Feb–Apr 2012
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Kameo Team Founded in the Early Stages of the Pandemic, After a Brief Intermission, Hollywood Is Back in Business
Human Interest Lights, Camera, Testing! lex Ostebo did not spend her pan- demic binge-watching movies. In fact, when stay-at-home orders A brought film productions to a grind- ing halt in spring of 2020, the producer and founder of LA-based Creative Picnic thought she’d be back behind the camera soon enough. But as weeks turned to months, she wondered what productions would look like when they were finally able to return. Studios would sure- ly have to provide safeguards against the coro- navirus and of course, frequent testing. At the time though, no lab option was as fast and as flexible as a time-strapped film production would require. “Our entire industry,” she recalls, “is based on being together.” And that entire industry need- ed a solution. “Film sets are all about safety,” she says, so it seemed logical that testing would become es- sential. “The challenge was to get the right peo- ple and the right labs.” The Kameo Team Founded in the early stages of the pandemic, After a brief intermission, Hollywood is back in business. Some productions started filming again last summer, thanks to an LA start-up -- founded by a veteran producer -- that provides reliable, flexible covid testing for the entertainment industry. Ostebo launched Kameo specifically for the partner labs to ensure they would always meet production industry she knows so well. In fact, the industry’s time-sensitive needs for results. Kameo is a play on the word cameo, a short – They even hired out-of-work movie producers but meaningful -- guest appearance. -
BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation. -
A Study on Lisbeth Salander's Fear of Intimacy in Steig
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON LISBETH SALANDER’S FEAR OF INTIMACY IN STEIG LARSSON’S THE GIRL WITH THE DRAGON TATTOO A SARJANA PENDIDIKAN RESEARCH PAPER Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Fertunata Monica Darsono Student Number: 111214029 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Darsono, Fertunata Monica. (2018). A Study on Lisbeth Salander’s Fear of Intimacy in Stieg Larsson’s The Girl with the Dragon Tattoo. English Language Education Study Program, Department of Language and Arts Education, Faculty of Teachers Training and Education, Yogyakarta: Sanata Dharma University. Intimacy exists in human relationship. It happens between two individuals or more. However, intimacy is feared by some people. In literary works, fear of intimacy can be experienced by the character. This study discusses the fear of intimacy on Lisbeth Salander from a novel entitled The Girl with the Dragon Tattoo, written by Stieg Larsson. Lisbeth Salander, a pale, very skinny young woman who experts in internet hack culture but awkward in common social situation, is involved in a mystery disclosure. Salander traumatic experiences with other people result in her rejection towards relationship and human intimacy. The problem formulation is “How does Salander overcome her fear of intimacy?”. The objective of the study is to describe how Salander overcome her fear of intimacy using MacAdams’ theory. -
Conquering the Colon: the Adventure of Advanced Punctuation
Oregon State Bar Bulletin — APRIL 2010 April Issue The Legal Writer Conquering the Colon: The Adventures of Advanced Punctuation By Suzanne E. Rowe Perhaps the only punctuation mark more terrifying than the semicolon is the colon. Most writers avoid the colon for fear of misusing it. Most readers feel intimidated by the brave writer who dared try to master the colon’s nuances. When is a colon appropriate? How many spaces follow it? Does the word after a colon need to be capitalized? This article will bring you closer to conquering your fear of the colon. When to Use a Colon Colon usage varies from the exciting to the mundane. In the first two explanations below, think of the colon as the pause — or the drum roll — between an introduction and the exciting details. Picture someone on stage with an envelope saying, “And the winner is…!” The remaining explanations are more mundane, but perhaps easier. Lists One common use of a colon is to introduce a list. The nominees for best actress were impressive: Sandra Bullock, Helen Mirren, Carey Mulligan, Gabourey Sidibe and Meryl Streep. Be sure that the introductory sentence preceding the colon is truly a sentence. A colon would be incorrect in the following example. The nominees were Sandra Bullock, Helen Mirren, Carey Mulligan, Gabourey Sidibe and Meryl Streep. Independent clauses In the use that inspires the most fear, a colon separates two independent clauses when the second clause expands or illustrates the idea in the first clause. (Remember that an independent clause is just a complete sentence.) The drum roll — the colon — comes after the first sentence. -
