$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUFOPE), Y2,5C0 (JAPAN) II,InII..J..I,II.I,ImI..II..IIII I 11..11 #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLED 834 A06 B0121 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT MAY 1 1 , 2002 Brit Acts Hope To Reconquer The Hot 100 BY GORDON MASSON, MELINDA Lester of Wildlife Entertainment, enters the Hot 100 at No. 84 (see Sin- Robert Plant; and, later in the year, emerging, while charts worldwide NEWMAN, and PAUL SEXTON who manages Craig David, one of gles Minded, page 57). Optimistic David, Dido, and David Gray. have showcased writers Paul Barry LONDON-Is U.K. pop music losing its the handful of breakthrough British commentators also point to an Additionally, such acts as Oasis, and Mark Taylor-on hits by both fabled grip on America? The country's artists in recent years whose success encouraging schedule of releases in BBMak, Beth Orton, Badly Drawn Cher and Enrique Iglesias -and cultural relations with the U.S. have flies in the face of such a reaction. the coming months by artists with Boy, Morcheeba, and Doves are revis- Cathy Dennis and Rob Davis, com- always been newsworthy, and nothing The chart run iting the U.S_ with posers and producers of Kylie unites the U.K. media like a negative began when U.K. new albums, while Minogue's "Can't Get You out of My news for first Caravelles hopefuls Ed Har- Head" (Capitol), which peaked at No. story. So the that the time duo the ********* in almost 40 years there were not any debuted on the ********** court, the Music, 7 on the Hot 100. U.K. Al, LostProphets, Minogue's continuing presence on artists on The Billboard Hot 100 Hot 100 in the wlb> for two consecutive issues dated April Nov. 2, 1963, issue and the Electric the Hot 100 represents a hit very fin-ANTI( 27 and May 4 generated reams of prob- with "You Don't Soft Parade are much made in Britain, and the Aus- ISSIN ing headlines, column inches, and the Have to Be a Baby ( among those try- tralian artist's resurgence in fortunes collective gnashing of teeth about the to Cry" and came to a pause in the substantial U.S. track records, in- ing to establish fan bases in America. owes much to the hard work of Par - "death" of British music. April 27 issue. But just two weeks cluding Coldplay; the Prodigy; Mas- Several initiatives backed by the lophone in the U.K. Andy Slater, who "Americans celebrate success; we later, the drought is over, as "Days Go sive Attack; seasoned campaigners U.K. government aimed at boosting became president of Capitol U.S. one tend to celebrate failure," says Colin By" from Capitol's U.K. act Dirty Vegas David Bowie, Phil Collins, and the British presence in the U.S. are (Continued on page 70) Dead Live On In Touring Legacy BY RAY WADDELL the subsequent breakup of the band. NASHVILLE Over the course of the long, strange his- Its devoted followers-the celebrated Deadheads who tory of rock touring, there has never been an act quite not only followed the band from concert to concert but like the Grateful Dead -a band which, largely also built a cottage parking -lot industry-still without the benefit of the Internet, hit exist, as evidenced by an active Internet pres- .. albums, radio airplay, music videos, or ence, plentiful album reissues, and a con- t, even mainstream acceptance, grew tinuing audience for surviving band ,iiiiirtifitt, álfflii steadily for 30 years to become one of member projects. the top touring acts ever. But a multitudinous live mani- Spawned from San Francisco's festation geared toward one band, Geffen'sWeezei' On `Maladroit' 1960s counterculture scene, the Grate- such as the Dead enjoyed, does not ful Dead had built a touring industry currently exist. Rather, the ongoing BY WES ORSHOSKI comes in on another phone. unto itself by the mid- 1990s. Stadium - legacy of the Grateful Dead is a thriv- NEW YORK-Weezer frontman Ri- "Wait, here's the record company level stalwarts reliant on neither current ing yet splintered "jam band" scene vers Cuomo is on the phone from Los now," says Cuomo, who has managed albums nor popular whim, the Dead grossed led by such artists as Trey Anastasio, his Angeles, listing the positive results of the band himself for roughly a year, stop- $285 million from 1990 to '95, well more than band Phish (currently on open -ended hia- both a recent spat with the band's la- ping mid -sentence to put his phone's any other act during that period. Nearly 8 million peo- tus), String Cheese Incident, Widespread