Newsletter Berlinale 2014 {09015536-2938-E411-944A
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Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Filmprogramm Oktober 2019 Rex Tone →3 Hal Hartley
Filmprogramm Oktober 2019 Rex Tone →3 Hal Hartley: Pionier des Independent-Films →4 REX Kids →13 Premieren: For Sama / Aquarela →15 So Long, My Son / Welcome to Sodom →19 Easy Love →20 Agenda →16/17 10 →21 Festivalfilme / Rex nuit Filmgeschichte →22 Berner filmPremiere →24 19 100 Jahre Bauhaus →25 Uncut / Kino und Theater →26/27 Shnit im Rex →28 www.rexbern.ch Editorial Von Thomas Allenbach Die Behauptung mag verwegen klingen, sie sei trotzdem gewagt: Im Okto- ber können Sie im REX den Film mit der besten Tanzszene der 1990er-Jahre sehen. Pulp Fiction? The Big Lebowski? Scent of a Woman? Sollten Sie unser Programm nach diesen Titeln durchforsten, werden Sie nicht fündig. Der Film heisst Simple Men, gedreht hat ihn der US-Amerikaner Hal Hartley, und der Song dazu stammt von Sonic Youth («Cool Thing» vom Album «Goo»). Falls Ihre Neugier geweckt ist: Die Szene können Sie sich auf Youtube Hier kommt die Nacht: anschauen (www.youtube.com/watch?v=Vgb8CyrgppI). Ich bin mir ziem- In der DJ-Reihe REXtone lich sicher, dass Sie danach unbedingt den ganzen Film sehen wollen – und spielen einmal im Monat ausgewählte DJs Obskuri- nach Simple Men gleich noch alle anderen Filme des Regisseurs, der in den täten, Raritäten und 1990er-Jahren zu den Helden des Independent-Kinos zählte und um den Popularitäten aus ihren es nach der Jahrtausendwende still geworden ist. Was hat Hartley seither weiten Archiven. Songs, die eine Einladung an die gemacht? Er ist unter anderem dabei, sich die Rechte an seinen Filmen Geselligkeit und Neugier- zurückzukaufen, diese zu restaurieren und neu zu untertiteln und sich so de sind und die zuweilen die Kontrolle über sein Oeuvre zu sichern. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
L'homme Irrationnel Irrational Man
L'homme irrationnel Irrational Man Écrit et réalisé par / Written and directed by Woody Allen GRAVIER PRODUCTIONS PRÉSENTE / PRESENTS EN ASSOCIATION AVEC / IN ASSOCIATION WITH PERDIDO PRODUCTIONS L'homme irrationnel Irrational Man Écrit et réalisé par / Written and directed by Woody Allen DISTRIBUTION MARS DISTRIBUTION 66, rue de Miromesnil Jamie Blackley 75008 Paris Tél. : 01 56 43 67 20 Joaquin Phoenix [email protected] Parker Posey Emma Stone CANNES BUREAU DE PRESSE / PRESS OFFICE Hôtel Martinez Room 107 Tél. : 04 97 97 77 15 INTERNATIONAL PRESS HYPERACTIVE PUBLICITY Caroline Turner [email protected] Judith Daniel [email protected] SORTIE LE 14 OCTOBRE ATTACHÉS DE PRESSE FRANCE INTERNATIONAL RELEASE DATES ON REQUEST Jean-Pierre Vincent Virginie Picat DURÉE / LENGTH : 1H36 [email protected] Tél. : 04 93 06 43 98 / 04 93 06 43 99 Synopsis Professeur de philosophie, Abe Lucas est un homme dévasté sur le plan affectif, qui a perdu toute joie de vivre. Il a le sentiment que quoi qu’il ait entrepris - militantisme politique ou enseignement - n’a servi à rien. Peu de temps après son arrivée dans l’université d’une petite ville, Abe entame deux liaisons. D’abord, avec Rita Richards, collègue en manque de compagnie qui compte sur lui pour lui faire oublier son mariage désastreux. Ensuite, avec Jill Pollard, sa meilleure étudiante, qui devient aussi sa meilleure amie. Si Jill est amoureuse de son petit copain Roy, elle trouve irrésistibles le tempérament torturé et fantasque d’Abe, comme son passé exotique. Et tandis que les troubles psychologiques de ce dernier s’intensifient, Jill est de plus en plus fascinée par lui. -
Filmart 2014 №1
DAILY MARCH 24, FILMART 2014 №1 THR.COM/FILMART China_3D_cover_Day1.indd 1 3/21/14 3:18 PM ASIAN PREMIERE INTERNATIONAL MARKET PREMIERE Mon, 24th Mar. Mon,/ 16:00 24th /Mar. AMC / 16:00 Pacific / AMC 4 Pacific/ By Invitation4 / Market (BY INVITATION ONLY) Tue, 25th Mar. / 10:00 / AMC Pacific 1 / By Invitation Tue, 25th Mar. / 10:00 / AMC Pacific 1 / Market (BY INVITATION ONLY) Fortissimo Films HKIFF + HK Filmart Booth: 1E - B09 To set up a meeting with us, please e-mail to [email protected] HK 2014_THR_another me.indd 1 2014/3/19 �� 8:32 Fortissimo FP_Day1.indd 1 3/19/14 11:18 AM MARCH 24, 2014 THR.COM/FILMART FILMART №1 HONG KONG TODAY TOMORROW WEATHER AND HIGH 73° F 