Why How What

Total Page:16

File Type:pdf, Size:1020Kb

Why How What 1.855.55MOTEK (66835) WWW.MOTEK.CA Motek Cultural Initiative (MOTEK) is an innovative non-profit charitable organization, established to showcase contemporary Israeli music to diverse audiences. MOTEK began with a vision and a dream for change! By showcasing and introducing talented Israeli musicians to the mainstream, we are fostering a new generation’s appreciation for Israel across multicultural communities. MOTEK improves perceptions of Israel using music as a tool to transcend barriers, promote positive attitudes and unity. WHY HOW WHAT To reveal a POSITIVE IMAGE of Israel Through the Produce Concerts, Advocacy Events, while strengthening our next generation’s power of music! and unique programs to improve connection to Israel. Israel’s online reputation. 1.855.55MOTEK (66835) WWW.MOTEK.CA CASE FOR SUPPORT 2015 MOTEK 4th Annual Gala Who We Are What We Do Become a Supporter Sponsorship Programs About Us Produce Donor Wall Marketing & Media Machine Board & Members Develop MOTEK’s Fan Club Fan demographics Implement Brand exposure MOTEK’s Future Sponsorship Package 1.855.55MOTEK (66835) WWW.MOTEK.CA MOTEK 4 th ANNUAL GALA PRESENTS The Soul of Israeli Sound accompanied by a 12 piece ensemble It is with great pride and excitement that Motek Cultural Initiative 4th Annual Gala presents the Soul of Israeli Sound; Shlomi Shabat accompanied by a 12- piece ensemble on Thursday May 7, 2015 at the Queen Elizabeth Theatre. This date also marks Lag Ba’Omer, a festive day of celebration in the Jewish calendar. Shlomi Shabat is an Israeli singer and composer, known as the SOUL of Israeli music. Shlomi’s rise to fame began in the 1980’s, when he pioneered a new fusion of Mediterranean rock, blues, and Spanish music. With a loyal following spanning three generations of Israeli music lovers, Shabat has produced 18 hit albums in musical styles ranging from Mediterranean, Latin, Hebrew, Arabic, Spanish, Turkish, Ladino and good old-fashioned Rock n’ Roll. These days, Shlomi serves as primary mentor on TV’s “THE VOICE Israel”. A genuine musical sensation, Shlomi Shabat has emerged as an Israeli musical icon. THURSDAY MAY 7, 2015 @ THE QUEEN ELIZABETH THEATRE 1.855.55MOTEK (66835) WWW.MOTEK.CA MESSAGE FROM THE BOARD Dear Motek, I would like to thank you for your interest in becoming a supporter of our innovative and unique non-profit charitable organization. My path to MOTEK started when I left my homeland, Israel, and arrived in one of the few countries in the world where multiculturalism is not just a word - it’s a way of life. This celebration of diversity, coupled with my passion for the arts, led me to establish MOTEK, a charity that uses music as a tool to promote unity and transcend the barriers of language Dear Friends, and religion. With the major success of last year’s Gala, MOTEK has Why Music? In the words of Jimi Hendrix: “Music doesn’t lie. If there is received overwhelming support from the community something to be changed in this world, then it can only happen through at large for its efforts in re-branding Israel and sharing music.” With a consistently negative portrayal of Israel in the media, an its unique culture withToronto’s Jewish, non-Jewish, active effort must be made. Using music as an agent of change, MOTEK and Israeli populations. As a father of an entrepreneur sheds new light on Israel. in Israel, my dedication to MOTEK derives from a love for Israeli culture and the country that has given so Please help make this year a memorable one. It’s people like you who will much to my family. keep our organization’s heart beating. It is my hope that you will support MOTEK transports its supporters to a place that MOTEK and become part of our vision and dream for change! has become so distorted by mainstream