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University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Choreographers and Yogis: Untwisting the Politics of Appropriation and Representation in U.S. Concert Dance A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Jennifer F Aubrecht September 2017 Dissertation Committee: Dr. Jacqueline Shea Murphy, Chairperson Dr. Anthea Kraut Dr. Amanda Lucia Copyright by Jennifer F Aubrecht 2017 The Dissertation of Jennifer F Aubrecht is approved: Committee Chairperson University of California, Riverside Acknowledgements I extend my gratitude to many people and organizations for their support throughout this process. First of all, my thanks to my committee: Jacqueline Shea Murphy, Anthea Kraut, and Amanda Lucia. Without your guidance and support, this work would never have matured. I am also deeply indebted to the faculty of the Dance Department at UC Riverside, including Linda Tomko, Priya Srinivasan, Jens Richard Giersdorf, Wendy Rogers, Imani Kai Johnson, visiting professor Ann Carlson, Joel Smith, José Reynoso, Taisha Paggett, and Luis Lara Malvacías. Their teaching and research modeled for me what it means to be a scholar and human of rigorous integrity and generosity. I am also grateful to the professors at my undergraduate institution, who opened my eyes to the exciting world of critical dance studies: Ananya Chatterjea, Diyah Larasati, Carl Flink, Toni Pierce-Sands, Maija Brown, and rest of U of MN dance department, thank you. I thank the faculty (especially Susan Manning, Janice Ross, and Rebekah Kowal) and participants in the 2015 Mellon Summer Seminar Dance Studies in/and the Humanities, who helped me begin to feel at home in our academic community. -
SWAMI YOGANANDA and the SELF-REALIZATION FELLOWSHIP a Successful Hindu Countermission to the West
STATEMENT DS213 SWAMI YOGANANDA AND THE SELF-REALIZATION FELLOWSHIP A Successful Hindu Countermission to the West by Elliot Miller The earliest Hindu missionaries to the West were arguably the most impressive. In 1893 Swami Vivekananda (1863 –1902), a young disciple of the celebrated Hindu “avatar” (manifestation of God) Sri Ramakrishna (1836 –1886), spoke at the World’s Parliament of Religions in Chicago and won an enthusiastic American following with his genteel manner and erudite presentation. Over the next few years, he inaugurated the first Eastern religious movement in America: the Vedanta Societies of various cities, independent of one another but under the spiritual leadership of the Ramakrishna Order in India. In 1920 a second Hindu missionary effort was launched in America when a comparably charismatic “neo -Vedanta” swami, Paramahansa Yogananda, was invited to speak at the International Congress of Religious Liberals in Boston, sponsored by the Unitarian Church. After the Congress, Yogananda lectured across the country, spellbinding audiences with his immense charm and powerful presence. In 1925 he established the headquarters for his Self -Realization Fellowship (SRF) in Los Angeles on the site of a former hotel atop Mount Washington. He was the first Eastern guru to take up permanent residence in the United States after creating a following here. NEO-VEDANTA: THE FORCE STRIKES BACK Neo-Vedanta arose partly as a countermissionary movement to Christianity in nineteenth -century India. Having lost a significant minority of Indians (especially among the outcast “Untouchables”) to Christianity under British rule, certain adherents of the ancient Advaita Vedanta school of Hinduism retooled their religion to better compete with Christianity for the s ouls not only of Easterners, but of Westerners as well. -
How Chinmaya Mission Trains Leaders
e d u cati o N How Chinmaya Mission Trains Leaders The two-year Vedanta course at Sandeepany Sadhanalaya in Mumbai demands rigorous personal discipline, deep devotion and intense scriptural study Chinmaya Mission’s training program is practice. Here the acharyas (teachers) of no ordinary course of study. It is a 24/7 Chinmaya Mission are trained in a two-year commitment of body, mind and soul to an program which begins and ends on Ganesha immersive spiritual adventure. A recent Chathurti. A year later, a new course begins. graduate, Acharya Vivek, recounts his I was honored to join the 13th course, which extraordinary experience. commenced in 2005. I was born and raised in Niagara Falls, By Acharya Vivek, Canada, to devotees of Swami Tejomayanan- Chinmaya Mission da, the current head of Chinmaya Mission. I Niagara, Canada pursued all that any young Canadian would: ome great men try to improve the higher education, travelling, fancy posses- world by changing the outer settings sions. Like everyone else, I followed these of economic and societal conditions. pursuits for the sake of happiness. And like S A few greater men try to change the everyone else, happiness eluded me—time processes and the vision of the masses. The and time again. This was an intensely tiring very greatest achieve a complete and last- period of my life. ing transformation, one individual at a time. Relief came from a most unexpected That was Swami Chinmayananda’s vision source. I had learned that Swami Tejoma- when he created Sandeepany Sadhanalaya yananda himself was going to be the Resi- in 1963. -