Sherlock Holmes
sunday monday tuesday wednesday thursday friday saturday KIDS MATINEE Sun 1:00! FEB 23 (7:00 & 9:00) FEB 24 & 25 (7:00 & 9:00) FEB 26 & 27 (3:00 & 7:00 & 9:15) KIDS MATINEE Sat 1:00! UP CLOUDY WITH A CHANCE OF MEATBALLS THE HURT LOCKER THE DAMNED PRECIOUS FEB 21 (3:00 & 7:00) Director: Kathryn Bigelow (USA, 2009, 131 mins; DVD, 14A) Based on the novel ‘Push’ by Sapphire FEB 22 (7:00 only) Cast: Jeremy Renner Anthony Mackie Brian Geraghty Ralph UNITED Director: Lee Daniels Fiennes Guy Pearce . (USA, 2009, 111 min; 14A) THE IMAGINARIUM OF “AN INSTANT CLASSIC!” –Wall Street Journal Director: Tom Hooper (UK, 2009, 98 min; PG) Cast: Michael Sheen, Cast: Gabourey Sidibe, Paula Patton, Mo’Nique, Mariah Timothy Spall, Colm Meaney, Jim Broadbent, Stephen Graham, Carey, Sherri Shepherd, and Lenny Kravitz “ENTERS THE PANTEHON and Peter McDonald DOCTOR PARNASSUS OF GREAT AMERICAN WAR BEST SUPPORTING ACTRESS MO’NIQUE FILMS!” –San Francisco “ONE OF THE BEST FILMS OF THE GENRE!” –Golden Globes, Screen Actors Guild Director: Terry Gilliam (UK/Canada/France, 2009, 123 min; PG) –San Francisco Chronicle Cast: Heath Ledger, Christopher Plummer, Tom Waits, Chronicle ####! The One of the most telling moments of this shockingly beautiful Lily Cole, Johnny Depp, Colin Farrell, and Jude Law Hurt Locker is about a bomb Can viewers who don’t know or care much about soccer be convinced film comes toward the end—the heroine glances at a mirror squad in present-day Iraq, to see Damned United? Those who give it a whirl will discover a and sees herself. -
Hottest Couple Downey
DeceMber 2011 | VOLUME 12 | NUMBER 12 Inside Steven Spielberg peter JackSon viggo MortenSen DaviD cronenberg Michael FaSSbenDer Holidays Hottest’ Couple , S Downey piring S ea n iD law i t F talk sHerloCk 26 i PUBLICATIONS MAIL AGREEMENT NO. 41619533 g page 45! SnapS: blake lively, hugh JackMan, Scarlett Johansson, orlanDo blooM COntents dECEMBEr 2011 | Vol 12 | nº12 COVer STOrY 38 JOllY GOOd time Sherlock Holmes stars Robert Downey Jr. and Jude Law had a blast making the first film, so it’s no surprise when they reveal during an on-set interview for Sherlock Holmes: A Game of Shadows that the good times continued with the sequel By Mark Pilkington reGulars 6 Editor’s notE 8 SnaPs 10 In BriEf 14 Spotlight Holiday 16 All drEssEd UP 18 In thEatrEs 54 Casting Call Gift 56 RetUrn EngagEMEnt Guide 58 At hoME GREaT lasT-Minu TE 62 Finally... GoodiEs! Page 45 features 24 analYze this 28 What a shame 32 dream team 36 merYl streep X 5 Viggo Mortensen plays Michael Fassbender bares all director Steven Spielberg and in honour of Meryl Streep’s freud in David Cronenberg’s playing a sex addict in Shame, producer Peter Jackson on turn as Margaret thatcher A Dangerous Method. find but he admits it isn’t the first being drawn together to bring in The Iron Lady, we present out why the pair was psyched time he’s gone commando in a comic book hero to life in our five favourite streep to work together yet again front of the camera The Adventures of Tintin transformations By ingrid randoja By MathiEU ChantElois By Mark Pilkington By Marni WEisz 4 | CINEPLEX MAGAZINE | DECEMBER 2011 EDITOR’S NOTE PUBLISHER SALAH BACHIR EDITOR MARNI WEISZ DEPUTY EDITOR INGRID RANDOJA ART DIRECTOR TREVOR STEWART ASSISTANT ART DIRECTOR STEVIE SHIPMAN DIRECTOR, PRODUCTION SHEILA GREGORY CONTRIBUTORS MATHIEU CHANTELOIS, MARK PILKINGTON ADVERTISING SALES FOR CINEPLEX MAGAZINE AND LE MAGAZINE CINEPLEX IS HANDLED BY CINEPLEX MEDIA. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Joséphine Magnard Tim Burton's Charlie and the Chocolate Factory