media. In an effort to curb the negative effects of the news, Yours Truly, MOTEK’s programming instills the future leaders of Ravid Dahan our country with pride, while promoting cross-cultural Founder, Motek Cultural Initiative understanding. We invite you to relax, unwind, and enjoy this year’s 4th Annual Gala with positive energy and an outlook for a brighter future. Yours Truly, Cary Green Honorary Board Member BOARD Motek would not be possible without the OF DIRECTORS enthusiasm of talented individuals who are ADVISORY passionate about Israel and it‘s culture. Dear Friends, & BOARD We are thrilled to be here for another year to celebrate Israel's vibrant culture. Knowing firsthand Our dedicated Advisory Board and Board of Directors are composed the caliber of art that comes from this beautiful of diverse community leaders, Israeli government delegates, community country, I am a firm believer in MOTEK's past and representatives, entrepreneurs, and the next generation of leading ongoing efforts to transform the public's perception philanthropists. Our board provides MOTEK with supportive and strategic of Israel through music. consultation, and we thank each one of them for their continued support. What Ravid and her team have accomplished since MOTEK's inaugural gala in 2012 is nothing short of amazing. The organization's dedication to "letting the Ms. Katrin Mazanowski Mr. Alan Greenberg sounds of Israel inspire the world" has permeated Ms. Ravid Dahan Mr. Howard Lichtman throughout our city, touching the lives of audiences Mr. Jacob Eylon Ms. Toby Rosner from every background. MOTEK is a movement. It's a Mr. Meir Gluzberg Mr. Jake Gold cause that is building relationships where they matter Mr. Saul Feldberg Ms. Sharon Azrieli most. Mr. Amir Gissin Mr. Leslie Klein Mr. Cary Green Ms. Lewis Mitz Toda Raba, Alan Greenberg Honorary Board Member 1.855.55MOTEK (66835) WWW.MOTEK.CA WHO WE ARE Motek Cultural Initiative (MOTEK) is an innovative non-profit charitable organization, established to showcase contemporary Israeli music to diverse audiences. MOTEK began with a vision and a dream for change! By showcasing and introducing talented Israeli musicians to the mainstream, we foster a new generation’s appreciation for Israel across multicultural communities. MOTEK improves perceptions of Israel using music as a tool to transcend barriers, promote positive attitudes, and unity. OUR VISION We strive to facilitate a global shift in the perception of Israel. Motek chooses music as an agent of change to re-brand Israel and highlight its unique cultural character. OUR MISSION ESTABLISH the relevance of Israel amongst multicultural communities using music to enhance Israel’s reputation and promote unity amongst a variety of audiences. ENGAGE our up and-coming generation of community leaders. PROVIDE meaningful exposure to today’s Israeli cultural icons. ENCOURAGE collaboration between North American and Israeli musicians. ESTABLISH WHAT ENGAGE DOES MEAN? PROVIDE MOTEK, Hebrew slang for “SWEETHEART”, “MON CHÉRI”, “HABIBI” is a gender-neutral term of endearment used to compliment and create positive vibes. Our logo creatively redirects Hebrew characters to resemble English lettering; in ENCOURAGE the same spirit we use music as a tool to redirect public perception of Israel. 1.855.55MOTEK (66835) WWW.MOTEK.CA WHAT WE DO PRODUCE Epic concerts featuring Israeli musical legends Since 2009, MOTEK has produced twelve unforgettable concerts featuring over fifty Israeli artists hosted at Toronto’s greatest venues. From the most intimate of settings in our Unplugged Concert Series to audiences in the thousands sharing in the spirit of our Annual Galas and ISROCK Festival, a Motek event is unlike any other. These concerts expose Israeli musicians to the general public, resulting in a strong fanbase repeatedly eager to attend MOTEK events. With every show, MOTEK is a step closer to creating a positive vibe and fostering a new generation’s appreciation for Israel across multicultural communities. 