108 Names of Anandamayi Ma
108 Names of Shrī Ānandamayī Ma 1) Shrī Mātre Supreme Mother encompassing both female and male forms 2) Hridayavasinī She who resides in the heart 3) Sanātanī The Eternal one 4) Ānandamayī Bliss permeated 5) Bhuvana Ujjāla One who illuminates the universe 6) Jananī She who gives birth 7) Shūddhya Pure 8) Nirmala Without karmic limitation 9) Punyavistārinī She who spreads virtue all around 10) Rajrajeshwari Queen of queens 11) Swāhā The essence of devotional offering 12) Swadha ̄ The essence of offerings to the ancestors 13) Gourī Fair complexioned 14) Pranavarūpinī The manifest form of OM 15) Saumya Pleasing 16) Saumyatāra Pleasing to a higher degree 17) Satya Supreme Reality 18) Manohara One who steals the mind 19) Pūrna Fullness itself 20) Parātpara Superior to the superior 21) Ravishashi Kundala Wearing the Sun and Moon as Her earrings 22) Mahāvyoma Kuntala Having the vast expanse of the sky as Her hair 23) Viswarūpinī Assuming all forms in the universe 24) Aishwarya Bhātima Splendor of riches 25) Mādhurya Pratima ̄ Image of sweetness 26) Mahimā Mandita Possessing the greatness/divine power of Yogis 27) Rāma Avatar of Lord Vishnu 28) Manorama Pleasing (to) the mind 29) Shānti Peace itself 30) Shānta Peaceful; composed 31) Kshamā Forgiveness itself 32) Sarva Devamayī Full of all gods 33) Sarva Devimayī Full of all goddesses 34) Sukhadāyini One who gives happiness 35) Varadāyini One who gives boons 36) Bhaktidāyini One who provides devotional mentality 37) Jñānadāyini One who gives wisdom 38) Kaivalya Dāyini One who gives emancipation -
The Inner Light: the Beatles, India, Gurus, and the Legacy
The Inner Light: The Beatles, India, Gurus, and the Legacy John Covach Institute for Popular Music, University of Rochester Arthur Satz Department of Music Eastman School of Music Main Points The Beatles’ “road to India” is mostly navigated by George Harrison John Lennon was also enthusiastic, Paul somewhat, Ringo not so much Harrison’s “road to India” can be divided into two kinds of influence: Musical influences—the actual sounds and structures of Indian music Philosophical and spiritual influences—elements that influence lyrics and lifestyle The musical influences begin in April 1965, become focused in fall 1966, and extend to mid 1968 The philosophical influences begin in late 1966 and continue through the rest of Harrison’s life Note: Harrison began using LSD in the spring of 1965 and discontinued in August 1967 Songs by other Beatles, Lennon especially, also reflect Indian influences The Three “Indian” songs of George Harrison “Love You To” recorded April 1966, released on Revolver, August 1966 “Within You Without You” recorded March, April 1967, released on Sgt Pepper, June 1967 “The Inner Light” recorded January, February 1968, released as b-side to “Lady Madonna,” March 1968 Three Aspects of “Indian” characteristics Use of some aspect of Indian philosophy or spirituality in the lyrics Use of Indian musical instruments Use of Indian musical features (rhythmic patterns, drone, texture, melodic elements) Musical Influences Ravi Shankar is principal influence on Harrison, though he does not enter the picture until mid 1966 April 1965: Beatles film restaurant scene for Help! Harrison falls in love with the sitar, buys one cheap Summer 1965: Beatles in LA hear about Shankar from McGuinn, Crosby (meet Elvis, discuss Yogananda) October 1965: “Norwegian Wood” recorded, released in December on Rubber Soul. -
The Rise of Bengali Yoga (Excerpt from Sun, Moon and Earth: the Sacred Relationship of Yoga and Ayurveda)