71° F TEMPS 23° C 22° C IP MAN 3 Chinese Movie Boom Boosts Filmart KICKS INTO An increased presence from the Mainland sparks optimism among dealmakers hoping to HIGH GEAR grab a larger slice of the world’s fastest-growing film marketBy Clifford Coonan and Karen Chu By Karen Chu ong Kong Filmart is already Asia’s largest wait and see. It’s a curtain raiser for Cannes and egasus Motion Pictures film market in terms of exhibitor numbers, advance showcase for upcoming projects, and it is will begin filming Ip H but coming shortly before Cannes, it is increasingly well attended.” P Man 3 in early 2015. an annual challenge to convince buyers to open But the growing allure of Chinese-language With a budget of $30 mil- their wallets in Asia, rather than wait for the bigger movies makes Filmart ever more important to lion, the finale of the trilogy, European platform. -
“China Factor” in Contemporary Hong Kong Genre Cinema
Concentric: Literary and Cultural Studies 46.1 March 2020: 11-37 DOI: 10.6240/concentric.lit.202003_46(1).0002 Re-Negotiations of the “China Factor” in Contemporary Hong Kong Genre Cinema Ting-Ying Lin Department of Information and Communication Tamkang University, Taiwan Abstract Given the long-existing and multifaceted negotiations of the “China factor” in Hong Kong film history, this article centers on the political function of genre films by exploring how contemporary Hong Kong filmmakers utilize filmmaking as a flexible strategy to re-negotiate and reflect on the China factor concerning current post-handover political dynamics. By focusing on several recent Hong Kong genre films as case studies, it examines how the China factor is negotiated in Vulgaria (低俗喜劇 Disu xiju, 2012) and The Midnight After (那夜凌晨，我坐上了旺角開往大埔的紅 VAN Naye lingchen, wo zuoshang le Wangjiao kaiwang Dapu de hong van, 2014), considering the politics of languages alongside the imaginary of the disappearance of Hong Kong’s local cultures in the post-handover era. It also highlights two post-Umbrella- Revolution films, Trivisa ( 樹大招風 Shuda zhaofeng, 2016) and The Mobfathers (選老頂 Xuan lao ding, 2016), to explore how the China factor is negotiated in light of the collective anxieties of Hongkongers regarding the handover and controversies in the current electoral system of Hong Kong. By doing so, this article argues that the re-negotiations of the China factor in contemporary Hong Kong genre cinema have become more and more politically reflexive given the increasingly severe political interference of the Beijing sovereignty that has violated the autonomy of Hong Kong, while forming a discourse of resistance of Hongkongers against possible neo- colonialism from the Chinese authorities in the postcolonial city. -
Honing Their Craft
Jacob J.Lew will take part in the Jerusalem Post Annual Conference. Did you save your seat? Click Here Like 443k 0 search 06.01.2015 | 14 Sivan, 5775 HCGiogeuhrr mRst ceEcahpionIlooan FoBrtv f Mlte‘iei :Pc“rsn dMC sAtoDSngsutrsnairt, iede tlsgukIBa’se'iin rsis nwciyMedl H molbgti y iGnsoihanu geem vantpdcRhrirev pesu iPambHrsbe irmsfbnr Mca usoiaedbgchaitnr afuoi oMn uap kehnrFodb irt eoicMl cii,n Msnld asopI ao irlstmSi a nuntrlHsto abdgesait ebgsvei dnmle hinausmrt tonCsieter dondeieuce rfermot ,drf anounored in cGeldaiqezunaati elSwidmttyhr Gia opitetn h,oc r ewdrhmd rar,oso eatatntcsranda'ekstt vc Fe- dmcaktGMh Ihteom nseiharq'drncsaeozuaue rtaBnwrpeas id w nelilS maenitgiittotntrgysar h eS i sonmpbi henfy,e le mo aywidJmnvorieogesevewn sses' streht ,o mt”c Kosednaeeyts swseitth HamaDsju rludersgaieedg ehartnsd CiHrcaamssaisa nle laedaedresr Jerusalem Post >> Israel News >> Culture >> Honing their craft CULTURE By HANNAH BROWN \ 05/30/2015 22:47 Honing their craft Remembering the dismembered culture of Polish Jewry In pictures: Rape culture protested in Jerusalem's fo... 4 4 The TLV International Student Film Festival brings together film students from all over the world, as well as veteran directors who give workshops. converted by Web2PDFConvert.com 4 4 US indie filmmaker Hal Hartley. (photo credit:Courtesy) The 17th TLV International Student Film Festival, which opens today and runs until June 6 at the Tel Aviv Cinematheque, is different from all the other film festivals in Israel because “it was initiated by the students of Tel Aviv University, and its prime goal is to bring students and their films from all over the world to Israel,” says Talia Bernstein, who, along with Roni Shamis, is the festival’s co-director. -