1ST ANNUAL GALA 2ND ANNUAL GALA 3RD ANNUAL GALA THE IDAN RAICHEL PROJECT ISROCK FESTIVAL THE IDAN RAICHEL PROJECT There were a great many shows leading to Tel-Aviv was transported to Toronto On May 10, 2014, Motek’s 3rd annual Motek’s inaugural gala March 18, 2012, so for one unforgettable night on April 28, gala in partnership with Massey Hall, it seemed only fitting that the fusion music 2013 - Motek’s 2nd annual gala. The welcomed an audience of 2500 for a of The Idan Raichel Project would kick Israel Rock Festival commemorating truly unique Canadian/Israeli experience. off Motek’s newest initiative. A sold out Israel’s 65th Independence Day, featured The diverse audience was matched by crowd of 1500 was moved by the sounds epic live performances by legendary rock the varied influences of award winning of Israel’s greatest world music act. The band Mashina, iconic hip-hop band Hadag and internationally renowned The Idan Moroccan themed after-party featured Nahash, and the sensational “it girl” Yael Raichel Project. Known for a musical belly-dancers, DJ’s, authentic cuisine, and Dekelbaum. The celebration of glamorous fusion of Middle Eastern, West African, an atmosphere reminiscent of the joys and Israeli culture delighted audiences with Latin American, Indian, and Caribbean eclectic energy of modern Israeli life. electrifying music, authentic cuisine, and an sounds, the ensemble captivated the artisans marketplace. audience of all ages and backgrounds. CELEBRATE TEL AVIV’S CELEBRATE MULTICULTURAL TORONTO’S BIGGEST NUIT BLANCE A NIGHT FOR GILAD SHALIT 100TH ANNIVERSARY WORLD MUSIC PURIM PARTY ART FESTIVAL Mar 15, 2009 Jun 4, 2009 Nov 4, 2009 Feb 28, 2010 Oct 2, 2010 CELEBRATION OF ISRAELI LEGENDARY MUSICIAN INDEPENDENCE DAY MOTEK’s FAN MEMBER EVENT SHALOM HANOCH PURIM PARTY Apr 20, 2010 Feb, 2010 Mar 3, 2011 Mar 12, 2011 1.855.55MOTEK (66835) WWW.MOTEK.CA EVENTS DEVELOP unique cultural programs in collaboration with diverse communities MOTEK Advocacy Events are unique cultural programs designed to provide firsthand interactions with Israeli musicians in an effort to curb the negative effects stemming from on-campus “Israel Apartheid Week”.
Recommended publications
  • Vincas Kudirka, Martynas Jankus, Jonas Šliūpas and the Making of Modern Lithuania Charles C
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Summer 2013 Lithuanians in the Shadow of Three Eagles: Vincas Kudirka, Martynas Jankus, Jonas Šliūpas and the Making of Modern Lithuania Charles C. Perrin Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Perrin, Charles C., "Lithuanians in the Shadow of Three Eagles: Vincas Kudirka, Martynas Jankus, Jonas Šliūpas and the Making of Modern Lithuania." Dissertation, Georgia State University, 2013. https://scholarworks.gsu.edu/history_diss/35 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. LITHUANIANS IN THE SHADOW OF THREE EAGLES: VINCAS KUDIRKA, MARTYNAS JANKUS, JONAS ŠLIŪPAS AND THE MAKING OF MODERN LITHUANIA by CHARLES PERRIN Under the Direction of Hugh Hudson ABSTRACT The Lithuanian national movement in the late nineteenth and early twentieth centuries was an international phenomenon involving Lithuanian communities in three countries: Russia, Germany and the United States. To capture the international dimension of the Lithuanian na- tional movement this study offers biographies of three activists in the movement, each of whom spent a significant amount of time living in one of
    [Show full text]
  • Table of Contents