The Rise of Bengali Yoga (Excerpt from Sun, Moon and Earth: The Sacred Relationship of Yoga and Ayurveda) By Mas Vidal To set the stage for a moment, the state of Bengal is an eastern state of India and is one of the most densely populated regions on the planet. It is home to the Ganges river delta at the confluence of the Brahmaputra and Meghna rivers. Rivers have always been a sacred part of yoga and the Indian lifestyle. The capital of Bengal is Kolkata, which was the center of the Indian independence movement. As yoga began to expand at the turn of the century through the 1950s, as a counter-cultural force opposed to British occupation, the region also struggled against a tremendous set-back, the Great Bengal Famine of 1943- 44, which took an estimated two to three million lives. India battled through this and eventually gained independence in 1947. Bengal managed to become a womb for bhakti yogis and the nectar that would sustain the renaissance of yoga in India and across the globe. Bengali seers like Sri Aurobindo promoted yoga as an integral system, a way of life that cultivated a dynamic relationship between mind, body, and soul. Some of the many styles of yoga that provide this pure synthesis remain extant in India, but only through a few living yoga teachers and lineages. This synthesis may even still exist sporadically in commercial yoga. One of the most influential figures of yoga in the West was Paramahansa Yogananda, who formulated a practical means of integrating ancient themes and techniques for the spiritual growth of people in Western societies, and for Eastern cultures to reestablish their balance between spirituality and the material. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
The Malleability of Yoga: a Response to Christian and Hindu Opponents of the Popularization of Yoga
Journal of Hindu-Christian Studies Volume 25 Article 4 November 2012 The Malleability of Yoga: A Response to Christian and Hindu Opponents of the Popularization of Yoga Andrea R. Jain Follow this and additional works at: https://digitalcommons.butler.edu/jhcs Part of the Religion Commons Recommended Citation Jain, Andrea R. (2012) "The Malleability of Yoga: A Response to Christian and Hindu Opponents of the Popularization of Yoga," Journal of Hindu-Christian Studies: Vol. 25, Article 4. Available at: https://doi.org/10.7825/2164-6279.1510 The Journal of Hindu-Christian Studies is a publication of the Society for Hindu-Christian Studies. The digital version is made available by Digital Commons @ Butler University. For questions about the Journal or the Society, please contact [email protected]. For more information about Digital Commons @ Butler University, please contact [email protected]. Jain: The Malleability of Yoga The Malleability of Yoga: A Response to Christian and Hindu Opponents of the Popularization of Yoga Andrea R. Jain Indiana University-Purdue University Indianapolis FOR over three thousand years, people have yoga is Hindu. This assumption reflects an attached divergent meanings and functions to understanding of yoga as a homogenous system yoga. Its history has been characterized by that remains unchanged by its shifting spatial moments of continuity, but also by divergence and temporal contexts. It also depends on and change. This applies as much to pre- notions of Hindu authenticity, origins, and colonial yoga systems as to modern ones. All of even ownership. Both Hindu and Christian this evidences yoga’s malleability (literally, the opponents add that the majority of capacity to be bent into new shapes without contemporary yogis fail to recognize that yoga breaking) in the hands of human beings.1 is Hindu.3 Yet, today, a movement that assumes a Suspicious of decontextualized vision of yoga as a static, homogenous system understandings of yoga and, consequently, the rapidly gains momentum. -
A Case Study of Three Transpersonal Psychotherapists and Their Bhakti and Karma Approaches to Transpersonal Psychotherapy
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1999 A case study of three transpersonal psychotherapists and their bhakti and karma approaches to transpersonal psychotherapy. Edward H. Connor College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Clinical Psychology Commons Recommended Citation Connor, Edward H., "A case study of three transpersonal psychotherapists and their bhakti and karma approaches to transpersonal psychotherapy." (1999). Dissertations, Theses, and Masters Projects. Paper 1593092097. https://dx.doi.org/doi:10.21220/m2-hv94-3c04 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Brill's Encyclopedia of Hinduism
Brill's Encyclopedia of Hinduism Edited by Knut A. Jacobsen (Editor-in-Chief) Associate Editors Helene Basu Angelika Malinar Vasudha Narayanan BRILL LEIDEN . BOSTON 2009 Table of Contents, Volume I Prelims Preface vii List of Contributors ix Notes for Users xix Primary Sources xxi Primary Source Abbreviations xxv Journals and Series xxvii General Abbreviations xxxi Introduction xxxiii Regions and Regional Traditions (Hinduism in the Regions of India and South and Southeast Asia) Overview article 3 East Assam and the Eastern States 13 Bengal 25 Orissa 43 North Bihar 59 Himalaya Region 73 Jharkhand 87 Kashmir 99 Madhya Pradesh and Chhattisgarh 127 Punjab 153 Uttar Pradesh 171 South Andhra Pradesh 187 Karnataka 201 Kerala 