Panic, bel, Geffen/lnterscope- concerning receiver to the speaker of his answer- ple saw the Dead's 530 -plus concerts in the five years Dave Matthews Band, and others. Additionally, the forthcomingMaladroit (May 14)- ing machine, on which a top Interscope preceding frontman Jerry Garcia's death in 1995 and (Continued on page 69) and the group's decision last year to exec is leaving a private message. cut loose its manager, when a call (Continued on page 72) `Off The Hook' R&B/Hip -Hop CD Series: Page 6 New Regime Emerges At NARAS; NARM Rallies Behind Singles: Page 8 Inocentes WIC's athum sophomore That musically captures the of this , strengths `lam FOLLOWS PAGE 38 tip and taming (Re99aeton) 0`- genre potvertul 11 track album containrng productions Ilk with its $6.95ÚS $8.95CAN lineup of DJ JOE, DJ,(ESPN, DJ BLASS, DJ REFLEX... 1 9> and producers Special,uoaafi' arppeances by well known reggaeton artists guest artists. TRIBAL"KLAN,RANKINSTONE, -.- . 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A Classic Oceanfront Resort 2399 Collins Avenue Miami Beach, Florida 33139 www.roney- palace.com www.americanradiohistory.com Working In The House Wanamaker Built Billboard® "The merchant," wrote legendary department store magnate It seems odd that a joint box -office /record- business bonanza John Wanamaker in the 1920s, "must be big enough, broad like Paramount Pictures /20th Century Fox's 1997 Titanic film Editor in Chief: TIMOTHY WHITE enough, far-seeing enough to survey the whole field and then stand and Sony's soundtrack album could earn hundreds of millions of EDITORIAL Managing Editor: MICHAEL ELLIS as a bulwark amid the confusions, heresies, and fears of his times." dollars and rekindle a global cultural obsession and yet inspire Bureau Chiefs: Leila Cobo (Latin, Miami), Bill Holland (Washington, D.C.), reflection only a few years later about the tragedy Melinda Newman (L.A.), Phyllis Stark (Nashville) These words come to mind amid this era of upheaval in the scant lingering Senior Editors: Ed Christman (Retail), Linda Dedkard (Venues, Nashville), Larry Flick (Talent), entertainment, retail, and media spheres because Billboard and itself. We can reap cash from romanticized calamity and then Wayne Hoffman (News), ChuckTaylor (Features), Ray Waddell (Concerts, Nashville) Senior Writer: Chris Morris (L.A.) the rest of the VNU Business Media family (whose properties coldly re- shelve it. Perhaps it's a reminder that, in the words of Special Correspondent/Music Publishing Editor: Jim Bessman Art Director: Jeff Nisbet include Back Stage, Amusement Business, Kirkus Reviews, The George Bernard Shaw, "There are two tragedies in life. One is to Associate Editors: Jill Pesselnick (Home Video, L.A.), The other is to gain it." Brian Garrity (Merchants & Marketing /New Media), Hollywood Reporter, Editor & Publisher, Adweek, Brandweek, lose your heart's desire. Carla Hay (Music & Showbiz), Gail Mitchell (R &B, L.A.), Wes Orshoski, Watson -Guptill Publications, Display & Design Ideas, Architec- The Fates are eager and unsentimental in the modern world of Michael Paoletta (Dance), Deborah Evans Price (Country/Christian, Nashville), Emma Warby (Copy), ChristaTitus ture, and Retail Merchandiser) has been headquartered since June media and entertainment, where supposed strategic corporate mar- Staff Writers: Matthew Benz, Rashaun Hall post first- quarter Assistant Editors: Christopher Walsh (Pro Audio), Chris Woods 2000 in the legendary Wanamaker building, which occupies the vels like AOL Time Warner and Vivendi Universal Art Assistant: Raymond Carlson entire block of Eighth and Ninth streets between Broadway and losses of $54.2 billion and $15.4 billion, respectively, as each reduces Contributors: Bradley Bambarger, Fred Bronson, Ramiro Burt, Lisa Collins, Steven Graybow, Larry LeBlanc, Moira McCormick, David Nathan, Matthew Robinson, Astor Place in Greenwich Village. the value of their recent rites of conglomeration. Vivendi must yet Steve Smith, SteveTraiman Assistant to the Editor In Chief: Allison Farber The mammoth ivory-stone edifice was once America's largest reduce $29 billion of debt, but the charge AOL Time Warner took Editorial Assistant: Margo Whitmire (L.A.) department store, a New York satellite of the retail is truly epic when one realizes it exceeds the corn- INTERNATIONAL (Londonl s International Editor: Tom Ferguson empire developed by Wanamaker, the German - bined profits generated by Time Inc., Warner, or AOL News Editor: Gordon Masson amalgamated existences.