    Table of Contents From the Editors 3 From the President 3 From the Executive Director 5 The Sound Issue “Overtures” Music, the “Jew” of Jewish Studies: Updated Readers’ Digest 6 Edwin Seroussi To Hear the World through Jewish Ears 9 Judah M. Cohen “The Sound of Music” The Birth and Demise of Vocal Communities 12 Ruth HaCohen Brass Bands, Jewish Youth, and the Sonorities of a Global Perspective 14 Maureen Jackson How to Get out of Here: Sounding Silence in the Jewish Cabaretesque 20 Philip V. Bohlman Listening Contrapuntally; or What Happened When I Went Bach to the Archives 22 Amy Lynn Wlodarski The Trouble with Jewish Musical Genres: The Orquesta Kef in the Americas 26 Lillian M. Wohl Singing a New Song 28 Joshua Jacobson “Sounds of a Nation” When Josef (Tal) Laughed; Notes on Musical (Mis)representations 34 Assaf Shelleg From “Ha-tikvah” to KISS; or, The Sounds of a Jewish Nation 36 Miryam Segal An Issue in Hebrew Poetic Rhythm: A Cognitive-Structuralist Approach 38 Reuven Tsur Words, Melodies, Hands, and Feet: Musical Sounds of a Kerala Jewish Women’s Dance 42 Barbara C. Johnson Sound and Imagined Border Transgressions in Israel-Palestine 44 Michael Figueroa The Siren’s Song: Sound, Conflict, and the Politics of Public Space in Tel Aviv 46 Abigail Wood “Surround Sound” Sensory History, Deep Listening, and Field Recording 50 Kim Haines-Eitzen Remembering Sound 52 Alanna E. Cooper Some Things I Heard at the Yeshiva 54 Jonathan Boyarin The Questionnaire What are ways that you find most useful to incorporate sound, images, or other nontextual media into your Jewish Studies classrooms? 56 Read AJS Perspectives Online at perspectives.ajsnet.org AJS Perspectives: The Magazine of President Please direct correspondence to: the Association for Jewish Studies Pamela Nadell Association for Jewish Studies From the Editors perspectives.ajsnet.org American University Center for Jewish History 15 West 16th Street Dear Colleagues, Vice President / Program New York, NY 10011 Editors Sounds surround us.
    [Show full text]
  • International Press
    International press The following international newspapers have published many articles – which have been set in wide spaces in their cultural sections – about the various editions of Europe Theatre Prize: LE MONDE FRANCE FINANCIAL TIMES GREAT BRITAIN THE TIMES GREAT BRITAIN LE FIGARO FRANCE THE GUARDIAN GREAT BRITAIN EL PAIS SPAIN FRANKFURTER ALLGEMEINE ZEITUNG GERMANY LE SOIR BELGIUM DIE ZEIT GERMANY DIE WELT GERMANY SUDDEUTSCHE ZEITUNG GERMANY EL MUNDO SPAIN CORRIERE DELLA SERA ITALY LA REPUBBLICA ITALY A NEMOS GREECE ARTACT MAGAZINE USA A MAGAZINE SLOVAKIA ARTEZ SPAIN A TRIBUNA BRASIL ARTS MAGAZINE GEORGIA A2 MAGAZINE CZECH REP. ARTS REVIEWS USA AAMULEHTI FINLAND ATEATRO ITALY ABNEWS.RU – AGENSTVO BUSINESS RUSSIA ASAHI SHIMBUN JAPAN NOVOSTEJ ASIAN PERFORM. ARTS REVIEW S. KOREA ABOUT THESSALONIKI GREECE ASSAIG DE TEATRE SPAIN ABOUT THEATRE GREECE ASSOCIATED PRESS USA ABSOLUTEFACTS.NL NETHERLANDS ATHINORAMA GREECE ACTION THEATRE FRANCE AUDITORIUM S. KOREA ACTUALIDAD LITERARIA SPAIN AUJOURD’HUI POEME FRANCE ADE TEATRO SPAIN AURA PONT CZECH REP. ADESMEUFTOS GREECE AVANTI ITALY ADEVARUL ROMANIA AVATON GREECE ADN KRONOS ITALY AVLAIA GREECE AFFARI ITALY AVLEA GREECE AFISHA RUSSIA AVRIANI GREECE AGENZIA ANSA ITALY AVVENIMENTI ITALY AGENZIA EFE SPAIN AVVENIRE ITALY AGENZIA NUOVA CINA CHINA AZIONE SWITZERLAND AGF ITALY BABILONIA ITALY AGGELIOF OROS GREECE BALLET-TANZ GERMANY AGGELIOFOROSTIS KIRIAKIS GREECE BALLETTO OGGI ITALY AGON FRANCE BALSAS LITHUANIA AGORAVOX FRANCE BALSAS.LT LITHUANIA ALGERIE ALGERIA BECHUK MACEDONIA ALMANACH SCENY POLAND
    [Show full text]
  • Patient–Physician Collaboration in Rheumatology: a Necessity