Fay Grim' Hal Hartley Takes Familiar Faces in a Totally Different Direction
MOVIE REVIEW 'Fay Grim' Hal Hartley takes familiar faces in a totally different direction. By Kevin Crust Times Staff Writer May 18, 2007 Hal Hartley's dark comedy "Henry Fool" was an indie masterpiece that effectively and accessibly meshed Hartley's literary influences with his specific minimalist style and some of the most memorable characters of the last decade. Now, Hartley takes the characters he created for that world and launches them into a surprisingly different direction in "Fay Grim," a worthy follow-up and rare art house sequel. "Fool," released in 1998, was a leap forward for Hartley, building on his quirkier early work and taking it to a more substantial place. Featuring stage actors James Urbaniak and Thomas Jay Ryan as Simon Grim and Henry Fool, respectively, the film turned on the awakening of garbage man Simon's hidden poetic talents that bloomed under the urging of the Faustian drifter, Henry, whose lowly status and appearance belied his epic braggadocio. The Beckettesque duo, along with Parker Posey as Simon's sister Fay, who becomes the title character in the new movie, gave physical life to Hartley's complex and unabashedly intelligent characters. When we last saw our antiheroes, Simon had won the Nobel Prize for his profane and controversial poetry, Henry had fled murder charges by allegedly going to Stockholm using Simon's passport, and Fay was left with a young son after Henry had impregnated and married her seven years earlier. The handwritten, multipart opus Henry had been flouting, "The Confessions of Henry Fool," was largely thought to be a horrible novel, literary excrement perpetuated by a vulgar man with a vivid imagination. -
Book Reviews – February 2014
Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 Book Reviews – February 2014 Table of Contents Watching the World: Screening Documentary and Audiences By Thomas Austin A Journey through Documentary Film By Luke Dormehl American Documentary Film: Projecting the Nation By Jeffrey Geiger A Review by Douglas C. MacLeod Jr. ............................................................. 6 Performance in the Cinema of Hal Hartley By Steven Rawle Hal Hartley By Mark L. Berrettini A review by Jennifer O'Meara..................................................................... 14 Hunting the Dark Knight: Twenty-First Century Batman By Will Brooker The James Bond Phenomenon: A Critical Reader Edited by Christoph Lindner A Review by Matthew Freeman .................................................................. 21 Film and Female Consciousness: Irigaray, Cinema and Thinking Women By Lucy Bolton Civilized Violence: Subjectivity, Gender and Popular Cinema. By David Hansen-Miller A Review by Katherine Whitehurst.............................................................. 28 1 Book Reviews New Takes in Film-Philosophy Edited by Havi Carel and Greg Tuck Deleuze and Cinema: The Film Concepts By Felicity Colman Deleuze and World Cinemas By David Martin-Jones A Review by Sergey Toymentsev ............................................................... 35 The British Film Institute, the Government and Film Culture, 1933-2000 edited by Geoffrey Nowell-Smith and Christophe Dupin J. Edgar Hoover Goes to the Movies: The FBI -
Marginality and the Films of Hal Hartley
The Repetition of Difference: Marginality and the Films of Hal Hartley NEWCAOTLE UNIVErOITY LIDRAfY 200 13901 0 'The\ Lb8L,Jo Lesley Deer PhD Thesis September 2000 Centre for Research into Film The University of Newcastle upon Tyne But you know, everyone really only makes one film in his life, and then he breaks it up into fragments and makes it again with just a few little variations each time. Jean Renoir' 'From preface to Flirt screenplay (Hartley 1996: vii). ACKNOWLEDGEMENT I wish gratefully to acknowledge the Arts and Humanities Research Board of the British Academy for assisting the production of this thesis with a Postgraduate Studentship. Thank you to my supervisor, Prof Phil Powrie, for keeping me on track, to Prof. Keith