsburgh, PA 15260 Phone: 412-624-6828 Email: [email protected] Forbes & Fifth is published in April and December at: The Book Center 4000 Fifth Avenue, Pittsburgh, PA 15213. Copyright © 2013 by Forbes & Fifth Forbes & Fifth is a scholarly publication of the University of Pittsburgh. Authors hold the copyrights to their individual articles published by Forbes & Fifth. Copyright © 2013 by the University of Pittsburgh Acknowledgements Editor-in-Chief Emily Durham Editors Lindsay Bayne Terence O’Toole Katelyn Blough Patrick Rice Carly Dunning Rachel Stachelrodt Megan North Jacob Very The editors extend their appreciation to the following for their support: Julia Betts—Forbes & Fifth Cover Artist Dietrich School of Arts and Sciences Chris Cassady—Forbes & Fifth Illustrator Dietrich School of Arts and Sciences N. John Cooper, PhD—Bettye J. and Ralph E. Bailey Dean Dietrich School of Arts and Sciences Hali Felt—Instructor, Department of English Dietrich School of Arts and Sciences Jean Grace, PhD—Director Public and Professional Writing Program Laura Hillock, Esquire—Associate General Counsel Chong Hu—Forbes & Fifth Designer and Copy Editor Dietrich School of Arts and Sciences Juan J. Manfredi,
    [Show full text]
  • Edward, Charlie, Willy, Alice : La Quête Du Héros Burtonien
    UNIVERSITÉ DU QUÉBEC À MONTRÉAL EDWARD, CHARLIE, WILLY, ALICE : LA QUÊTE DU HÉROS BURTONIEN MÉMOIRE PRÉSENTÉ COMME EXIGENCE PARTIELLE DE LA MAÎTRISE EN COMMUNICATION PAR JÉRÔME BEN TOULA OCTOBRE 201 3 UNIVERSITÉ OU QUÉBEC À MONTRÉAL Service des bibliothèques · Ayertfssement La diffusion de ce mémoire sa fait dans le' respect dea droits da son auteur, qui a signé la formulaire Autorisation de repfoduire et de diffuser un travail de recherche de cycles c; upt1rleurs (SDU-522- Rév.01-2006). Cette autorisation stipule que <<conformément à l'article 11 du Règlement no 8 dea études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation at de . publication da la totalité ou d'une partie Importante de [son] travail de recherche pour des fins pédagogiques at non commerciales. Plus précisément, [l'auteur) autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de. [son) travail de rechercha à dea flns non commerciales sur quelque support que ca soit, y compris l'Internet Cette licence at cette autorisation n'entrainant pas une renonciation da [la) part (de l'auteur) à [ses) droits moraux ni à [sas) droits da propriété intellectuelle. Sauf ententé contraire, [l'auteur) conserva la liberté de diffuser et da commercialiser ou non ce travail dont [il] possède un exemplaire.» REMERCIEMENTS Je tiens à remercier dans un prenùer temps ma directrice de mémoire, Mme Catherine Saouter, professeur à l'École Des Médias de l'UQAM. Elle a su me conseiller et m' orienter dans mes recherches et ma rédaction.
    [Show full text]
  • Fattitude the Movie: Theory and Praxis of Creating a Documentary
    Fattitude The Movie: Theory and Praxis of Creating a Documentary that Examines Fat Representation and Fat Social Justice by Lindsey Averill A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL August 2017 Copyright by Lindsey Averill 2017 ii Acknowledgments On occasion, writing a dissertation feels like being lost in a desert sand storm. You’re alone; it’s ominous; the stakes are high and there is so much debris swirling around you that you can’t see the way through to where you want to be. Luckily, in this metaphoric desert scenario, you’re not trudging along, eyes down with no defense against the elements. In the desert storm that is a dissertation, you are lucky to be equipped with an intellectual and emotional support team who make weathering the storm possible. My journey to this moment was long, and those who picked me up and encouraged me to forge ahead were plentiful. There was of course my diligent, patient, and annoyingly intelligent dissertation committee: Dr. Jane Caputi, who threw open the doors of feminist theory for me, directed me towards my first fat studies paper and worked tirelessly to coach me on refining each and every chapter you see here; Dr. Taylor Hagood, who agreed to work with me even though we’d never met and took on my research like it was his own; Dr. Lisa Swanstrom, who makes me laugh while pushing me to think deeper and focus my theoretical ideas; and finally, A.
    [Show full text]
  • MODERN LETTERS Te P¯U Tahi Tuhi Auaha O Te Ao
    INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯u tahi Tuhi Auaha o te Ao Newsletter – 8 December 2006 This is the 99th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected] 1. Rugby script wins Embassy Trust Prize............................................................. 1 2. More scripting success......................................................................................... 2 3. Writing workshops (1): Short Fiction................................................................. 2 4. Writing workshops (2): Creative Non­Fiction.................................................... 2 5. Other lives............................................................................................................ 3 6. The loss of Oz Lit?............................................................................................... 3 7. The next half dozen.............................................................................................. 4 8. ‘Tis the season to be jolly (1) ............................................................................... 4 9. ‘Tis the season to be jolly (2) ............................................................................... 5 10. But wait, there’s more ....................................................................................... 5 11. Last call for Evil Advice!..................................................................................