    Miscellaneous RMD Open: first published as 10.1136/rmdopen-2017-000499 on 18 July 2017. Downloaded from VIEWPOINT Patient–physician collaboration in rheumatology: a necessity Elena Nikiphorou,1,2 Alessia Alunno,3 Loreto Carmona,4 Marios Kouloumas,5 Johannes Bijlsma,6 Maurizio Cutolo7 To cite: Nikiphorou E, ABSTRACT has set important milestones and allowed the Alunno A, Carmona L, Over the past few decades, there has been significant specialty to progress to a different level. et al. Patient–physician and impressive progress in the understanding and collaboration in rheumatology: management of rheumatic diseases. One of the key a necessity. RMD Open reasons for succeeding in making this progress has PATIENTS AND PHYSICIANS WORKING IN 2017;3:e000499. doi:10.1136/ rmdopen-2017-000499 been the increasingly stronger partnership between PARTNERSHIP physicians and patients, setting a milestone in patient The relationship between patients and care. In this viewpoint, we discuss the recent evolution physicians has received attention since the ► Prepublication history for of the physician–patient relationship over time in Europe, Hippocratic times.1 It is undoubtedly a rela- this paper is available online. reflecting on the ‘journey’ from behind the clinic walls To view these files please visit tionship that has changed and matured through to clinical and research collaborations at national the journal online (http:// dx. doi. and international level and the birth of healthcare through the years, with almost a complete org/ 10. 1136/ rmdopen- 2017- turnaround of role and attitude: the emphasis 000499). professional and ‘rheumatic’ patient organisations. The role of expert patients and patient advocates in clinical is now on the patient talking and the physi- Received 16 May 2017 and scientific committees now represents a core part cian listening and understanding the needs of Revised 13 June 2017 of the decision-making process.
    [Show full text]
  • Tribute Planned for Beheaded Teacher
    MONDAY, OCTOBER 19, 2020 06 Israel, UAE News in brief u A landslide early on to sign deal Sunday killed at least 14 for 28 weekly Tribute planned for military personnel and left eight missing in central flights Vietnam, the government said, in what could be the country’s largest military loss beheaded teacher in peace time as it battles major flooding. The mudslide hit the barracks of a unit of Vietnam’s 4th Military Landslide 11th person was Region in the central province of Quang Tri, the hits barracks • government said in a statement on its website. detained yesterday It occurred days after another landslide killed 13 in Vietnam, Reuters | Jerusalem people, mostly soldiers, in the neighbouring province killing 14 The 47-year-old of Thua Thien Hue. srael and the United Arab teacher• was killed Nagorno- u The defence IEmirates will a sign a deal on Friday outside ministry of the yesterday to allow 28 weekly Karabakh says his school Nagorno-Karabakh commercial flights between death toll among region said on Sunday Israel’s Ben Gurion airport, its military rises it had recorded another Dubai and Abu Dhabi, Isra- • The assailant, who to 673 40 casualties among its el’s Transportation Ministry was born in Russia of military, pushing the military death toll to 673 since said on Sunday. Chechen origin, was fighting with Azeri forces erupted on Sept. 27. The fighting has surged to its worst The agreement, which level since the 1990s, when some 30,000 people were killed. also allows unlimited char- shot dead by police ter flights to a smaller air- soon after the attack u Thousands of Thai anti-government protesters took over People gather in front of the Bois d’Aulne college after the attack in the Paris key intersections in Bangkok yesterday, defying a ban on protests port in southern Israel and suburb of Conflans St Honorine, France 10 weekly cargo flights, for the fourth day with chants of “down with dictatorship” and “reform the Reuters | Paris monarchy.” Demonstrations have persisted comes after Israel and UAE Prophet is blasphemous.