Joséphine Magnard Tim Burton’s Charlie and the Chocolate Factory: A Fairy Tale between Tradition and Subversion ---------------------------------------------------------------------------------------------------------------------------------------------- MAGNARD Joséphine. Tim Burton’s Charlie and the Chocolate Factory: A Fairy Tale between Tradition and Subversion, sous la direction de Mehdi Achouche. - Lyon : Université Jean Moulin (Lyon 3), 2018. Mémoire soutenu le 18/06/2019. ---------------------------------------------------------------------------------------------------------------------------------------------- Document diffusé sous le contrat Creative Commons « Paternité – pas d’utilisation commerciale - pas de modification » : vous êtes libre de le reproduire, de le distribuer et de le communiquer au public à condition d’en mentionner le nom de l’auteur et de ne pas le modifier, le transformer, l’adapter ni l’utiliser à des fins commerciales. Master 2 Recherche Etudes Anglophones Tim Burton’s Charlie and the Chocolate Factory: A Fairy Tale between Tradition and Subversion A dissertation presented by Joséphine Magnard Year 2017-2018 Under the supervision of Mehdi Achouche, Senior Lecturer ABSTRACT The aim of this Master’s dissertation is to study to what extent Tim Burton plays with the codes of the fairy tale genre in his adaptation of Roald Dahl’s children’s book Charlie and the Chocolate Factory (1964). To that purpose, the characteristics of the fairy tale genre will be treated with a specific focus on morality. The analysis of specific themes that are part and parcel of the genre such as childhood, family and home will show that Tim Burton’s take on the tale challenges the fairy tale codes, providing its viewers with a more Tim Burtonesque, subversive approach where things are not as definable as they might seem. -
Masteroppgave FIF3009 Høst 2011 Nikolaisen
Forord Jeg ønsker å takke alle som har hjulpet meg med denne oppgaven. Først og fremst vil jeg takke min veileder Tore Helseth. Videre vil jeg rekke en stor takk til Nils Klevjer Aas som har bidratt med faglige vurderinger og alltid bistått med hjelp når jeg har trengt det. Den samme takken går til Jan Erik Holst som også har vært hjelpsom og bidratt med veiledning, i tillegg til å stille opp til intervju, hvor han med glede delte alle sine erfaainger. Jeg vil også rette en stor takk til produsent Finn Gjerdrum fra Paradox som også stilte opp til intervju i forbindelse med denne oppgaven. RAM fortjener også en takk, som gjennom å tildele meg masteroppgave-stipend ga meg mer tid og ro til å konsentrere meg om oppgaven. Truls skal også ha en stor takk for å ha designet oppgavens forside. Sist men ikke minst vil jeg takke Høgskolen i Lillehammer for fem fine år, med et godt og åpent lærermiljø og godt studentmiljø. Mine gode venner fra studiemiljøet fortjener også en takk for godt samhold og som sterke bidragsytere for min faglige motivasjon. Magnus Alexander Nikolaisen 1 Å lykkes i utlandet – suksessfaktorer på den internasjonale filmarena Innledende del 1. Innledning …………………………………………………………………. 5 1.1 Problemfelt ………………………………………………………………. 6 1.2 Fremgangsmåte og metode ……………………………………...……… 7 1.2.1 Kvalitative intervjuer……………………………………..………. 7 1.2.2 Teori, statistikk og rapporter……………………………………… 8 1.2.3 Avgrensning og utvalg……………………………………………. 9 1.3 Oppgavens sammensetning og struktur ………………………………... 11 2. Den internasjonale filmarena ………………………………..………… 13 2.1 Historikk – filmmarkedets utvikling …………………………………… 13 2.1.1 Europeisk proteksjonisme…………………………………………. 14 2.1.2 Filmfestivaler……………………………………………………… 16 2.2 Filmkulturelt dikotomi …………………………………………………. -
Marie Göranzon
Marie Göranzon ABOUT Birth 1942 Language Swedish, English Eyes Blue Hair Blonde FILM AND TV PRODUCTIONS 2020 Se upp för Jönssonligan (Feature) Dir: Tomas Alfredson. FLX 2020 Bröllop, begravning & dop (TV series) Dir: Colin Nutley. Sweetwater 2020 Orca (Feature) Dir: Josephine Bornebusch. Warner Bros. 2017 2060 (TV Movie) Dir: Henrik Hellström. SVT 2013 Allt faller (TV Series) Dir: Henrik Schyffert. TV4 2012 Blondie (Feature) Dir: Jesper Ganslandt. Fasad 2007 Beck - I Guds namn (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Det tysta skriket (TV Series) Dir: Harald Hamrell. Filmlance 2007 Beck - Den japanska shungamålningen (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Den svaga länken (TV Series) Dir: Harald Hamrell. Filmlance 2007 Hoppet (Feature) Dir: Petter Næss. Sonet Film 2006 Beck - Advokaten (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Gamen (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Flickan i jordkällaren (TV Series) Dir: Harald Hamrell. Filmlance 2005 Mun mot mun (Feature) Dir: Björn Runge. Sonet Film 2005 Den bästa av mödrar (Feature) Dir: Klaus Härö. Matila Röhr Productions 2004 Stenjäveln (Short) Dir: Jens Jonsson 2004 Dag och natt (Feature) Dir: Simon Staho. Zentropa 2003 Spaden (Short) Dir: Jens Jonsson 2003 Skenbart: En film om tåg (Feature) Dir: Peter Dalle. S/S Fladen 2002 Alla älskar Alice (Feature) Dir: Richard Hobert. Sonet Film 2002 Beck - Skarpt läge (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Pojken i glaskulan (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Annonsmannen (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Okänd avsändare (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Enslingen (TV Series) Dir: Kjell Sundvall. -
Deconstructing Willy Wonka's Chocolate Factory: Race, Labor
Chryl Corbin Deconstructing the Oompa-Loompas Deconstructing Willy Wonka’s Chocolate Factory: Race, Labor, and the Changing Depictions of the Oompa-Loompas Chryl Corbin Mentor: Leigh Raiford, Ph.D. Department of African American Studies Abstract In his 1964 book Charlie and the Chocolate Factory Roald Dahl de- picts the iconic Oompa-Loompas as A!ican Pygmy people. Yet, in 1971 Mel Stuart’s "lm Willy Wonka and the Chocolate Factory the Oompa- Loompas are portrayed as little people with orange skin and green hair. In Dahl’s 1973 revision of this text he depicts the Oompa-Loompas as white. Finally, in the "lm Charlie and the Chocolate Factory (2005) Tim Burton portrays the Oompa-Loompas as little brown skin people. #is research traces the changing depictions of the Oompa-Loompas throughout the written and "lm text of the Charlie and the Chocolate Factory narra- tive while questioning the power dynamics between Willy Wonka and the Oompa-Loompas characters. #is study mo$es beyond a traditional "lm analysis by comparing and cross analyzing the narratives !om the "lms to the original written texts and places them within their political and his- torical context. What is revealed is that the political and historical context in which these texts were produced not only a%ects the narrative but also the visual depictions of the Oompa-Loompas. !e Berkeley McNair Research Journal 47 Chryl Corbin Deconstructing the Oompa-Loompas Introduction In 1964 British author, Roald Dahl, published the !rst Charlie and the Chocolate Factory book in which the Oompa-Loompas are depicted as black Pygmy people from Africa. -
Setting Fires: Literary Women Blazing Trails for Contemporary Women Laura Salinas University of Rhode Island, [email protected]
University of Rhode Island DigitalCommons@URI Senior Honors Projects Honors Program at the University of Rhode Island 2015 Setting Fires: Literary Women Blazing Trails for Contemporary Women Laura Salinas University of Rhode Island, [email protected] Follow this and additional works at: http://digitalcommons.uri.edu/srhonorsprog Part of the Literature in English, Anglophone outside British Isles and North America Commons, Literature in English, North America Commons, Modern Literature Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Salinas, Laura, "Setting Fires: Literary Women Blazing Trails for Contemporary Women" (2015). Senior Honors Projects. Paper 428. http://digitalcommons.uri.edu/srhonorsprog/428http://digitalcommons.uri.edu/srhonorsprog/428 This Article is brought to you for free and open access by the Honors Program at the University of Rhode Island at DigitalCommons@URI. It has been accepted for inclusion in Senior Honors Projects by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Setting Fires: Literary Women Blazing Trails for Contemporary Women Laura Salinas May 11, 2015 2 Literature consistently provides an unapologetic and relentless commentary on society and societal standards. Authors bring to life relatable characters that become symbols and icons for readers because they embody the fierce prowess, determination and strength of a hero, in a time when society lacks individuals with the energetic force of a hero. Stieg Larsson’s Lisbeth Salander is a non-hetero-normative empowered female character that breaks the gender roles and stereotypes that are generally placed upon female characters and women in society.