    [Show full text]
  • 'Big Lebowski,' 'Willy Wonka' Among National Film Registry's Selections
    ‘Big Lebowski,’ ‘Willy Wonka’ Among National Film Registry’s Selecti... https://variety.com/2014/film/news/big-lebowski-willy-wonka-among-na... (https://variety.com/gallery/national-film-registry-library-of-congress-2014/#!&ref= /2014/film/news/big-lebowski-willy-wonka-among-national-film-registrys- 25-selections-1201380203/pos=) (https://variety.com/gallery/national- film-registry-library-of-congress-2014/#!1/bert-williams- lime-kiln-club-field-day-1913&ref=/2014/film/news/big- lebowski-willy-wonka-among-national-film-registrys- 25-selections-1201380203/pos=) 1 of 10 12/17/2014 2:07 PM ‘Big Lebowski,’ ‘Willy Wonka’ Among National Film Registry’s Selecti... https://variety.com/2014/film/news/big-lebowski-willy-wonka-among-na... (https://variety.com/gallery/national- film-registry-library-of-congress-2014/#!2/the-big-lebowski- 1998&ref=/2014/film/news/big-lebowski-willy-wonka- among-national-film-registrys-25-selections-1201380203 /pos=) DECEMBER 17, 2014 | 12:01AM PT “The Big Lebowski (https://variety.com/t/the-big-lebowski/),” “Ferris Bueller’s Day Off,” “Rosemary’s Baby,” “Saving Private Ryan” and “Willy Wonka and the Chocolate Factory (https://variety.com/t/willy-wonka-and-the-chocolate-factory/)” are among the 25 films saluted by the National Film Registry (https://variety.com /t/national-film-registry/) of the Library of Congress (https://variety.com/t/library- of-congress/) in the organization’s annual selection of notable works. The org says selection will help ensure preservation of these films. This year’s choices bring the registry total to 650, a small fraction of the Library’s vast collection of 1.3 million items.
    [Show full text]
  • Remake: Eficacia Del Cine Comercial La Creatividad Y El Dinero
    PROYECTO DE GRADUACION Trabajo Final de Grado Remake: eficacia del cine comercial La creatividad y el dinero Sara Herrera Cuerpo B del PG 23/07/2013 Cine y TV Ensayo Historia y tendencias 0 Indice Indice de figuras 3 Introducción 4 Antecedentes 8 Capítulo 1: El cine comercial 13-25 1.1. Reseña histórica 14-16 1.2. El cine comercial 16-17 1.2.1. Los estudios 17-18 1.2.2. Hollywood 19-20 1.2.3. El lenguaje cinematográfico 20-24 1.2.3.1. La puesta en escena 20-22 1.2.3.2. El montaje 22-23 1.2.3.3. El cine sonoro 23-24 1.3. Los géneros 24-25 Capítulo 2: El Remake 26-41 2.1. Como se entiende y lo que es 26-30 2.2. Tipos de Remake 30-52 2.2.1. Una historia dos filmes 32-33 2.2.1.1. La Secuela 33-35 2.2.2. Una historia una renovación 35-41 2.2.2.1. La Precuela 35-37 2.2.2.2. El Spin-off 37-38 2.2.2.3. Diferentes formatos 38-39 2.2.2.4. Diferentes cortes 39-41 1 Capítulo 3: El espectador 42-54 3.1. Espectador de la historia original 44-45 3.1.1. El espectador y la percepción audiovisual 45-48 3.2. Espectador del Remake 48-50 3.2.1. Espectador por primera vez 50-54 Capítulo 4: Análisis de Remakes 55-78 4.1. El hombre que no quería a las mujeres 55-56 4.1.1.
    [Show full text]
  • Feb–Apr 2012
    SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY MAR 5 (7:00 & 9:00) MAR 7 & 8 (7:10 & 9:00) KIDS MATINEE SUN 1PM THE SEVENTH SEAL MAR 9 & 10 KIDS MATINEE SAT 1PM Director: Ingmar Bergman CRAZY WISDOM: THE LIFE AND TIMES (3:00 matinee, 7:00 & 10:00) PUSS IN BOOTS BABE Sweden, 1957, 96 min; Swedish with sub- titles; Blu-ray OF CHOGYAM TRUNGPA, RINPOCHE MAR 4 (3:00 matinee, 7:00 & 9:15) THE GIRL WITH “ ! EXTRAORDINARY!” –The Guardian ***** Director: Johanna Demetrakas DOLBY STEREO Canada/USA, 2011, 89 min; Blu-ray PEOPLE OF Ingmar Bergman’s masterpiece centres on a THE DRAGON meeting between a knight (Max Von Sydow) A FEATHER For most of us, the image of a Tibetan lama is that returning from the Crusades and Death (Bengt MAR 6 (7:10 & 9:00) TATTOO Director: Joel Heath Canada, 2011, 90 Ekerot). Cowled, pasty-faced and vaguely sar- of a serene monk with a shaven head; not that of Director: David Fincher USA, 2011, min; English Inuktitut with subtitles donic, Death is tricked into staying his scythe SON OF THE SUNSHINE a man with a modern haircut, dressed in an admi- 159 minutes; 18A ral’s uniform, smoking a cigar. Yet that was one of NOMINATED FOR 5 when Block challenges him to a game of chess. Director: Ryan Ward Cast: Rooney Mara, Daniel Craig, the many guises of Chogyam Trungpa Rinpoche, WINNER! Environmental Film Audience Award – Full of haunting, iconic images and a touch of Canada, 2009, 88 min; Blu-ray Christopher Plummer, Robin Wright, ACADEMY AWARDS CINEMAGIC MEMBERSHIP FEB–APR 2012 Vancouver International Film Festival hopeful humanity, The Seventh Seal is cinema the most memorable Tibetan teacher to leave his Stellan Skarsgard country in the 1950s after the Chinese occupation.
    [Show full text]