    [Show full text]
  • 11-07 Chayei Sarah
    Beshallach / 13 Shevat 5776 “Miriam the prophetess”! by Anselm Feuerbach ! ! ִתּ ַקּח ִמרְ יָם ַה ִנְּביאָה אֲחוֹת אַהֲרֹן, ֶאת ַהתֹּף בְּיָ ָדהּ; וַ ֵתּ ֶצאן ָ ָכל- ַהנָּ ִשׁים ֶאַחֲר ָיה, ֻבְּת ִפּים ִוּבמְ חֹלת. וַ ַתּ ַען ָל ֶהם, ִמרְ יָם: ... ִשׁירוּ ַליהוָה ִכּי- ָגאֹה ָגּאָה ! Exodus 15:20-2 Miriam the prophetess, the sister of Aaron, took a tambourine in her hand; and all the women went out after her with tambourines and with dances. And Miriam sang to them: !“Sing to Adonai, for G-d is highly exalted…” ! In the Bible, Miriam, sister of Moses and Aaron takes a secondary role to her brothers. Were anyone to ask, “who led the Israelite people out of Egypt?,” most certainly the answer would be “Moses” or maybe “Moses and his brother Aaron.” But, seldom would the question elicit the answer, “Miriam.” Yet, this week’s Torah portion tells us that “Miriam the prophetess… took the tambourine in her hand; and all the women followed her with tambourines and dances. And !Miriam sang to them….” Biblical commentators (including Fox, Plaut, Alter) tell us that it was customary in ancient days for women to lead the community in a victory dance and song following the defeat of an enemy. This was perhaps the scenario as the crossing of the Sea of Reeds marked a successful exodus from 400 years of slavery in Egypt. It’s very clear that Miriam sang to “them” as in all the men, not just the women who followed her with tambourine in hand for a victory dance.
    [Show full text]
  • JOM KIPUR DAN POMIRENJA U Ovom Broju Vijesti Iz Op{Tine
    GLASILO JEVREJSKE ZAJEDNICE BOSNE I HERCEGOVINE broj 59. Sarajevo, septembar 2013. / ti{ri / he{van 5774. JOM KIPUR DAN POMIRENJA U ovom broju Vijesti iz Op{tine Izlazi ~etiri vrlo ozbiljan plan rada sekcije. Najveća pažnja je odmah bila puta godi{nje GODI[NJA SKUP[TINA GODIŠNJA SKUPŠTINA fokusirana na pokušaj da se naša omladina zainteresuje prije Published four svega za svoje jevrejsko porijeklo, te sudjelovanje u vjerskom times a year JEVREJSKE OP[TINE 3.str životu u okviru J.O. Članovi sekcije su bili angažovani oko Broj 59. JEVREJSKE OPŠTINE priprema velikih, najznačajnijih, ali i ostalih praznika u septembar, 2013. Boris Ko`emjakin Opštini. Naravno,bili su aktivni i u svojim individualnim Predhodne godine, u maju 2012. godine, na izbornoj djelatnostima u drugim poslovima vezani za djelatnost komisije Glasnik Jevrejske Skupštini izabrali smo novo Predsjedništvo, na mandat (odlazak u druge gradove zbog organizovanja vjerskog života, zajednice Bosne i od četri godine.Na godišnjoj Skupštini, nakon praktično te sahrane itd.).Ne treba posebno napominjati da su redovno Hercegovine HASIDSKE SLIKOVITE šesnaest mjeseci rada, u sptem,bru 2013. Godine, sumirali smo održavane molitve petkom navečer (Arvid shel Shabat). Herald of Jewish rezultate rada za prethodni period, osvrćući se kritički na rad, Community of Bosnia and a sve sa željom da naš zajednički život i rad bude sadržajniji i Što se tiče predavanja, komisija ih je shvatila kao pilot Herzegovina PRI^E MELITE KRAUS 4.str bogatiji, da ga osvježimo novim idejama i sugestijama članstva projekte i kao uvod u daljnje aktivnosti u tom smislu, pošto Izdava~/Publisher Pavle Kaunitz Opštine, da se kritički osvrnemo i sagledamo rad aktuelnog bi nakon uvodna četri predavanja, koje su održali svi članovi Jevrejska zajednica Predsjedništva Opštine, tze stručnih službi,komisija i sekcija komisije, slijedila predavanja koja bi uz pomoć članova Bosne i Hercegovine koje djeluju u okviru Jevrejske Opštine.