221 Tamil Nadu 233 West Goa 249 Gujarat 255 Maharashtra 271 Rajasthan 285 South Asia outside of India Bangladesh 301 Nepal 307 Pakistan 315 Sri Lanka 321 Historical Southeast Asia: Burma 337 Cambodia 345 Indonesia 353 Thailand 371 © Koninklijke Brill NV, Leiden, 2009 BEH, vol I Also available online - www brill nl Vi TABLE OF CONTENTS Sacred Space and Time TIrtha and Tirthayatra: Salvific Space and Pilgrimage 381 Cosmic Cycles, Cosmology, and Cosmography 411 Festivals 429 Processions 445 Gods, Goddesses, and Divine Powers Overview article 457 Asuras and Daityas 469 Ayyappan 479 Bhairava 485 Bhudevi 491 Brahma 499 Dattatreya 513 Draupadi and Sita 517 Durga 535 Ganapati/Ganesa 551 Gandharvas and Apsarases 565 Gariga 571 Hanuman 579 Kali 587 Krsna 605 Kuladevi 621 Mahadevi 627 Murukan 637 Navagrahas 647 Parvati 655 Radha 675 Rama 681 River Goddesses 695 Rsis 703 Sacred Animals 711 SantosiMa 719 Sarasvati 725 Sitaladevi 733 Siva 741 Sri Laksmi 755 Vedic Gods 765 Verikatesvara 781 Visnu 787 Yaksas and Yaksinis 801 Yama 807 Yamuna 817 Yoginis 823 Glossary 829 Sections for Future Volumes 832 Brills Encyclopedia of Hinduism Volume II: Sacred Texts and Languages Ritual Traditions Arts Concepts Edited by Knut A. -
10. Jerry Katz
10. JERRY KATZ NDM: Can you please tell me about your awakening, how and when this happened? Jerry Katz: In anyone's spiritual biography you can identify turning points, moments when truth is stumbled into. Those moments could take the form of a sudden awakening, or a question, or a realization of some kind. You stumble into those moments. You can't plan for them to happen and, you know, stop off for a sandwich on the way to experiencing the stumbling. There's nothing linear about stumbling into truth. If it was linear you would see the stumbling block and walk around or over it and never stumble. It is said in the Kaballah that the stumbling block is in your hand. It's not separate from you. You stumble upon yourself. For most people there is more than one stumbling. I call them initiations. I had several initiations into my true nature as "I Am." They occurred between the ages of 7 and 10. I knew they were important and meaningful but I never knew how to live life with them. So I forgot about them until around age 25, when I revisited them. What got me to revisit them was dissatisfaction with life and the sense that there was something more meaningful I needed to find out about. It was clear that I needed to investigate my early initiations into "I Am." I spend a couple of years writing about my early experiences, feeling them, investigating them from different angles, and wanting to be stabilized as this "I Am." After about two years, in 1977, that stabilization happened and was marked with the spontaneous utterance, "There is only one day." Everything was seen as one day, or perhaps you could say one moment; in today's language you could say I was living in the now. -
SEEING INDIA: a Hyperreal Yoga Fantasy by Rebecca Elizabeth Long
SEEING INDIA: A Hyperreal Yoga Fantasy by Rebecca Elizabeth Long Honors Thesis Appalachian State University Submitted to the Department of Anthropology, the Department of Art, and The Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts December, 2016 Dana E. Powell, Ph.D., Thesis Director Heather Waldroup, Ph.D., Second Reader Christina Sornito, Ph.D., Third Reader Sushmita Chatterjee, Ph.D., Fourth Reader Timothy Smith, Ph.D., Honors Director, Department of Anthropology James Toub, Ph.D., Honors Director, Department of Art Ted Zerucha, Ph.D., Interim Director, The Honors College ABSTRACT How does the yoga studio present India for viewing? As a yoga scholar-practitioner, I examine visual, linguistic, and embodied representations of India at a local yoga studio to address this question. The fieldwork for this ethnographic thesis spans yoga classes, yoga teacher training, and a two-week pilgrimage to India with members of this yoga studio. I pay special attention to bhakti yoga, a devotional form of yoga taught by the yoga studio as a way to offer a more spiritual and therefore more authentic yoga. Placing my experiences within a critical understanding of postcolonial yoga history, I show that yoga has been constructed to meet various ideologies and political projects, challenging the production of yoga as India’s pristine and unchanging cultural icon. I find that India is exhibited as an ultra-spiritual, pre- colonial, anti-modern location both at the yoga studio and when traveling as a yoga tourist. Using Jean Baudrillard’s theory of the hyperreal, along with postcolonial theories, I argue that the yoga studio creates a particular India for consumption that is not based in reality but is instead the product of oriental fantasies.