Reader for mentoring my teaching, and to all of the staff connected to the University of Newcastle upon Tyn&s Centre for Research into Film. Thanks also go to Paul Bishenden, Mike Heath, Celia Shephard, and my family, for their help and support. ABSTRACT THE REPETITION OF DIFFERENCE: MARGINALITY AND THE FILMS OF HAL HARTLEY Hal Hartley is prominent within the recent rise of the independent film-making movement in America. This thesis is centred around the issues of repetition, difference and marginality which characterise his films. Marginality inhabits Hartley's position as an American independent who makes a European art-house style of film. He is an auteur who articulates his influences through his reference to Godard. Marginality is also the dominant characteristic of those who people Hartley's films. Difference, which is marginality pushed to its greatest extent, is further imposed upon Hartley's characters. -
Un Film Écrit Et Réalisé Par Hal Hartley Bill Sage Sabrina Lloyd Tatiana Abracos
un film écrit bill sage et réalisé par sabrina lloyd hal hartley tatiana abracos Après des semaines de tournage dans un New York glacial, Hal Hartley vient d’achever son dernier long-métrage, The Girl From Monday, à Puerto Rico, le 3 février 2004. Hartley décrit son film comme étant «un faux film de science-fiction sur la façon dont nous vivons aujourd'hui » et met à l’affiche Sabrina Lloyd (Sports Night, Dopamine) Bill Sage (Even Hand, The Maldonado Miracle and Greg Araki’s Mysterious Skin) Leo Fitzpatrick (Storytelling, Bully, Personal Velocity) et la top modèle brésilienne Tatiana Abracos dans le rôle titre. Récit sans concession d’amitié, de sacrifice et d’amour libre à l’âge de l’information, The Girl From Monday montre les tensions d’une société de consommation sans limite et son impact sur la sexualité, la paranoïa anti-terroriste et la difficulté à distinguer des dirigeants élus de dirigeants d’entreprise. Lors d’une interview donnée sur le tournage, Hal Hartley déclarait : Oui, beaucoup de sujets sont abordés. Mais c'est surtout un jeu sur les tendances contemporaines, sur la façon dont la technologie, le consumérisme, la politique nous influencent. Synopsis Une fille venue de l’espace tombe dans Contre-Révolution, dont les partisans per- l’océan. Être venu d’une lointaine constel- pétuent chaque jour des actes audacieux lation nommée Monday, elle prend la forme contre l’empire : faire l’amour juste parce d’une belle jeune femme afin de partir à la que cela fait du bien, interrompre l’émission recherche d’un ami, arrivé des années plus des journaux télévisés tenus par l’état- tôt. -
Three Husbands
26 April/4 May 2019 – Udine – Teatro Nuovo and Visionario FAR EAST FILM FESTIVAL 21 THREE HUSBANDS Sex and social satire in Fruit Chan's new film, which has its European premiere in Udine: a bold and powerful metaphor for the realities of HK. Special guest of FEFF 21 is the film's protagonist Chloe Maayan, an actress who symbolises the new generation of young Chinese. Press release for the 25th of March 2019 For immediate release UDINE – There are some bonds that just never break. One of them runs along an East-West axis and connects the Far East Film Festival with Hong Kong director Fruit Chan. It's a friendship built upon cinema: The Longest Summer was one of the titles featured in the line-up of the very first FEFF, in 1999. It's also a friendship built upon shared dreams: two years ago, the FEFF produced the 4K restoration of his anarchic, independent and (then) invisible cult movie Made in Hong Kong. And that's why presenting a Fruit Chan title is always an event. After his 2014 gem The Midnight After, Fareasters now have the chance to admire Mister Chan's powerful new film: Three Husbands, presented at the Tokyo Film Festival and coming to Udine for its European premiere. A bold and disturbing low-budget movie that brings together sex and social satire and confirms the eternally rebellious and inspired vision of its director. A director who, as always, is a witty and attentive observer of the mood of a city represented here as an insatiable nymphomaniac (let's not forget that the film concludes the Trilogy of Prostitution which begin with 2000's Durian, Durian and 2001's Hollywood, Hong Kong) and a community in continual transformation.