    [Show full text]
  • Jury Members List (Preliminary) VERSION 1 - Last Update: 1 May 2015 12:00CEST
    Jury members list (preliminary) VERSION 1 - Last update: 1 May 2015 12:00CEST Country Allocation First name Middle name Last name Commonly known as Gender Age Occupation/profession Short biography (un-edited, as delivered by the participating broadcasters) Albania Backup Jury Member Altin Goci male 41 Art Manager / Musician Graduated from Academy of Fine Arts for canto. Co founder of the well known Albanian band Ritfolk. Excellent singer of live music. Plays violin, harmonica and guitar. Albania Jury Member 1 / Chairperson Bojken Lako male 39 TV and theater director Started music career in 1993 with the band Fish hook, producer of first album in 1993 King of beers. In 1999 and 2014 runner up at FiK. Many concerts in Albania and abroad. Collaborated with Band Adriatica, now part of Bojken Lako band. Albania Jury Member 2 Klodian Qafoku male 35 Composer Participant in various concerts and contests, winner of several prizes, also in children festivals. Winner of FiK in 2005, participant in ESC 2006. Composer of first Albanian etno musical Life ritual. Worked as etno musicologist at Albanology Study Center. Albania Jury Member 3 Albania Jury Member 4 Arta Marku female 45 Journalist TV moderator of art and cultural shows. Editor in chief, main editor and editor of several important magazines and newspapers in Albania. Albania Jury Member 5 Zhani Ciko male 69 Violinist Former Artistic Director and Director General of Theater of Opera and Ballet of Tirana. Former Director of Artistic Lyceum Jordan Misja. Artistic Director of Symphonic Orchestra of Albanian Radio Television. One of the most well known Albanian musicians.
    [Show full text]
  • COMPLETE DRAFT Copy Copy
    Peace and Security beyond Military Power: The League of Nations and the Polish-Lithuanian Dispute (1920-1923) Chiara Tessaris Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Chiara Tessaris All rights reserved ABSTRACT Peace and Security beyond Military Power: The League of Nations and the Polish- Lithuanian Dispute Chiara Tessaris Based on the case study of the mediation of the Polish-Lithuanian dispute from 1920 to 1923, this dissertation explores the League of Nations’ emergence as an agency of modern territorial and ethnic conflict resolution. It argues that in many respects, this organization departed from prewar traditional diplomacy to establish a new, broader concept of security. At first the league tried simply to contain the Polish-Lithuanian conflict by appointing a Military Commission to assist these nations in fixing a final border. But the occupation of Vilna by Polish troops in October 1920 exacerbated Polish-Lithuanian relations, turning the initial border dispute into an ideological conflict over the ethnically mixed region of Vilna, claimed by the Poles on ethnic grounds while the Lithuanians considered it the historical capital of the modern Lithuanian state. The occupation spurred the league to greater involvement via administration of a plebiscite to decide the fate of the disputed territories. When this strategy failed, Geneva resorted to negotiating the so-called Hymans Plan, which aimed to create a Lithuanian federal state and establish political and economic cooperation between Poland and Lithuania. This analysis of the league’s mediation of this dispute walks the reader through the league’s organization of the first international peacekeeping operation, its handling of the challenges of open diplomacy, and its efforts to fulfill its ambitious mandate not just to prevent war but also to uproot its socioeconomic and ethnic causes.
    [Show full text]
  • Abraham Joshua Heschel, "No Time for Neutrality" Moral Grandeur and Spiritual Audacity, Pp
    Engaging Israel: Foundations for a New Relationship The Shalom Hartman Institute Video Lecture Series Lecture 4: Background Reading 16 Abraham Joshua Heschel, "No Time for Neutrality" Moral Grandeur and Spiritual Audacity, pp. 75-89 One of the lessons we have derived from the events of our time is that we cannot dwell at ease under the sun of our civilization, that man is the least harmless of all beings. We feel how every minute in our civilization is packed with tension like the interlude between lightning and thunder. Man has not advanced very far from the coast of chaos. It took only one storm to throw him back into the sinister. If culture is to survive, it is in need of defenses all along the shore. A frantic call to chaos shrieks in our blood. Many of us are too susceptible to it to ignore it forever. Where is the power that could offset the effect of that alluring call? How are we going to keep the demonic forces under control? This is the decision which we have to make: whether our life is to be a pursuit of pleasure or an engagement for service. The world cannot remain a vacuum. Unless we make it an altar to God, it is invaded by demons. This is no time for neutrality. We Jews cannot remain aloof or indifferent. We, too, are either ministers of the sacred or slaves of evil. The only safeguard against constant danger is constant vigilance, constant guidance. Such guidance is given to him who lives in the reality of Israel.
    [Show full text]
  • Growing Together
    Programming and Education Guide 5780 / 2019-2020 Growing Together “As a Tree Rooted by Tranquil Waters“ -Psalms 1:3 Shabbat Afternoon Parsha Week at a glance... How many ways are there of looking at a story? Tradition tells us that there are seventy faces to the Torah. Join in as this class delves into many of the perspectives for understanding the SUNDAY MONDAY THURSDAY FRIDAY world’s all-time bestseller. Following the schedule of the weekly Torah portion, Rabbi Michael Monthly Weekly Weekly Winter Davies will guide the class through discussion of text and some of the classic commentaries in Breakfast Ketuvim Lunchtime Tisch order to gain insight into the fascinating stories, familiar and overlooked passages and cryptic Minyan with Kenny Talmud Page 3 instructions that make up the Bible. Enrich your Shabbat conversation and carry the messages Page 15 Page 7 Page 7 with you wherever you go! Class is appropriate both for beginners as well as those with Torah Weekly Torah Weekly Cholent study background. Study & Learn Dates & Times: Shabbat Afternoons in the Fall, Spring, and Summer. 45 minutes before Page 6 Page 7 afternoon services (check weekly schedule for exact times). Please check synagogue SHABBAT announcements or website for more information. Weekly Shabbat Weekly Weekly Summer Afternoon Seudah Youth Tisch Seudah Shlishit Parsha Shlishit Groups Page 3 It’s not just a meal, it’s Seudah Shlishit! Join the ever-growing group that attends the brief Page 3 Page 3 Page 4 Shabbat afternoon service and continues on to share the Seudah Shlishit meal with song and Monthly Weekly TOT Monthly TOTally Monthly Shabbat study.
    [Show full text]
  • Songs of Grief, Joy, and Tragedy Among Iraqi Jews
    EXILED NOSTALGIA AND MUSICAL REMEMBRANCE: SONGS OF GRIEF, JOY, AND TRAGEDY AMONG IRAQI JEWS BY LILIANA CARRIZO DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Professor Donna A. Buchanan, Chair Professor Gabriel Solis Associate Professor Christina Bashford Professor Kenneth M. Cuno ABSTRACT This dissertation examines a practice of private song-making, one whose existence is often denied, among a small number of amateur Iraqi Jewish singers in Israel. These individuals are among those who abruptly emigrated from Iraq to Israel in the mid twentieth century, and share formative experiences of cultural displacement and trauma. Their songs are in a mixture of colloquial Iraqi dialects of Arabic, set to Arab melodic modes, and employ poetic and musical strategies of obfuscation. I examine how, within intimate, domestic spheres, Iraqi Jews continually negotiate their personal experiences of trauma, grief, joy, and cultural exile through musical and culinary practices associated with their pasts. Engaging with recent advances in trauma theory, I investigate how these individuals utilize poetic and musical strategies to harness the unstable affect associated with trauma, allowing for its bodily embrace. I argue that, through their similar synaesthetic capability, musical and culinary practices converge to allow for powerful, multi-sensorial evocations of past experiences, places, and emotions that are crucial to singers’ self-conceptions in the present day. Though these private songs are rarely practiced by younger generations of Iraqi Jews, they remain an under-the-radar means through which first- and second-generation Iraqi immigrants participate in affective processes of remembering, self-making, and survival.
    [Show full text]